| Date | 1877 |
| Technique | Woodblock Engraving (Newspaper-Text on Reverse) |
| Category | Ottoman Empire And Turkey |
| Source | The Illustrated London News, (February 17 1877-Page 149) |
This engraving, titled “Going to a Minister’s Ball at Constantinople”, depicts a vivid moment from the cosmopolitan life of 19th-century Pera (modern-day Beyoğlu), the European quarter of the Ottoman capital. The scene unfolds at the entrance of the Hotel de l’Angleterre, also known as Missiri’s Hotel, a well-known establishment frequently mentioned in The Illustrated London News as the preferred residence of European diplomats, artists, and travellers in Constantinople. The Hotel d’Angleterre (Missiri Hotel), whose sign is also featured in the engraving, was a popular accommodation for Western travelers, diplomats, and journalists in 19th-century Istanbul. Founded in 1841 by Greek translator James Missirie in Dörtyol (today's İstiklal Avenue) in Pera, the hotel moved to building 463 on the same street in 1854. The Hôtel d’Angleterre is considered the first example of modern hotel management in Istanbul. With its cleanliness, quality food and magnificent balls, it quickly became an establishment of European standards, and became a frequent destination for British and French officers, especially during the Crimean War (1853-1856). Despite criticism for its high prices and Missirie's strict rules, the hotel remained Istanbul's most prestigious accommodation for nearly forty years. The Hidivyal Palas, which was completely destroyed in a devastating fire on April 10, 1894, now stands on the site of the hotel. As reported in the newspaper article, the engraving depicts a lady, thought to be English or French, boarding a sedan chair to attend a ball held at the mansion of an Ottoman government minister. The woman's elegant dress, elegant shawl, and the gentleman's tailcoat reflect the European fashion of the period, while the Ottoman porters, street vendors, and curious onlookers surrounding them create a backdrop of daily Eastern life. Thus, the scene becomes a social scene where Western and Eastern cultures intersect in the same space.