| Artist | L.Feyen |
| Engraver | Albert Henry Payne (1812-1902) |
| Date | 1840's |
| Technique | Etching-Mezzotint-Original Hand Colored |
| Category | Religion |
| Source | The Holy Bible containing the Old and New Testaments, The Rev H. Philip & The Rev J. Brown-Printed And Published By A.H.Payne, Leipzig & Dresden -James Hagger, Paternoster Row, London |
This engraving is based on verse 12 of Genesis, chapter 22, of the Old Testament of the Bible. The scene depicts the dramatic moment when Abraham was tested by sacrificing his son, a moment of shared significance in Jewish, Christian, and Islamic traditions. Against a backdrop illuminated by a celestial beam of light, Abraham laid his son on the altar, a sharp knife in one hand and his other hand grasping his son's head. His face displayed a mixture of determination, terror, and faith. Isaac lay there, accepting the sacrifice. This submission symbolizes not only the son's absolute loyalty to God's will, but also the son of a prophet. This scene depicts Abraham about to fulfill God's command to test his faith, but he was stopped by an angel's intervention. The offering of a ram in place of the son to be sacrificed also forms the symbolic basis of Eid al-Adha in Islam. However, Ishmael is accepted as the son instead of Isaac. The celestial lights and clearing clouds at the top of the engraving emphasize the suddenness and sacredness of Divine intervention. The ram figure on the ground next to the altar is a visual symbol of this transformation and grace. This scene is not only a test of sacrifice but also defines the boundaries of the relationship between humanity and God, obedience and submission.