https://www.gravurdunyasi.com/antiqueprint/GMO23301NN https://www.gravurdunyasi.com/img/seo/GMO23301NN/paris-fashions-for-march-1853.jpg Paris Fashions For March (1853) Paris Fashions For March (1853) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO23401NN https://www.gravurdunyasi.com/img/seo/GMO23401NN/paris-fashions-for-april-1853.jpg Paris Fashions For April (1853) Paris Fashions For April (1853) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO23501 https://www.gravurdunyasi.com/img/seo/GMO23501/journal-des-demoiselles-janvier-1882.jpg Journal des Demoiselles, Janvier 1882 Journal des Demoiselles, Janvier 1882 — A.Chaillot — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO23601 https://www.gravurdunyasi.com/img/seo/GMO23601/journal-des-demoiselles-fevrier-1882.jpg Journal des Demoiselles, Fevrier 1882 Journal des Demoiselles, Fevrier 1882 — A.Chaillot — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO23701 https://www.gravurdunyasi.com/img/seo/GMO23701/journal-des-demoiselles-1882-winter-plate.jpg Journal des Demoiselles, 1882 (Winter Plate) Journal des Demoiselles, 1882 (Winter Plate) — Paul Lacouriere — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO23801 https://www.gravurdunyasi.com/img/seo/GMO23801/journal-des-demoiselles-1er-mars-1882.jpg Journal des Demoiselles, 1er Mars 1882 Journal des Demoiselles, 1er Mars 1882 — A.Zefruame ???? — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO23901 https://www.gravurdunyasi.com/img/seo/GMO23901/journal-des-demoiselles-1er-juillet-1882.jpg Journal des Demoiselles, 1er Juillet 1882 Journal des Demoiselles, 1er Juillet 1882 — Paul Lacouriere — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24001 https://www.gravurdunyasi.com/img/seo/GMO24001/journal-des-demoiselles-1er-aout-1882.jpg Journal des Demoiselles, 1er Aout 1882 Journal des Demoiselles, 1er Aout 1882 — Paul Lacouriere — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24101 https://www.gravurdunyasi.com/img/seo/GMO24101/journal-des-demoiselles-1er-octobre-1882.jpg Journal des Demoiselles, 1er Octobre 1882 Journal des Demoiselles, 1er Octobre 1882 — A.Chaillot — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24201 https://www.gravurdunyasi.com/img/seo/GMO24201/journal-des-demoiselles-1er-decembre-1882.jpg Journal des Demoiselles, 1er Decembre 1882 Journal des Demoiselles, 1er Decembre 1882 — A.Chaillot — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24301 https://www.gravurdunyasi.com/img/seo/GMO24301/journal-des-demoiselles-1er-janvier-1883.jpg Journal des Demoiselles, 1er Janvier 1883 Journal des Demoiselles, 1er Janvier 1883 — 1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24401 https://www.gravurdunyasi.com/img/seo/GMO24401/journal-des-demoiselles-janvier-1883.jpg Journal des Demoiselles, Janvier 1883 Journal des Demoiselles, Janvier 1883 — A.Chaillot — 1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24501 https://www.gravurdunyasi.com/img/seo/GMO24501/journal-des-demoiselles-mars-1883.jpg Journal des Demoiselles, Mars 1883 Journal des Demoiselles, Mars 1883 — Paul Lacouriere — 1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24601 https://www.gravurdunyasi.com/img/seo/GMO24601/l-iris-1855.jpg L’Iris, 1855 L’Iris, 1855 — Louis Berlier — 1855. This elegant fashion engraving was published in 1855 in the Paris-based women's magazine L'Iris – Journal de Modes et de Littérature. Published in the mid-19th century, L'Iris, along with publications such as Le Follet, La Mode Illustrée, and Journal des Demoiselles, played a significant role in shaping French fashion during the Napoleonic era. It… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24701 https://www.gravurdunyasi.com/img/seo/GMO24701/journal-des-demoiselles-1er-fevrier-1882.jpg Journal des Demoiselles, 1er Fevrier 1882 Journal des Demoiselles, 1er Fevrier 1882 — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24801 https://www.gravurdunyasi.com/img/seo/GMO24801/journal-des-demoiselles-1er-avril-1882.jpg Journal des Demoiselles, 1er Avril 1882 Journal des Demoiselles, 1er Avril 1882 — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO24901 https://www.gravurdunyasi.com/img/seo/GMO24901/journal-des-demoiselles-1er-septembre-1882.jpg Journal des Demoiselles, 1er Septembre 1882 Journal des Demoiselles, 1er Septembre 1882 — A.Chaillot — 1882. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25001 https://www.gravurdunyasi.com/img/seo/GMO25001/journal-des-demoiselles-1er-novembre-1883.jpg Journal des Demoiselles, 1er Novembre 1883 Journal des Demoiselles, 1er Novembre 1883 — 1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25101 https://www.gravurdunyasi.com/img/seo/GMO25101/journal-des-demoiselles-1883.jpg Journal des Demoiselles, 1883 Journal des Demoiselles, 1883 — 1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25201 https://www.gravurdunyasi.com/img/seo/GMO25201/journal-des-demoiselles-1er-novembre-1881.jpg Journal des Demoiselles, 1er Novembre 1881 Journal des Demoiselles, 1er Novembre 1881 — 1881. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25301 https://www.gravurdunyasi.com/img/seo/GMO25301/journal-des-demoiselles-mai-1883.jpg Journal des Demoiselles, Mai 1883 Journal des Demoiselles, Mai 1883 — 1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25401 https://www.gravurdunyasi.com/img/seo/GMO25401/journal-des-demoiselles-1880-s-hats-accessories-1882.jpg Journal des Demoiselles, 1880's (Hats & Accessories) Journal des Demoiselles, 1880's (Hats & Accessories) — 1882-1883. Journal des Demoiselles was one of the most renowned women’s magazines published in 19th-century France. Founded in Paris in 1833, it appealed primarily to young girls (demoiselles). While covering topics such as fashion, literature, music, morality, education, and social etiquette, the magazine also served as a cultural guide shaping the era's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25501 https://www.gravurdunyasi.com/img/seo/GMO25501/parisian-promenade-hats-1816.jpg Parisian Promenade Hats Parisian Promenade Hats — 1816. La Belle Assemblee was an English women's magazine founded by John Bell (1745-1831). It was published between 1806 and 1837. The magazine focused particularly on court life and fashion, and was aimed at a female readership. This fashion engraving, titled "Parisian-Style Strolling Hats," was created for La Belle Assemblee. The engraving follows the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25601 https://www.gravurdunyasi.com/img/seo/GMO25601/l-iris-journal-de-modes-et-d-arts-accessories-plate-1850.jpg L’Iris - Journal de Modes et d’Arts (Accessories Plate) L’Iris - Journal de Modes et d’Arts (Accessories Plate) — 1850's. This elegant fashion engraving was published in the Paris-based women's magazine L'Iris- Journal de Modes et de Littérature. Published in the mid-19th century, L'Iris, along with publications such as Le Follet, La Mode Illustrée, and Journal des Demoiselles, played a significant role in shaping French fashion during the Napoleonic era. It served… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25701 https://www.gravurdunyasi.com/img/seo/GMO25701/l-iris-journal-de-modes-et-d-arts-1853.jpg L’Iris - Journal de Modes et d’Arts (1853) L’Iris - Journal de Modes et d’Arts (1853) — 1853. This elegant fashion engraving was published in the Paris-based women's magazine L'Iris - Journal de Modes et de Littérature. Published in the mid-19th century, L'Iris, along with publications such as Le Follet, La Mode Illustrée, and Journal des Demoiselles, played a significant role in shaping French fashion during the Napoleonic era. It served… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25801 https://www.gravurdunyasi.com/img/seo/GMO25801/l-iris-journal-de-modes-et-d-arts-1854.jpg L’Iris - Journal de Modes et d’Arts (1854) L’Iris - Journal de Modes et d’Arts (1854) — 1854. This elegant fashion engraving was published in the Paris-based women's magazine L'Iris - Journal de Modes et de Littérature. Published in the mid-19th century, L'Iris, along with publications such as Le Follet, La Mode Illustrée, and Journal des Demoiselles, played a significant role in shaping French fashion during the Napoleonic era. It served… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMO25901 https://www.gravurdunyasi.com/img/seo/GMO25901/frauen-zeitung-modes-de-paris-1855.jpg Frauen Zeitung - Modes de Paris 1855 - Frauen Zeitung - Modes de Paris 1855 - — 1855. Frauen Zeitung was a weekly women's newspaper published between 1849 and 1852. It was founded in 1849 by writer and women's rights advocate Louise Otto. It was seen as a voice for women in its time and is today considered an important historical source for the early German women's movement. The two female figures in the engraving clearly embody… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0101B https://www.gravurdunyasi.com/img/seo/GMS0101B/maison-rustique-etude-d-apres-nature-a-issy-1830.jpg Maison Rustique (Etude D'Apres Nature A Issy) Maison Rustique (Etude D'Apres Nature A Issy) — Achille-Etna Michallon (1796-1822) — 1830 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0201B https://www.gravurdunyasi.com/img/seo/GMS0201B/john-knox-s-house-edinbura-1900.jpg John Knox's House, Edinbura John Knox's House, Edinbura — Featherstone Robson (1880-1936) — 1900's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0301B https://www.gravurdunyasi.com/img/seo/GMS0301B/the-shambles-york-1900.jpg The Shambles, York The Shambles, York — Featherstone Robson (1880-1936) — 1900's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0401B https://www.gravurdunyasi.com/img/seo/GMS0401B/horses-under-bridge-1880.jpg Horses Under Bridge Horses Under Bridge — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0501B https://www.gravurdunyasi.com/img/seo/GMS0501B/a-relic-of-the-past-1870.jpg A Relic Of The Past A Relic Of The Past — 1870's-1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0601B https://www.gravurdunyasi.com/img/seo/GMS0601B/vista-de-la-hacienda-de-campo-que-se-rifa-llamada-de-molina-en-el-1860.jpg Vista De La Hacienda De Campo Que Se Rifa Llamada De Molina En El Arroyo De Javoneros Termino De Malaga Vista De La Hacienda De Campo Que Se Rifa Llamada De Molina En El Arroyo De Javoneros Termino De Malaga — Leopol — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0701BB https://www.gravurdunyasi.com/img/seo/GMS0701BB/the-inside-of-st-pauls-cathedral-from-the-west-end-to-the-choir-le-1754.jpg The Inside Of St. Pauls Cathedral From The West End To The Choir-Le Neff De La Cathedrale De St. Paul A Londre The Inside Of St. Pauls Cathedral From The West End To The Choir-Le Neff De La Cathedrale De St. Paul A Londre — 1754 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0801B https://www.gravurdunyasi.com/img/seo/GMS0801B/an-impasse-algiers-1859.jpg An İmpasse, Algiers An İmpasse, Algiers — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS0901B https://www.gravurdunyasi.com/img/seo/GMS0901B/a-perspective-view-of-the-bank-of-england-1756.jpg A Perspective View Of The Bank Of England A Perspective View Of The Bank Of England — Robert West (1710-1770) — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1001B https://www.gravurdunyasi.com/img/seo/GMS1001B/southwest-view-of-the-parish-church-of-st-clement-s-danes-in-the-1756.jpg Southwest View Of The Parish Church Of St. Clement's Danes in The Strand Southwest View Of The Parish Church Of St. Clement's Danes in The Strand — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1101B https://www.gravurdunyasi.com/img/seo/GMS1101B/the-north-east-prospect-of-parish-church-of-st-mary-at-islington-1756.jpg The North East Prospect Of Parish Church Of St. Mary At Islington The North East Prospect Of Parish Church Of St. Mary At Islington — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1201B https://www.gravurdunyasi.com/img/seo/GMS1201B/the-north-west-prospect-of-the-parish-church-of-st-mary-whitechaple-1756.jpg The North West Prospect Of The Parish Church Of St. Mary WhiteChaple The North West Prospect Of The Parish Church Of St. Mary WhiteChaple — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1301B https://www.gravurdunyasi.com/img/seo/GMS1301B/the-south-west-prospect-of-the-parish-church-of-st-catherine-cree-in-1756.jpg The South West Prospect Of The Parish Church Of St. Catherine Cree in Leadenhall Street The South West Prospect Of The Parish Church Of St. Catherine Cree in Leadenhall Street — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1401B https://www.gravurdunyasi.com/img/seo/GMS1401B/ithe-parish-church-of-st-mary-le-bone-in-middlesex-a-prospect-of-the-1756.jpg iThe Parish Church Of St.Mary Le Bone in Middlesex-A Prospect Of The Parish Church Of St.George In Bloomsbury iThe Parish Church Of St.Mary Le Bone in Middlesex-A Prospect Of The Parish Church Of St.George In Bloomsbury — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1501B https://www.gravurdunyasi.com/img/seo/GMS1501B/the-south-prospect-of-st-james-s-westminster-the-north-prospect-of-st-1756.jpg The South Prospect Of St.James's Westminster-The North Prospect Of St.Anne's Westminster The South Prospect Of St.James's Westminster-The North Prospect Of St.Anne's Westminster — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1601B https://www.gravurdunyasi.com/img/seo/GMS1601B/the-southwest-prospect-of-the-parish-church-of-st-james-s-clerkennel-1756.jpg The Southwest Prospect Of The Parish Church Of St.James's Clerkennel-The Southwest Prospect Of The Parish Church Of St.Matthew At Bethnal Green The Southwest Prospect Of The Parish Church Of St.James's Clerkennel-The Southwest Prospect Of The Parish Church Of St.Matthew At Bethnal Green — 1756 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1701B https://www.gravurdunyasi.com/img/seo/GMS1701B/st-stephen-s-walbrook-alhallons-the-great-thames-street-st-micheals-1775.jpg St.Stephen's Walbrook-Alhallons The Great Thames Street-St.Micheals Lueenhythe-St.Mary At Hill Near Billingsgate-St.Botolph's In Botolph Lane-The Chappel In The Tower St.Stephen's Walbrook-Alhallons The Great Thames Street-St.Micheals Lueenhythe-St.Mary At Hill Near Billingsgate-St.Botolph's In Botolph Lane-The Chappel In The Tower — 1775 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1801B https://www.gravurdunyasi.com/img/seo/GMS1801B/four-danish-forts-at-glen-elg-in-invernessshire-two-pictish-hunting-1780.jpg Four Danish Forts At Glen Elg in Invernessshire&Two Pictish Hunting Houses Four Danish Forts At Glen Elg in Invernessshire&Two Pictish Hunting Houses — 1780's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS1901B 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https://www.gravurdunyasi.com/img/seo/GMS8301B/the-east-india-house-in-leadenhall-street-1800.jpg The East India House In Leadenhall Street The East India House In Leadenhall Street — 1800's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS8401B https://www.gravurdunyasi.com/img/seo/GMS8401B/design-ornamental-1870.jpg Design-Ornamental Design-Ornamental — Jean Charles Delafosse(1734-1791) — 1870's-1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS8401BB https://www.gravurdunyasi.com/img/seo/GMS8401BB/specimens-of-stained-glass-in-the-library-stewards-parlour-lambeth-1806.jpg Specimens Of Stained Glass in The Library & Stewards Parlour, Lambeth Palace Specimens Of Stained Glass in The Library & Stewards Parlour, Lambeth Palace — John Mayle Whichelo(1784-1865) — 1806 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS8501B https://www.gravurdunyasi.com/img/seo/GMS8501B/titlepage-of-monasticon-anglicanum-monastic-england-magna-charte-non-1655.jpg Titlepage Of Monasticon Anglicanum (Monastic England)- Magna Charte- Non Omnia, Grandior Astas, Que Fugiamus Habet Titlepage Of Monasticon Anglicanum (Monastic England)- Magna Charte- Non Omnia, Grandior Astas, Que Fugiamus Habet — 1655 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS8601B https://www.gravurdunyasi.com/img/seo/GMS8601B/historical-painted-glass-in-a-window-of-chicknal-church-essex-1786.jpg Historical Painted Glass In A Window Of Chicknal Church, Essex Historical Painted Glass In A Window Of Chicknal Church, Essex — 1786 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS8701B https://www.gravurdunyasi.com/img/seo/GMS8701B/antiquities-pl-2-apotheose-d-homere-apotheosis-of-homer-1760.jpg Antiquities, Pl.2, Apotheose d' Homere (Apotheosis of Homer) Antiquities, Pl.2, 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XXIV Antique Ruins Plate XXIV — Marco Ricci (1676-1730) — 1743 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9201B https://www.gravurdunyasi.com/img/seo/GMS9201B/barn-1930.jpg Barn Barn — Elsie Vera Cole (1885-1968) — 1930's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9301 https://www.gravurdunyasi.com/img/seo/GMS9301/alice-katscher-reischer-1920.jpg Alice Katscher Reischer Alice Katscher Reischer — 1920's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9401 https://www.gravurdunyasi.com/img/seo/GMS9401/anne-hathaway-s-cottage-1940.jpg Anne Hathaway's Cottage Anne Hathaway's Cottage — 1940's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9501B https://www.gravurdunyasi.com/img/seo/GMS9501B/canadian-trophy-for-the-paris-exhibition-1878.jpg Canadian Trophy For The Paris Exhibition Canadian Trophy For The Paris Exhibition — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9601 https://www.gravurdunyasi.com/img/seo/GMS9601/architecture-carpentry-plate-xlv-1805.jpg Architecture, Carpentry, Plate XLV. Architecture, Carpentry, Plate XLV. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9701 https://www.gravurdunyasi.com/img/seo/GMS9701/architecture-carpentry-plate-lx-1805.jpg Architecture, Carpentry, Plate LX. Architecture, Carpentry, Plate LX. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9801 https://www.gravurdunyasi.com/img/seo/GMS9801/architecture-carpentry-plate-lxi-1805.jpg Architecture, Carpentry, Plate LXI. Architecture, Carpentry, Plate LXI. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS9901 https://www.gravurdunyasi.com/img/seo/GMS9901/architecture-carpentry-plate-lxii-1805.jpg Architecture, Carpentry, Plate LXII. Architecture, Carpentry, Plate LXII. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10001 https://www.gravurdunyasi.com/img/seo/GMS10001/architecture-carpentry-plate-lxiii-1805.jpg Architecture, Carpentry, Plate LXIII. Architecture, Carpentry, Plate LXIII. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10101 https://www.gravurdunyasi.com/img/seo/GMS10101/architecture-carpentry-plate-xlii-1805.jpg Architecture, Carpentry, Plate XLII. Architecture, Carpentry, Plate XLII. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10201 https://www.gravurdunyasi.com/img/seo/GMS10201/architecture-geometrical-principles-of-carpentry-plate-lxxiii-1805.jpg Architecture, Geometrical Principles Of Carpentry, Plate LXXIII. Architecture, Geometrical Principles Of Carpentry, Plate LXXIII. — Peter Nicholson (1765-1844) — 1805 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10301 https://www.gravurdunyasi.com/img/seo/GMS10301/architecture-joinery-plate-xxii-1811.jpg Architecture, Joinery, Plate XXII. Architecture, Joinery, Plate XXII. — 1811 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10401 https://www.gravurdunyasi.com/img/seo/GMS10401/architecture-doric-order-plate-xviii-1809.jpg Architecture, Doric Order, Plate XVIII. Architecture, Doric Order, Plate XVIII. — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10501 https://www.gravurdunyasi.com/img/seo/GMS10501/canals-swing-bridge-navigator-s-tools-barrow-horsing-block-grafting-1806.jpg Canals, Swing Bridge- Navigator's Tools, Barrow, Horsing Block, Grafting Tool, Shovel, Scoop, Plate VII. Canals, Swing Bridge- Navigator's Tools, Barrow, Horsing Block, Grafting Tool, Shovel, Scoop, Plate VII. — 1806 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10601 https://www.gravurdunyasi.com/img/seo/GMS10601/architecture-plate-li-1801.jpg Architecture, Plate LI. Architecture, Plate LI. — Andrew Bell (1726-1809) — 1801 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10701 https://www.gravurdunyasi.com/img/seo/GMS10701/block-house-blocks-vol-3-1883.jpg Block House- Blocks Vol.3 Block House- Blocks Vol.3 — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10801 https://www.gravurdunyasi.com/img/seo/GMS10801/bridge-the-pont-du-gard-roman-aqueduct-near-nimes-wooden-bridge-over-1883.jpg Bridge-The Pont Du Gard, Roman Aqueduct Near Nimes-Wooden Bridge Over The Cismone By Palladio-Suspension Bridge Between New York & Brooklyn Opened 1883 Plate 3. Vol.3 Bridge-The Pont Du Gard, Roman Aqueduct Near Nimes-Wooden Bridge Over The Cismone By Palladio-Suspension Bridge Between New York & Brooklyn Opened 1883 Plate 3. Vol.3 — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS10901 https://www.gravurdunyasi.com/img/seo/GMS10901/bridge-centre-of-coldstream-bridge-by-smeaton-centre-of-conon-bridge-1883.jpg Bridge-Centre Of Coldstream Bridge By Smeaton-Centre Of Conon Bridge By Mr.Telford-Centre Of The Bridge Of Neuilly By Perronet-Centre Of Waterloo Bridge By Mr.Rennie-Centre By Mr.Treadgold-Design For A Centre For The Large Arch Of London Lridge By Mr.Elmes, Plate 7. Vol.3 Bridge-Centre Of Coldstream Bridge By Smeaton-Centre Of Conon Bridge By Mr.Telford-Centre Of The Bridge Of Neuilly By Perronet-Centre Of Waterloo Bridge By Mr.Rennie-Centre By Mr.Treadgold-Design For A Centre For The Large Arch Of London Lridge By Mr.Elmes, Plate 7. Vol.3 — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11001 https://www.gravurdunyasi.com/img/seo/GMS11001/gothic-architecture-1809.jpg Gothic Architecture Gothic Architecture — Malcolm — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11101 https://www.gravurdunyasi.com/img/seo/GMS11101/buttresses-flying-1846.jpg Buttresses, Flying Buttresses, Flying — George Cattermole (1800-1868) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11201 https://www.gravurdunyasi.com/img/seo/GMS11201/buttresses-1846.jpg Buttresses Buttresses — George Cattermole (1800-1868) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11301 https://www.gravurdunyasi.com/img/seo/GMS11301/lombardic-architecture-cathedral-and-campanile-at-pisa-cathedral-at-1883.jpg Lombardic Architecture-Cathedral And Campanile At Pisa-Cathedral At Zara in Dalmatia Vol.8 Lombardic Architecture-Cathedral And Campanile At Pisa-Cathedral At Zara in Dalmatia Vol.8 — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11401 https://www.gravurdunyasi.com/img/seo/GMS11401/swanbourne-vicarage-bucks-plate-24-1870.jpg Swanbourne, Vicarage, Bucks Plate 24 Swanbourne, Vicarage, Bucks Plate 24 — William Wilkinson (1819-1901) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11501 https://www.gravurdunyasi.com/img/seo/GMS11501/farm-bailiffs-house-and-dairy-longueate-park-wiuts-plate-40-1870.jpg Farm, Bailiffs, House And Dairy Longueate Park, Wiuts, Plate 40 Farm, Bailiffs, House And Dairy Longueate Park, Wiuts, Plate 40 — William Wilkinson (1819-1901) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11601 https://www.gravurdunyasi.com/img/seo/GMS11601/lodge-at-bagley-wood-oxon-plate-44-1870.jpg Lodge At Bagley, Wood, Oxon, Plate 44 Lodge At Bagley, Wood, Oxon, Plate 44 — William Wilkinson (1819-1901) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11701 https://www.gravurdunyasi.com/img/seo/GMS11701/lodge-at-bagley-wood-oxon-plate-45-1870.jpg Lodge At Bagley, Wood, Oxon, Plate 45 Lodge At Bagley, Wood, Oxon, Plate 45 — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11801 https://www.gravurdunyasi.com/img/seo/GMS11801/cottage-at-steeple-aston-oxfordshire-cottage-at-launton-oxfordshire-1870.jpg Cottage At Steeple, Aston, Oxfordshire -Cottage At Launton, Oxfordshire, Plate 58 Cottage At Steeple, Aston, Oxfordshire -Cottage At Launton, Oxfordshire, Plate 58 — William Wilkinson (1819-1901) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS11901BB https://www.gravurdunyasi.com/img/seo/GMS11901BB/the-life-of-man-by-e-bendemann-mural-decoration-in-the-throne-room-1876.jpg The Life Of Man By E.Bendemann, Mural Decoration in the Throne Room, Dresden, Nov. 18 1876 The Life Of Man By E.Bendemann, Mural Decoration in the Throne Room, Dresden, Nov. 18 1876 — Eduard Julius Friedrich Bendemann (1811-1889) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12001BB https://www.gravurdunyasi.com/img/seo/GMS12001BB/glasgow-municipal-buildings-selected-design-william-young-architect-1882.jpg Glasgow Municipal Buildings-Selected Design William Young Architect-1882 09 15 Glasgow Municipal Buildings-Selected Design William Young Architect-1882 09 15 — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12101BB https://www.gravurdunyasi.com/img/seo/GMS12101BB/city-hall-albany-n-y-h-h-richardson-architect-1886-12-10.jpg City Hall, Albany, N.Y.- H.H.Richardson, Architect 1886 12 10 City Hall, Albany, N.Y.- H.H.Richardson, Architect 1886 12 10 — 1886 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12201BB https://www.gravurdunyasi.com/img/seo/GMS12201BB/new-courts-of-justice-as-proposed-on-the-thames-embankment-taken-from-1882.jpg New Courts Of Justice As Proposed On The Thames Embankment Taken From End Of Waterlodge Bridge 1882 08 25 New Courts Of Justice As Proposed On The Thames Embankment Taken From End Of Waterlodge Bridge 1882 08 25 — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12301B https://www.gravurdunyasi.com/img/seo/GMS12301B/proposed-new-buildings-to-be-erected-on-the-side-of-her-majesty-s-1895.jpg Proposed New Buildings To be Erected On The Side Of Her Majesty's Theatre Proposed New Buildings To be Erected On The Side Of Her Majesty's Theatre — 1895 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12401B https://www.gravurdunyasi.com/img/seo/GMS12401B/interior-view-of-opera-house-walter-emden-architect-1895.jpg interior View Of Opera House, Walter Emden, Architect interior View Of Opera House, Walter Emden, Architect — 1895 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12501BB https://www.gravurdunyasi.com/img/seo/GMS12501BB/cours-d-ornement-aux-deux-crayons-par-a-collette-no-2-1850.jpg Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.2 Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.2 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12601BB https://www.gravurdunyasi.com/img/seo/GMS12601BB/cours-d-ornement-aux-deux-crayons-par-a-collette-no-3-1850.jpg Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.3 Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.3 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12701BB https://www.gravurdunyasi.com/img/seo/GMS12701BB/cours-d-ornement-aux-deux-crayons-par-a-collette-no-14-1850.jpg Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.14 Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.14 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12801BB https://www.gravurdunyasi.com/img/seo/GMS12801BB/cours-d-ornement-aux-deux-crayons-par-a-collette-no-15-1850.jpg Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.15 Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.15 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS12901BB https://www.gravurdunyasi.com/img/seo/GMS12901BB/cours-d-ornement-aux-deux-crayons-par-a-collette-no-16-1850.jpg Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.16 Cours D'Ornement, Aux Deux Crayons Par A.Collette, No.16 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13001BB https://www.gravurdunyasi.com/img/seo/GMS13001BB/tympan-1870.jpg Tympan Tympan — R.A. — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13101B https://www.gravurdunyasi.com/img/seo/GMS13101B/le-guide-de-l-ornemaniste-plate-8-1844.jpg Le Guide de L'Ornemaniste, Plate 8 Le Guide de L'Ornemaniste, Plate 8 — Bernard-Romain Julien (1802–1871) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13201BB https://www.gravurdunyasi.com/img/seo/GMS13201BB/a-rope-bridge-1825.jpg A Rope Bridge A Rope Bridge — Cornelius Varley (1781-1873) — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13301BB https://www.gravurdunyasi.com/img/seo/GMS13301BB/the-forthcoming-paris-exhibition-the-principal-facade-of-the-building-1877.jpg The Forthcoming Paris Exhibition-The Principal Facade Of The Building On The Champ de Mars-The Building On The Trocadero The Forthcoming Paris Exhibition-The Principal Facade Of The Building On The Champ de Mars-The Building On The Trocadero — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13401K https://www.gravurdunyasi.com/img/seo/GMS13401K/architecture-in-ancient-rome-1878.jpg Architecture in Ancient Rome Architecture in Ancient Rome — Lourens Alma Tadema (1836-1912) — 1878. This steel engraving, based on a composition by Lawrence Alma-Tadema, reflects the building art and intellectual discipline of Roman civilization. The engraving depicts an architect or statesman in a pensive stance amidst marble blocks and scaffolding. The figure suggests that Roman architecture possessed not only a technical but also a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13501K https://www.gravurdunyasi.com/img/seo/GMS13501K/the-queen-s-state-bed-chamber-fountainbleau-chambre-a-coucher-de-1848.jpg The Queen's State Bed-Chamber, Fountainbleau-Chambre A Coucher De Parade De La Reine, A Fontainebleau-Der Konigin Staats Bedzimmer, Fontainebleau The Queen's State Bed-Chamber, Fountainbleau-Chambre A Coucher De Parade De La Reine, A Fontainebleau-Der Konigin Staats Bedzimmer, Fontainebleau — Thomas Allom (1804-1872) — 1848 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13601B https://www.gravurdunyasi.com/img/seo/GMS13601B/the-warwick-vase-1840.jpg The Warwick Vase The Warwick Vase — 1840's-1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13701 https://www.gravurdunyasi.com/img/seo/GMS13701/puente-de-bambues-puente-de-bambues-bamboo-bridge-1834.jpg Puente De Bambues-Puente De Bambues (Bamboo Bridge) Puente De Bambues-Puente De Bambues (Bamboo Bridge) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13801 https://www.gravurdunyasi.com/img/seo/GMS13801/antiche-chiese-ec-africa-vol-iii-tav-9-ancient-churches-in-africa-1820.jpg Antiche Chiese Ec., Africa Vol.III. Tav.9. (Ancient Churches in Africa) Antiche Chiese Ec., Africa Vol.III. Tav.9. (Ancient Churches in Africa) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS13901 https://www.gravurdunyasi.com/img/seo/GMS13901/vecchia-casa-di-cumassi-africa-vol-iv-tav-72-house-in-kumasi-kingdom-1820.jpg Vecchia Casa Di Cumassi, Africa Vol.IV. Tav.72. (House in Kumasi, Kingdom Of Ashanti (Ghana)) Vecchia Casa Di Cumassi, Africa Vol.IV. Tav.72. (House in Kumasi, Kingdom Of Ashanti (Ghana)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14001 https://www.gravurdunyasi.com/img/seo/GMS14001/portico-africa-vol-iv-tav-73-entrance-portico-and-courtyards-in-1820.jpg Portico, Africa Vol.IV. Tav.73. (Entrance, Portico And Courtyards in Houses in Kumasi, Kingdom Of Ashanti (Ghana)) Portico, Africa Vol.IV. Tav.73. (Entrance, Portico And Courtyards in Houses in Kumasi, Kingdom Of Ashanti (Ghana)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14101 https://www.gravurdunyasi.com/img/seo/GMS14101/esteriore-di-una-stanza-da-letto-africa-vol-iv-tav-74-exterior-of-1820.jpg Esteriore Di Una Stanza Da Letto, Africa Vol.IV. Tav.74. (Exterior Of Bedrooms in Houses in Kumasi, Kingdom of Ashanti (Ghana)) Esteriore Di Una Stanza Da Letto, Africa Vol.IV. Tav.74. (Exterior Of Bedrooms in Houses in Kumasi, Kingdom of Ashanti (Ghana)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14201 https://www.gravurdunyasi.com/img/seo/GMS14201/parte-esterna-della-stanza-da-letto-del-re-africa-vol-iv-tav-75-1820.jpg Parte Esterna Della Stanza Da Letto Del Re, Africa Vol.IV. Tav.75. (Exterior Of The King's Bedroom in Kumasi, Kingdom of Ashanti (Ghana)) Parte Esterna Della Stanza Da Letto Del Re, Africa Vol.IV. Tav.75. (Exterior Of The King's Bedroom in Kumasi, Kingdom of Ashanti (Ghana)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14301 https://www.gravurdunyasi.com/img/seo/GMS14301/mura-di-volterra-eur-vol-v-tav-1-no-1-walls-of-volterra-1820.jpg Mura Di Volterra, Eur. Vol V. Tav.1 No.1. (Walls of Volterra) Mura Di Volterra, Eur. Vol V. Tav.1 No.1. (Walls of Volterra) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14302 https://www.gravurdunyasi.com/img/seo/GMS14302/mura-di-volterra-eur-vol-v-tav-1-no-1-walls-of-volterra-1820.jpg Mura Di Volterra, Eur. Vol V. Tav.1 No.1. (Walls of Volterra) Mura Di Volterra, Eur. Vol V. Tav.1 No.1. (Walls of Volterra) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14401 https://www.gravurdunyasi.com/img/seo/GMS14401/porta-di-volterra-detta-dell-orco-eur-vol-v-tav-2-city-gate-porta-of-1820.jpg Porta Di Volterra detta Dell'Orco, Eur. Vol V. Tav.2. (City Gate (Porta) Of Volterra Known as Dell'Orco) Porta Di Volterra detta Dell'Orco, Eur. Vol V. Tav.2. (City Gate (Porta) Of Volterra Known as Dell'Orco) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14402 https://www.gravurdunyasi.com/img/seo/GMS14402/porta-di-volterra-detta-dell-orco-eur-vol-v-tav-2-city-gate-porta-of-1820.jpg Porta Di Volterra detta Dell'Orco, Eur. Vol V. Tav.2. (City Gate (Porta) Of Volterra Known as Dell'Orco) Porta Di Volterra detta Dell'Orco, Eur. Vol V. Tav.2. (City Gate (Porta) Of Volterra Known as Dell'Orco) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14501 https://www.gravurdunyasi.com/img/seo/GMS14501/pompa-di-un-sacrifizio-eur-vol-v-tav-21-vase-used-by-etruscans-in-1820.jpg Pompa Di Un Sacrifizio, Eur. Vol V. Tav.21. (Vase Used By Etruscans in Sacrificial Rites) Pompa Di Un Sacrifizio, Eur. Vol V. Tav.21. (Vase Used By Etruscans in Sacrificial Rites) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14601 https://www.gravurdunyasi.com/img/seo/GMS14601/vasi-etrusdu-c-eur-vol-v-tav-27-etruscan-vases-1820.jpg Vasi Etrusdu & C., Eur. Vol V. Tav.27 (Etruscan Vases) Vasi Etrusdu & C., Eur. Vol V. Tav.27 (Etruscan Vases) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14701 https://www.gravurdunyasi.com/img/seo/GMS14701/altari-e-candelabre-eur-vol-v-tav-30-roman-altar-candles-1820.jpg Altari E Candelabre, Eur. Vol V. Tav.30. (Roman Altar Candles) Altari E Candelabre, Eur. Vol V. Tav.30. (Roman Altar Candles) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14801 https://www.gravurdunyasi.com/img/seo/GMS14801/caccia-eur-vol-v-tav-33-hunting-scenes-of-etruscans-on-a-patera-or-1820.jpg Caccia, Eur. Vol V. Tav.33. (Hunting Scenes Of Etruscans On A Patera Or Bowl) Caccia, Eur. Vol V. Tav.33. (Hunting Scenes Of Etruscans On A Patera Or Bowl) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS14901 https://www.gravurdunyasi.com/img/seo/GMS14901/vasi-dipinti-etruschi-eur-vol-v-tav-37-etruscan-painted-vases-1820.jpg Vasi Dipinti Etruschi, Eur. Vol V. Tav.37. (Etruscan Painted Vases) Vasi Dipinti Etruschi, Eur. Vol V. Tav.37. (Etruscan Painted Vases) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15001 https://www.gravurdunyasi.com/img/seo/GMS15001/urne-e-vase-cinerari-eur-vol-v-tav-37-roman-urns-and-vases-1820.jpg Urne E Vase Cinerari, Eur. Vol V. Tav.37. (Roman Urns And Vases) Urne E Vase Cinerari, Eur. Vol V. Tav.37. (Roman Urns And Vases) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15101 https://www.gravurdunyasi.com/img/seo/GMS15101/vasi-dretini-rossi-e-neri-eur-vol-v-tav-39-etruscan-vases-and-pottery-1820.jpg Vasi Dretini Rossi E Neri, Eur. Vol V. Tav.39. (Etruscan Vases And Pottery) Vasi Dretini Rossi E Neri, Eur. Vol V. Tav.39. (Etruscan Vases And Pottery) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15201 https://www.gravurdunyasi.com/img/seo/GMS15201/circo-massimo-eur-vol-v-tav-40-plan-of-circus-maximus-1820.jpg Circo Massimo, Eur. Vol V. Tav.40. (Plan Of Circus Maximus) Circo Massimo, Eur. Vol V. Tav.40. (Plan Of Circus Maximus) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15301 https://www.gravurdunyasi.com/img/seo/GMS15301/plan-of-the-interior-of-the-coliseum-rome-eur-vol-v-tav-42-1820.jpg Plan Of The interior Of The Coliseum, Rome, Eur. Vol V. Tav.42 Plan Of The interior Of The Coliseum, Rome, Eur. Vol V. Tav.42 — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15301S https://www.gravurdunyasi.com/img/seo/GMS15301S/pianta-del-panteon-eur-vol-v-tav-45-plan-of-panteon-1820.jpg Pianta Del Panteon, Eur. Vol V. Tav.45* (Plan Of Panteon) Pianta Del Panteon, Eur. Vol V. Tav.45* (Plan Of Panteon) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15401 https://www.gravurdunyasi.com/img/seo/GMS15401/acconciature-abbigliamenti-eur-vol-v-tav-56-roman-hairstyles-1820.jpg Acconciature Abbigliamenti, Eur. Vol V. Tav.56 (Roman Hairstyles, Scuptures And Furniture) Acconciature Abbigliamenti, Eur. Vol V. Tav.56 (Roman Hairstyles, Scuptures And Furniture) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15501 https://www.gravurdunyasi.com/img/seo/GMS15501/corone-eur-vol-viii-tav-2-medieval-gold-crowns-and-jeweled-crosses-1820.jpg Corone, Eur. Vol VIII. Tav.2. (Medieval Gold Crowns And Jeweled Crosses From Monza Cathedral) Corone, Eur. Vol VIII. Tav.2. (Medieval Gold Crowns And Jeweled Crosses From Monza Cathedral) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15701 https://www.gravurdunyasi.com/img/seo/GMS15701/ornamenti-reali-eur-vol-viii-tav-9-royal-ornaments-1820.jpg Ornamenti Reali, Eur. Vol VIII. Tav.9. (Royal Ornaments) Ornamenti Reali, Eur. Vol VIII. Tav.9. (Royal Ornaments) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15801 https://www.gravurdunyasi.com/img/seo/GMS15801/sigilli-di-varii-imperatori-eur-vol-viii-tav-11-seals-of-various-1820.jpg Sigilli Di Varii Imperatori, Eur. Vol VIII. Tav.11. (Seals Of Various Roman Emperors) Sigilli Di Varii Imperatori, Eur. Vol VIII. Tav.11. (Seals Of Various Roman Emperors) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS15901 https://www.gravurdunyasi.com/img/seo/GMS15901/plan-of-church-of-s-clemente-in-rome-eur-vol-viii-tav-26-1820.jpg Plan Of Church of S.Clemente in Rome, Eur. Vol VIII. Tav.26*. Plan Of Church of S.Clemente in Rome, Eur. Vol VIII. Tav.26*. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16001 https://www.gravurdunyasi.com/img/seo/GMS16001/altare-della-basilica-di-s-ambrogio-eur-vol-viii-tav-27-altar-of-the-1820.jpg Altare Della Basilica Di S.Ambrogio, Eur. Vol VIII. Tav.27. (Altar Of The Basilica Of S.Ambrogio) Altare Della Basilica Di S.Ambrogio, Eur. Vol VIII. Tav.27. (Altar Of The Basilica Of S.Ambrogio) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16101 https://www.gravurdunyasi.com/img/seo/GMS16101/cattedra-della-exedra-eur-vol-viii-tav-30-1820.jpg Cattedra Della-Exedra, Eur. Vol VIII. Tav.30. Cattedra Della-Exedra, Eur. Vol VIII. Tav.30. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16201 https://www.gravurdunyasi.com/img/seo/GMS16201/abzoto-di-s-michele-in-pavia-eur-vol-viii-tav-33-architectural-1820.jpg Abzoto Di S.Michele in Pavia, Eur. Vol VIII. Tav.33*.(Architectural Drawings Of S.Michele Maggiore Church) Abzoto Di S.Michele in Pavia, Eur. Vol VIII. Tav.33*.(Architectural Drawings Of S.Michele Maggiore Church) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16301 https://www.gravurdunyasi.com/img/seo/GMS16301/architectural-drawings-of-a-church-eur-vol-viii-tav-35-1820.jpg Architectural Drawings Of A Church, Eur. Vol VIII. Tav.35*. Architectural Drawings Of A Church, Eur. Vol VIII. Tav.35*. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16301S https://www.gravurdunyasi.com/img/seo/GMS16301S/piante-di-edifizi-c-eur-vol-viii-tav-37-architectural-drawings-of-1820.jpg Piante Di Edifizi & C., Eur. Vol VIII. Tav.37. (Architectural Drawings Of Churchs) Piante Di Edifizi & C., Eur. Vol VIII. Tav.37. (Architectural Drawings Of Churchs) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16401 https://www.gravurdunyasi.com/img/seo/GMS16401/piante-di-edifizi-c-eur-vol-viii-tav-37-architectural-drawings-of-1820.jpg Piante Di Edifizi & C., Eur. Vol VIII. Tav.37*. (Architectural Drawings Of Churchs) Piante Di Edifizi & C., Eur. Vol VIII. Tav.37*. (Architectural Drawings Of Churchs) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16401S https://www.gravurdunyasi.com/img/seo/GMS16401S/piante-spaccato-di-chiese-c-eur-vol-viii-tav-39-architectural-1820.jpg Piante Spaccato Di Chiese & C.,Eur. Vol VIII. Tav.39. (Architectural Drawings Of Churchs) Piante Spaccato Di Chiese & C.,Eur. Vol VIII. Tav.39. (Architectural Drawings Of Churchs) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16501 https://www.gravurdunyasi.com/img/seo/GMS16501/spaccato-della-chiesa-di-s-marco-in-venezia-eur-vol-viii-tav-39-1820.jpg Spaccato Della Chiesa Di S.Marco in Venezia, Eur. Vol VIII. Tav.39*. (Architectural Drawings Of St.Mark’s Basilica, Venice) Spaccato Della Chiesa Di S.Marco in Venezia, Eur. Vol VIII. Tav.39*. (Architectural Drawings Of St.Mark’s Basilica, Venice) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16501S https://www.gravurdunyasi.com/img/seo/GMS16501S/altro-lato-del-paliotto-della-basilica-di-s-ambrogio-eur-vol-viii-tav-1820.jpg Altro Lato Del Paliotto Della Basilica Di S.Ambrogio, Eur. Vol VIII. Tav.40*. (The Side Of The Main Altar Of Sant'Ambrogio Basilica in Milan) Altro Lato Del Paliotto Della Basilica Di S.Ambrogio, Eur. Vol VIII. Tav.40*. (The Side Of The Main Altar Of Sant'Ambrogio Basilica in Milan) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16601 https://www.gravurdunyasi.com/img/seo/GMS16601/utensili-diversi-c-eur-vol-viii-tav-46-1820.jpg Utensili Diversi & C., Eur. Vol VIII. Tav.46. Utensili Diversi & C., Eur. Vol VIII. Tav.46. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16701 https://www.gravurdunyasi.com/img/seo/GMS16701/bofanetto-d-argento-eur-vol-viii-tav-47-1820.jpg Bofanetto D'Argento, Eur. Vol VIII. Tav.47. Bofanetto D'Argento, Eur. Vol VIII. Tav.47. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16801 https://www.gravurdunyasi.com/img/seo/GMS16801/pelegrina-v-terefelix-eur-vol-viii-tav-48-1820.jpg Pelegrina V Terefelix, Eur. Vol VIII. Tav.48. Pelegrina V Terefelix, Eur. Vol VIII. Tav.48. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS16901 https://www.gravurdunyasi.com/img/seo/GMS16901/vari-utensili-c-eur-vol-viii-tav-48-1820.jpg Vari Utensili & C., Eur. Vol VIII. Tav.48*. Vari Utensili & C., Eur. Vol VIII. Tav.48*. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17001 https://www.gravurdunyasi.com/img/seo/GMS17001/teatri-d-italia-eur-vol-viii-tav-123-1820.jpg Teatri D'italia, Eur. Vol VIII. Tav.123. Teatri D'italia, Eur. Vol VIII. Tav.123. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17001S https://www.gravurdunyasi.com/img/seo/GMS17001S/teatri-d-italia-eur-vol-viii-tav-123-1820.jpg Teatri D'italia, Eur. Vol VIII. Tav.123*. Teatri D'italia, Eur. Vol VIII. Tav.123*. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17101 https://www.gravurdunyasi.com/img/seo/GMS17101/suppellettili-eur-vol-viii-tav-140-furnishings-1820.jpg Suppellettili, Eur. Vol VIII. Tav.140. (Furnishings) Suppellettili, Eur. Vol VIII. Tav.140. (Furnishings) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17201BB https://www.gravurdunyasi.com/img/seo/GMS17201BB/raccolta-di-bolle-estratti-di-cronache-manoscritti-latini-dei-secoli-1825.jpg Raccolta Di Bolle,Estratti Di Cronache, Manoscritti Latini Dei Secoli XII. E XIII., Tav.LXVII. (Latin Manuscripts Of The XII. And XIII. Centuries) Raccolta Di Bolle,Estratti Di Cronache, Manoscritti Latini Dei Secoli XII. E XIII., Tav.LXVII. (Latin Manuscripts Of The XII. And XIII. Centuries) — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17301BB https://www.gravurdunyasi.com/img/seo/GMS17301BB/pitturre-di-due-registir-degli-anniversary-dei-morti-manoscritti-1825.jpg Pitturre Di Due Registir Degli Anniversary Dei Morti, Manoscritti Latini Del XII. E XIII. Secolo, Tav.LXVIII. (Latin Manuscripts Of The XII. And XIII. Centuries) Pitturre Di Due Registir Degli Anniversary Dei Morti, Manoscritti Latini Del XII. E XIII. Secolo, Tav.LXVIII. (Latin Manuscripts Of The XII. And XIII. Centuries) — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17401BB https://www.gravurdunyasi.com/img/seo/GMS17401BB/pitture-di-una-cronaca-del-monastero-di-s-vincenzo-sepra-il-volturno-1825.jpg Pitture Di Una Cronaca Del Monastero Di S.Vincenzo Sepra il Volturno, Manoscritto Latino Del XII. Secolo, Tav.LXIX. (Latin Manuscripts Of The XII. Century in San Vincenzo Al Volturno Monastery) Pitture Di Una Cronaca Del Monastero Di S.Vincenzo Sepra il Volturno, Manoscritto Latino Del XII. Secolo, Tav.LXIX. (Latin Manuscripts Of The XII. Century in San Vincenzo Al Volturno Monastery) — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17501BB https://www.gravurdunyasi.com/img/seo/GMS17501BB/pitture-cavate-da-diversi-manoscritti-francesi-dal-xi-alla-fine-del-1825.jpg Pitture Cavate Da Diversi Manoscritti Francesi, Dal XI. Alla Fine Del XIII. Secolo, Tav.LXXI. (French Manuscripts Of The XI. And XIII. Centuries) Pitture Cavate Da Diversi Manoscritti Francesi, Dal XI. Alla Fine Del XIII. Secolo, Tav.LXXI. (French Manuscripts Of The XI. And XIII. Centuries) — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17601 https://www.gravurdunyasi.com/img/seo/GMS17601/roman-antiquities-plate-1-1830.jpg Roman Antiquities, Plate 1 Roman Antiquities, Plate 1 — Thomas Allom (1804-1872) — 1830's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17701 https://www.gravurdunyasi.com/img/seo/GMS17701/roman-antiquities-plate-2-1830.jpg Roman Antiquities, Plate 2 Roman Antiquities, Plate 2 — Thomas Allom (1804-1872) — 1830's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17801 https://www.gravurdunyasi.com/img/seo/GMS17801/roman-antiquities-plate-3-1830.jpg Roman Antiquities, Plate 3 Roman Antiquities, Plate 3 — Thomas Allom (1804-1872) — 1830's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS17901 https://www.gravurdunyasi.com/img/seo/GMS17901/roman-antiquities-plate-4-1830.jpg Roman Antiquities, Plate 4 Roman Antiquities, Plate 4 — Thomas Allom (1804-1872) — 1830's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18001B https://www.gravurdunyasi.com/img/seo/GMS18001B/roman-remains-plate-1-1831.jpg Roman Remains, Plate 1 Roman Remains, Plate 1 — William Taylor (Active 1825-1852) — 1831 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18101B https://www.gravurdunyasi.com/img/seo/GMS18101B/roman-remains-plate-2-1831.jpg Roman Remains, Plate 2 Roman Remains, Plate 2 — William Taylor (Active 1825-1852) — 1831 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18201B https://www.gravurdunyasi.com/img/seo/GMS18201B/seals-of-the-priory-of-st-mary-overy-southwark-1831.jpg Seals Of The Priory Of St.Mary Overy Southwark Seals Of The Priory Of St.Mary Overy Southwark — B.Howlett — 1831 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18301B https://www.gravurdunyasi.com/img/seo/GMS18301B/the-tomb-in-st-saviours-church-section-of-the-interior-of-the-tomb-1830.jpg The Tomb in St.Saviours Church-Section Of The interior Of The Tomb-Cross Of Brick Work On Which The Coffin Rested-Facsimile Of The initials-Coffin Of Launcelot Andrews Bishop Of Winchester Discovered On Removing The Tomb in St.Saviours Church-Section Of The interior Of The Tomb-Cross Of Brick Work On Which The Coffin Rested-Facsimile Of The initials-Coffin Of Launcelot Andrews Bishop Of Winchester Discovered On Removing — William Taylor (Active 1825-1852) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18401 https://www.gravurdunyasi.com/img/seo/GMS18401/seal-of-the-county-palatine-of-lancaster-seal-of-the-duchy-of-1831.jpg Seal Of The County Palatine Of Lancaster-Seal Of The Duchy Of Lancaster Seal Of The County Palatine Of Lancaster-Seal Of The Duchy Of Lancaster — 1831 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18501B https://www.gravurdunyasi.com/img/seo/GMS18501B/fonts-pl-x-1787.jpg Fonts, Pl. 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X. — 1787 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18601 https://www.gravurdunyasi.com/img/seo/GMS18601/antiquities-1775.jpg Antiquities Antiquities — 1775 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18701 https://www.gravurdunyasi.com/img/seo/GMS18701/burns-candlestick-1830.jpg Burns Candlestick Burns Candlestick — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18801 https://www.gravurdunyasi.com/img/seo/GMS18801/two-chimney-pieces-in-windsor-castle-berkshire-1809.jpg Two Chimney Pieces in Windsor Castle, Berkshire Two Chimney Pieces in Windsor Castle, Berkshire — Frederick Mackenzie (1788-1854) — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS18901B https://www.gravurdunyasi.com/img/seo/GMS18901B/carved-oak-elbows-to-seats-temple-church-london-1844.jpg Carved Oak Elbows To Seats, Temple Church, London Carved Oak Elbows To Seats, Temple Church, London — Richard Hamilton Essex (1802-1855) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19001B https://www.gravurdunyasi.com/img/seo/GMS19001B/carved-oak-elbows-to-seats-temple-church-london-1844.jpg Carved Oak Elbows To Seats, Temple Church, London Carved Oak Elbows To Seats, Temple Church, London — Richard Hamilton Essex (1802-1855) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19101B https://www.gravurdunyasi.com/img/seo/GMS19101B/accommodation-bridge-for-a-canal-plan-of-melandra-castle-1795.jpg Accommodation Bridge For A Canal-Plan Of Melandra Castle Accommodation Bridge For A Canal-Plan Of Melandra Castle — 1795 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19201B https://www.gravurdunyasi.com/img/seo/GMS19201B/font-in-st-mary-s-church-1829.jpg Font in St.Mary's Church Font in St.Mary's Church — 1829 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19301B https://www.gravurdunyasi.com/img/seo/GMS19301B/antient-seals-1820.jpg Antient Seals Antient Seals — John Caley (1760-1834) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19401 https://www.gravurdunyasi.com/img/seo/GMS19401/to-frederic-earl-of-carlisle-who-presented-to-original-to-the-dean-1806.jpg To Frederic Earl Of Carlisle Who presented To Original To The Dean And Chapter Of York Cathedral To Frederic Earl Of Carlisle Who presented To Original To The Dean And Chapter Of York Cathedral — Sebastiano Del Piombo (1485-1547) — 1806 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19501 https://www.gravurdunyasi.com/img/seo/GMS19501/seals-1790.jpg Seals Seals — 1790 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19601 https://www.gravurdunyasi.com/img/seo/GMS19601/early-british-engravings-fig-1-engraved-front-and-back-of-king-1800.jpg Early British Engravings-Fig.1.Engraved Front And Back Of King Alfreds Jewel, Fig.2.impression From The Engraved Seal Of Anselm The Primate Fig.3.Engraved Brass On The Tomb Of W. De Fulbourn in Fulbourn Church, Cambridgeshire Early British Engravings-Fig.1.Engraved Front And Back Of King Alfreds Jewel, Fig.2.impression From The Engraved Seal Of Anselm The Primate Fig.3.Engraved Brass On The Tomb Of W. De Fulbourn in Fulbourn Church, Cambridgeshire — 1800's-1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19701 https://www.gravurdunyasi.com/img/seo/GMS19701/vasi-a-ting-tav-29-ancient-chinese-copper-and-bronze-vases-and-bells-1820.jpg Vasi A Ting, Tav.29 (Ancient Chinese Copper And Bronze Vases And Bells) Vasi A Ting, Tav.29 (Ancient Chinese Copper And Bronze Vases And Bells) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19801 https://www.gravurdunyasi.com/img/seo/GMS19801/ponti-tav-36-chinese-bridges-stone-arch-bridges-over-the-river-and-1820.jpg Ponti, Tav.36 (Chinese Bridges, Stone Arch Bridges Over The River and The Rope Bridge Over a Ravine) Ponti, Tav.36 (Chinese Bridges, Stone Arch Bridges Over The River and The Rope Bridge Over a Ravine) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS19901 https://www.gravurdunyasi.com/img/seo/GMS19901/vasi-di-porcellana-tav-46-ancient-chinese-porcelain-vases-and-teapots-1820.jpg Vasi Di Porcellana, Tav.46 (Ancient Chinese Porcelain Vases And Teapots) Vasi Di Porcellana, Tav.46 (Ancient Chinese Porcelain Vases And Teapots) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20001 https://www.gravurdunyasi.com/img/seo/GMS20001/basi-colonne-ec-tav-47-plinths-and-columns-of-chinese-architecture-1820.jpg Basi, Colonne ec., Tav.47 (Plinths and Columns of Chinese Architecture) Basi, Colonne ec., Tav.47 (Plinths and Columns of Chinese Architecture) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20101 https://www.gravurdunyasi.com/img/seo/GMS20101/templi-antichi-tav-48-plans-and-elevations-of-an-ancient-chinese-1820.jpg Templi, Antichi, Tav.48 (Plans and Elevations of an Ancient Chinese Temple) Templi, Antichi, Tav.48 (Plans and Elevations of an Ancient Chinese Temple) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20201 https://www.gravurdunyasi.com/img/seo/GMS20201/tempietti-tav-50-front-elevation-of-chinese-temples-1820.jpg Tempietti, Tav.50 (Front Elevation of Chinese Temples) Tempietti, Tav.50 (Front Elevation of Chinese Temples) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20301 https://www.gravurdunyasi.com/img/seo/GMS20301/casa-di-un-particolare-tav-55-plans-and-elevations-of-a-house-in-1820.jpg Casa Di Un Particolare, Tav.55 (Plans and Elevations Of A House in Canton (Guangzhou), With Kitchen, Bathroom, Servants' Quarters, Patio and Shop Facing the Street) Casa Di Un Particolare, Tav.55 (Plans and Elevations Of A House in Canton (Guangzhou), With Kitchen, Bathroom, Servants' Quarters, Patio and Shop Facing the Street) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20401 https://www.gravurdunyasi.com/img/seo/GMS20401/camera-e-suppellettili-tav-71-furnishings-and-interior-decoration-of-1820.jpg Camera e Suppellettili, Tav.71 (Furnishings and Interior Decoration of a Chinese House With Elegant Murals, Lanterns, Stools, Paintings and Calligraphy) Camera e Suppellettili, Tav.71 (Furnishings and Interior Decoration of a Chinese House With Elegant Murals, Lanterns, Stools, Paintings and Calligraphy) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20501 https://www.gravurdunyasi.com/img/seo/GMS20501/granai-e-torri-degli-alloggiamenti-eur-vol-v-tav-22-ancient-roman-1820.jpg Granai e Torri Degli Alloggiamenti, Eur. Vol V. Tav.22. (Ancient Roman Housing, Barns and Towers from Trajan’s Column) Granai e Torri Degli Alloggiamenti, Eur. Vol V. Tav.22. (Ancient Roman Housing, Barns and Towers from Trajan’s Column) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20601 https://www.gravurdunyasi.com/img/seo/GMS20601/vasi-dipinti-eur-vol-v-tav-38-etruscan-vase-painting-1820.jpg Vasi Dipinti, Eur. Vol V. Tav.38. (Etruscan Vase Painting) Vasi Dipinti, Eur. Vol V. Tav.38. (Etruscan Vase Painting) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20701 https://www.gravurdunyasi.com/img/seo/GMS20701/altri-vasi-dipinti-eur-vol-v-tav-38-etruscan-vase-painting-1820.jpg Altri Vasi Dipinti, Eur. Vol V. Tav.38*. (Etruscan Vase Painting) Altri Vasi Dipinti, Eur. Vol V. Tav.38*. (Etruscan Vase Painting) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20801 https://www.gravurdunyasi.com/img/seo/GMS20801/camera-sepolerali-eur-vol-v-tav-39-the-burial-chambers-of-the-roman-1820.jpg Camera Sepolerali, Eur. Vol V. Tav.39. (The Burial Chambers of The Roman Senator Lucius Arrontius and His Family) Camera Sepolerali, Eur. Vol V. Tav.39. (The Burial Chambers of The Roman Senator Lucius Arrontius and His Family) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS20901 https://www.gravurdunyasi.com/img/seo/GMS20901/teatro-d-ercolano-eur-vol-v-tav-44-plan-and-elevations-of-the-theatre-1820.jpg Teatro d’Ercolano, Eur. Vol. V. Tav.44. (Plan and Elevations of The Theatre at Herculaneum) Teatro d’Ercolano, Eur. Vol. V. Tav.44. (Plan and Elevations of The Theatre at Herculaneum) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21001 https://www.gravurdunyasi.com/img/seo/GMS21001/colonne-trajana-ed-antonina-eur-vol-v-tav-50-plan-and-elevation-of-1820.jpg Colonne, Trajana ed Antonina, Eur. Vol. V. Tav.50. (Plan and Elevation of Trajan’s Column and The Column of Marcus Aurelius (the Antonine Column), Rome) Colonne, Trajana ed Antonina, Eur. Vol. V. Tav.50. (Plan and Elevation of Trajan’s Column and The Column of Marcus Aurelius (the Antonine Column), Rome) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21101 https://www.gravurdunyasi.com/img/seo/GMS21101/sala-d-udienza-asia-vol-iv-tav-88-royal-court-room-decorated-with-1820.jpg Sala d'Udienza, Asia Vol.IV. Tav.88. (Royal Court Room Decorated With Umbrellas, Kingdom of Siam, Thailand) Sala d'Udienza, Asia Vol.IV. Tav.88. (Royal Court Room Decorated With Umbrellas, Kingdom of Siam, Thailand) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21201 https://www.gravurdunyasi.com/img/seo/GMS21201/coperchio-di-un-urna-eur-vol-v-tav-29-figures-of-the-dead-from-1820.jpg Coperchio di un Urna, Eur. Vol. V. Tav.29. (Figures of The Dead from Etruscan Royal Urns) Coperchio di un Urna, Eur. Vol. V. Tav.29. (Figures of The Dead from Etruscan Royal Urns) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21301 https://www.gravurdunyasi.com/img/seo/GMS21301/urna-marmorea-rappresentante-un-trono-eur-vol-v-tav-4-ancient-1820.jpg Urna Marmorea Rappresentante Un Trono, Eur. Vol. V. Tav.4. (Ancient Etruscan Marble Urn Showing a Royal Throne and Etruscan Mirror Representing Eris, Menrfa in Helmet, Hercules with Club and Lionskin and Thetis) Urna Marmorea Rappresentante Un Trono, Eur. Vol. V. Tav.4. (Ancient Etruscan Marble Urn Showing a Royal Throne and Etruscan Mirror Representing Eris, Menrfa in Helmet, Hercules with Club and Lionskin and Thetis) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21401 https://www.gravurdunyasi.com/img/seo/GMS21401/camera-addobbata-secondo-l-uso-egizianou-africa-vol-ii-tav-53-room-1820.jpg Camera Addobbata Secondo L'Uso Egizianou, Africa Vol. II. Tav.53. (Room Decorated According To Egyptian Style) Camera Addobbata Secondo L'Uso Egizianou, Africa Vol. II. Tav.53. (Room Decorated According To Egyptian Style) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21501 https://www.gravurdunyasi.com/img/seo/GMS21501/abitazione-de-negri-di-benin-africa-vol-iii-tav-39-the-houses-of-the-1820.jpg Abitazione de Negri di Benin, Africa Vol. III. Tav.39 (The Houses of The Natives of Benin and Their Social Life) Abitazione de Negri di Benin, Africa Vol. III. Tav.39 (The Houses of The Natives of Benin and Their Social Life) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21601 https://www.gravurdunyasi.com/img/seo/GMS21601/il-bacco-indiano-come-rappresentato-asia-vol-iii-tav-6-depictions-of-1820.jpg Il Bacco Indiano Come Rappresentato, Asia Vol. III. Tav.6. (Depictions of Bacchus (Dionysus), The Conqueror of India, on Roman Vases) Il Bacco Indiano Come Rappresentato, Asia Vol. III. Tav.6. (Depictions of Bacchus (Dionysus), The Conqueror of India, on Roman Vases) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21701 https://www.gravurdunyasi.com/img/seo/GMS21701/vignette-with-sphinxes-and-putti-1779.jpg Vignette with Sphinxes and Putti Vignette with Sphinxes and Putti — Jean-Baptiste Huet (1745-1811) — 1779 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21801 https://www.gravurdunyasi.com/img/seo/GMS21801/cabinet-of-modern-art-1836.jpg Cabinet of Modern Art Cabinet of Modern Art — David Roberts (1796-1864) — 1836 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS21901 https://www.gravurdunyasi.com/img/seo/GMS21901/architektur-hinduische-tempel-india-indian-temples-ellora-cave-1875.jpg Architektur (Hinduische Tempel (India) - Indian Temples, Ellora Cave Complex)- 1.Grundriss (Ground Plan), 2.Ansicht des Hofes (View of the ourtyard), 3.Grotte des Indratempels (Cave of the Temple of Indra) 4.Ansicht des Tempels des Wischwakarma (View of the Temple of Vishvakarma) 5.Grundriss des Grottentempels Damar Lagna (Ground plan of the rock-cut temple Damar Lagna) 6.Grundriss des Kailasa Sammtlich zu Ellora (Ground plan of the Kailasa Temple, all located at Ellora) 7. Der grossere Tope bei Sanchi (The larger stupa (Tope) at Sanchi) Architektur (Hinduische Tempel (India) - Indian Temples, Ellora Cave Complex)- 1.Grundriss (Ground Plan), 2.Ansicht des Hofes (View of the ourtyard), 3.Grotte des Indratempels (Cave of the Temple of Indra) 4.Ansicht des Tempels des Wischwakarma (View of the Temple of Vishvakarma) 5.Grundriss des Grottentempels Damar Lagna (Ground plan of the rock-cut temple Damar Lagna) 6.Grundriss des Kailasa Sammtlich zu Ellora (Ground plan of the Kailasa Temple, all located at Ellora) 7. Der grossere Tope bei Sanchi (The larger stupa (Tope) at Sanchi) — 1875. This engraving, titled "Architecture," depicts early rock-cut temples in India. It presents plans and perspectives of the Ellora cave complex, reflecting the intertwining of different religious traditions (Hinduism, Buddhism, and Jainism) within the same geography. The Sanchi stupa, one of the earliest examples of Buddhist architecture, is also… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22001 https://www.gravurdunyasi.com/img/seo/GMS22001/architektur-griechische-tempel-greek-temples-1-3-11-grundiss-ground-1875.jpg Architektur (Griechische Tempel – Greek Temples) 1. 3. 11. Grundiss (Ground Plans) 2.Langendurchschnitt des Parthenon (Longitudinal section of the Parthenon) 4.Ansicht des Zeustempels zu Olympia ( View of the Temple of Zeus at Olympia) 5.Theseustempel zu Athen (Temple of Theseus in Athens) 6.Apollotempel zu Bassa (Temple of Apollo at Bassae) 7.Posidontempel zu Pastum (Temple of Poseidon at Paestum) 8.Erechtheion auf der Akropolis zu Athen (Erechtheion on the Acropolis in Athens) 9.Windethurm zu Athen (Tower of the Winds in Athens) 10.Kleiner Nemesistempel zu Rhammus (Small Temple of Nemesis at Rhamnus) 12.Ansicht der Akropolis zu Athen Nebst Umgebung (View of the Acropolis in Athens with its surroundings) 13.Muthmassliche Ugriechhische tempelfronten (nach reber) (Hypothetical Early Greek Temple Façades (after Reber) 14.Tempelfronte auf der vase des Ergotimos und Klitias zu Florenz (Temple façade depicted on the vase of Ergotimos and Klitias in Florence) Architektur (Griechische Tempel – Greek Temples) 1. 3. 11. Grundiss (Ground Plans) 2.Langendurchschnitt des Parthenon (Longitudinal section of the Parthenon) 4.Ansicht des Zeustempels zu Olympia ( View of the Temple of Zeus at Olympia) 5.Theseustempel zu Athen (Temple of Theseus in Athens) 6.Apollotempel zu Bassa (Temple of Apollo at Bassae) 7.Posidontempel zu Pastum (Temple of Poseidon at Paestum) 8.Erechtheion auf der Akropolis zu Athen (Erechtheion on the Acropolis in Athens) 9.Windethurm zu Athen (Tower of the Winds in Athens) 10.Kleiner Nemesistempel zu Rhammus (Small Temple of Nemesis at Rhamnus) 12.Ansicht der Akropolis zu Athen Nebst Umgebung (View of the Acropolis in Athens with its surroundings) 13.Muthmassliche Ugriechhische tempelfronten (nach reber) (Hypothetical Early Greek Temple Façades (after Reber) 14.Tempelfronte auf der vase des Ergotimos und Klitias zu Florenz (Temple façade depicted on the vase of Ergotimos and Klitias in Florence) — 1875. This engraving systematically depicts the fundamental principles of Classical Greek temple architecture (proportion, symmetry, columnar arrangement, and sacred space organization). The engraving brings together plan, section, and elevation drawings featuring the most outstanding examples of the Doric and Ionic orders of Greek architecture. The… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22101 https://www.gravurdunyasi.com/img/seo/GMS22101/architektur-romische-bauwerke-rome-roman-structures-rome-1-denkmal-1875.jpg Architektur (Römische Bauwerke (Rome) - Roman Structures (Rome)) 1.Denkmal des Secundiner zu Igel bei Trier (Monument of the Secundini at Igel near Trier) 2.Römisches Stadtthor zu Autun (Roman city gate at Autun) 3.Triumphbogen des Septimius Severus (Triumphal Arch of Septimius Severus) 4.Des Constantins zu Rom (Triumphal Arch of Constantine in Rome) 5.Colosseum zu Rom vom Esquilin aus gesehen (The Colosseum in Rome, seen from the Esquiline Hill) 6.Ursprüngliche Architektur Desselben (The original architecture of the same) 7.Haus zu Pompeji (House in Pompeii) 8.Gebalk vom Pantheon zu Rom (Entablature from the Pantheon in Rome) 9. 10.Vom Sonnentempelzu Baalbek (From the Sun Temple at Baalbek) 11. Vom Tempel des Jupiter Stator zu Rom (From the Temple of Jupiter Stator in Rome) Architektur (Römische Bauwerke (Rome) - Roman Structures (Rome)) 1.Denkmal des Secundiner zu Igel bei Trier (Monument of the Secundini at Igel near Trier) 2.Römisches Stadtthor zu Autun (Roman city gate at Autun) 3.Triumphbogen des Septimius Severus (Triumphal Arch of Septimius Severus) 4.Des Constantins zu Rom (Triumphal Arch of Constantine in Rome) 5.Colosseum zu Rom vom Esquilin aus gesehen (The Colosseum in Rome, seen from the Esquiline Hill) 6.Ursprüngliche Architektur Desselben (The original architecture of the same) 7.Haus zu Pompeji (House in Pompeii) 8.Gebalk vom Pantheon zu Rom (Entablature from the Pantheon in Rome) 9. 10.Vom Sonnentempelzu Baalbek (From the Sun Temple at Baalbek) 11. Vom Tempel des Jupiter Stator zu Rom (From the Temple of Jupiter Stator in Rome) — 1875. This engraving systematically depicts the most characteristic building types of ancient Roman architecture (triumphal arches, amphitheaters, columns, and façades)in plan, section, and elevation. The upper section displays elevation drawings of triumphal arches, such as the Arch of Titus and the Arch of Constantine in Rome. These structures are… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22201 https://www.gravurdunyasi.com/img/seo/GMS22201/architektur-fruhchristliche-kirchen-early-christian-churches-1-1875.jpg Architektur (Frühchristliche Kirchen - Early Christian Churches) 1.Choranschnit der Kirche zu Baqouxa (Choir section of the church at Baqouxa) 2.Ansicht der Kirche zu Tourmanin (View of the church at Tourmanin) 3. 4. .Choranschnit und innere Ansicht der Kirche zu Qalb-Louzeh (Choir section and interior view of the church at Qalb-Louzeh) 5.Capital der Kirche zu Der-Sita (Capital of the church at Der-Sita) 6.Capital zu Baqouza (Capital at Baqouxa) 7.Detail von der grossen Grabpyramide zu El-Barah (Detail from the large funerary pyramid at El-Barah) 8.Grundriss der heiligen Grabkirche zu Jerusalem im 4 Jahrh (Ground plan of the Church of the Holy Sepulchre in Jerusalem in the 4th century) 9.im 7. 10.Jahr (In the 7th and 10th centuries) 10. im 12. Jahrh (in the 12. century) 11.Kirche des Heiligen Simeon Stylites zu Kalat-Seman (Church of Saint Simeon Stylites at Kalat-Seman) 12.Kathedrale zu Bos-rah im Hauran (Cathedral at Bosrah in the Hauran) 13.Kirche zu Exra (Church at Exra) 14.Kirche zu Moudjelia (Church at Moudjelia) Architektur (Frühchristliche Kirchen - Early Christian Churches) 1.Choranschnit der Kirche zu Baqouxa (Choir section of the church at Baqouxa) 2.Ansicht der Kirche zu Tourmanin (View of the church at Tourmanin) 3. 4. .Choranschnit und innere Ansicht der Kirche zu Qalb-Louzeh (Choir section and interior view of the church at Qalb-Louzeh) 5.Capital der Kirche zu Der-Sita (Capital of the church at Der-Sita) 6.Capital zu Baqouza (Capital at Baqouxa) 7.Detail von der grossen Grabpyramide zu El-Barah (Detail from the large funerary pyramid at El-Barah) 8.Grundriss der heiligen Grabkirche zu Jerusalem im 4 Jahrh (Ground plan of the Church of the Holy Sepulchre in Jerusalem in the 4th century) 9.im 7. 10.Jahr (In the 7th and 10th centuries) 10. im 12. Jahrh (in the 12. century) 11.Kirche des Heiligen Simeon Stylites zu Kalat-Seman (Church of Saint Simeon Stylites at Kalat-Seman) 12.Kathedrale zu Bos-rah im Hauran (Cathedral at Bosrah in the Hauran) 13.Kirche zu Exra (Church at Exra) 14.Kirche zu Moudjelia (Church at Moudjelia) — 1875. This engraving depicts the typologies of basilica, cruciform plan, and central plan that shaped the Christian understanding of sacred space in the period following the collapse of the Roman Empire (4th-7th centuries). The architectural facade drawings in the upper part of the engraving represent structures such as the Basilica of San Apollinare… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22301 https://www.gravurdunyasi.com/img/seo/GMS22301/architektur-romanische-kirchen-romanesque-churches-1-grundriss-der-1875.jpg Architektur (Romanische Kirchen - Romanesque Churches) 1.Grundriss der Kirche S Giovanni auf dem Lateran zu Rom (Ground Plan of the Church of St. John Lateran in Rome) 2.Innenansicht (Interior View) 3.Grundriss von S. Paolo zu Rom (Ground Plan of St. Paul’s in Rome) 4.Durchschnitt (Cross Section) 5.Choransicht von S.Apollinare in Classe bei Ravenna (Choir View of St. Apollinare in Classe Near Ravenna) 6.Façade und Vorhof von S. Clemente zu Rom (Fassade and Forecourt of St. Clemente in Rome) 7.-10.Capitele aus Ravenna (Capitals From Ravenna) Architektur (Romanische Kirchen - Romanesque Churches) 1.Grundriss der Kirche S Giovanni auf dem Lateran zu Rom (Ground Plan of the Church of St. John Lateran in Rome) 2.Innenansicht (Interior View) 3.Grundriss von S. Paolo zu Rom (Ground Plan of St. Paul’s in Rome) 4.Durchschnitt (Cross Section) 5.Choransicht von S.Apollinare in Classe bei Ravenna (Choir View of St. Apollinare in Classe Near Ravenna) 6.Façade und Vorhof von S. Clemente zu Rom (Fassade and Forecourt of St. Clemente in Rome) 7.-10.Capitele aus Ravenna (Capitals From Ravenna) — 1875. This engraving presents examples of the most important early Christian religious buildings in Rome, such as San Clemente, San Paolo fuori le Mura (Saint Paul Outside the Walls), and San Apollinare in Classe (Ravenna), along with plans, sections, and elevations. The interior view at the center of the engraving is a perspective of the nave (main… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22401 https://www.gravurdunyasi.com/img/seo/GMS22401/architektur-gotische-rathauser-gothic-town-halls-1-nassauer-haus-zu-1875.jpg Architektur (Gotische Rathauser-Gothic Town Halls) 1.Nassauer Haus zu Nürnberg (Nassauer House in Nuremberg) 2.Façade der Wohnung des Hochmeisters im Schlosse zu Marienburg(Fassade of the residence of the Grand Master in the Castle of Marienburg) 3.Steinernes Haus zu Frankfurt a. M. (Stone House in Frankfurt am Main) 4.Rathhaus zu Münster (Town Hall in Münster) 5.zu Löwen (Town Hall in Leuven ) 6.zu Breslau (Town Hall in Wrocław) Architektur (Gotische Rathauser-Gothic Town Halls) 1.Nassauer Haus zu Nürnberg (Nassauer House in Nuremberg) 2.Façade der Wohnung des Hochmeisters im Schlosse zu Marienburg(Fassade of the residence of the Grand Master in the Castle of Marienburg) 3.Steinernes Haus zu Frankfurt a. M. (Stone House in Frankfurt am Main) 4.Rathhaus zu Münster (Town Hall in Münster) 5.zu Löwen (Town Hall in Leuven ) 6.zu Breslau (Town Hall in Wrocław) — 1875. This engraving documents in detail the late Gothic and early Renaissance town halls (Rathaus) and townhouses built between the 14th and 16th centuries. The North German tradition of brick Gothic architecture, which flourished in northern Europe, manifested itself in these building types as symbols of commercial wealth and local autonomy. The… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22501 https://www.gravurdunyasi.com/img/seo/GMS22501/architektur-italienische-palaste-und-rathhauser-italian-palaces-and-1875.jpg Architektur (Italienische Palaste und Rathhauser-Italian Palaces and Town Halls) 1. Rathhaus zu Florenz (Town Hall in Florence) 2.zu Piacenza (Town Hall in Piacenza) 3.Palast Buonsignori zu Siena (Buonsignori Palace in Siena) 4.Palast Giovanelli (Giovanelli Palace) 5.Palast Dogenpalast zu Venedig (Doge’s Palace in Venice) 6.Hof im Palast de Audiencia zu Barcelona (Courtyard in the Palace of the Audiencia in Barcelona) 7. Capital im Palast Bernardo (Capital in the Bernardo Palace) 8.-10.Brunnen zu Vendig (Fountains in Venice) 11.12.Capitale im Alten Schlosse zu Trient (Capitalsin the old castle of Trento) Architektur (Italienische Palaste und Rathhauser-Italian Palaces and Town Halls) 1. Rathhaus zu Florenz (Town Hall in Florence) 2.zu Piacenza (Town Hall in Piacenza) 3.Palast Buonsignori zu Siena (Buonsignori Palace in Siena) 4.Palast Giovanelli (Giovanelli Palace) 5.Palast Dogenpalast zu Venedig (Doge’s Palace in Venice) 6.Hof im Palast de Audiencia zu Barcelona (Courtyard in the Palace of the Audiencia in Barcelona) 7. Capital im Palast Bernardo (Capital in the Bernardo Palace) 8.-10.Brunnen zu Vendig (Fountains in Venice) 11.12.Capitale im Alten Schlosse zu Trient (Capitalsin the old castle of Trento) — 1875. This engraving brings together select examples representing the medieval and pre-Renaissance city palaces (palazzos) and municipal buildings (palazzo pubblico / comunale) that flourished in Italy between the 13th and 15th centuries. The engraving illustrates the public building aesthetics of Tuscany and Venice through their formal, structural, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22601 https://www.gravurdunyasi.com/img/seo/GMS22601/architektur-kuppelkirchen-europas-domed-churches-of-europe-1-1875.jpg Architektur (Kuppelkirchen Europas -Domed Churches of Europe) 1. Invalidendom (Dome of the Church of the Invalides (Les Invalides), Paris) 2.-3. Kirche Sorbonne (Church of the Sorbonne) 4.-5. Kuppel der Genovevakirche (Pantheon) zu Paris (Dome of the Church of Saint Geneviève (the Pantheon), Paris) 6. Paulskirche zu London (St. Paul’s Cathedral in London) 7. Isaacskirche zu St. Petersburg (St. Isaac’s Cathedral in St. Petersburg) Architektur (Kuppelkirchen Europas -Domed Churches of Europe) 1. Invalidendom (Dome of the Church of the Invalides (Les Invalides), Paris) 2.-3. Kirche Sorbonne (Church of the Sorbonne) 4.-5. Kuppel der Genovevakirche (Pantheon) zu Paris (Dome of the Church of Saint Geneviève (the Pantheon), Paris) 6. Paulskirche zu London (St. Paul’s Cathedral in London) 7. Isaacskirche zu St. Petersburg (St. Isaac’s Cathedral in St. Petersburg) — 1875. This engraving comparatively depicts the most outstanding examples of Baroque and Neoclassical cathedral architecture, which rose in Europe in the 17th and 18th centuries. The drawings emphasize the construction of dome structures, their section plans, and façade layouts. The building at the center of the engraving is St. Paul's Cathedral… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22701 https://www.gravurdunyasi.com/img/seo/GMS22701/architektur-maurische-und-arabische-baukunst-moorish-and-arabian-1875.jpg Architektur (Maurische und Arabische Baukunst - Moorish and Arabian Architecture) 1. Moschee el-Mojed in Kairo (El-Mojed Mosque in Cairo) 2. Saal der Abencerragen in der Alhambra bei Granada (Hall of the Abencerrages in the Alhambra at Granada) 3. Löwenhof in der Alhambra (Court of the Lions in the Alhambra) 4.-7. Ornamente aus der Alhambra (Ornaments from the Alhambra) 8. Ornamente aus der Kirche zu Kurte-Ardschisch (Ornament from the Church at Kurte-Ardschisch) Architektur (Maurische und Arabische Baukunst - Moorish and Arabian Architecture) 1. Moschee el-Mojed in Kairo (El-Mojed Mosque in Cairo) 2. Saal der Abencerragen in der Alhambra bei Granada (Hall of the Abencerrages in the Alhambra at Granada) 3. Löwenhof in der Alhambra (Court of the Lions in the Alhambra) 4.-7. Ornamente aus der Alhambra (Ornaments from the Alhambra) 8. Ornamente aus der Kirche zu Kurte-Ardschisch (Ornament from the Church at Kurte-Ardschisch) — 1875. This engraving depicts the most important examples of the Moorish architectural style that developed in Andalusia. It depicts in detail both the geometric elegance of Islamic decorative art and the formal richness of the arch, column, and vault systems. The three main scenes in the upper section represent the architectural diversity of the Muslim… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22801 https://www.gravurdunyasi.com/img/seo/GMS22801/architektur-agyptische-tempel-egyptian-temples-1-kleiner-tempel-auf-1875.jpg Architektur (Agyptische Tempel - Egyptian Temples) 1. Kleiner Tempel auf der Höhe von Denderah (Small Temple on the Hill of Dendera) 2. Ideale Darstellung einer agyptischen Tempelanlage (Tempel zu Edfu) (Ideal Representation of an Egyptian Temple Complex (Temple of Edfu))3. Hof des Tempel zu Phila (Court of the Temple of Philae) 4. Kleiner Tempel zu Elephantine (Small temple on the island of Elephantine) 5. Lotuskapital zu Benihassan (Lotus capital from Beni Hassan) 6.-7. Lotuskapitale vom Grossen Tempel zu Karnak (Lotus capitals from the Great Temple of Karnak) 8. Capital von Philae (Capital from Philae) 9. Kelchcapital Des Grossen Tempels zu karnak (Bell-shaped (calyx) capital from the Great Temple of Karnak) 10. Capital zu Denderah (Capital from Dendera) 11. Palmencapital zu Esneh (Palm-leaf capital from Esna) 12. Normale Eckgliederung und Gesimse (Typical corner arrangement and cornices) Architektur (Agyptische Tempel - Egyptian Temples) 1. Kleiner Tempel auf der Höhe von Denderah (Small Temple on the Hill of Dendera) 2. Ideale Darstellung einer agyptischen Tempelanlage (Tempel zu Edfu) (Ideal Representation of an Egyptian Temple Complex (Temple of Edfu))3. Hof des Tempel zu Phila (Court of the Temple of Philae) 4. Kleiner Tempel zu Elephantine (Small temple on the island of Elephantine) 5. Lotuskapital zu Benihassan (Lotus capital from Beni Hassan) 6.-7. Lotuskapitale vom Grossen Tempel zu Karnak (Lotus capitals from the Great Temple of Karnak) 8. Capital von Philae (Capital from Philae) 9. Kelchcapital Des Grossen Tempels zu karnak (Bell-shaped (calyx) capital from the Great Temple of Karnak) 10. Capital zu Denderah (Capital from Dendera) 11. Palmencapital zu Esneh (Palm-leaf capital from Esna) 12. Normale Eckgliederung und Gesimse (Typical corner arrangement and cornices) — 1875. This engraving comparatively depicts the general plans, columnar forms, and façade arrangements of Egyptian temples at sacred centers along the Nile Valley, such as Thebes (Luxor–Karnak), the Temple of Isis (Philae), the Temple of Horus (Edfu), and the Temple of Hathor (Dendera). The large central perspective shows the Temple of Edfu (Temple of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS22901 https://www.gravurdunyasi.com/img/seo/GMS22901/architektur-griechische-tempel-greek-temples-1-3-graber-zu-cervetri-1875.jpg Architektur (Griechische Tempel -Greek Temples) 1.-3. Graber zu Cervetri (Tombs at Cerveteri) 4. Grab der Horatier und Curiatier (Tomb of the Horatii and Curiatii) 5. Grab zu Norchia (Tomb at Norchia) 6. Etruskischer Tempel in Vollem Schmuck (Etruscan temple in Full Decoration) 7. Etruskischer Tempel nach Vitruv (Etruscan Temple According to Vitruvius) 8. Thor zu Falerii (Gate at Falerii) 9. Saulenfuss der Cucumcella bei Vulci (Column Base from the Cucumcella near Vulci) 10. Pfeiler aus der Tomba de`pilastri zu Cervetri (Pillar from the “Tomba dei Pilastri” at Cerveteri) 11. Saulencapital (Column Capital) 12. Pfeilercapital der Cucumella (Pillar Capital from the Cucumcella) Architektur (Griechische Tempel -Greek Temples) 1.-3. Graber zu Cervetri (Tombs at Cerveteri) 4. Grab der Horatier und Curiatier (Tomb of the Horatii and Curiatii) 5. Grab zu Norchia (Tomb at Norchia) 6. Etruskischer Tempel in Vollem Schmuck (Etruscan temple in Full Decoration) 7. Etruskischer Tempel nach Vitruv (Etruscan Temple According to Vitruvius) 8. Thor zu Falerii (Gate at Falerii) 9. Saulenfuss der Cucumcella bei Vulci (Column Base from the Cucumcella near Vulci) 10. Pfeiler aus der Tomba de`pilastri zu Cervetri (Pillar from the “Tomba dei Pilastri” at Cerveteri) 11. Saulencapital (Column Capital) 12. Pfeilercapital der Cucumella (Pillar Capital from the Cucumcella) — 1875. This engraving systematically illustrates the evolution of religious and architectural forms from the Mycenaean, Corinthian, and Archaic Greek periods. The three images in the top row depict the interiors of tholos (circular royal burial chambers) from the Mycenaean civilization (16th-12th centuries BC). These structures represent the earliest… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23001 https://www.gravurdunyasi.com/img/seo/GMS23001/architektur-klassische-griechische-architektur-classical-greek-1875.jpg Architektur (Klassische Griechische Architektur -Classical Greek Architecture) 1–3. Ansichten und Durchschnitt des Erechtheion zu Athen (Views and Section of the Erechtheion in Athens.) 4. Capital Desselben (Capital of the Same Structure) 5. Gebalke vom Pandroseon an Demselben (Entablature from the Pandroseion, Adjoining the Same) 6. Windethurm zu Athen (Tower of the Winds in Athens) 7. Detail Desselben (Detail of the Same Structure) 8. Choragisches Monument des Thrasyllos zu Athen (Choragic monument of Thrasyllos in Athens.) 9. Detail Desselben (Detail of the Same Structure) 10. Choragisches Monument des Lysikrates zu Athen (Nach Hansen`s Restauration)(Choragic monument of Lysicrates in Athens (after Hansen’s restoration)) 11.Gebalke Desselben 12.-13. Capitale von Bassa (Capitals from Bassae) 14. Von Athenetempel zu Priene (From the Temple of Athena at Priene) 15. Vom Tempel des Apollo Didy-maos zu Milet (From the Temple of Apollo Didymaios at Miletus) 16. Antencapital vom Grossen Tempel zu Eleusis (Anta capital from the great Temple at Eleusis) Architektur (Klassische Griechische Architektur -Classical Greek Architecture) 1–3. Ansichten und Durchschnitt des Erechtheion zu Athen (Views and Section of the Erechtheion in Athens.) 4. Capital Desselben (Capital of the Same Structure) 5. Gebalke vom Pandroseon an Demselben (Entablature from the Pandroseion, Adjoining the Same) 6. Windethurm zu Athen (Tower of the Winds in Athens) 7. Detail Desselben (Detail of the Same Structure) 8. Choragisches Monument des Thrasyllos zu Athen (Choragic monument of Thrasyllos in Athens.) 9. Detail Desselben (Detail of the Same Structure) 10. Choragisches Monument des Lysikrates zu Athen (Nach Hansen`s Restauration)(Choragic monument of Lysicrates in Athens (after Hansen’s restoration)) 11.Gebalke Desselben 12.-13. Capitale von Bassa (Capitals from Bassae) 14. Von Athenetempel zu Priene (From the Temple of Athena at Priene) 15. Vom Tempel des Apollo Didy-maos zu Milet (From the Temple of Apollo Didymaios at Miletus) 16. Antencapital vom Grossen Tempel zu Eleusis (Anta capital from the great Temple at Eleusis) — 1875. This engraving presents a comparative analysis of the most important Greek monuments on and around the Acropolis of Athens, particularly the Erechtheion, Parthenon, Lysikrates Monument, and the Temple of Nike, in both plan and façade detail. The three main scenes in the top row are taken from various structures on the Acropolis. The drawing on the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23101 https://www.gravurdunyasi.com/img/seo/GMS23101/architektur-romische-baukunst-roman-architecture-1-ruinen-des-1875.jpg Architektur (Römische Baukunst - Roman Architecture) 1. Ruinen des Vestatempels zu Tivoli (Ruins of the Temple of Vesta at Tivoli) 2. Mausoleum des Hadrian (Mausoleum of Hadrian) 3. Saule des Trajan (Column of Trajan) 4. Saule des Marc Aurel zu Rom (Column of Marcus Aurelius in Rome) 5. Portal des Sonnentempels zu Palmyra (Portal of the Sun Temple at Palmyra) 6. Detail desselben (Detail of the same Structure) 7. Detail zum Thore von Palmyra (Taf.12, Fig. 8.) (Detail of the gate at Palmyra ) 8. Decke im Sonnentempel zu Baalbek (Ceiling of the Sun Temple at Baalbek) 9. Basilika des Maxentius zu Rom (Basilica of Maxentius in Rome) 10. Rundtempel im Palaste des Diocletian zu Spalatro (Round Temple in the Palace of Diocletian at Spalatro) Architektur (Römische Baukunst - Roman Architecture) 1. Ruinen des Vestatempels zu Tivoli (Ruins of the Temple of Vesta at Tivoli) 2. Mausoleum des Hadrian (Mausoleum of Hadrian) 3. Saule des Trajan (Column of Trajan) 4. Saule des Marc Aurel zu Rom (Column of Marcus Aurelius in Rome) 5. Portal des Sonnentempels zu Palmyra (Portal of the Sun Temple at Palmyra) 6. Detail desselben (Detail of the same Structure) 7. Detail zum Thore von Palmyra (Taf.12, Fig. 8.) (Detail of the gate at Palmyra ) 8. Decke im Sonnentempel zu Baalbek (Ceiling of the Sun Temple at Baalbek) 9. Basilika des Maxentius zu Rom (Basilica of Maxentius in Rome) 10. Rundtempel im Palaste des Diocletian zu Spalatro (Round Temple in the Palace of Diocletian at Spalatro) — 1875. This engraving systematically depicts the forms of temples, basilicas, triumphal columns, and mausoleums—the most characteristic examples of monumental architecture that developed in Rome between the 1st and 4th centuries AD. This composition reveals both the technical mastery of Roman architecture and its symbolic language, which extolled… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23201 https://www.gravurdunyasi.com/img/seo/GMS23201/architektur-maurische-baukunst-in-spanien-moorish-architecture-in-1875.jpg Architektur (Maurische Baukunst in Spanien - Moorish Architecture in Spain) 1. Moschee zu Cordova (The Mosque of Cordova) 2. Saal der Don Pedro im Alcazar zu Sevilla (The Hall of Don Pedro in the Alcazar of Seville) 3. Löwenhof der Alhambra (The Court of the Lions in the Alhambra) 4. Saal der Gesandten im Alcazar zu Sevilla (The Hall of the Ambassadors in the Alcazar of Seville) Architektur (Maurische Baukunst in Spanien - Moorish Architecture in Spain) 1. Moschee zu Cordova (The Mosque of Cordova) 2. Saal der Don Pedro im Alcazar zu Sevilla (The Hall of Don Pedro in the Alcazar of Seville) 3. Löwenhof der Alhambra (The Court of the Lions in the Alhambra) 4. Saal der Gesandten im Alcazar zu Sevilla (The Hall of the Ambassadors in the Alcazar of Seville) — 1875. The engraving depicts the interiors of four monumental structures selected from the cities of Cordoba, Seville, and Granada in southern Spain. These structures strikingly represent the architectural, decorative, and lighting influences of the Umayyad-Andalusian style (8th-15th centuries AD) on Western European art history. Above left, the interior… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23301 https://www.gravurdunyasi.com/img/seo/GMS23301/architektur-indische-baukunst-indian-architecture-1-kutub-minar-bei-1875.jpg Architektur (Indische Baukunst - Indian Architecture) 1. Kutub-Minar bei Dehli (The Qutb Minar near Delhi) 2. Saal im Palast von Madura (Hall in the Palace of Madura) 3. Kirche zu Kurte-Ardschisch (Church at Kurte-Ardschisch) 4. Grundriss der Moschee zu Cordova (Ground plan of the Mosque of Cordova) 5. Dschamma-Moschee zu Dehli(The Jama Mosque in Delhi) 6. Grundriss der Alhambra (Ground plan of the Alhambra) Architektur (Indische Baukunst - Indian Architecture) 1. Kutub-Minar bei Dehli (The Qutb Minar near Delhi) 2. Saal im Palast von Madura (Hall in the Palace of Madura) 3. Kirche zu Kurte-Ardschisch (Church at Kurte-Ardschisch) 4. Grundriss der Moschee zu Cordova (Ground plan of the Mosque of Cordova) 5. Dschamma-Moschee zu Dehli(The Jama Mosque in Delhi) 6. Grundriss der Alhambra (Ground plan of the Alhambra) — 1875. The engraving presents examples of Islamic and Hindu architecture from different periods found in cities such as Delhi, Madura, and Agra. These representations create a visual panorama of the eclectic style that synthesizes Muslim and indigenous architectural traditions across the Indian subcontinent. The structure in the upper left shows the Qutb… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23401 https://www.gravurdunyasi.com/img/seo/GMS23401/architektur-russische-kirchen-russian-churches-kirchen-in-moskau-1875.jpg Architektur (Russische Kirchen - Russian Churches) Kirchen in Moskau (Churches in Moscow) - 1. Grusinische (georgische) Kirche der Mutter Gottes(Georgian Church of the Mother of God) 2. Kirche des Heiligen Johannes im Rotowskischen Kreml (Church of Saint John in the Rotov Kremlin) 3. Kathedrale Wassili Blashennoi (Cathedral of St. Basil the Blessed) 4. Kirche des Heiligen Nikolaus und Stolpach (Church of St. Nicholas and Stolpach) 5. Bojarenstiege im Kreml (The Boyar’s Staircase in the Kremlin) Architektur (Russische Kirchen - Russian Churches) Kirchen in Moskau (Churches in Moscow) - 1. Grusinische (georgische) Kirche der Mutter Gottes(Georgian Church of the Mother of God) 2. Kirche des Heiligen Johannes im Rotowskischen Kreml (Church of Saint John in the Rotov Kremlin) 3. Kathedrale Wassili Blashennoi (Cathedral of St. Basil the Blessed) 4. Kirche des Heiligen Nikolaus und Stolpach (Church of St. Nicholas and Stolpach) 5. Bojarenstiege im Kreml (The Boyar’s Staircase in the Kremlin) — 1875. This engraving depicts Orthodox churches in Moscow and examples of religious and civil architecture within the Kremlin. The engraving demonstrates the unique aesthetic language created by the fusion of Byzantine traditions with local wooden construction techniques in Russian architecture between the 15th and 17th centuries. The structure in the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23501 https://www.gravurdunyasi.com/img/seo/GMS23501/architektur-romanische-kirchen-in-deutschland-romanesque-churches-in-1875.jpg Architektur (Romanische Kirchen in Deutschland - Romanesque Churches in Germany) 1. Dom zu Worms (Cathedral of Worms) 2. Dom zu Speier (Cathedral of Speyer) 3. Apostelkirche zu Köln (Church of the Holy Apostles in Cologne) 4. Dom zu Limburg an der Lahn (Cathedral of Limburg on the Lahn) 5. Dom zu Bamberg (Cathedral of Bamberg) 6. Kirche zu Gelnhausen (Church of Gelnhausen) 7. Kirche St. Gereon zu Köln (Church of St. Gereon in Cologne) Architektur (Romanische Kirchen in Deutschland - Romanesque Churches in Germany) 1. Dom zu Worms (Cathedral of Worms) 2. Dom zu Speier (Cathedral of Speyer) 3. Apostelkirche zu Köln (Church of the Holy Apostles in Cologne) 4. Dom zu Limburg an der Lahn (Cathedral of Limburg on the Lahn) 5. Dom zu Bamberg (Cathedral of Bamberg) 6. Kirche zu Gelnhausen (Church of Gelnhausen) 7. Kirche St. Gereon zu Köln (Church of St. Gereon in Cologne) — 1875. This engraving shows the most important cathedrals and churches of Romanesque architecture in Germany. The Romanesque style (circa 10th-12th centuries) represents the early petrification of medieval architecture in Western Europe. This style is characterized by its thick walls, semicircular arches, vaulted ceilings, and massive towers. Each… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23601 https://www.gravurdunyasi.com/img/seo/GMS23601/architektur-romanischer-baustil-romanesque-architectural-details-1-1875.jpg Architektur (Romanischer Baustil - Romanesque Architectural Details) 1. Grundriss des Klosters Maulbronn (Ground plan of the Monastery of Maulbronn) 2. Ansicht des südlichen Kreuzgangflügels (View of the southern cloister wing) 3. Refektorium desselben (Refectory of the same) 4.-5. Wohnhauserzu Köln (Residential houses in Cologne) 6. Capitale aus der Kirche zu Mauermünster (Marmoutier) (Capital from the Church of Mauermünster) 7.-8. Aus dem Dom zu Speier (From the Cathedral of Speyer) 9. Von der Kirche zu Schwarzrheindorf (From the Church of Schwarzrheindorf) 10. Aus der Vorhalle des Domes zu Goslar (From the porch of the Cathedral of Goslar) 11.Aus Dem Münster zu Basel (From the Minster of Basel) 12. Aus der Taufkapella von St.Gereon zu Köln (From the Baptistery of St. Gereon in Cologne) 13.-15.Aus Heiligenkreuz Bei Wien(From Heiligenkreuz near Vienna) 16. aus der Vorhalle der Kirche zu Maulbronn (From the vestibule of the Church of Maulbronn) 17. Bogenfriese aus Heiligenkreuz bei Wien (Arch friezes from Heiligenkreuz near Vienna) 18. aus St.Jak in Ungarn (From St. Jak in Hungary) 19. Romanische Saulenbase (Romanesque column base) 20.-21. Eekblatter aus Maulbronn (Corner leaves from Maulbronn) 22. aus Heiligenkreuz (From Heiligenkreuz) 23. Saulenfuss aus Heiligenkreuz (Column foot from Heiligenkreuz) Architektur (Romanischer Baustil - Romanesque Architectural Details) 1. Grundriss des Klosters Maulbronn (Ground plan of the Monastery of Maulbronn) 2. Ansicht des südlichen Kreuzgangflügels (View of the southern cloister wing) 3. Refektorium desselben (Refectory of the same) 4.-5. Wohnhauserzu Köln (Residential houses in Cologne) 6. Capitale aus der Kirche zu Mauermünster (Marmoutier) (Capital from the Church of Mauermünster) 7.-8. Aus dem Dom zu Speier (From the Cathedral of Speyer) 9. Von der Kirche zu Schwarzrheindorf (From the Church of Schwarzrheindorf) 10. Aus der Vorhalle des Domes zu Goslar (From the porch of the Cathedral of Goslar) 11.Aus Dem Münster zu Basel (From the Minster of Basel) 12. Aus der Taufkapella von St.Gereon zu Köln (From the Baptistery of St. Gereon in Cologne) 13.-15.Aus Heiligenkreuz Bei Wien(From Heiligenkreuz near Vienna) 16. aus der Vorhalle der Kirche zu Maulbronn (From the vestibule of the Church of Maulbronn) 17. Bogenfriese aus Heiligenkreuz bei Wien (Arch friezes from Heiligenkreuz near Vienna) 18. aus St.Jak in Ungarn (From St. Jak in Hungary) 19. Romanische Saulenbase (Romanesque column base) 20.-21. Eekblatter aus Maulbronn (Corner leaves from Maulbronn) 22. aus Heiligenkreuz (From Heiligenkreuz) 23. Saulenfuss aus Heiligenkreuz (Column foot from Heiligenkreuz) — 1875. This plate focuses on Romanesque details — capitals, columns, arches, and floor plans — from abbeys and cathedrals in Mainz, Worms, and Hildesheim. It demonstrates the transition between Romanesque and early Gothic forms through evolving stone carving techniques. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23701 https://www.gravurdunyasi.com/img/seo/GMS23701/architektur-italienische-kirchen-der-romanischen-zeit-romanesque-1875.jpg Architektur (Italienische Kirchen der Romanischen Zeit - Romanesque Churches of Italy) 1. Innere Ansicht der Kirche S. Miniato bei Florenz (Interior view of the Church of San Miniato in Florence) 2. Dom und Schiefer Thurm zu Pisa (Cathedral and Leaning Tower of Pisa) 3. Innere Ansicht der Capella Palatina zu Palermo (Interior view of the Cappella Palatina in Palermo) 4. Domkirche zu Trau (Cathedral of Trau (Trogir)) 5. Kreuzgang von St.Paul vor Rom (Cloister of St. Paul Outside the Walls (Rome)) 6. Wetseite der Kirche S-Zeno Verona (West façade of the Church of San Zeno in Verona) 7. Wetseite des Doms zu Zara (West façade of the Cathedral of Zara (Zadar)) 8. Portal am Dome zu Verona (Portal of the Cathedral in Verona) 9. an der Kirche S.-Zeno zu Verona (Portal detail of the Church of San Zeno in Verona) 10. am Dome zu Modena (Portal detail of the Cathedral in Modena) Architektur (Italienische Kirchen der Romanischen Zeit - Romanesque Churches of Italy) 1. Innere Ansicht der Kirche S. Miniato bei Florenz (Interior view of the Church of San Miniato in Florence) 2. Dom und Schiefer Thurm zu Pisa (Cathedral and Leaning Tower of Pisa) 3. Innere Ansicht der Capella Palatina zu Palermo (Interior view of the Cappella Palatina in Palermo) 4. Domkirche zu Trau (Cathedral of Trau (Trogir)) 5. Kreuzgang von St.Paul vor Rom (Cloister of St. Paul Outside the Walls (Rome)) 6. Wetseite der Kirche S-Zeno Verona (West façade of the Church of San Zeno in Verona) 7. Wetseite des Doms zu Zara (West façade of the Cathedral of Zara (Zadar)) 8. Portal am Dome zu Verona (Portal of the Cathedral in Verona) 9. an der Kirche S.-Zeno zu Verona (Portal detail of the Church of San Zeno in Verona) 10. am Dome zu Modena (Portal detail of the Cathedral in Modena) — 1875. This engraving illustrates the diverse regional interpretations of the Romaesque style of the 11th–12th centuries in Italy. The basilical interior of San Miniato al Monte in Florence, with its flat wooden ceiling, is characteristic of the early Romanesque style, continuing the tradition of ancient Rome. Pisa Cathedral and its adjacent famous… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23801 https://www.gravurdunyasi.com/img/seo/GMS23801/architektur-franzosische-kathedralen-gotischer-stil-i-french-1875.jpg Architektur (Französische Kathedralen, Gotischer Stil I - French Cathedrals, Gothic Style I) Kathedrale Notre-Dame zu Paris (Cathedral of Notre-Dame in Paris) 1. Grundriss (Ground plan) 2. Ursprunglicher Querschnitt des Schiffs (Original Cross-section of the Nave) 3. Facade (Thurmspitzen nach Viollet le-Due`s Projet für den Ausbau) (Façade (with spire-tops according to Viollet-le-Duc’s project for the extension)) 4. Ornamentfries (Ornamental frieze) 5. Grundriss der Kathe Drale zu Laon (Ground plan of the cathedral in Laon) 6. zu Noyon (in Noyon) 7. zu Chartres (in Chartres) 8. Querschnitt des Schiffs der Kathedrale zu Rheims (Cross-section of the nave of the cathedral in Reims) 9. zu Amiens (in Amiens) 10. Querschnitt der Abside der Kathedrale zu Beauvais (Cross-section of the apse of the cathedral in Beauvais) Architektur (Französische Kathedralen, Gotischer Stil I - French Cathedrals, Gothic Style I) Kathedrale Notre-Dame zu Paris (Cathedral of Notre-Dame in Paris) 1. Grundriss (Ground plan) 2. Ursprunglicher Querschnitt des Schiffs (Original Cross-section of the Nave) 3. Facade (Thurmspitzen nach Viollet le-Due`s Projet für den Ausbau) (Façade (with spire-tops according to Viollet-le-Duc’s project for the extension)) 4. Ornamentfries (Ornamental frieze) 5. Grundriss der Kathe Drale zu Laon (Ground plan of the cathedral in Laon) 6. zu Noyon (in Noyon) 7. zu Chartres (in Chartres) 8. Querschnitt des Schiffs der Kathedrale zu Rheims (Cross-section of the nave of the cathedral in Reims) 9. zu Amiens (in Amiens) 10. Querschnitt der Abside der Kathedrale zu Beauvais (Cross-section of the apse of the cathedral in Beauvais) — 1875. This plate features the Cathedral of Notre-Dame de Paris, along with structural analyses of flying buttresses and floor plans of major Gothic cathedrals in Chartres, Amiens, and Reims. It highlights the balance of height, light, and symbolic geometry. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS23901 https://www.gravurdunyasi.com/img/seo/GMS23901/architektur-gotische-kathedralen-in-deutschland-gothic-cathedrals-in-1875.jpg Architektur (Gotische Kathedralen in Deutschland - Gothic Cathedrals in Germany) 1. Lorenzkirche zu Nürnberg (St.Lorenz Church in Nuremberg) 2. Grundriss des Domes zu Magdeburg (Ground plan of the Cathedral of Magdeburg) 3. Choransicht (Choir view) 4. Grundriss des Domes zu Regensburg (Ground plan of the Cathedral of Regensburg) 5. Westfacade des Domes zu Ulm in seiner Vollendung (West façade of the Cathedral of Ulm in its completed form) 6. Querdurchschnitt vom Dom zu Köln (Transverse section of Cologne Cathedral) 7.-8. Schlusssteine der Kirche zu Gladbach (Keystone sculptures from the church at Gladbach) 9. Capital vom Dom zu Köln (Capital from Cologne Cathedral) 10.-11. Blatterstrausschen Ahnlicher Capitale im Munster zu Freiburg im Breisgau (Floral-style capitals in the Minster at Freiburg im Breisgau) 12. Capital von der Frauen Kirche zu Esslingen (Capital from the Church of Our Lady in Esslingen) 13. Wasserspeier vom Dom zu Prag (Gargoyle from the Cathedral of Prague) 14. Masswerkconstructionen (Tracery constructions) Architektur (Gotische Kathedralen in Deutschland - Gothic Cathedrals in Germany) 1. Lorenzkirche zu Nürnberg (St.Lorenz Church in Nuremberg) 2. Grundriss des Domes zu Magdeburg (Ground plan of the Cathedral of Magdeburg) 3. Choransicht (Choir view) 4. Grundriss des Domes zu Regensburg (Ground plan of the Cathedral of Regensburg) 5. Westfacade des Domes zu Ulm in seiner Vollendung (West façade of the Cathedral of Ulm in its completed form) 6. Querdurchschnitt vom Dom zu Köln (Transverse section of Cologne Cathedral) 7.-8. Schlusssteine der Kirche zu Gladbach (Keystone sculptures from the church at Gladbach) 9. Capital vom Dom zu Köln (Capital from Cologne Cathedral) 10.-11. Blatterstrausschen Ahnlicher Capitale im Munster zu Freiburg im Breisgau (Floral-style capitals in the Minster at Freiburg im Breisgau) 12. Capital von der Frauen Kirche zu Esslingen (Capital from the Church of Our Lady in Esslingen) 13. Wasserspeier vom Dom zu Prag (Gargoyle from the Cathedral of Prague) 14. Masswerkconstructionen (Tracery constructions) — 1875. The engraving depicts leading examples of Gothic architecture in Germany, such as the cathedrals of Cologne, Ulm, and Regensburg. It emphasizes verticality, tracery, and complex rib vaulting — hallmarks of the High Gothic style. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24001 https://www.gravurdunyasi.com/img/seo/GMS24001/architektur-grundrisse-gotischer-dome-ground-plans-of-gothic-1875.jpg Architektur (Grundrisse gotischer Dome -Ground Plans of Gothic Cathedrals) 1.Grundriss des Domes zu Köln (Ground plan of Cologne Cathedral) 2. Grundriss des Domes zu Prag (Ground plan of Prague Cathedral) 3. Innere Ansicht des Doms zu Prag nach seiner Vollendung (Interior view of the Cathedral of Prague after its completion) 4. Grundriss des Münsters zu Ulm (Ground plan of the Minster of Ulm) 5. Grundriss des Domes zu Antwerpen (Ground plan of the Cathedral of Antwerp) Architektur (Grundrisse gotischer Dome -Ground Plans of Gothic Cathedrals) 1.Grundriss des Domes zu Köln (Ground plan of Cologne Cathedral) 2. Grundriss des Domes zu Prag (Ground plan of Prague Cathedral) 3. Innere Ansicht des Doms zu Prag nach seiner Vollendung (Interior view of the Cathedral of Prague after its completion) 4. Grundriss des Münsters zu Ulm (Ground plan of the Minster of Ulm) 5. Grundriss des Domes zu Antwerpen (Ground plan of the Cathedral of Antwerp) — 1875. This engraving provides a comparative plan view of the cathedral typology, representing the highest stage of maturity in European Gothic architecture. The spatial projection of Gothic ideals of proportion, light, and height is provided alongside the plan drawings. The depiction of the interior in the central panel impressively reflects the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24101 https://www.gravurdunyasi.com/img/seo/GMS24101/architektur-stadtthore-und-burgen-city-gates-and-castles-1-altstadter-1875.jpg Architektur (Stadtthore und Burgen - City Gates and Castles) 1. Altstadter Brückenthor zu Prag (Old Town Bridge Gate in Prague) 2.Sanct- Paulsthor (Spalenthor) zu Basel (Saint Paul’s Gate (Spalentor) in Basel) 3.Neustadter Thor zu Tangermunde (New Town Gate in Tangermünde) 4. Uenglinger Thor zu Stendal (Uenglingen Gate in Stendal) 5.Florianithor zu Krakau (Florian Gate in Krakow) 6.Schloss Vajda-Hunyad in Siebenburgen (Castle Vajda-Hunyad in Transylvania) Architektur (Stadtthore und Burgen - City Gates and Castles) 1. Altstadter Brückenthor zu Prag (Old Town Bridge Gate in Prague) 2.Sanct- Paulsthor (Spalenthor) zu Basel (Saint Paul’s Gate (Spalentor) in Basel) 3.Neustadter Thor zu Tangermunde (New Town Gate in Tangermünde) 4. Uenglinger Thor zu Stendal (Uenglingen Gate in Stendal) 5.Florianithor zu Krakau (Florian Gate in Krakow) 6.Schloss Vajda-Hunyad in Siebenburgen (Castle Vajda-Hunyad in Transylvania) — 1875. This engraving presents city gates and castle complexes, some of the most characteristic examples of medieval defensive architecture in Central Europe. Selected structures from diverse locations, such as Prague, Basel, Tangermünde, Stendal, Kraków, and the Vajda-Hunyad Castle in Transylvania, illustrate both the developmental stages of city… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24201 https://www.gravurdunyasi.com/img/seo/GMS24201/architektur-profane-gotikbauten-gothic-secular-buildings-1-holzhauser-1875.jpg Architektur (Profane Gotikbauten - Gothic Secular Buildings) 1. Holzhauser am Markte zu Halberstadt (Timber Houses at the Market Square in Halberstadt) 2. Marienkirche zu Prenzlau (St. Mary’s Church in Prenzlau) 3. Rathhaus aus Tangermund (Town Hall from Tangermünde) 4. Hof im Collegium Jagellonicum zu Krakau (Courtyard in the Collegium Jagellonicum in Krakow) 5. Giebel an der Katharinenkirche zu Brandenburg (Gable of the St. Catherine’s Church in Brandenburg) 6. Giebel an der Corpus-Christi Kirche zu Krakau (Gable of the Corpus Christi Church in Krakow) Architektur (Profane Gotikbauten - Gothic Secular Buildings) 1. Holzhauser am Markte zu Halberstadt (Timber Houses at the Market Square in Halberstadt) 2. Marienkirche zu Prenzlau (St. Mary’s Church in Prenzlau) 3. Rathhaus aus Tangermund (Town Hall from Tangermünde) 4. Hof im Collegium Jagellonicum zu Krakau (Courtyard in the Collegium Jagellonicum in Krakow) 5. Giebel an der Katharinenkirche zu Brandenburg (Gable of the St. Catherine’s Church in Brandenburg) 6. Giebel an der Corpus-Christi Kirche zu Krakau (Gable of the Corpus Christi Church in Krakow) — 1875. This engraving depicts examples of "civil Gothic architecture" in Central and Northern Germany and Central Europe. The municipal buildings, merchant guilds, town houses, college courtyards, and facade claddings found here demonstrate the profound and decisive role that Gothic form played not only in cathedrals and religious buildings but also in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24301 https://www.gravurdunyasi.com/img/seo/GMS24301/architektur-englische-gotik-english-gothic-architecture-1-kathedrale-1875.jpg Architektur (Englische Gotik - English Gothic Architecture) 1. Kathedrale zu York (Cathedral of York) 2. zu Canterbury (Cathedral of Canterbury) 3. Kirche zu Saint-Neots (Church of Saint-Neots) 4. Kathedrale zu Litchfield (Cathedral of Litchfield) 5. Kapelle Heinrich`s VII. zu Westminster (Chapel of Henry VII at Westminster) 6. Dach der grossen Halle zu Westminster (Roof of the Great Hall at Westminster) 7. Portal der Kirche zu Fotheringhay (Portal of the Church at Fotheringhay) 8. Fenster von Saint-Micheal zu Oxford (Window of Saint-Michael at Oxford) 9.-10. Giebelkreuze an der Kathedrale zu Salisbury (Gable crosses on the Cathedral at Salisbury) 11. an Merton College zu Oxford (Gable crosses at Merton College at Oxford) 12. an der Marienkirche zu Gloucester (Gable crosses at the Church of Our Lady (Marienkirche) at Gloucester) Architektur (Englische Gotik - English Gothic Architecture) 1. Kathedrale zu York (Cathedral of York) 2. zu Canterbury (Cathedral of Canterbury) 3. Kirche zu Saint-Neots (Church of Saint-Neots) 4. Kathedrale zu Litchfield (Cathedral of Litchfield) 5. Kapelle Heinrich`s VII. zu Westminster (Chapel of Henry VII at Westminster) 6. Dach der grossen Halle zu Westminster (Roof of the Great Hall at Westminster) 7. Portal der Kirche zu Fotheringhay (Portal of the Church at Fotheringhay) 8. Fenster von Saint-Micheal zu Oxford (Window of Saint-Michael at Oxford) 9.-10. Giebelkreuze an der Kathedrale zu Salisbury (Gable crosses on the Cathedral at Salisbury) 11. an Merton College zu Oxford (Gable crosses at Merton College at Oxford) 12. an der Marienkirche zu Gloucester (Gable crosses at the Church of Our Lady (Marienkirche) at Gloucester) — 1875. This engraving depicts examples representative of the institutionalized form of Gothic architecture in England between the 13th and 15th centuries. Buildings such as York Minster and Canterbury Cathedral, which hold a significant place in national memory, clearly demonstrate how English Gothic differed from continental (especially French) Gothic.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24401 https://www.gravurdunyasi.com/img/seo/GMS24401/architektur-franzosische-gotik-sp-tgotik-profanbauten-french-late-1875.jpg Architektur (Französische Gotik, Spätgotik Profanbauten - French Late Gothic, Secular Buildings) 1. Justizpalast zu Rouen (Palace of Justice in Rouen) 2. Haus des Jacques Coeur zu Bourges (House of Jacques Coeur in Bourges) 3. Hotel de Cluny zu Paris (Hotel de Cluny in Paris) 4. Befestigungsthurm zu Carcassonne (Fortification Tower in Carcassonne) 5. Nesle-Thurm zu Paris (Nesle Tower in Paris) 6. Dachfenster am Schlosse zu Josselin (Bretagne) (Dormer Window at the Castle of Josselin (Brittany)) 7. Fenster vom Hotel de la Trimouille (Window from the Hotel de la Tremoille) 8. Halle zu Eltham (Hall at Eltham) Architektur (Französische Gotik, Spätgotik Profanbauten - French Late Gothic, Secular Buildings) 1. Justizpalast zu Rouen (Palace of Justice in Rouen) 2. Haus des Jacques Coeur zu Bourges (House of Jacques Coeur in Bourges) 3. Hotel de Cluny zu Paris (Hotel de Cluny in Paris) 4. Befestigungsthurm zu Carcassonne (Fortification Tower in Carcassonne) 5. Nesle-Thurm zu Paris (Nesle Tower in Paris) 6. Dachfenster am Schlosse zu Josselin (Bretagne) (Dormer Window at the Castle of Josselin (Brittany)) 7. Fenster vom Hotel de la Trimouille (Window from the Hotel de la Tremoille) 8. Halle zu Eltham (Hall at Eltham) — 1875. This engraving demonstrates the most prominent use of the late Gothic style, known as "Flamboyant" in French civil architecture between the late 15th and early 16th centuries. The juxtaposition of palace, city residence, municipal building, and castle elements within the same composition demonstrates that Gothic architecture was not limited to… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24501 https://www.gravurdunyasi.com/img/seo/GMS24501/architektur-italienische-kathedralen-gotischer-stil-italian-gothic-1875.jpg Architektur (Italienische Kathedralen, Gotischer Stil - Italian Gothic Cathedrals) 1. Grundriss (Ground plan) 2. Choransicht des Doms zu Mailand (Choir view of Milan Cathedral) 3. Grundriss des Doms zu Florenz (Ground plan of Florence Cathedral) 4. Glockenthurm Daselbst (Bell Tower There) 5.Dom zu Orvieto (Cathedral of Orvieto) 6.Althar im Or San-Michele zu Florenz (Altar in Or San Michele in Florence) 7.Grabmal der Scaliger zu Verona (Tomb of the Scaliger family in Verona) Architektur (Italienische Kathedralen, Gotischer Stil - Italian Gothic Cathedrals) 1. Grundriss (Ground plan) 2. Choransicht des Doms zu Mailand (Choir view of Milan Cathedral) 3. Grundriss des Doms zu Florenz (Ground plan of Florence Cathedral) 4. Glockenthurm Daselbst (Bell Tower There) 5.Dom zu Orvieto (Cathedral of Orvieto) 6.Althar im Or San-Michele zu Florenz (Altar in Or San Michele in Florence) 7.Grabmal der Scaliger zu Verona (Tomb of the Scaliger family in Verona) — 1875. This engraving demonstrates the aesthetic and constructive aspects of late medieval/Gothic cathedral architecture in Italy, particularly those that differ from northern Gothic architecture on the European continent. The Milan Duomo, in the upper left corner of the engraving, is one of the most magnificent vertical structures built south of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24601 https://www.gravurdunyasi.com/img/seo/GMS24601/architektur-italienische-renaissance-italian-renaissance-1-facata-der-1875.jpg Architektur (Italienische Renaissance - Italian Renaissance) 1. Facata der Certosa bei Paia (Façade of the Certosa near Pavia) 2.-3. Details Derselben (Details of the same) 4. Santa Maria della Salute 5. Erloserkirche (Church of the Redeemer (Il Redentore)) 6. San-Zaccaria 7. Grabmal des Dogen Vendramini, Sammtlich zu Venedig (Tomb of the Doge Vendramin, all in Venice) 8. Arcaden Vom Kleinen Hofet der Certosa bei Pavia (Arcades from the small courtyard of the Certosa in Pavia) 9. Pilastercapital aus Florenz (Pilaster capital from Florence) 10. Console von einem Kamine im Dogenpalast zu Venedig (Console from a fireplace in the Doge’s Palace in Venice) 11. Wappenschild vom Grabmal des Francesco Tornabuoni in Santa- Maria Sopra Minerva, zu Rom (Coat of arms from the tomb of Francesco Tornabuoni in Santa Maria sopra Minerva in Rome) Architektur (Italienische Renaissance - Italian Renaissance) 1. Facata der Certosa bei Paia (Façade of the Certosa near Pavia) 2.-3. Details Derselben (Details of the same) 4. Santa Maria della Salute 5. Erloserkirche (Church of the Redeemer (Il Redentore)) 6. San-Zaccaria 7. Grabmal des Dogen Vendramini, Sammtlich zu Venedig (Tomb of the Doge Vendramin, all in Venice) 8. Arcaden Vom Kleinen Hofet der Certosa bei Pavia (Arcades from the small courtyard of the Certosa in Pavia) 9. Pilastercapital aus Florenz (Pilaster capital from Florence) 10. Console von einem Kamine im Dogenpalast zu Venedig (Console from a fireplace in the Doge’s Palace in Venice) 11. Wappenschild vom Grabmal des Francesco Tornabuoni in Santa- Maria Sopra Minerva, zu Rom (Coat of arms from the tomb of Francesco Tornabuoni in Santa Maria sopra Minerva in Rome) — 1875. This engraving demonstrates the aesthetic finesse, mastery of proportion, and rich diversity of symbolic (iconographic) expression achieved by Italian Renaissance architecture between the 15th and 16th centuries. The composition juxtaposes mature Renaissance central buildings such as Santa Maria della Salute and Il Redentore in Venice with the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24701 https://www.gravurdunyasi.com/img/seo/GMS24701/architektur-fruhrenaissance-in-florenz-und-rom-early-renaissance-in-1875.jpg Architektur (Frührenaissance in Florenz und Rom - Early Renaissance in Florence and Rome) 1. Kuppel des Domes zu Florenz (Dome of the Cathedral of Florence) 2. Façade des Palastes Strozzi zu Floren (Façade of the Palazzo Strozzi in Florence) 3. Durchschnitt des Hofes desselben (Section of its Courtyard) 4. Hof des Palastes Sauli zu Genua (Courtyard of the Palazzo Sauli in Genoa) 5. Hof des Palastes Borghese zu Rom (Courtyard of the Palazzo Borghese in Rome) Architektur (Frührenaissance in Florenz und Rom - Early Renaissance in Florence and Rome) 1. Kuppel des Domes zu Florenz (Dome of the Cathedral of Florence) 2. Façade des Palastes Strozzi zu Floren (Façade of the Palazzo Strozzi in Florence) 3. Durchschnitt des Hofes desselben (Section of its Courtyard) 4. Hof des Palastes Sauli zu Genua (Courtyard of the Palazzo Sauli in Genoa) 5. Hof des Palastes Borghese zu Rom (Courtyard of the Palazzo Borghese in Rome) — 1875. This engraving compares the architectural order and spatial understanding of Florence and Rome, two major centers of the early Renaissance. At its center is Filippo Brunelleschi's dome of Florence Cathedral (1420-1436), which revolutionized the history of engineering. Brunelleschi's double-dome system transcended the boundaries of the Gothic… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24801 https://www.gravurdunyasi.com/img/seo/GMS24801/architektur-hochrenaissance-in-italien-high-renaissance-in-italy-1-1875.jpg Architektur (Hochrenaissance in Italien - High Renaissance in Italy) 1.Kirche Sta.-Maria delle Gracie zu Mailand (Church of Santa Maria delle Grazie in Milan) 2.Treppe im Dogenpalaste (Staircase in the Doge’s Palace) 3. Schule (School) 4. Bibliothek Des Heiligen Marcus (Library of Saint Mark) 5.Palast Vendramini-Calergi (Palazzo Vendramini-Calergi) 6. Palast Pesaro zu Venedig (Palazzo Pesaro in Venice) Architektur (Hochrenaissance in Italien - High Renaissance in Italy) 1.Kirche Sta.-Maria delle Gracie zu Mailand (Church of Santa Maria delle Grazie in Milan) 2.Treppe im Dogenpalaste (Staircase in the Doge’s Palace) 3. Schule (School) 4. Bibliothek Des Heiligen Marcus (Library of Saint Mark) 5.Palast Vendramini-Calergi (Palazzo Vendramini-Calergi) 6. Palast Pesaro zu Venedig (Palazzo Pesaro in Venice) — 1875. This engraving brings together structures from Italy's High Renaissance (late 15th-mid 16th centuries), when architectural language reached its zenith. Following the early classical pursuits of the Renaissance, the concepts of proportion, rhythm, perspective, and geometric order achieved a more sophisticated synthesis in architecture during this… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS24901 https://www.gravurdunyasi.com/img/seo/GMS24901/architektur-petersdom-und-romische-palaste-st-peter-s-basilica-and-1875.jpg Architektur (Petersdom und Römische Palaste - St. Peter’s Basilica and Roman Palaces) 1. Grundriss (Ground plan) 2. Seitenansicht der Peterskirche (Side view of St. Peter’s Basilica) 3. Palast der Cancellarien (Bramante) (Palace of the Chancery (Bramante)) 4. Kleiner Palast (Peruzzi) (Small Palace (Peruzzi)) 5. Theil der Facade des Palastes Farnase (Sangallo und Michel Angelo), Sammtlich in Rom (Part of the façade of the Palazzo Farnese (by Sangallo and Michelangelo), all located in Rome) 6. Schloss Caprarola Zno Rom und Vitero (Castle of Caprarola near Rome and Viterbo) 7. Villa (Palladio) Architektur (Petersdom und Römische Palaste - St. Peter’s Basilica and Roman Palaces) 1. Grundriss (Ground plan) 2. Seitenansicht der Peterskirche (Side view of St. Peter’s Basilica) 3. Palast der Cancellarien (Bramante) (Palace of the Chancery (Bramante)) 4. Kleiner Palast (Peruzzi) (Small Palace (Peruzzi)) 5. Theil der Facade des Palastes Farnase (Sangallo und Michel Angelo), Sammtlich in Rom (Part of the façade of the Palazzo Farnese (by Sangallo and Michelangelo), all located in Rome) 6. Schloss Caprarola Zno Rom und Vitero (Castle of Caprarola near Rome and Viterbo) 7. Villa (Palladio) — 1875. This engraving shows two main axes representing the highest level reached by both religious and civil architecture in post-Renaissance Rome: the palazzo culture shaped by St. Peter's Basilica and Rome's Papal palaces. The central plan and sectional drawing reveal the multilayered construction process of New St. Peter's Basilica, beginning with… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25001 https://www.gravurdunyasi.com/img/seo/GMS25001/architektur-franzosische-renaissance-schlosser-french-renaissance-1875.jpg Architektur (Französische Renaissance, Schlösser - French Renaissance Castles) 1. Schloss Madrid zu Boulogne (Madrid Castle near Boulogne) 2. Schloss Chambord (Mittelbau) (Chambord Castle (central building)) 3. Stadthaus zu Beaugency (Townhouse in Beaugency) 4. Hotel Ecoville zu Caen (Hotel d’Ecoville in Caen) 5. Schloss Nantouillet (Nantouillet Castle) 6. Treppe im Schloss zu Blois (Staircase in the Castle of Blois) 7. Schloss Ecouen (Ecouen Castle) 8. Schloss Bury (Bury Castle) 9. Haus Franz I. zu Paris (House of Francis I in Paris) 10. Laterna vom Schloss Chambord (Lantern of Chambord Castle) 11. Capital von Fontainebleau (Capital from Fontainebleau) 12. Vom Hause Franz I. zu Orleans (From the House of Francis I in Orleans) Architektur (Französische Renaissance, Schlösser - French Renaissance Castles) 1. Schloss Madrid zu Boulogne (Madrid Castle near Boulogne) 2. Schloss Chambord (Mittelbau) (Chambord Castle (central building)) 3. Stadthaus zu Beaugency (Townhouse in Beaugency) 4. Hotel Ecoville zu Caen (Hotel d’Ecoville in Caen) 5. Schloss Nantouillet (Nantouillet Castle) 6. Treppe im Schloss zu Blois (Staircase in the Castle of Blois) 7. Schloss Ecouen (Ecouen Castle) 8. Schloss Bury (Bury Castle) 9. Haus Franz I. zu Paris (House of Francis I in Paris) 10. Laterna vom Schloss Chambord (Lantern of Chambord Castle) 11. Capital von Fontainebleau (Capital from Fontainebleau) 12. Vom Hause Franz I. zu Orleans (From the House of Francis I in Orleans) — 1875. This engraving demonstrates the new aesthetic language adopted by the French Renaissance, particularly in the aristocratic residential architecture of the Loire Valley and Normandy in the 16th century. The examples depicted in the engraving include chateaux such as Chateau Madrid, Chambord, Blois, Ecouen, and Bury, all associated with the reign of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25101 https://www.gravurdunyasi.com/img/seo/GMS25101/architektur-franzosische-spatrenaissance-und-fruhbarock-late-1875.jpg Architektur (Französische Spatrenaissance und Frühbarock - Late Renaissance and Early Baroque in France) 1. Chor der Kirche St.Pierre zu Paris (Choir of the Church of St. Pierre in Paris) 2. Hotel de Ville (The City Hall (Hotel de Ville) 3. Theil des Louvrehofs (A part of the Courtyard of the Louvre) 4. Galeria Heinrich`s IV. im Louvre (Gallery of Henry IV in the Louvre) 5. Theil von Delorme`s Gartenfacade der Tuilerin (Part of Delorme's garden façade of the Tuileries Palace) 6. Kirche St. Etienne du - Mont in Paris (Church of Saint-Etienne-du-Mont in Paris) 7. Theil der Facade des Stadthauses zu Orleans (Part of the façade of the Town Hall of Orleans) 8. Grabmal Ludwig`s XII. (Tomb of Louis XII) 9. Portal von Schloss Anet (Portal of the Chateau d’Anet) 10. Delorme`s Franzosische Saule (Delorme’s French Column) Architektur (Französische Spatrenaissance und Frühbarock - Late Renaissance and Early Baroque in France) 1. Chor der Kirche St.Pierre zu Paris (Choir of the Church of St. Pierre in Paris) 2. Hotel de Ville (The City Hall (Hotel de Ville) 3. Theil des Louvrehofs (A part of the Courtyard of the Louvre) 4. Galeria Heinrich`s IV. im Louvre (Gallery of Henry IV in the Louvre) 5. Theil von Delorme`s Gartenfacade der Tuilerin (Part of Delorme's garden façade of the Tuileries Palace) 6. Kirche St. Etienne du - Mont in Paris (Church of Saint-Etienne-du-Mont in Paris) 7. Theil der Facade des Stadthauses zu Orleans (Part of the façade of the Town Hall of Orleans) 8. Grabmal Ludwig`s XII. (Tomb of Louis XII) 9. Portal von Schloss Anet (Portal of the Chateau d’Anet) 10. Delorme`s Franzosische Saule (Delorme’s French Column) — 1875. This engraving reveals the transition from the Late Renaissance to the Early Baroque in French architecture, both aesthetically and structurally. The late 16th-early 17th-century France was a period when royal power redefined urban space. The Louvre and Tuileries area became a spatial testing ground for these new representational approaches. While… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25201 https://www.gravurdunyasi.com/img/seo/GMS25201/architektur-deutsche-renaissance-rath-user-german-renaissance-town-1875.jpg Architektur (Deutsche Renaissance. Rathäuser - German Renaissance Town Halls) 1.Gasthof zum Bitter (“Gasthof zum Bitter” Inn) 2. Hof des Schlosses zu Heidelberg (Courtyard of Heidelberg Castle) 3. Gewandhaus zu Braunschweig (Guildhall in Braunschweig) 4. Vorhalle am Rathhause zu Köln(Porch of the Town Hall in Cologne) 5. Rathhaus zu Bremen (Town Hall of Bremen) 6. Rathhaus zu Schweinfurt (Town Hall of Schweinfurt) Architektur (Deutsche Renaissance. Rathäuser - German Renaissance Town Halls) 1.Gasthof zum Bitter (“Gasthof zum Bitter” Inn) 2. Hof des Schlosses zu Heidelberg (Courtyard of Heidelberg Castle) 3. Gewandhaus zu Braunschweig (Guildhall in Braunschweig) 4. Vorhalle am Rathhause zu Köln(Porch of the Town Hall in Cologne) 5. Rathhaus zu Bremen (Town Hall of Bremen) 6. Rathhaus zu Schweinfurt (Town Hall of Schweinfurt) — 1875. This engraving demonstrates the character of the German Renaissance, particularly reflected in urban architecture in the 16th century, through town halls and urban representative structures. The German Renaissance is not a mechanical copy of the classical language originating in Italy, but rather a unique synthesis blended with Northern European… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25301 https://www.gravurdunyasi.com/img/seo/GMS25301/architektur-barock-in-deutschland-und-osterreich-baroque-in-germany-1875.jpg Architektur (Barock in Deutschland und Österreich - Baroque in Germany and Austria) 1. Hof des Peller’schen Hauses zu Nürnberg (Courtyard of the Haller House in Nuremberg) 2. Katholische Kirche (Catholic Church) 3. Frauenkirche (Church of Our Lady) 4. Zwinger zu Dresden (Zwinger Palace in Dresden) 5. Hofburg (Imperial Palace (Hofburg)) 6.-7. Palais des Prinzen Eugen (Belvedere Galeria)(Prince Eugene’s Palace (Belvedere Gallery)) 8. Karlskirche zu Wien (St. Charles Church in Vienna) Architektur (Barock in Deutschland und Österreich - Baroque in Germany and Austria) 1. Hof des Peller’schen Hauses zu Nürnberg (Courtyard of the Haller House in Nuremberg) 2. Katholische Kirche (Catholic Church) 3. Frauenkirche (Church of Our Lady) 4. Zwinger zu Dresden (Zwinger Palace in Dresden) 5. Hofburg (Imperial Palace (Hofburg)) 6.-7. Palais des Prinzen Eugen (Belvedere Galeria)(Prince Eugene’s Palace (Belvedere Gallery)) 8. Karlskirche zu Wien (St. Charles Church in Vienna) — 1875. This engraving brings together the most characteristic examples of Baroque architecture in Germany and Austria during the 17th and 18th centuries. Following the Catholic Reformation (Counter-Reformation), Baroque was a style in which religious and secular power, particularly in the Habsburg world, was transformed into "visual persuasion" through… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25401 https://www.gravurdunyasi.com/img/seo/GMS25401/architektur-klassizismus-und-neorenaissance-classicism-and-neo-1875.jpg Architektur (Klassizismus und Neorenaissance - Classicism and Neo-Renaissance) 1. Aeussere Ansicht (Exterior View) 2. innere Ansicht der Kirche Sainte-Madeleine (Interior view of the Church of Sainte-Madeleine) 3.Vendomesaule (Vendome Column) 4. Arc de l`Etoile, Sammtlich zu Paris (Arc de l’Étoile in Paris) 5. Brandenburger Thor (Brandenburg Gate) 6. Königliches Schauspielbaus zu Berlin (Royal Theatre in Berlin) 7. Glyptothek zu Munchen (Glyptothek in Munich) 8. Walhalla bei Regensburg (Walhalla near Regensburg) Architektur (Klassizismus und Neorenaissance - Classicism and Neo-Renaissance) 1. Aeussere Ansicht (Exterior View) 2. innere Ansicht der Kirche Sainte-Madeleine (Interior view of the Church of Sainte-Madeleine) 3.Vendomesaule (Vendome Column) 4. Arc de l`Etoile, Sammtlich zu Paris (Arc de l’Étoile in Paris) 5. Brandenburger Thor (Brandenburg Gate) 6. Königliches Schauspielbaus zu Berlin (Royal Theatre in Berlin) 7. Glyptothek zu Munchen (Glyptothek in Munich) 8. Walhalla bei Regensburg (Walhalla near Regensburg) — 1875. This engraving brings together the most powerful representations of Classicism and its successor, the Neo-Renaissance, in 19th-century European architecture. In four important cultural centers—Paris, Berlin, Munich, and Regensburg—the reinterpretation of the ancient Greco-Roman heritage became a tool both for reflecting state ideology and for… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25501 https://www.gravurdunyasi.com/img/seo/GMS25501/architektur-19-jahrhundert-offentliche-bauten-19th-century-public-1875.jpg Architektur (19. Jahrhundert, Öffentliche Bauten - 19th Century Public Buildings) 1.Ludwigskirche (Ludwig Church) 2. Sanct-Michaels-Hofkirche (St. Michael’s Court Church) 3. Bairische Ruhmeshalle mit Bavaria in München (Bavarian Hall of Fame with the “Bavaria” statue in Munich) 4. Hoftheater in Dresden (Abgebrannt 1869) (Court Theatre in Dresden (burned down in 1869)) 5. Ausstellungspalast von 1855 (Exhibition Palace of 1855) 6. Louvre und Tuilerien in Paris (Louvre and Tuileries in Paris) Architektur (19. Jahrhundert, Öffentliche Bauten - 19th Century Public Buildings) 1.Ludwigskirche (Ludwig Church) 2. Sanct-Michaels-Hofkirche (St. Michael’s Court Church) 3. Bairische Ruhmeshalle mit Bavaria in München (Bavarian Hall of Fame with the “Bavaria” statue in Munich) 4. Hoftheater in Dresden (Abgebrannt 1869) (Court Theatre in Dresden (burned down in 1869)) 5. Ausstellungspalast von 1855 (Exhibition Palace of 1855) 6. Louvre und Tuilerien in Paris (Louvre and Tuileries in Paris) — 1875. This engraving brings together within the same composition both the "monument concept" of 19th-century European public architecture, which alludes to historical heritage, and the "state representational architecture" that developed alongside modern urbanization. Buildings such as the Ludwigskirche and St. Michael's Hofkirche in the upper row are… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25601 https://www.gravurdunyasi.com/img/seo/GMS25601/architektur-moderne-baukunst-des-19-jahrhunderts-modern-architecture-1875.jpg Architektur (Moderne Baukunst des 19. Jahrhunderts - Modern Architecture of the 19th Century) 1. Alte (Old Pinakothek) 2. Neue Pinakothek (New Pinakothek) 3. Propylaen zu München (Propylaea in Munich) 4. Museum zu Dresden (Museum in Dresden) 5. Mittelpavillon Desselben (Central Pavilion of the Same Building) 6.-7. Neues Theater zu Lepzig (New Theatre in Leipzig) 8. Musikvereinsgebaude (Music Association Building) 9. Palais Epstein zu Wien (Music Association Building) Architektur (Moderne Baukunst des 19. Jahrhunderts - Modern Architecture of the 19th Century) 1. Alte (Old Pinakothek) 2. Neue Pinakothek (New Pinakothek) 3. Propylaen zu München (Propylaea in Munich) 4. Museum zu Dresden (Museum in Dresden) 5. Mittelpavillon Desselben (Central Pavilion of the Same Building) 6.-7. Neues Theater zu Lepzig (New Theatre in Leipzig) 8. Musikvereinsgebaude (Music Association Building) 9. Palais Epstein zu Wien (Music Association Building) — 1875. This engraving demonstrates that the modernization of 19th-century European architecture was shaped by an architectural approach inspired by past periods and combining diverse styles. The buildings seen in the engraving can be interpreted along two main lines that transformed the cultural policies of Central Europe, particularly in Germany and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25701 https://www.gravurdunyasi.com/img/seo/GMS25701/architectur-die-dorische-ordnung-the-doric-order-auslad-vom-friess-1840.jpg Architectur - Die Dorische Ordnung (The Doric Order) - Auslad vom Friess (Projection of the Frieze) - Aelteste Form Mensehl, Wohnungen (Oldest Form of Human Dwellings) - Ursprung des Corinthische Capitals (Origin of the Corinthian Capital) - Ursprung des Tempelform (Origin of the Temple Form) - Uebergang zur Dorischen Ordnung (Transition to the Doric Order) Architectur - Die Dorische Ordnung (The Doric Order) - Auslad vom Friess (Projection of the Frieze) - Aelteste Form Mensehl, Wohnungen (Oldest Form of Human Dwellings) - Ursprung des Corinthische Capitals (Origin of the Corinthian Capital) - Ursprung des Tempelform (Origin of the Temple Form) - Uebergang zur Dorischen Ordnung (Transition to the Doric Order) — 1840`s. This engraving illustrates an evolutionary interpretation scheme developed in the 19th century regarding the "Origin of the Doric Order," a pivotal turning point in architectural history. According to this view, prevalent in 18th- and 19th-century architectural theories, the first form of Greek temples emerged inspired by humankind's earliest… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25801 https://www.gravurdunyasi.com/img/seo/GMS25801/architectur-die-toscanische-und-ionische-ordnung-architecture-the-1840.jpg Architectur - Die Toscanische und Ionische Ordnung (Architecture – The Tuscan and Ionic Orders) Architectur - Die Toscanische und Ionische Ordnung (Architecture – The Tuscan and Ionic Orders) — 1840`s. This engraving is a typical example of how the Vitruvian tradition, which systematically defined column orders in Classical Antiquity, was represented in 19th-century academic architectural education. The Tuscan order is shown on the left, and the Ionic order on the right, accompanied by scaled tables of proportions. These two orders represent a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMS25901 https://www.gravurdunyasi.com/img/seo/GMS25901/architectural-details-cornices-and-entablatures-1840.jpg Architectural Details – Cornices and Entablatures Architectural Details – Cornices and Entablatures — 1840`s. Architectural plate illustrating entablature sections, cornices, and classical mouldings. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0101K https://www.gravurdunyasi.com/img/seo/GMT0101K/the-vintage-1853.jpg The Vintage The Vintage — Thomas Stothard (1755-1834) — 1853. Reflecting the allegorical and pastoral approach to painting in the 19th century, this engraving depicts the joyful, communal, and simultaneously mythological dimensions of the harvest season. The engraving embodies a visual poem inspired by classical antiquity and aligned with the pastoral art of the period. At the center of the composition… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0201K https://www.gravurdunyasi.com/img/seo/GMT0201K/the-evening-hymn-1848.jpg The Evening Hymn The Evening Hymn — Charles Gleyre (1806-1874) — 1848. This engraving is based on the work "Le Soir, Les Illusions Perdues (Lost Illusions)" by French artist Charles Gleyre and was engraved by M. Le Mercier. This engraving was first exhibited at the Louvre in 1843, quickly attracting considerable attention and cementing the artist's reputation. The work offers a visual poem on a romantic and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0201S https://www.gravurdunyasi.com/img/seo/GMT0201S/athens-an-audience-in-athens-during-agamemnon-by-aeschylus-1880.jpg Athens (An Audience in Athens During Agamemnon by Aeschylus) Athens (An Audience in Athens During Agamemnon by Aeschylus) — William Blake Richmond (1842-1921) — 1880's-1890's. This engraving was produced by the artist Sir William Blake Richmond. The artist's pencil signature appears in the lower right corner and the word "Athens" appears in the lower left corner. The work is a fine example of the meticulous reconstruction of scenes from classical antiquity. The engraving depicts the play Agamemnon, the first part of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0201SS https://www.gravurdunyasi.com/img/seo/GMT0201SS/sadak-in-search-of-the-waters-of-oblivion-1824.jpg Sadak in Search of the Waters of Oblivion Sadak in Search of the Waters of Oblivion — John Martin (1789-1854) — 1824. This engraving is based on the famous composition "Sadak in Search of the Waters of Oblivion," painted by English Romantic artist John Martin and engraved by Edward John Roberts. The plot is taken from James Ridley's 1764 work "The Tales of the Genii." In the story, the hero Sadak is tasked by Sultan Amurath to find the "waters of oblivion." The… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0301K https://www.gravurdunyasi.com/img/seo/GMT0301K/bathers-suprised-by-a-swan-1853.jpg Bathers Suprised By A Swan Bathers Suprised By A Swan — William Etty (1787-1849) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0401K https://www.gravurdunyasi.com/img/seo/GMT0401K/a-woodland-view-1853.jpg A Woodland View A Woodland View — David Wilkie (1785-1841) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0501K https://www.gravurdunyasi.com/img/seo/GMT0501K/the-vintage-in-the-south-of-france-1855.jpg The Vintage in The South Of France The Vintage in The South Of France — Thomas Uwins (1782-1857) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0601K https://www.gravurdunyasi.com/img/seo/GMT0601K/the-windmill-1853.jpg The Windmill The Windmill — John Linnell (1792-1882) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0701K https://www.gravurdunyasi.com/img/seo/GMT0701K/the-village-school-1854.jpg The Village School The Village School — Thomas Webster (1800-1886) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0801K https://www.gravurdunyasi.com/img/seo/GMT0801K/dr-johnson-in-the-ante-room-of-lord-chesterfield-1853.jpg Dr.Johnson in The Ante-Room Of Lord Chesterfield Dr.Johnson in The Ante-Room Of Lord Chesterfield — Edward Matthew Ward (1816-1879) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT0901K https://www.gravurdunyasi.com/img/seo/GMT0901K/dry-reading-1853.jpg Dry Reading Dry Reading — Andrew Geddes (1783-1844) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1001K https://www.gravurdunyasi.com/img/seo/GMT1001K/the-truant-1853.jpg The Truant The Truant — Thomas Webster (1800-1886) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1101K https://www.gravurdunyasi.com/img/seo/GMT1101K/the-way-worn-traveller-1853.jpg The Way-Worn Traveller The Way-Worn Traveller — Augustus Wall Callcott (1779-1844) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1201K https://www.gravurdunyasi.com/img/seo/GMT1201K/the-way-side-in-italy-1853.jpg The Way-Side in Italy The Way-Side in Italy — P.Williams — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1301K https://www.gravurdunyasi.com/img/seo/GMT1301K/the-angler-s-nook-1853.jpg The Angler's Nook The Angler's Nook — Peter Nasmyth (1787-1831) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1401K https://www.gravurdunyasi.com/img/seo/GMT1401K/the-crown-of-hops-1851.jpg The Crown Of Hops The Crown Of Hops — William Frederick Witherington (1785-1865) — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1501K https://www.gravurdunyasi.com/img/seo/GMT1501K/the-stepping-stones-1853.jpg The Stepping Stones The Stepping Stones — William Frederick Witherington (1785-1865) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1601K https://www.gravurdunyasi.com/img/seo/GMT1601K/the-pride-of-village-1853.jpg The Pride Of Village The Pride Of Village — John Callcott Horsley (1817-1903) — 1853. The engraving depicts a scene from Washington Irving's novel The Town's Pride https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1701K https://www.gravurdunyasi.com/img/seo/GMT1701K/wood-cutting-in-windsor-forest-1853.jpg Wood-Cutting in Windsor Forest Wood-Cutting in Windsor Forest — John Linnell (1792-1882) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1801K https://www.gravurdunyasi.com/img/seo/GMT1801K/intemperance-1851.jpg Intemperance Intemperance — Thomas Stothard (1755-1834) — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT1901K https://www.gravurdunyasi.com/img/seo/GMT1901K/morning-on-the-sea-coast-1853.jpg Morning On The Sea Coast Morning On The Sea Coast — Richard Frederick Lee (1798-1879) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2002B https://www.gravurdunyasi.com/img/seo/GMT2002B/country-cousins-1860.jpg Country Cousins Country Cousins — Richard Redgrave (1804-1888) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2102B https://www.gravurdunyasi.com/img/seo/GMT2102B/crossing-the-ford-1860.jpg Crossing The Ford Crossing The Ford — William Mulready (1786-1863) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2201K https://www.gravurdunyasi.com/img/seo/GMT2201K/the-raffle-for-the-watch-1855.jpg The Raffle For The Watch The Raffle For The Watch — Edwar Bird (1762-1819) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2301K https://www.gravurdunyasi.com/img/seo/GMT2301K/fair-time-1855.jpg Fair-Time Fair-Time — William Mulready (1786-1863) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2401K https://www.gravurdunyasi.com/img/seo/GMT2401K/the-meadow-1855.jpg The Meadow The Meadow — Augustus Wall Callcott (1779-1844) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2501K https://www.gravurdunyasi.com/img/seo/GMT2501K/the-fisherman-s-home-1855.jpg The Fisherman's Home The Fisherman's Home — Francis Danby (1793-1861) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2602B https://www.gravurdunyasi.com/img/seo/GMT2602B/the-first-ear-ring-1850.jpg The First Ear Ring The First Ear Ring — David Wilkie (1785-1841) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2701K https://www.gravurdunyasi.com/img/seo/GMT2701K/the-farm-yard-1855.jpg The Farm-Yard The Farm-Yard — Thomas Sidney Cooper (1803-1902) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2801K https://www.gravurdunyasi.com/img/seo/GMT2801K/reading-the-news-1854.jpg Reading The News Reading The News — David Wilkie (1785-1841) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT2902B https://www.gravurdunyasi.com/img/seo/GMT2902B/peace-1860.jpg Peace Peace — Edwin Henry Landseer (1802-1873) — 1860 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3001K https://www.gravurdunyasi.com/img/seo/GMT3001K/the-watering-place-1855.jpg The Watering Place The Watering Place — Thomas Gainsborough (1727-1788) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3101K https://www.gravurdunyasi.com/img/seo/GMT3101K/the-dead-robin-1853.jpg The Dead Robin The Dead Robin — H.Thompson — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3201B https://www.gravurdunyasi.com/img/seo/GMT3201B/milking-time-1854.jpg Milking Time Milking Time — P.Potter — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3301B https://www.gravurdunyasi.com/img/seo/GMT3301B/first-love-1870.jpg First Love First Love — Joseph John Jenkins (1811-1885) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3401B https://www.gravurdunyasi.com/img/seo/GMT3401B/fleeced-1890.jpg Fleeced Fleeced — John Seymour Lucas (1849-1923) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3502K https://www.gravurdunyasi.com/img/seo/GMT3502K/the-toilette-1878.jpg The Toilette The Toilette — A.Ludwig — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3601B https://www.gravurdunyasi.com/img/seo/GMT3601B/my-lady-s-page-in-disgrace-1870.jpg My Lady's Page in Disgrace My Lady's Page in Disgrace — Henry Stacy Marks (1829-1898) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3701B https://www.gravurdunyasi.com/img/seo/GMT3701B/barthram-s-dirge-1863.jpg Barthram's Dirge Barthram's Dirge — Joseph Noel Paton (1821-1901) — 1863. A scene from Sir Walter Scott's eponymous poem https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3801B https://www.gravurdunyasi.com/img/seo/GMT3801B/venetian-bead-stringers-1887.jpg Venetian Bead Stringers Venetian Bead Stringers — Cecil Van Haanen (1844-1914) — 1887 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT3901B https://www.gravurdunyasi.com/img/seo/GMT3901B/the-stingy-traveller-1870.jpg The Stingy Traveller The Stingy Traveller — Robert William Buss (1804-1875) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4001B https://www.gravurdunyasi.com/img/seo/GMT4001B/phryne-going-to-the-bath-as-venus-1861.jpg Phryne Going To The Bath As Venus Phryne Going To The Bath As Venus — Joseph Mallord William Turner (1775-1851) — 1861 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4101B https://www.gravurdunyasi.com/img/seo/GMT4101B/the-golden-bough-1851.jpg The Golden Bough The Golden Bough — Joseph Mallord William Turner (1775-1851) — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4201B https://www.gravurdunyasi.com/img/seo/GMT4201B/frosty-morning-sunrise-1859.jpg Frosty Morning-Sunrise Frosty Morning-Sunrise — Joseph Mallord William Turner (1775-1851) — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4301B https://www.gravurdunyasi.com/img/seo/GMT4301B/charity-1850.jpg Charity Charity — Jean Baptiste van Eycken (1809-1853) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4401B https://www.gravurdunyasi.com/img/seo/GMT4401B/boats-off-calais-1859.jpg Boats Off Calais Boats Off Calais — Joseph Mallord William Turner (1775-1851) — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4501B https://www.gravurdunyasi.com/img/seo/GMT4501B/bligh-sand-1859.jpg Bligh Sand Bligh Sand — Joseph Mallord William Turner (1775-1851) — 1859-1861 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4601B https://www.gravurdunyasi.com/img/seo/GMT4601B/the-empty-chair-abbotsford-1855.jpg The Empty Chair-Abbotsford The Empty Chair-Abbotsford — William Allan (1782-1850) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4701B https://www.gravurdunyasi.com/img/seo/GMT4701B/the-victim-1851.jpg The Victim The Victim — Augustus Leopold Egg (1816-1863) — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4801B https://www.gravurdunyasi.com/img/seo/GMT4801B/the-dorty-bairn-1850.jpg The Dorty Bairn The Dorty Bairn — David Wilkie (1785-1841) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT4901B https://www.gravurdunyasi.com/img/seo/GMT4901B/the-errand-boy-1870.jpg The Errand Boy The Errand Boy — David Wilkie (1785-1841) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5001B https://www.gravurdunyasi.com/img/seo/GMT5001B/guess-my-name-1850.jpg Guess My Name Guess My Name — David Wilkie (1785-1841) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5101B https://www.gravurdunyasi.com/img/seo/GMT5101B/reading-the-will-1870.jpg Reading The Will Reading The Will — David Wilkie (1785-1841) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5202B https://www.gravurdunyasi.com/img/seo/GMT5202B/the-friends-1869.jpg The Friends The Friends — Edwin Henry Landseer (1802-1873) — 1869 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5301B https://www.gravurdunyasi.com/img/seo/GMT5301B/the-stable-1876.jpg The Stable The Stable — Edwin Henry Landseer (1802-1873) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5302K https://www.gravurdunyasi.com/img/seo/GMT5302K/the-stable-1876.jpg The Stable The Stable — Edwin Henry Landseer (1802-1873) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5401B https://www.gravurdunyasi.com/img/seo/GMT5401B/harvest-time-in-the-scottish-highlands-1876.jpg Harvest Time in The Scottish Highlands Harvest Time in The Scottish Highlands — Edwin Henry Landseer (1802-1873) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5501B https://www.gravurdunyasi.com/img/seo/GMT5501B/the-broken-chine-jar-1850.jpg The Broken Chine Jar The Broken Chine Jar — David Wilkie (1785-1841) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5601B https://www.gravurdunyasi.com/img/seo/GMT5601B/pirates-of-the-mediterranean-playing-at-dice-for-prisoners-1870.jpg Pirates Of The Mediterranean Playing At Dice For Prisoners Pirates Of The Mediterranean Playing At Dice For Prisoners — Frederick Richard Pickersgill (1820-1900) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5602B https://www.gravurdunyasi.com/img/seo/GMT5602B/pirates-of-the-mediterranean-playing-at-dice-for-prisoners-1870.jpg Pirates Of The Mediterranean Playing At Dice For Prisoners Pirates Of The Mediterranean Playing At Dice For Prisoners — Frederick Richard Pickersgill (1820-1900) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5701B https://www.gravurdunyasi.com/img/seo/GMT5701B/the-foundling-1864.jpg The Foundling The Foundling — George Bernard O'Neill (1828 – 1917) — 1864 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5801B https://www.gravurdunyasi.com/img/seo/GMT5801B/the-visit-of-the-foster-child-1876.jpg The Visit Of The Foster Child The Visit Of The Foster Child — M.Ritscher — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT5901B https://www.gravurdunyasi.com/img/seo/GMT5901B/the-last-penny-1846.jpg The Last Penny The Last Penny — Alexander Fraser (1827-1899) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6002K https://www.gravurdunyasi.com/img/seo/GMT6002K/the-attack-1874.jpg The Attack The Attack — William Henry Hunt (1790-1864) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6101 https://www.gravurdunyasi.com/img/seo/GMT6101/the-secret-discovered-1844.jpg The Secret Discovered The Secret Discovered — Louisa Sharpe (1798-1843) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6201B https://www.gravurdunyasi.com/img/seo/GMT6201B/the-cottage-door-1846.jpg The Cottage Door The Cottage Door — Thomas Gainsborough (1727-1788) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6301B https://www.gravurdunyasi.com/img/seo/GMT6301B/threshing-corn-1875.jpg Threshing Corn Threshing Corn — Richard Beavis (1824-1896) — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6401B https://www.gravurdunyasi.com/img/seo/GMT6401B/a-coming-shower-1890.jpg A Coming Shower A Coming Shower — Pierre Outin (1840-1899) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6501B https://www.gravurdunyasi.com/img/seo/GMT6501B/leaving-home-1879.jpg Leaving Home Leaving Home — Francis Montague Holl (1845-1888) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6601B https://www.gravurdunyasi.com/img/seo/GMT6601B/the-student-in-disgrace-1882.jpg The Student İn Disgrace The Student İn Disgrace — John Bagnold Burgess (1829-1897) — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6701B https://www.gravurdunyasi.com/img/seo/GMT6701B/checkmate-1890.jpg Checkmate Checkmate — Charles Meeb Webb (1830-1895) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6801B https://www.gravurdunyasi.com/img/seo/GMT6801B/when-the-kye-come-hame-1882.jpg When The Kye Come Hame When The Kye Come Hame — Mark Fisher (1841-1923)-C.O.Murray (1842-1923) — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT6901B https://www.gravurdunyasi.com/img/seo/GMT6901B/cascade-with-the-watch-tower-1890.jpg Cascade With The Watch Tower Cascade With The Watch Tower — Jacob van Ruysdael (1628-1682) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7001B https://www.gravurdunyasi.com/img/seo/GMT7001B/a-summer-day-1888.jpg A Summer Day A Summer Day — Ferdinand Heilbuth (1826-1889) — 1888 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7101B https://www.gravurdunyasi.com/img/seo/GMT7101B/a-siesta-on-the-lido-1893.jpg A Siesta On The Lido A Siesta On The Lido — Eugene De Blaas (1843-1931) — 1893 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7201B https://www.gravurdunyasi.com/img/seo/GMT7201B/a-spanish-courtship-1890.jpg A Spanish Courtship A Spanish Courtship — J.G.Y.Ramos — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7301B https://www.gravurdunyasi.com/img/seo/GMT7301B/the-arch-1890.jpg The Arch The Arch — William Allan (1782-1850) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7401B https://www.gravurdunyasi.com/img/seo/GMT7401B/the-empty-saddle-1881.jpg The Empty Saddle The Empty Saddle — Samuel Edmund Waller (1850-1903) — 1881 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7501B https://www.gravurdunyasi.com/img/seo/GMT7501B/hush-1907.jpg Hush Hush — Maule Goodman(1860-1938) — 1907 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7601B https://www.gravurdunyasi.com/img/seo/GMT7601B/the-arrest-1890.jpg The Arrest The Arrest — Benjamin Vautier (1829-1898) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7701B https://www.gravurdunyasi.com/img/seo/GMT7701B/the-way-to-church-1849.jpg The Way To Church The Way To Church — Thomas Creswick (1811-1869) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7801B https://www.gravurdunyasi.com/img/seo/GMT7801B/the-wooden-bridge-1860.jpg The Wooden Bridge The Wooden Bridge — Augustus Wall Callcott (1779-1844) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT7901B https://www.gravurdunyasi.com/img/seo/GMT7901B/studies-from-nature-scotch-fir-no-1-1822.jpg Studies From Nature, Scotch Fir, No:1 Studies From Nature, Scotch Fir, No:1 — James Duffield Harding (1798-1863) — 1822 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8001B https://www.gravurdunyasi.com/img/seo/GMT8001B/studies-from-nature-grizedale-bridge-patterdale-no-2-1823.jpg Studies From Nature, Grizedale Bridge Patterdale, No:2 Studies From Nature, Grizedale Bridge Patterdale, No:2 — James Duffield Harding (1798-1863) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8101B https://www.gravurdunyasi.com/img/seo/GMT8101B/studies-from-nature-windsor-forest-no-4-1823.jpg Studies From Nature, Windsor Forest, No:4 Studies From Nature, Windsor Forest, No:4 — James Duffield Harding (1798-1863) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8201B https://www.gravurdunyasi.com/img/seo/GMT8201B/studies-from-nature-no-7-1823.jpg Studies From Nature, No:7 Studies From Nature, No:7 — James Duffield Harding (1798-1863) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8301B https://www.gravurdunyasi.com/img/seo/GMT8301B/studies-from-nature-no-8-1823.jpg Studies From Nature, No:8 Studies From Nature, No:8 — Charles Joseph Hullmandel (1789-1850) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8401B https://www.gravurdunyasi.com/img/seo/GMT8401B/studies-from-nature-no-10-1823.jpg Studies From Nature, No:10 Studies From Nature, No:10 — Charles Joseph Hullmandel (1789-1850) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8501B https://www.gravurdunyasi.com/img/seo/GMT8501B/studies-from-nature-no-11-1823.jpg Studies From Nature, No:11 Studies From Nature, No:11 — James Duffield Harding (1798-1863) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8601B https://www.gravurdunyasi.com/img/seo/GMT8601B/studies-from-nature-no-12-1823.jpg Studies From Nature, No:12 Studies From Nature, No:12 — Charles Joseph Hullmandel (1789-1850) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8701B https://www.gravurdunyasi.com/img/seo/GMT8701B/studies-from-nature-no-13-1823.jpg Studies From Nature, No:13 Studies From Nature, No:13 — James Duffield Harding (1798-1863) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8801B https://www.gravurdunyasi.com/img/seo/GMT8801B/studies-from-nature-no-14-1823.jpg Studies From Nature, No:14 Studies From Nature, No:14 — William Westall (1781-1850) — 1823 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT8901B https://www.gravurdunyasi.com/img/seo/GMT8901B/studies-from-nature-windsor-forest-second-series-no-1-1824.jpg Studies From Nature, Windsor Forest, Second Series No:1 Studies From Nature, Windsor Forest, Second Series No:1 — James Duffield Harding (1798-1863) — 1824 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9001B https://www.gravurdunyasi.com/img/seo/GMT9001B/an-al-fresco-toilette-1896.jpg An Al Fresco Toilette An Al Fresco Toilette — Samuel Luke Fildes (1843-1927) — 1896 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9101B https://www.gravurdunyasi.com/img/seo/GMT9101B/the-dead-lamp-1874.jpg The Dead Lamp The Dead Lamp — Henry Campotosto (1833-1910) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9201B https://www.gravurdunyasi.com/img/seo/GMT9201B/the-fight-interrupted-1875.jpg The Fight İnterrupted The Fight İnterrupted — William Mulready (1786-1863) — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9301B https://www.gravurdunyasi.com/img/seo/GMT9301B/a-highland-cottage-1850.jpg A Highland Cottage A Highland Cottage — Alexander Fraser (1827-1899) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9401B https://www.gravurdunyasi.com/img/seo/GMT9401B/a-hopeless-dawn-1890.jpg A Hopeless Dawn A Hopeless Dawn — Frank Bramley (1857-1915) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9501B https://www.gravurdunyasi.com/img/seo/GMT9501B/cupid-s-spell-1908.jpg Cupid's Spell Cupid's Spell — Henry Woods (1846-1921) — 1908 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9601B https://www.gravurdunyasi.com/img/seo/GMT9601B/the-grandfather-s-grave-1874.jpg The Grandfather's Grave The Grandfather's Grave — James Crawford Thom (1835 – 1898) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9701B https://www.gravurdunyasi.com/img/seo/GMT9701B/in-the-church-greece-1895.jpg In The Church (Greece) In The Church (Greece) — Theodore Ralli (1852-1909) — 1895 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9801B https://www.gravurdunyasi.com/img/seo/GMT9801B/a-social-eddy-left-by-the-tide-1898.jpg A Social Eddy-Left By The Tide A Social Eddy-Left By The Tide — William Quiller Orchardson (1832-1910) — 1898 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT9901B https://www.gravurdunyasi.com/img/seo/GMT9901B/the-wolf-and-the-lamb-1856.jpg The Wolf And The Lamb The Wolf And The Lamb — William Mulready (1786-1863) — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10001B https://www.gravurdunyasi.com/img/seo/GMT10001B/a-baby-was-sleeping-1871.jpg A Baby Was Sleeping A Baby Was Sleeping — Frank William Warwick Topham (1838-1924) — 1871 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10101B https://www.gravurdunyasi.com/img/seo/GMT10101B/the-kitten-discovered-1830.jpg The Kitten Discovered The Kitten Discovered — John Thomson (1778-1840) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10201B https://www.gravurdunyasi.com/img/seo/GMT10201B/peter-boats-off-mill-wall-1827.jpg Peter-Boats Off Mill Wall Peter-Boats Off Mill Wall — Clarkson Stanfield (1793-1867) — 1827 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10301B https://www.gravurdunyasi.com/img/seo/GMT10301B/landscape-and-figures-from-the-original-picture-by-nicholas-poulsin-1835.jpg Landscape And Figures-From The Original Picture By Nicholas Poulsin in National Gallery No.15 Landscape And Figures-From The Original Picture By Nicholas Poulsin in National Gallery No.15 — Nicolas Poussin (1594-1665) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10401B https://www.gravurdunyasi.com/img/seo/GMT10401B/the-watering-place-from-the-original-painting-by-gainsborough-in-1835.jpg The Watering Place- From The Original Painting By Gainsborough in National Gallery No.42 The Watering Place- From The Original Painting By Gainsborough in National Gallery No.42 — Thomas Gainsborough (1727-1788) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10501B https://www.gravurdunyasi.com/img/seo/GMT10501B/faust-in-his-study-1900.jpg Faust İn His Study Faust İn His Study — Rembrandt Harmenszoon van Rijn (1606-1669) — 1900's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10601B https://www.gravurdunyasi.com/img/seo/GMT10601B/arabs-dividing-spoil-1850.jpg Arabs Dividing Spoil Arabs Dividing Spoil — William Allan (1782-1850) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10701B https://www.gravurdunyasi.com/img/seo/GMT10701B/the-professor-s-lecture-1880.jpg The Professor's Lecture The Professor's Lecture — Rossi — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10801B https://www.gravurdunyasi.com/img/seo/GMT10801B/philosophy-and-art-1878.jpg Philosophy And Art Philosophy And Art — Daniel Huntington (1816-1906) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT10901B https://www.gravurdunyasi.com/img/seo/GMT10901B/the-brook-by-the-way-1850.jpg The Brook By The Way The Brook By The Way — Thomas Gainsborough (1727-1788) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11001B https://www.gravurdunyasi.com/img/seo/GMT11001B/the-last-embrace-1847.jpg The Last Embrace The Last Embrace — Thomas Uwins (1782-1857) — 1847 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11101B https://www.gravurdunyasi.com/img/seo/GMT11101B/a-mile-from-home-1890.jpg A Mile From Home A Mile From Home — Eduard Hildebrandt (1817-1868) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11201 https://www.gravurdunyasi.com/img/seo/GMT11201/landscape-and-figures-from-the-original-picture-by-jan-both-in-1835.jpg Landscape And Figures-From The Original Picture By Jan Both in National Gallery No.18 Landscape And Figures-From The Original Picture By Jan Both in National Gallery No.18 — Jan Dirksz Both (1610-1652) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11301 https://www.gravurdunyasi.com/img/seo/GMT11301/italian-sea-port-from-the-original-picture-by-claude-lorrain-in-1835.jpg İtalian Sea Port-From The Original Picture By Claude Lorrain in National Gallery No.100 İtalian Sea Port-From The Original Picture By Claude Lorrain in National Gallery No.100 — Claude Lorrain (1600-1682) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11501 https://www.gravurdunyasi.com/img/seo/GMT11501/pastoral-landscape-from-the-original-picture-by-claude-lorrain-in-1832.jpg Pastoral Landscape-From The Original Picture By Claude Lorrain in National Gallery No.104 Pastoral Landscape-From The Original Picture By Claude Lorrain in National Gallery No.104 — Claude Lorrain (1600-1682) — 1832 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11601 https://www.gravurdunyasi.com/img/seo/GMT11601/embarcation-of-the-queen-of-sheba-from-the-original-picture-by-claude-1835.jpg Embarcation Of The Queen Of Sheba-From The Original Picture By Claude Lorrain in National Gallery No.81 Embarcation Of The Queen Of Sheba-From The Original Picture By Claude Lorrain in National Gallery No.81 — Claude Lorrain (1600-1682) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11801 https://www.gravurdunyasi.com/img/seo/GMT11801/a-land-storm-from-the-original-painting-by-gaspar-poussin-in-national-1835.jpg A Land Storm-From The Original Painting By Gaspar Poussin in National Gallery No.78 A Land Storm-From The Original Painting By Gaspar Poussin in National Gallery No.78 — Gaspard Poussin (Gaspard Daughet) (1615-1675) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT11901 https://www.gravurdunyasi.com/img/seo/GMT11901/landscape-1835.jpg Landscape Landscape — George Beaumontin (1753-1827) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12001 https://www.gravurdunyasi.com/img/seo/GMT12001/a-scene-from-thompson-s-seasons-summer-1835.jpg A Scene From Thompson's Seasons-Summer A Scene From Thompson's Seasons-Summer — Joseph Fussell (1785-1849) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12101 https://www.gravurdunyasi.com/img/seo/GMT12101/the-market-cart-from-the-orginal-picture-by-gainborough-in-the-1835.jpg The Market Cart-From the Orginal Picture By Gainborough in The National Gallery No.80 The Market Cart-From the Orginal Picture By Gainborough in The National Gallery No.80 — Thomas Gainsborough (1727-1788) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12201 https://www.gravurdunyasi.com/img/seo/GMT12201/arcadian-shades-1845.jpg Arcadian Shades Arcadian Shades — Peter Paul Rubens (1577-1640) — 1845 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12401 https://www.gravurdunyasi.com/img/seo/GMT12401/love-1848.jpg Love Love — Edward Henry Corbould (1815-1905) — 1848 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12501 https://www.gravurdunyasi.com/img/seo/GMT12501/the-mistaken-hand-1840.jpg The Mistaken Hand The Mistaken Hand — John Rogers Herbert (1810-1890) — 1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12601 https://www.gravurdunyasi.com/img/seo/GMT12601/the-admonition-1834.jpg The Admonition The Admonition — Alfred Gomersal Vickers (1810-1837) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12701 https://www.gravurdunyasi.com/img/seo/GMT12701/the-secret-discovered-1860.jpg The Secret Discovered The Secret Discovered — Albert Henry Payne (1812-1902) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12801 https://www.gravurdunyasi.com/img/seo/GMT12801/a-feather-in-her-cap-1884.jpg A Feather in Her Cap A Feather in Her Cap — John Morgan (1822-1885) — 1884 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT12901 https://www.gravurdunyasi.com/img/seo/GMT12901/her-first-hand-at-an-oar-1880.jpg Her First Hand At An Oar Her First Hand At An Oar — Emilie Renouf (1845-1894) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT13001 https://www.gravurdunyasi.com/img/seo/GMT13001/indifference-1846.jpg indifference indifference — Edward Henry Corbould (1815-1905) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT13101 https://www.gravurdunyasi.com/img/seo/GMT13101/winter-1890.jpg Winter Winter — Hans Zatzka (1859-1945) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT13201 https://www.gravurdunyasi.com/img/seo/GMT13201/fruhling-1890.jpg Frühling Frühling — Hans Zatzka (1859-1945) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT13301B https://www.gravurdunyasi.com/img/seo/GMT13301B/a-passing-cloud-1860.jpg A Passing Cloud A Passing Cloud — James Clarke Hook (1819-1907) — 1860 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT13401B https://www.gravurdunyasi.com/img/seo/GMT13401B/the-brook-1867.jpg The Brook The Brook — James Clarke Hook (1819-1907) — 1867 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT13501B 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Emily Mary Osborn (1828–1925) — 1868 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT14701B https://www.gravurdunyasi.com/img/seo/GMT14701B/the-29th-of-may-it-was-glorious-day-when-the-king-did-enjoy-his-own-1891.jpg The 29th Of May, It Was Glorious Day, When The King Did Enjoy His Own Again The 29th Of May, It Was Glorious Day, When The King Did Enjoy His Own Again — Charles William Bartlett (1860-1940) — 1891 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT14801B https://www.gravurdunyasi.com/img/seo/GMT14801B/the-inquiry-1875.jpg The inquiry The inquiry — Henry Liverseege (1803-1832) — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT14901K https://www.gravurdunyasi.com/img/seo/GMT14901K/the-south-sea-bubble-1853.jpg The South-Sea Bubble The South-Sea Bubble — Edward Matthew Ward (1816-1879) — 1853 https://www.gravurdunyasi.com/hakkimizda.html 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Meal-Brittany — Frederick Goodall (1822–1904) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15301B https://www.gravurdunyasi.com/img/seo/GMT15301B/wandering-minstrels-of-italy-1829.jpg Wandering Minstrels Of Italy Wandering Minstrels Of Italy — Penry Williams (1798-1885) — 1829 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15401B https://www.gravurdunyasi.com/img/seo/GMT15401B/by-stress-of-weather-driven-1902.jpg By Stress Of Weather Driven By Stress Of Weather Driven — Henry Moore (1831-1895) — 1902 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15501B https://www.gravurdunyasi.com/img/seo/GMT15501B/landscape-1890.jpg Landscape Landscape — Jean-Baptiste-Camille Corot (1796-1875) — 1890's. Hand signed in pencil on the lower right of the margin https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15601B https://www.gravurdunyasi.com/img/seo/GMT15601B/scheuende-ochsen-1880.jpg Scheuende Ochsen Scheuende Ochsen — Teutwart Schmitson (1830-1863) — 1880's-1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15701 https://www.gravurdunyasi.com/img/seo/GMT15701/the-school-of-athens-1830.jpg The School Of Athens The School Of Athens — Raffaello Sanzio (1483-1520) — 1830 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15801 https://www.gravurdunyasi.com/img/seo/GMT15801/crossing-the-brook-1849.jpg Crossing The Brook Crossing The Brook — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT15901B https://www.gravurdunyasi.com/img/seo/GMT15901B/triumphus-paupertatis-1780.jpg Triumphus Paupertatis Triumphus Paupertatis — Hans der Jüngere Holbein (1497-1543) — 1780 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16001B https://www.gravurdunyasi.com/img/seo/GMT16001B/triumphus-divitiarum-1780.jpg Triumphus Divitiarum Triumphus Divitiarum — Hans der Jüngere Holbein (1497-1543) — 1780 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16101B https://www.gravurdunyasi.com/img/seo/GMT16101B/quiet-pets-1883.jpg Quiet Pets Quiet Pets — Lourens Alma Tadema (1836-1912) — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16201B https://www.gravurdunyasi.com/img/seo/GMT16201B/returning-home-1878.jpg Returning Home Returning Home — Gerard — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16301 https://www.gravurdunyasi.com/img/seo/GMT16301/venetian-painters-paris-bordone-the-fisherman-delivering-to-the-doge-1873.jpg Venetian Painters-Paris Bordone, The Fisherman Delivering To The Doge The Miraculous Ring Of St.Mark Venetian Painters-Paris Bordone, The Fisherman Delivering To The Doge The Miraculous Ring Of St.Mark — Paris Bordone (1500-1571) — 1873 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16401BB https://www.gravurdunyasi.com/img/seo/GMT16401BB/la-majorite-du-roy-louis-xiii-1707.jpg La Majorite Du Roy Louis XIII. La Majorite Du Roy Louis XIII. — Peter Paul Reubens (1577-1640)-Jean Marc Nattier (1685-1766) — 1707-1708 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16501BB https://www.gravurdunyasi.com/img/seo/GMT16501BB/an-autumnal-sunset-1880.jpg An Autumnal Sunset An Autumnal Sunset — John Constable (1776-1837) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16601BB https://www.gravurdunyasi.com/img/seo/GMT16601BB/a-heath-scene-1880.jpg A Heath Scene A Heath Scene — John Constable (1776-1837) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16701BB https://www.gravurdunyasi.com/img/seo/GMT16701BB/rough-weather-1870.jpg Rough Weather Rough Weather — Anthony Vandyck Copley Fielding (1819-1896) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16801BB https://www.gravurdunyasi.com/img/seo/GMT16801BB/no-name-in-the-collection-of-the-maj-gen-guise-1744.jpg No Name (In the Collection of the Maj. Gen. Guise) No Name (In the Collection of the Maj. Gen. Guise) — Claude Corrain (Claudio Gillee Lorenese) (1600-1682) — 1744 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT16901 https://www.gravurdunyasi.com/img/seo/GMT16901/the-young-warrior-1868.jpg The Young Warrior The Young Warrior — Paolo Veronese (1528-1588) — 1868 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17001B https://www.gravurdunyasi.com/img/seo/GMT17001B/charles-ii-in-holland-before-the-restoration-painted-by-w-carpenter-1848.jpg "Charles II. in Holland, Before The Restoration" Painted By W.Carpenter "Charles II. in Holland, Before The Restoration" Painted By W.Carpenter — William Carpenter (1818-1899) — 1848 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17101B https://www.gravurdunyasi.com/img/seo/GMT17101B/mrs-pepys-and-her-french-gown-called-a-sac-painted-by-noble-1849.jpg "Mrs. Pepys And Her French Gown Called A Sac." Painted By Noble "Mrs. Pepys And Her French Gown Called A Sac." Painted By Noble — Noble — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17201B https://www.gravurdunyasi.com/img/seo/GMT17201B/home-revisited-painted-by-a-rankley-1854.jpg "Home Revisited" Painted By A.Rankley "Home Revisited" Painted By A.Rankley — Alfred Rankley (1819-1872) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17301B https://www.gravurdunyasi.com/img/seo/GMT17301B/behind-the-scenes-by-j-fitzgerald-1870.jpg Behind The Scenes By J.Fitzgerald Behind The Scenes By J.Fitzgerald — John Anster Christian Fitzgerald (1819-1906) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17401BB https://www.gravurdunyasi.com/img/seo/GMT17401BB/marocains-jouant-avec-un-vautour-1877.jpg Marocains Jouant Avec Un Vautour Marocains Jouant Avec Un Vautour — Mariano Fortuny (1838-1874) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17501BB https://www.gravurdunyasi.com/img/seo/GMT17501BB/from-an-original-picture-of-swanevelde-s-stormy-landscape-1777.jpg From An Original Picture Of Swanevelde's (Stormy Landscape) From An Original Picture Of Swanevelde's (Stormy Landscape) — Herman van Swanevelt (1603-1655) — 1777 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17601B https://www.gravurdunyasi.com/img/seo/GMT17601B/egdow-iii-1970.jpg Egdow III. Egdow III. — Peter Reddick (1924-2010) — 1970 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17701 https://www.gravurdunyasi.com/img/seo/GMT17701/landscape-1945.jpg Landscape Landscape — Peter Reddick (1924-2010) — 1945 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17801BB https://www.gravurdunyasi.com/img/seo/GMT17801BB/an-der-ostsee-1881.jpg An Der Ostsee An Der Ostsee — Gustave Eilers (1834-1911) — 1881 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT17901BB https://www.gravurdunyasi.com/img/seo/GMT17901BB/von-der-donauregulirung-1874.jpg Von Der Donauregulirung Von Der Donauregulirung — Eduard Fischer (1852-1905) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18001BB https://www.gravurdunyasi.com/img/seo/GMT18001BB/im-forste-von-fontainebleau-1880.jpg Im Forste Von Fontainebleau Im Forste Von Fontainebleau — Theodore Gericault (1791-1824) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18101B https://www.gravurdunyasi.com/img/seo/GMT18101B/ostade-1790.jpg Ostade Ostade — Adriaen Van Ostade (1610-1685) — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18201B https://www.gravurdunyasi.com/img/seo/GMT18201B/view-on-the-usk-hassell-1790.jpg View on the Usk-Hassell View on the Usk-Hassell — John Hassell (1767-1825) — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18301B https://www.gravurdunyasi.com/img/seo/GMT18301B/claude-lorraine-departure-for-the-fields-1790.jpg Claude Lorraine (Departure for the Fields) Claude Lorraine (Departure for the Fields) — Claude Lorrain (1600-1682) — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18401B https://www.gravurdunyasi.com/img/seo/GMT18401B/rembnrandt-1790.jpg Rembnrandt Rembnrandt — Rembrandt Harmenszoon van Rijn (1606-1669) — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18501BB https://www.gravurdunyasi.com/img/seo/GMT18501BB/the-suicide-of-the-stoic-philosopher-cato-1648.jpg The Suicide Of The Stoic Philosopher Cato The Suicide Of The Stoic Philosopher Cato — Vincenzo Billy — 1648 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18601BB https://www.gravurdunyasi.com/img/seo/GMT18601BB/etudes-de-figures-dans-les-paysages-l-album-de-ferogio-1840.jpg Etudes De Figures Dans Les Paysages-L'Album De Ferogio Etudes De Figures Dans Les Paysages-L'Album De Ferogio — 1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT18701BB 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(1839-1911) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19101BB https://www.gravurdunyasi.com/img/seo/GMT19101BB/landscape-1880.jpg Landscape Landscape — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19201BB https://www.gravurdunyasi.com/img/seo/GMT19201BB/landscape-1880.jpg Landscape Landscape — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19301BB https://www.gravurdunyasi.com/img/seo/GMT19301BB/early-summer-time-1860.jpg Early Summer Time Early Summer Time — Benjamin Williams Leader (1831-1923) — 1860 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19401NN https://www.gravurdunyasi.com/img/seo/GMT19401NN/the-reign-of-terror-1877.jpg The Reign Of Terror The Reign Of Terror — Percy Macquoid (1852-1925) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19501NN https://www.gravurdunyasi.com/img/seo/GMT19501NN/happy-hours-of-childhood-1877.jpg Happy Hours Of Childhood Happy Hours Of Childhood — Frank William Warwick Topham (1838-1924) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19701NN https://www.gravurdunyasi.com/img/seo/GMT19701NN/the-reaper-and-the-flowers-1877.jpg The Reaper And The Flowers The Reaper And The Flowers — Philip Richard Morris (1836-1902) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19801NN https://www.gravurdunyasi.com/img/seo/GMT19801NN/no-hope-1877.jpg No Hope No Hope — Ferdinand Fagerlin (1825-1907) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT19901NN https://www.gravurdunyasi.com/img/seo/GMT19901NN/lost-1877.jpg Lost Lost — Emily Mary Osborn (1828–1925) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20001NN https://www.gravurdunyasi.com/img/seo/GMT20001NN/the-finishing-touch-1877.jpg The Finishing Touch The Finishing Touch — Mary Ellen Edwards (1838-1934) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20101NN https://www.gravurdunyasi.com/img/seo/GMT20101NN/homeless-1877.jpg Homeless Homeless — Charles Edward Holloway (1838-1897) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20201NN https://www.gravurdunyasi.com/img/seo/GMT20201NN/the-first-dip-1877.jpg The First Dip The First Dip — James Christie (1847-1914) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20301NN https://www.gravurdunyasi.com/img/seo/GMT20301NN/mixed-pickles-1878.jpg Mixed Pickles Mixed Pickles — E.Buckman — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20401NN https://www.gravurdunyasi.com/img/seo/GMT20401NN/the-orphan-1878.jpg The Orphan The Orphan — J.Parker — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20501NN https://www.gravurdunyasi.com/img/seo/GMT20501NN/dust-storm-on-the-steppes-of-central-asia-1878.jpg Dust Storm On The Steppes of Central Asia Dust Storm On The Steppes of Central Asia — John Quartley — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20601NN https://www.gravurdunyasi.com/img/seo/GMT20601NN/finishing-touches-1878.jpg Finishing Touches Finishing Touches — Alfred Edward Emslie (1848-1918) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20701NN https://www.gravurdunyasi.com/img/seo/GMT20701NN/depart-pour-la-chasse-1878.jpg Depart Pour La Chasse Depart Pour La Chasse — M.Chaplin — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20801NN https://www.gravurdunyasi.com/img/seo/GMT20801NN/spring-1878.jpg Spring Spring — Henry Stacy Marks (1829-1898) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT20901NN https://www.gravurdunyasi.com/img/seo/GMT20901NN/the-first-voyage-1878.jpg The First Voyage The First Voyage — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21001NN https://www.gravurdunyasi.com/img/seo/GMT21001NN/a-drink-by-the-way-1878.jpg A Drink By The Way A Drink By The Way — John Griffiths (1837-1918) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21101NN https://www.gravurdunyasi.com/img/seo/GMT21101NN/frozen-out-1879.jpg Frozen Out Frozen Out — Ebenezer Newman Downard (Active 1849-1889) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21201NN https://www.gravurdunyasi.com/img/seo/GMT21201NN/the-old-foks-at-home-1882.jpg The Old Foks At Home The Old Foks At Home — Karl Gussow (1843-1907) — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21301B https://www.gravurdunyasi.com/img/seo/GMT21301B/la-depeche-1890.jpg La Depeche La Depeche — Gerard Ter Borch (G.Terburg) (1617-1681) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21401 https://www.gravurdunyasi.com/img/seo/GMT21401/river-sketches-no-7-1850.jpg River Sketches No.7 River Sketches No.7 — Richard Pratchett Noble (1829-1861) — 1850's-1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21501 https://www.gravurdunyasi.com/img/seo/GMT21501/the-farm-at-lacken-1858.jpg The Farm At Lacken The Farm At Lacken — Peter Paul Rubens (1577-1640) — 1858 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21601K https://www.gravurdunyasi.com/img/seo/GMT21601K/crossing-the-brook-1862.jpg Crossing The Brook Crossing The Brook — Joseph Mallord William Turner (1775-1851) — 1862 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21701K https://www.gravurdunyasi.com/img/seo/GMT21701K/the-sun-rising-in-a-mist-1862.jpg The Sun Rising in A Mist The Sun Rising in A Mist — Joseph Mallord William Turner (1775-1851) — 1862 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21801K https://www.gravurdunyasi.com/img/seo/GMT21801K/dutch-boats-in-a-gale-1862.jpg Dutch Boats in A Gale Dutch Boats in A Gale — Joseph Mallord William Turner (1775-1851) — 1862 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT21901K https://www.gravurdunyasi.com/img/seo/GMT21901K/spithead-1862.jpg Spithead Spithead — Joseph Mallord William Turner (1775-1851) — 1862 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22001K https://www.gravurdunyasi.com/img/seo/GMT22001K/the-wayfarers-1868.jpg The Wayfarers The Wayfarers — Thomas Creswick (1811-1869)-Frederick Goodall (1822–1904) — 1868 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22101K https://www.gravurdunyasi.com/img/seo/GMT22101K/the-justice-of-the-king-1868.jpg The Justice Of The King The Justice Of The King — James Faed (1821-1911) — 1868 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22201K https://www.gravurdunyasi.com/img/seo/GMT22201K/showery-weather-1876.jpg Showery Weather Showery Weather — George Vicat Cole (1833-1893) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22301K https://www.gravurdunyasi.com/img/seo/GMT22301K/sheep-pastures-north-wales-1880.jpg Sheep Pastures, North Wales Sheep Pastures, North Wales — Benjamin Williams Leader (1831-1923) — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22401K https://www.gravurdunyasi.com/img/seo/GMT22401K/winter-1883.jpg Winter Winter — Edward Duncan (1803-1882) — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22501K https://www.gravurdunyasi.com/img/seo/GMT22501K/the-waning-of-the-year-1883.jpg The Waning Of The Year The Waning Of The Year — Ernest Parton (1845-1938) — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22601K https://www.gravurdunyasi.com/img/seo/GMT22601K/when-daylight-dies-1892.jpg When Daylight Dies When Daylight Dies — Ernest Parton (1845-1938) — 1892 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22701K https://www.gravurdunyasi.com/img/seo/GMT22701K/a-forest-glade-1851.jpg A Forest Glade A Forest Glade — H.M.Bullock — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22801K https://www.gravurdunyasi.com/img/seo/GMT22801K/moonlight-1849.jpg Moonlight Moonlight — Horatio MacCulloch (1805-1867) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT22901K https://www.gravurdunyasi.com/img/seo/GMT22901K/the-sands-at-sunrise-1849.jpg The Sands At Sunrise The Sands At Sunrise — David Octavius Hill (1802-1870) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23101 https://www.gravurdunyasi.com/img/seo/GMT23101/sea-coast-1836.jpg Sea Coast Sea Coast — David Cox (1783-1859) — 1836 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23201 https://www.gravurdunyasi.com/img/seo/GMT23201/landscape-1770.jpg Landscape Landscape — Thomas Gainsborough (1727-1788) — 1770's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23301 https://www.gravurdunyasi.com/img/seo/GMT23301/pitture-di-michel-angelo-bonarroti-eur-vol-viii-tav-115-1820.jpg Pitture Di Michel Angelo Bonarroti, Eur. Vol VIII. Tav.115. Pitture Di Michel Angelo Bonarroti, Eur. Vol VIII. Tav.115. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23401 https://www.gravurdunyasi.com/img/seo/GMT23401/pitture-di-raffaello-eur-vol-viii-tav-119-1820.jpg Pitture Di Raffaello, Eur. Vol VIII. Tav.119. Pitture Di Raffaello, Eur. Vol VIII. Tav.119. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23501 https://www.gravurdunyasi.com/img/seo/GMT23501/pitture-di-raffaello-eur-vol-viii-tav-119-1820.jpg Pitture Di Raffaello, Eur. Vol VIII. Tav.119*. Pitture Di Raffaello, Eur. Vol VIII. Tav.119*. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23601 https://www.gravurdunyasi.com/img/seo/GMT23601/twilight-in-the-wood-1874.jpg Twilight in The Wood Twilight in The Wood — John Samuel Raven (1829-1877) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23701 https://www.gravurdunyasi.com/img/seo/GMT23701/riconciliazione-di-m-lepido-e-di-f-flacco-c-eur-vol-viii-tav-114-1820.jpg Riconciliazione di M.Lepido e di F.Flacco & c., Eur. Vol VIII. Tav.114. (Reconciliation of Marco Emilio Lepido and Fulvio Flacco) Riconciliazione di M.Lepido e di F.Flacco & c., Eur. Vol VIII. Tav.114. (Reconciliation of Marco Emilio Lepido and Fulvio Flacco) — Domenico Beccafumi (1486-1551) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT23801 https://www.gravurdunyasi.com/img/seo/GMT23801/pitture-di-giotto-cimabue-eur-vol-viii-tav-110-paintings-by-cimabue-1820.jpg Pitture di Giotto, Cimabue, Eur. Vol VIII. Tav.110. (Paintings by Cimabue and Giotto di Bondone) Pitture di Giotto, Cimabue, Eur. Vol VIII. Tav.110. (Paintings by Cimabue and Giotto di Bondone) — Cimabue (Cenni di Pepo) (1240-1302)-Giotto Di Bondone (1267-1337) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24001BB https://www.gravurdunyasi.com/img/seo/GMT24001BB/pittura-a-secco-in-tavola-di-andrea-mantegna-xv-sec-santa-eufemia-by-1820.jpg Pittura A Secco in Tavola di Andrea Mantegna XV Sec. (Santa Eufemia by Andrea Mantegna) Pittura A Secco in Tavola di Andrea Mantegna XV Sec. (Santa Eufemia by Andrea Mantegna) — Andrea Mantegna (1431-1506) — 1820's-1840's. Saint Euphemia holds a lily, the symbol of his virginity, in one hand, and also has a dagger on his chest, the symbol of his martyrdom, and a lion biting one of his arms. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24101BB https://www.gravurdunyasi.com/img/seo/GMT24101BB/altri-disegni-di-michelangelo-primi-pensieri-e-schizzi-xv-secolo-e-1820.jpg Altri Disegni di Michelangelo, Primi Pensieri e Schizzi. XV secolo e XVI. (Drawings by Michelangelo Early Thoughts and Sketches 15. and 16. Centuries) Altri Disegni di Michelangelo, Primi Pensieri e Schizzi. XV secolo e XVI. (Drawings by Michelangelo Early Thoughts and Sketches 15. and 16. Centuries) — Michelangelo (1475-1564) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24201BB https://www.gravurdunyasi.com/img/seo/GMT24201BB/ritratti-di-raffaello-sanzio-e-di-pietro-vannucci-detto-il-perugino-1820.jpg Ritratti di Raffaello Sanzio e di Pietro Vannucci Detto il Perugino di Lui Maestro (Raffaello Sanzio (Raphael) And Pietro Vannucci) Ritratti di Raffaello Sanzio e di Pietro Vannucci Detto il Perugino di Lui Maestro (Raffaello Sanzio (Raphael) And Pietro Vannucci) — Raphael (1483-1520) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24301BB https://www.gravurdunyasi.com/img/seo/GMT24301BB/festa-di-cristo-dipinta-da-leonardo-da-vinci-lucida-da-un-quadro-1820.jpg Festa di Cristo Dipinta da Leonardo da Vinci, Lucida da un Quadro Tella Davola Precedente (Feast of Christ Painted by Leonardo da Vinci) Festa di Cristo Dipinta da Leonardo da Vinci, Lucida da un Quadro Tella Davola Precedente (Feast of Christ Painted by Leonardo da Vinci) — Leonardo da Vinci (1452-1519) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24401BB https://www.gravurdunyasi.com/img/seo/GMT24401BB/invenzione-e-pratica-della-pittura-a-olio-di-giovanni-di-bruges-e-1820.jpg Invenzione e Pratica Della Pittura a Olio di Giovanni di Bruges e Antonella da Messina XV.Sec Invenzione e Pratica Della Pittura a Olio di Giovanni di Bruges e Antonella da Messina XV.Sec — Antonella da Messina (1430-1479) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24501BB https://www.gravurdunyasi.com/img/seo/GMT24501BB/pittura-a-tempera-in-tavola-al-fine-del-xv-sec-1820.jpg Pittura a Tempera in Tavola. Al Fine Del XV Sec. Pittura a Tempera in Tavola. Al Fine Del XV Sec. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24601 https://www.gravurdunyasi.com/img/seo/GMT24601/alexander-and-diogenes-1820.jpg Alexander and Diogenes Alexander and Diogenes — John Martin (1789-1854) — 1820's. The meeting between Alexander the Great and Diogenes of Sinope took place in Corinth. Known for his deep interest in philosophy as a student of Aristotle, Alexander admired Diogenes's independent thinking and held him in high regard. In the early morning hours, Alexander appeared before Diogenes. As the sun illuminated the two great thinkers… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24801 https://www.gravurdunyasi.com/img/seo/GMT24801/the-loves-of-the-winds-and-the-seasons-1890.jpg The Loves of the Winds and the Seasons The Loves of the Winds and the Seasons — Albert Joseph Moore (1841-1893) — 1890's-1900's. It is the last painting that painter Albert Joseph Moore made ten days before his death. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT24901 https://www.gravurdunyasi.com/img/seo/GMT24901/the-dreamers-1890.jpg The Dreamers The Dreamers — Albert Joseph Moore (1841-1893) — 1890's-1900's. It is the last painting that painter Albert Joseph Moore made ten days before his death. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT25001 https://www.gravurdunyasi.com/img/seo/GMT25001/the-shepherds-of-arcadia-1846.jpg The Shepherds of Arcadia The Shepherds of Arcadia — Nicolas Poussin (1594-1665) — 1846. The Shepherds of Arcadia is undoubtedly the most famous and debated of Nicolas Poussin's paintings. Art historians have differing interpretations of the painting. The painting's subject is Arcadia. Arcadia was a region in Greece described in ancient times as a kind of terrestrial paradise, surrounded by mountains where its inhabitants lived… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT25101 https://www.gravurdunyasi.com/img/seo/GMT25101/begging-1779.jpg Begging Begging — Jean-Michel Moreau (1741-1814) — 1779 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMT25201 https://www.gravurdunyasi.com/img/seo/GMT25201/claude-landscape-with-cephalus-and-procris-reunited-by-diana-1810.jpg Claude (Landscape with Cephalus and Procris Reunited by Diana) Claude (Landscape with Cephalus and Procris Reunited by Diana) — Claude Lorrain (1600-1682) — 1810's-1820's. This famous Claude Lorrain painting is based on a story from Publius Ovidius Naso's poem Metamorphoses. Procris is killed by her husband, the hunter Cephalus, in an unfortunate hunting accident. Diana, the virgin goddess of the hunt, brings Procris back to life and reunites the couple. In the painting, Diana stands between the hunter Cephalus and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0101K https://www.gravurdunyasi.com/img/seo/GMU0101K/the-bagpiper-1853.jpg The Bagpiper The Bagpiper — David Wilkie (1785-1841) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0201K https://www.gravurdunyasi.com/img/seo/GMU0201K/the-balcony-1853.jpg The Balcony The Balcony — William Etty (1787-1849) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0301K https://www.gravurdunyasi.com/img/seo/GMU0301K/the-songstress-1853.jpg The Songstress The Songstress — John Jackson(1778-1831) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0401K https://www.gravurdunyasi.com/img/seo/GMU0401K/the-duett-1853.jpg The Duett The Duett — William Etty (1787-1849) — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0501K https://www.gravurdunyasi.com/img/seo/GMU0501K/the-orphan-ballad-singers-1844.jpg The Orphan Ballad Singers The Orphan Ballad Singers — William Gill (Active 1826-1871) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0601 https://www.gravurdunyasi.com/img/seo/GMU0601/the-village-glee-singers-1850.jpg The Village Glee Singers The Village Glee Singers — John Masey Wright (1777-1866) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0701 https://www.gravurdunyasi.com/img/seo/GMU0701/noce-juive-dans-le-maroc-1841.jpg Noce Juive dans Le Maroc Noce Juive dans Le Maroc — Ferdinand Victor Eugene Delacroix (1798-1863) — 1841 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0801 https://www.gravurdunyasi.com/img/seo/GMU0801/a-music-party-from-the-original-picture-by-titian-in-national-gallery-1835.jpg A Music Party-From The Original Picture By Titian in National Gallery No.51 A Music Party-From The Original Picture By Titian in National Gallery No.51 — Titian (Tiziano Vecellio) (1490-1576) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU0901 https://www.gravurdunyasi.com/img/seo/GMU0901/a-family-concert-1844.jpg A Family Concert A Family Concert — Eugene Louis Lami (1800-1890) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1001 https://www.gravurdunyasi.com/img/seo/GMU1001/music-on-the-water-1848.jpg Music On The Water Music On The Water — John Rogers Herbert (1810-1890) — 1848 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1101 https://www.gravurdunyasi.com/img/seo/GMU1101/a-fete-champetre-1851.jpg A Fete Champetre A Fete Champetre — Thomas Stothard (1755-1834) — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1201 https://www.gravurdunyasi.com/img/seo/GMU1201/a-bacchanalian-dance-from-the-orginal-picture-by-nicholas-poussin-in-1836.jpg A Bacchanalian Dance-From The Orginal Picture By Nicholas Poussin in National Gallery No.60 A Bacchanalian Dance-From The Orginal Picture By Nicholas Poussin in National Gallery No.60 — Nicolas Poussin (1594-1665) — 1836 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1301 https://www.gravurdunyasi.com/img/seo/GMU1301/captain-wallis-on-his-arrival-at-otaheite-in-conversation-with-oberea-1783.jpg Captain Wallis, On His Arrival At Otaheite, In conversation With Oberea The Queen, While Her Attendants Are Performing A Favourite Dance Called The Timrodee Captain Wallis, On His Arrival At Otaheite, In conversation With Oberea The Queen, While Her Attendants Are Performing A Favourite Dance Called The Timrodee — William Hamilton (1751-1801) — 1783 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1401 https://www.gravurdunyasi.com/img/seo/GMU1401/a-dance-in-otaheite-1820.jpg A Dance in Otaheite A Dance in Otaheite — Cook — 1820 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1402 https://www.gravurdunyasi.com/img/seo/GMU1402/a-dance-at-otaheite-one-of-the-society-island-1775.jpg A Dance At Otaheite One Of The Society Island A Dance At Otaheite One Of The Society Island — 1775 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1403 https://www.gravurdunyasi.com/img/seo/GMU1403/a-dance-in-otaheite-1824.jpg A Dance in Otaheite A Dance in Otaheite — 1824 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1404 https://www.gravurdunyasi.com/img/seo/GMU1404/a-dance-in-otaheite-1837.jpg A Dance in Otaheite A Dance in Otaheite — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1501B https://www.gravurdunyasi.com/img/seo/GMU1501B/dance-at-otaheite-one-of-the-society-island-a-dance-at-ulietea-one-of-1787.jpg Dance At Otaheite One Of The Society Island-A Dance At Ulietea One Of The Society Islands Dance At Otaheite One Of The Society Island-A Dance At Ulietea One Of The Society Islands — 1787 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1601B https://www.gravurdunyasi.com/img/seo/GMU1601B/the-inside-view-of-a-house-in-the-island-of-ulietea-with-an-elegant-1774.jpg The inside View Of A House In The Island Of Ulietea, With An Elegant Represantation Of A Dance To The Music Of That Country The inside View Of A House In The Island Of Ulietea, With An Elegant Represantation Of A Dance To The Music Of That Country — Giovanni Battista Cipriani (1727-1785) — 1774 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1602 https://www.gravurdunyasi.com/img/seo/GMU1602/a-dance-at-ulietea-one-of-the-society-islands-in-the-south-seas-1807.jpg A Dance At Ulietea One Of The Society Islands in The South Seas A Dance At Ulietea One Of The Society Islands in The South Seas — John Weber (1751-1793) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1603 https://www.gravurdunyasi.com/img/seo/GMU1603/a-dance-at-ulietea-one-of-the-society-islands-1775.jpg A Dance At Ulietea One Of The Society Islands A Dance At Ulietea One Of The Society Islands — 1775 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1604 https://www.gravurdunyasi.com/img/seo/GMU1604/a-dance-at-ulietea-one-of-the-society-islands-in-the-south-seas-1811.jpg A Dance At Ulietea One Of The Society Islands In The South Seas A Dance At Ulietea One Of The Society Islands In The South Seas — John Weber (1751-1793) — 1811 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1701 https://www.gravurdunyasi.com/img/seo/GMU1701/a-savage-of-the-sandwich-islands-dancing-1807.jpg A Savage Of The Sandwich Islands Dancing A Savage Of The Sandwich Islands Dancing — John Weber (1751-1793) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1702 https://www.gravurdunyasi.com/img/seo/GMU1702/representation-of-aman-of-the-sandwich-islands-dancing-1784.jpg Representation Of Aman Of The Sandwich Islands Dancing Representation Of Aman Of The Sandwich Islands Dancing — 1784 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1802 https://www.gravurdunyasi.com/img/seo/GMU1802/hottentot-entertainment-of-music-and-dance-1775.jpg Hottentot Entertainment Of Music And Dance Hottentot Entertainment Of Music And Dance — 1775 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU1901 https://www.gravurdunyasi.com/img/seo/GMU1901/the-mode-of-dancing-in-the-island-of-ulietea-1778.jpg The Mode Of Dancing In The Island Of Ulietea The Mode Of Dancing In The Island Of Ulietea — 1778 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2001 https://www.gravurdunyasi.com/img/seo/GMU2001/a-dance-at-pangaimatoo-one-of-the-friendly-islands-in-prescence-of-1806.jpg A Dance At Pangaimatoo, One Of The Friendly Islands, In Prescence Of The Queen A Dance At Pangaimatoo, One Of The Friendly Islands, In Prescence Of The Queen — 1806 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2101 https://www.gravurdunyasi.com/img/seo/GMU2101/a-night-dance-by-women-in-hapaee-cook-s-voyage-octava-edition-1784.jpg A Night Dance By Women In Hapaee-Cook's Voyage, Octava Edition A Night Dance By Women In Hapaee-Cook's Voyage, Octava Edition — John Weber (1751-1793) — 1784 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2201 https://www.gravurdunyasi.com/img/seo/GMU2201/the-dance-1798.jpg The Dance The Dance — William Hogarth (1697-1764) — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2301 https://www.gravurdunyasi.com/img/seo/GMU2301/war-dance-of-the-dyaks-1848.jpg War Dance Of The Dyaks War Dance Of The Dyaks — F.M. — 1848 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2401 https://www.gravurdunyasi.com/img/seo/GMU2401/the-bayaders-or-dancing-girls-of-india-1838.jpg The Bayaders, Or Dancing Girls Of India The Bayaders, Or Dancing Girls Of India — 1838 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2501 https://www.gravurdunyasi.com/img/seo/GMU2501/dancing-girls-1840.jpg Dancing Girls Dancing Girls — Robert Jacob Hamerton (1810-1904) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2601 https://www.gravurdunyasi.com/img/seo/GMU2601/dancing-girls-of-the-punjar-1840.jpg Dancing Girls Of The Punjar Dancing Girls Of The Punjar — Robert Jacob Hamerton (1810-1904) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2701K https://www.gravurdunyasi.com/img/seo/GMU2701K/the-lady-of-the-palace-1844.jpg The Lady Of The Palace The Lady Of The Palace — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU2801B https://www.gravurdunyasi.com/img/seo/GMU2801B/natives-of-the-molucca-islands-playing-on-musical-instruments-called-1783.jpg Natives Of The Molucca Islands Playing On Musical Instruments Called The Rabana Natives Of The Molucca Islands Playing On Musical Instruments Called The Rabana — 1783 https://www.gravurdunyasi.com/hakkimizda.html 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Michael Costa, ESQ. — John Jabez Edwin Mayall (1813-1901) — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3301B https://www.gravurdunyasi.com/img/seo/GMU3301B/alexandre-joseph-artot-france-musicale-1850.jpg Alexandre Joseph Artot, France Musicale Alexandre Joseph Artot, France Musicale — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3401B https://www.gravurdunyasi.com/img/seo/GMU3401B/frederic-berat-france-musicale-1850.jpg Frederic Berat, France Musicale Frederic Berat, France Musicale — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3501B https://www.gravurdunyasi.com/img/seo/GMU3501B/emile-prudent-1850.jpg Emile Prudent Emile Prudent — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3601B https://www.gravurdunyasi.com/img/seo/GMU3601B/ferdinand-ries-1824.jpg Ferdinand Ries Ferdinand Ries — 1824 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3701B https://www.gravurdunyasi.com/img/seo/GMU3701B/odoardo-barri-1880.jpg Odoardo Barri Odoardo Barri — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3801 https://www.gravurdunyasi.com/img/seo/GMU3801/john-stanley-efq-m-b-master-of-his-majesty-s-band-of-musicians-1784.jpg John Stanley Efq. M.B., Master Of His Majesty's Band Of Musicians John Stanley Efq. M.B., Master Of His Majesty's Band Of Musicians — 1784 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU3901 https://www.gravurdunyasi.com/img/seo/GMU3901/danse-de-femmes-kurdes-1838.jpg Danse De Femmes Kurdes Danse De Femmes Kurdes — Vernier — 1838 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4001 https://www.gravurdunyasi.com/img/seo/GMU4001/a-greek-dance-in-the-isle-of-paros-1780.jpg A Greek Dance in The Isle Of Paros A Greek Dance in The Isle Of Paros — 1780's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4101 https://www.gravurdunyasi.com/img/seo/GMU4101/the-romeca-dance-by-the-people-of-the-isle-of-paros-in-the-grecian-1779.jpg The Romeca Dance, By The People Of The Isle Of Paros, in The Grecian Archipelago The Romeca Dance, By The People Of The Isle Of Paros, in The Grecian Archipelago — 1779 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4201 https://www.gravurdunyasi.com/img/seo/GMU4201/norsk-musik-album-carl-warmuths-musikforlag-1890.jpg Norsk Musik Album-Carl Warmuths Musikforlag Norsk Musik Album-Carl Warmuths Musikforlag — Wilhelm Larsen (1854-1893) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4301B https://www.gravurdunyasi.com/img/seo/GMU4301B/almehs-dancing-in-a-persian-palace-1858.jpg Almehs Dancing in A Persian Palace Almehs Dancing in A Persian Palace — Agoston Schoefft (1809-1888) — 1858 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4401B https://www.gravurdunyasi.com/img/seo/GMU4401B/sketches-from-south-africa-a-war-dance-of-the-matabili-1872.jpg Sketches From South Africa, A War Dance Of The Matabili Sketches From South Africa, A War Dance Of The Matabili — 1872 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4501B https://www.gravurdunyasi.com/img/seo/GMU4501B/hindoo-dance-1857.jpg Hindoo Dance Hindoo Dance — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4601 https://www.gravurdunyasi.com/img/seo/GMU4601/burmese-musicians-1872.jpg Burmese Musicians Burmese Musicians — 1872 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4701B https://www.gravurdunyasi.com/img/seo/GMU4701B/christmas-bells-interior-of-the-belfry-of-cripplegate-church-1858.jpg Christmas Bells: interior Of The Belfry Of Cripplegate Church Christmas Bells: interior Of The Belfry Of Cripplegate Church — J.Palmer — 1858 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4801B https://www.gravurdunyasi.com/img/seo/GMU4801B/ladies-of-the-ballet-behind-the-scenes-in-the-palace-mandalay-burma-1886.jpg Ladies Of The Ballet-Behind The Scenes In The Palace, Mandalay, Burma Ladies Of The Ballet-Behind The Scenes In The Palace, Mandalay, Burma — F.Villiers — 1886 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU4901B https://www.gravurdunyasi.com/img/seo/GMU4901B/a-burmese-pas-seul-burma-1886.jpg A Burmese Pas Seul, Burma A Burmese Pas Seul, Burma — F.Villiers — 1886 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5001B https://www.gravurdunyasi.com/img/seo/GMU5001B/le-musicien-ambulant-1853.jpg Le Musicien Ambulant Le Musicien Ambulant — 1853 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5002B https://www.gravurdunyasi.com/img/seo/GMU5002B/the-strolling-musician-by-baron-le-musicien-ambulant-par-baron-1855.jpg The Strolling Musician By Baron, Le Musicien Ambulant, Par Baron The Strolling Musician By Baron, Le Musicien Ambulant, Par Baron — Henry Valentin — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5101B https://www.gravurdunyasi.com/img/seo/GMU5101B/the-troubadour-by-bewer-1872.jpg The Troubadour By Bewer The Troubadour By Bewer — M.Bewer — 1872 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5201B https://www.gravurdunyasi.com/img/seo/GMU5201B/a-sketch-at-the-handel-festival-in-the-crystal-palace-1865.jpg A Sketch At The Handel Festival in The Crystal Palace A Sketch At The Handel Festival in The Crystal Palace — 1865 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5301B https://www.gravurdunyasi.com/img/seo/GMU5301B/we-never-met-again-poetry-by-edward-mordaunt-spencer-composed-by-g-1850.jpg We Never Met Again-Poetry By Edward Mordaunt Spencer, Composed By G.Herbert Rodwell We Never Met Again-Poetry By Edward Mordaunt Spencer, Composed By G.Herbert Rodwell — Landells — 1850 https://www.gravurdunyasi.com/hakkimizda.html 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https://www.gravurdunyasi.com/img/seo/GMU5701B/david-et-les-iv-compagnons-chantant-les-louanges-du-seigneur-france-1858.jpg David et Les IV Compagnons, Chantant Les Louanges du Seigneur, France, IX Siecle (2.Moitie) David et Les IV Compagnons, Chantant Les Louanges du Seigneur, France, IX Siecle (2.Moitie) — Claudius Joseph Ciappori Puche (1822-1887) — 1858 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5801 https://www.gravurdunyasi.com/img/seo/GMU5801/a-woman-of-otaheite-dancing-1790.jpg A Woman of Otaheite Dancing A Woman of Otaheite Dancing — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU5901B https://www.gravurdunyasi.com/img/seo/GMU5901B/part-singing-in-the-tima-of-elizabeth-1851.jpg Part Singing in The Tima Of Elizabeth Part Singing in The Tima Of Elizabeth — G.Thomas — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU6001B 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https://www.gravurdunyasi.com/antiqueprint/GMU6401B https://www.gravurdunyasi.com/img/seo/GMU6401B/guitar-player-1900.jpg Guitar Player Guitar Player — 1900's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU6501B https://www.gravurdunyasi.com/img/seo/GMU6501B/a-scene-in-the-persian-seraglio-1773.jpg A Scene in The Persian Seraglio A Scene in The Persian Seraglio — 1773 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU6601B https://www.gravurdunyasi.com/img/seo/GMU6601B/to-face-chimes-plate-xxiv-1771.jpg To Face Chimes, Plate XXIV To Face Chimes, Plate XXIV — 1771 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU6701U https://www.gravurdunyasi.com/img/seo/GMU6701U/a-meeting-of-the-lyric-club-1887.jpg A Meeting Of The Lyric Club A Meeting Of The Lyric Club — Richard Caton Woodville (1856-1927) — 1887 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU6801U https://www.gravurdunyasi.com/img/seo/GMU6801U/a-song-of-long-ago-1890.jpg A Song Of Long Ago A Song Of Long Ago — John Henry Frederick Bacon (1865-1914) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU6901U https://www.gravurdunyasi.com/img/seo/GMU6901U/chopin-1896.jpg Chopin Chopin — Ferdinand Max Bredt (1860-1921) — 1896 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7001U https://www.gravurdunyasi.com/img/seo/GMU7001U/the-piano-1900.jpg The Piano The Piano — James Abbott McNeill Whistler (1834-1903) — 1900 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7101U https://www.gravurdunyasi.com/img/seo/GMU7101U/the-carol-1890.jpg The Carol The Carol — Laura Theresa Alma Tadema (1852-1909) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7201U https://www.gravurdunyasi.com/img/seo/GMU7201U/the-tambourine-1872.jpg The Tambourine The Tambourine — Pierre Louis de Coninck (1828-1910) — 1872 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7301U https://www.gravurdunyasi.com/img/seo/GMU7301U/the-tambourine-1855.jpg The Tambourine The Tambourine — Penry Williams (1802-1885) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7401U https://www.gravurdunyasi.com/img/seo/GMU7401U/gabrielle-in-summer-1849.jpg Gabrielle in Summer Gabrielle in Summer — John Brandard (1812-1863) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7501U https://www.gravurdunyasi.com/img/seo/GMU7501U/gabrielle-in-winter-1849.jpg Gabrielle in Winter Gabrielle in Winter — John Brandard (1812-1863) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7601B https://www.gravurdunyasi.com/img/seo/GMU7601B/le-trio-flamand-the-flemish-trio-1778.jpg Le Trio Flamand (The Flemish Trio) Le Trio Flamand (The Flemish Trio) — Adriaen Van Ostade (1610-1685) — 1778 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU7701U https://www.gravurdunyasi.com/img/seo/GMU7701U/the-duet-1862.jpg The Duet The Duet — James Sant (1820-1916) — 1862. A typical example of 19th-century English art, the work poetically visualizes the cultural ideals shaped by music in Victorian middle-class English domestic life and the role of women within the family. 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The Musical Library, Vocal Series IV. — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU8501 https://www.gravurdunyasi.com/img/seo/GMU8501/indian-song-as-generally-sung-by-the-natives-of-norfolk-sound-1789.jpg Indian Song As Generally Sung By The Natives Of Norfolk Sound Previous To Commencing Trade Indian Song As Generally Sung By The Natives Of Norfolk Sound Previous To Commencing Trade — 1789 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU8601 https://www.gravurdunyasi.com/img/seo/GMU8601/the-witches-dance-in-tam-o-shanter-1839.jpg The Witches Dance In Tam O'Shanter The Witches Dance In Tam O'Shanter — John Masey Wright (1777-1866) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU8701B https://www.gravurdunyasi.com/img/seo/GMU8701B/who-brings-the-bride-home-the-words-by-mark-lemon-and-the-music-by-m-1851.jpg "Who Brings The Bride Home?", 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Barnes (Active 1867-1887) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU11101NN https://www.gravurdunyasi.com/img/seo/GMU11101NN/sketches-from-the-land-s-end-a-musical-son-of-neptune-1876.jpg Sketches From The land's End-A Musical Son Of Neptune Sketches From The land's End-A Musical Son Of Neptune — Frank Dadd (1851-1929) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU11201NN https://www.gravurdunyasi.com/img/seo/GMU11201NN/sketches-in-burmah-a-poay-or-burmese-play-at-meuhla-1876.jpg Sketches in Burmah-A "Poay" Or Burmese Play At Meuhla Sketches in Burmah-A "Poay" Or Burmese Play At Meuhla — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU11301B https://www.gravurdunyasi.com/img/seo/GMU11301B/mr-moscheles-1832.jpg Mr.Moscheles Mr.Moscheles — Michael William Sharp (1776-1840) — 1832 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU11401K https://www.gravurdunyasi.com/img/seo/GMU11401K/paganini-from-a-sketch-by-landseer-1879.jpg Paganini From A Sketch By Landseer Paganini From A Sketch By Landseer — Edwin Henry Landseer (1802-1873) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU11501B https://www.gravurdunyasi.com/img/seo/GMU11501B/french-composer-and-violinist-charles-dancla-france-musicale-1845.jpg French Composer And Violinist Charles Dancla (France Musicale) French Composer And Violinist Charles Dancla (France Musicale) — 1845 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GMU11601NN https://www.gravurdunyasi.com/img/seo/GMU11601NN/felicien-cesar-david-french-musical-composer-died-aug-29-aged-66-1876.jpg Felicien Cesar David (French Musical Composer) Died Aug.29, Aged 66 Felicien Cesar David (French Musical Composer) Died Aug.29, Aged 66 — 1876 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De Camors-Dedicated To Lady Hilda Higgins Bid Me Good Bye-Valse On The Popular Song Composed By F.Paolo Tosti By Henry W. 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https://www.gravurdunyasi.com/antiqueprint/GNK12401B https://www.gravurdunyasi.com/img/seo/GNK12401B/george-leybourne-1870.jpg George Leybourne George Leybourne — Alfred Concanen (1835-1886) — 1870's-1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNK12501B https://www.gravurdunyasi.com/img/seo/GNK12501B/automne-valse-1850.jpg Automne Valse Automne Valse — John Brandard (1812-1863) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNK12601B https://www.gravurdunyasi.com/img/seo/GNK12601B/seascape-1850.jpg Seascape Seascape — John Brandard (1812-1863) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNK12701B https://www.gravurdunyasi.com/img/seo/GNK12701B/camp-1870.jpg Camp Camp — Alfred Concanen (1835-1886) — 1870's-1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNK12801B https://www.gravurdunyasi.com/img/seo/GNK12801B/meet-me-by-moonlight-alone-1830.jpg Meet Me By Moonlight Alone Meet Me By Moonlight Alone — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0101B https://www.gravurdunyasi.com/img/seo/GNO0101B/the-honeymoon-polka-composed-by-john-j-blockley-1860.jpg The Honeymoon, Polka Composed By John.J.Blockley The Honeymoon, Polka Composed By John.J.Blockley — A.Laby — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0201B https://www.gravurdunyasi.com/img/seo/GNO0201B/happy-moments-valse-by-gustave-lambert-1870.jpg Happy Moments, Valse By Gustave Lambert Happy Moments, Valse By Gustave Lambert — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0301B https://www.gravurdunyasi.com/img/seo/GNO0301B/sleighing-on-the-lake-by-john-pridham-1890.jpg Sleighing On The Lake By John Pridham Sleighing On The Lake By John Pridham — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0401B https://www.gravurdunyasi.com/img/seo/GNO0401B/the-bridge-words-by-h-w-longfellow-esq-music-by-miss-m-lindsay-and-1870.jpg The Bridge, Words By H.W.Longfellow Esq., Music By Miss. M.Lindsay And Dedicated To Miss. Marryat The Bridge, Words By H.W.Longfellow Esq., Music By Miss. M.Lindsay And Dedicated To Miss. Marryat — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0501B https://www.gravurdunyasi.com/img/seo/GNO0501B/jenny-lind-s-song-farewell-my-fatherland-by-felix-cantier-1850.jpg Jenny Lind's Song, Farewell My Fatherland By Felix Cantier Jenny Lind's Song, Farewell My Fatherland By Felix Cantier — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0601B https://www.gravurdunyasi.com/img/seo/GNO0601B/warum-hast-du-so-traurige-augen-tango-u-lied-text-von-willi-kollo-und-20.jpg Warum Hast Du So Traurige Augen, Tango U.Lied, Text Von Willi Kollo Und Hans Pflanrer, Musik Von Willi Kollo Warum Hast Du So Traurige Augen, Tango U.Lied, Text Von Willi Kollo Und Hans Pflanrer, Musik Von Willi Kollo — 20.Century https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GNO0701B https://www.gravurdunyasi.com/img/seo/GNO0701B/les-janissaires-quadrille-turc-compose-par-camilie-schubert-1847.jpg Les Janissaires, Quadrille Turc, Compose Par Camilie Schubert Les Janissaires, Quadrille Turc, Compose Par Camilie Schubert — 1847 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0101 https://www.gravurdunyasi.com/img/seo/GOT0101/fountain-mosque-of-chahzade-fontaine-et-mosquee-de-chazade-die-1839.jpg Fountain & Mosque Of Chahzade-Fontaine Et Mosquee De Chazade-Die Fontaine Und Moschee Fountain & Mosque Of Chahzade-Fontaine Et Mosquee De Chazade-Die Fontaine Und Moschee — William Henry Bartlett (1809-1854) — 1839. This engraving is one of the Orientalist visual documents that aimed to introduce the architectural splendor and daily life of Istanbul in the early 19th century to the Western world. The engraving depicts the Şehzade Mosque (Şehzadebaşı Mosque) and the Nevşehirli Damat İbrahim Pasha Fountain opposite it. Located in Istanbul's Fatih district, the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0102K https://www.gravurdunyasi.com/img/seo/GOT0102K/fountain-mosque-of-chahzade-fontaine-et-mosquee-de-chazade-die-1839.jpg Fountain & Mosque Of Chahzade-Fontaine Et Mosquee De Chazade-Die Fontaine Und Moschee Fountain & Mosque Of Chahzade-Fontaine Et Mosquee De Chazade-Die Fontaine Und Moschee — William Henry Bartlett (1809-1854) — 1839. This engraving is one of the Orientalist visual documents that aimed to introduce the architectural splendor and daily life of Istanbul in the early 19th century to the Western world. The engraving depicts the Şehzade Mosque (Şehzadebaşı Mosque) and the Nevşehirli Damat İbrahim Pasha Fountain opposite it. Located in Istanbul's Fatih district, the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0201 https://www.gravurdunyasi.com/img/seo/GOT0201/yenikeuij-on-the-bosphorus-1854.jpg Yenikeuij On The Bosphorus Yenikeuij On The Bosphorus — William Henry Bartlett (1809-1854) — 1854. This engraving depicts Yeniköy, one of the most beautiful settlements on the Bosphorus. The book "The Beauties of the Bosphorus," in which the engraving was published, described Yeniköy as follows: "There are few villages as beautiful as Yeniköy on the Bosphorus. Located two miles south of Tarabya on the European side, most of the houses extend… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0203K https://www.gravurdunyasi.com/img/seo/GOT0203K/yenikeuij-on-the-bosphorus-yenikeuij-sur-le-bosphore-yenikeuij-am-1839.jpg Yenikeuij On The Bosphorus-Yenikeuij Sur Le Bosphore-Yenikeuij am Bosphore Yenikeuij On The Bosphorus-Yenikeuij Sur Le Bosphore-Yenikeuij am Bosphore — William Henry Bartlett (1809-1854) — 1839. This engraving depicts Yeniköy, one of the most beautiful settlements on the Bosphorus. The book "The Beauties of the Bosphorus," in which the engraving was published, described Yeniköy as follows: "There are few villages as beautiful as Yeniköy on the Bosphorus. Located two miles south of Tarabya on the European side, most of the houses extend… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0301 https://www.gravurdunyasi.com/img/seo/GOT0301/turkish-country-houses-on-the-bosphorus-1838.jpg Turkish Country Houses On The Bosphorus Turkish Country Houses On The Bosphorus — William Henry Bartlett (1809-1854) — 1838. The Turkish houses and waterside residences that adorned the shores of the Bosphorus were perceived by 19th-century Western travelers not only as architectural structures but also as scenes reflecting the aesthetic and social order of Ottoman life. The written information about this engraving, titled "Turkish Houses on the Bosphorus," in the work… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0303K https://www.gravurdunyasi.com/img/seo/GOT0303K/turkish-country-houses-on-the-bosphorus-1854.jpg Turkish Country Houses On The Bosphorus Turkish Country Houses On The Bosphorus — William Henry Bartlett (1809-1854) — 1854. The Turkish houses and waterside residences that adorned the shores of the Bosphorus were perceived by 19th-century Western travelers not only as architectural structures but also as scenes reflecting the aesthetic and social order of Ottoman life. The written information about this engraving, titled "Turkish Houses on the Bosphorus," in the work… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0401 https://www.gravurdunyasi.com/img/seo/GOT0401/istenia-near-therapia-istenia-pres-de-therapia-istenia-bei-therapia-1839.jpg Istenia, Near Therapia-Istenia Pres De Therapia-Istenia Bei Therapia Istenia, Near Therapia-Istenia Pres De Therapia-Istenia Bei Therapia — William Henry Bartlett (1809-1854) — 1839. As one of the most beautiful villages on the Bosphorus, Emirgan attracted the attention of 19th-century travelers for both its natural beauty and its social life. Although the engraving refers to it as "Istenia–İstinye," the place depicted is actually Emirgan, formerly known as Mirgün. In 1635, when Sultan Murad IV granted the area to Emirgüne's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0403K https://www.gravurdunyasi.com/img/seo/GOT0403K/istenia-near-therapia-istenia-pres-de-therapia-istenia-bei-therapia-1854.jpg Istenia, Near Therapia-Istenia Pres De Therapia-Istenia Bei Therapia Istenia, Near Therapia-Istenia Pres De Therapia-Istenia Bei Therapia — William Henry Bartlett (1809-1854) — 1854. As one of the most beautiful villages on the Bosphorus, Emirgan attracted the attention of 19th-century travelers for both its natural beauty and its social life. Although the engraving refers to it as "Istenia–İstinye," the place depicted is actually Emirgan, formerly known as Mirgün. In 1635, when Sultan Murad IV granted the area to Emirgüne's… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0501 https://www.gravurdunyasi.com/img/seo/GOT0501/the-guz-couli-or-maiden-s-tower-le-guz-couli-ou-tour-de-la-demoiselle-1839.jpg The Guz Couli or Maiden´s Tower-Le Guz Couli, Ou Tour De La Demoiselle-Der Guz Couli Oder Madchen Thurm The Guz Couli or Maiden´s Tower-Le Guz Couli, Ou Tour De La Demoiselle-Der Guz Couli Oder Madchen Thurm — William Henry Bartlett (1809-1854) — 1839. Located on a small island off the Salacak coast of Üsküdar, the Maiden's Tower, known to Western travelers as "Guz-Couli" or "Leander's Tower," has been surrounded by legends throughout history and has captured the attention of Western travelers and painters as one of the Bosphorus's most striking structures. The work "The Beauties of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0503K https://www.gravurdunyasi.com/img/seo/GOT0503K/the-guz-couli-or-maiden-s-tower-le-guz-couli-ou-tour-de-la-demoiselle-1854.jpg The Guz Couli or Maiden´s Tower-Le Guz Couli, Ou Tour De La Demoiselle-Der Guz Couli Oder Madchen Thurm The Guz Couli or Maiden´s Tower-Le Guz Couli, Ou Tour De La Demoiselle-Der Guz Couli Oder Madchen Thurm — William Henry Bartlett (1809-1854) — 1854. Located on a small island off the Salacak coast of Üsküdar, the Maiden's Tower, known to Western travelers as "Guz-Couli" or "Leander's Tower," has been surrounded by legends throughout history and has captured the attention of Western travelers and painters as one of the Bosphorus's most striking structures. The work "The Beauties of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0601 https://www.gravurdunyasi.com/img/seo/GOT0601/scene-from-above-the-new-palace-of-beshik-tash-1839.jpg Scene From Above The New Palace Of Beshik-Tash Scene From Above The New Palace Of Beshik-Tash — William Henry Bartlett (1809-1854) — 1839. This engraving depicts the old Beşiktaş (Çırağan) Palace and its surroundings, which was built by Mahmud II on the shores of the Bosphorus between Beşiktaş and Ortaköy in 1834 and demolished in 1857 to replace today's Çırağan Palace. The area where the palace stands was known as Kazancıoğlu Gardens in the 17th century, and by the 18th century, it… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0603K https://www.gravurdunyasi.com/img/seo/GOT0603K/scene-from-above-the-new-palace-of-beshik-tash-1854.jpg Scene From Above The New Palace Of Beshik-Tash Scene From Above The New Palace Of Beshik-Tash — William Henry Bartlett (1809-1854) — 1854. This engraving depicts the old Beşiktaş (Çırağan) Palace and its surroundings, which was built by Mahmud II on the shores of the Bosphorus between Beşiktaş and Ortaköy in 1834 and demolished in 1857 to replace today's Çırağan Palace. The area where the palace stands was known as Kazancıoğlu Gardens in the 17th century, and by the 18th century, it… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0701 https://www.gravurdunyasi.com/img/seo/GOT0701/dolma-batche-from-the-necropolis-of-pera-dolma-batche-1840.jpg Dolma Batche From The Necropolis Of Pera-Dolma Batche Dolma Batche From The Necropolis Of Pera-Dolma Batche — William Henry Bartlett (1809-1854) — 1840. William H. Bartlett's engraving, "Dolmabahçe from Pera Cemetery," documents the 19th-century appearance and social atmosphere of the area where today's Dolmabahçe Palace is built. This area, where Dolmabahçe Palace stands today, was part of the Muslim cemetery known as the "Büyük Nebula" (Great Tomb) until the mid-19th century. This cemetery… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0702K https://www.gravurdunyasi.com/img/seo/GOT0702K/dolma-batche-from-the-necropolis-of-pera-1840.jpg Dolma Batche From The Necropolis Of Pera Dolma Batche From The Necropolis Of Pera — William Henry Bartlett (1809-1854) — 1840. William H. Bartlett's engraving, "Dolmabahçe from Pera Cemetery," documents the 19th-century appearance and social atmosphere of the area where today's Dolmabahçe Palace is built. This area, where Dolmabahçe Palace stands today, was part of the Muslim cemetery known as the "Büyük Nebula" (Great Tomb) until the mid-19th century. This cemetery… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0801 https://www.gravurdunyasi.com/img/seo/GOT0801/the-tower-of-galata-tour-de-galata-das-gasteli-zu-galata-1839.jpg The Tower Of Galata-Tour De Galata-Das Gasteli Zu Galata The Tower Of Galata-Tour De Galata-Das Gasteli Zu Galata — William Henry Bartlett (1809-1854) — 1839. The book "The Beauties of the Bosphorus," which includes this engraving titled "Galata Tower," summarizes the information about Galata Tower and its surroundings as follows: Galata, located on the outskirts of Pera, is described as one of the most important ports and trade centers connecting Istanbul to Europe. The name Galata originates from the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0803K https://www.gravurdunyasi.com/img/seo/GOT0803K/the-tower-of-galata-tour-de-galata-das-gasteli-zu-galata-1854.jpg The Tower Of Galata-Tour De Galata-Das Gasteli Zu Galata The Tower Of Galata-Tour De Galata-Das Gasteli Zu Galata — William Henry Bartlett (1809-1854) — 1854. The book "The Beauties of the Bosphorus," which includes this engraving titled "Galata Tower," summarizes the information about Galata Tower and its surroundings as follows: Galata, located on the outskirts of Pera, is described as one of the most important ports and trade centers connecting Istanbul to Europe. The name Galata originates from the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0901 https://www.gravurdunyasi.com/img/seo/GOT0901/reception-room-of-the-seraglio-1838.jpg Reception Room of the Seraglio Reception Room of the Seraglio — Thomas Allom (1804-1872) — 1838. This engraving depicts the Arz Odası (Court Room), or the Kubbealtı Divan (Council of the Council) at Topkapı Palace, the heart of the Ottoman Empire's administrative and judicial machinery. The information about the Arz Odası (Court Room), or the Kubbealtı Divan (Council of the Council), in the book "Constantinople and the Scenery of the Seven… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT0902 https://www.gravurdunyasi.com/img/seo/GOT0902/porte-du-serail-a-constantinople-1840.jpg Porte du Serail a Constantinople Porte du Serail a Constantinople — 1840. This engraving depicts the Arz Odası (Court Room), or the Kubbealtı Divan (Council of the Council), at Topkapı Palace, the heart of the Ottoman Empire's administrative and judicial mechanisms. The information about the Arz Odası (Court Room), or the Kubbealtı Divan (Council of the Council), in the book containing this engraving, titled "Entrance… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1001 https://www.gravurdunyasi.com/img/seo/GOT1001/the-medak-or-eastern-story-teller-le-medak-ou-le-conteur-de-l-orient-1838.jpg The Medak Or Eastern Story Teller-Le Medak Ou le Conteur De L'Orient The Medak Or Eastern Story Teller-Le Medak Ou le Conteur De L'Orient — Thomas Allom (1804-1872) — 1838-1839. The engraving depicts the storyteller tradition, one of the most characteristic figures of entertainment in 19th-century Ottoman society, and Kız Ahmed, one of its most famous representatives. In the engraving, Kız Ahmed is depicted as a storyteller, seated at a small table in a coffeehouse scene, captivating the crowd with her facial expressions.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1101 https://www.gravurdunyasi.com/img/seo/GOT1101/a-turkish-letter-writer-at-constantinople-l-ecrivain-public-a-1838.jpg A Turkish Letter Writer At Constantinople-L'Ecrivain Public A Conctantinople A Turkish Letter Writer At Constantinople-L'Ecrivain Public A Conctantinople — Thomas Allom (1804-1872) — 1838-1839. This engraving reveals the figure of the "Turkish scribe," one of the most striking professions of daily life in Ottoman Istanbul. Scribes (Arzuhalciler) were important intermediaries who prepared letters, petitions (arzuhal) to state institutions, and amulets for the largely illiterate public, thus ensuring the public's connection to written… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1201 https://www.gravurdunyasi.com/img/seo/GOT1201/the-sultana-in-her-state-arrhuba-constantinople-1838.jpg The Sultana in Her State Arrhuba, Constantinople The Sultana in Her State Arrhuba, Constantinople — Thomas Allom (1804-1872) — 1838-1839. This engraving depicts the recreational journeys undertaken by Ottoman palace women in their imperial carriages. The carriage featured in the engraving was one of the most magnificent means of transport used by the female sultans in Istanbul during the period. The carriage's body is a bulky structure, mounted on unsprung wheels, and is richly… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1301 https://www.gravurdunyasi.com/img/seo/GOT1301/fountain-market-place-of-tophana-1838.jpg Fountain & Market Place Of Tophana Fountain & Market Place Of Tophana — Thomas Allom (1804-1872) — 1838. The Tophane Fountain and its surrounding marketplace are among the most important centers reflecting both the architectural and socio-economic life of 18th- and 19th-century Ottoman Istanbul. Built in 1732 by Sultan Mahmud I, this monumental fountain is considered a pinnacle example of the Ottoman Baroque style. The reliefs, floral motifs… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401 https://www.gravurdunyasi.com/img/seo/GOT1401/fountain-and-market-at-tophane-1840.jpg Fountain And Market At Tophane Fountain And Market At Tophane — William Henry Bartlett (1809-1854) — 1840. The Tophane Fountain and its surrounding marketplace are among the most important centers reflecting both the architectural and socio-economic life of 18th- and 19th-century Ottoman Istanbul. Built in 1732 by Sultan Mahmud I, this monumental fountain is considered a pinnacle example of the Ottoman Baroque style. The reliefs, floral motifs… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401C https://www.gravurdunyasi.com/img/seo/GOT1401C/constantinople-fountain-and-market-at-tophane-1841.jpg Constantinople (Fountain And Market At Tophane ) Constantinople (Fountain And Market At Tophane ) — Adolphe Rouargue (1810-1870) — 1841. The Tophane Fountain and its surrounding marketplace are among the most important centers reflecting both the architectural and socio-economic life of 18th- and 19th-century Ottoman Istanbul. Built in 1732 by Sultan Mahmud I, this monumental fountain is considered a pinnacle example of the Ottoman Baroque style. The reliefs, floral motifs… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401CC https://www.gravurdunyasi.com/img/seo/GOT1401CC/gate-of-seraglio-constantinople-1857.jpg Gate of Seraglio, Constantinople Gate of Seraglio, Constantinople — Francis Danby (1793-1861) — 1857. The engraving titled “Sarayburnu Gate” was designed by the British artist Francis Danby and processed using the steel engraving technique of James Tibbitts Willmore. This engraving was first seen at a British Institution exhibition in 1845 and was subsequently included in the Osborne Collection by Queen Victoria. The fact that Danby did not… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401E https://www.gravurdunyasi.com/img/seo/GOT1401E/outer-cooling-room-of-the-bath-near-pammakaristos-mosque-1838.jpg Outer Cooling Room of the Bath, Near Pammakaristos Mosque, Constantinople Outer Cooling Room of the Bath, Near Pammakaristos Mosque, Constantinople — Thomas Allom (1804-1872) — 1838. This engraving depicts in detail the dressing room (cooling section) of the men's section of the Kapıağası Yakup Ağa Hamam in Samatya, built by Mimar Sinan in 1547 and considered one of Istanbul's oldest historical monuments. Hamams, a key element of Ottoman urban culture, functioned not only as places for personal cleansing but also as spaces for… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401F https://www.gravurdunyasi.com/img/seo/GOT1401F/the-mosque-of-sultan-achmet-constantinople-the-sandiak-sheriff-or-1839.jpg The Mosque of Sultan Achmet, Constantinople - The Sandiak Sheriff or Sacred Standard of the Prophet Being Displayed The Mosque of Sultan Achmet, Constantinople - The Sandiak Sheriff or Sacred Standard of the Prophet Being Displayed — Thomas Allom (1804-1872) — 1839. This engraving depicts a crucial ceremonial moment that took place in the interior of the Sultan Ahmet Mosque during the Ottoman period. This scene depicts the raising of the Holy Banner of the Prophet Muhammad (Sancak-ı Şerif), a practice that profoundly impacted the spirit of the Ottoman army and society. This sacred relic was issued when the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401G https://www.gravurdunyasi.com/img/seo/GOT1401G/hospital-and-cemetery-at-scutari-plate-33-1856.jpg Hospital and Cemetery at Scutari (Plate 33) Hospital and Cemetery at Scutari (Plate 33) — William Simpson (1823–1899) — 1856. The engraving shows the famous Selimiye Barracks, which was used as the main hospital of the British army during the Crimean War and where Florence Nightingale also served, and the cemetery next to it. In the foreground are graves, burials and soldiers, which emphasize the cosmopolitan nature of the war and the magnitude of the losses. The towers… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401H https://www.gravurdunyasi.com/img/seo/GOT1401H/1-u-2-durchschnitt-und-grundriss-des-munsters-zu-aachen-section-and-1875.jpg 1.u. 2 Durchschnitt und Grundriss des Münsters zu Aachen. (Section and Ground Plan of the Cathedral in Aachen), 3. Grundriss von S.-Stefano rotondo zu Rom (Ground plan of S. Stefano Rotondo in Rome), 4. Von S.-Vitale zu Ravenna (Ground plan of S. Vitale in Ravenna), 5. von S.-Sergios zu Konstantinopel (Plan of Sergios in Constantinople), 6. Aeussere (Hagia Sophia from the outside), 7. innere Ansicht (Interior view of Hagia Sophia), 8. Grundriss der Sophienkirche zu Konstantinopel (Ground plan of the Church of Hagia Sophia in Constantinople), 9. Grundriss der Taufkapelle von S.-Giovanni auf dem Lateran zu Rom (Ground plan of the Baptistery of St. John at the Lateran in Rome), 10. von S.-Fosca auf Torcello bei Venedig (Plan of S. Fosca in Torcello, near Venice), 11. von S.-Lorenzo zu Mailand (Plan of S. Lorenzo in Milan) 1.u. 2 Durchschnitt und Grundriss des Münsters zu Aachen. (Section and Ground Plan of the Cathedral in Aachen), 3. Grundriss von S.-Stefano rotondo zu Rom (Ground plan of S. Stefano Rotondo in Rome), 4. Von S.-Vitale zu Ravenna (Ground plan of S. Vitale in Ravenna), 5. von S.-Sergios zu Konstantinopel (Plan of Sergios in Constantinople), 6. Aeussere (Hagia Sophia from the outside), 7. innere Ansicht (Interior view of Hagia Sophia), 8. Grundriss der Sophienkirche zu Konstantinopel (Ground plan of the Church of Hagia Sophia in Constantinople), 9. Grundriss der Taufkapelle von S.-Giovanni auf dem Lateran zu Rom (Ground plan of the Baptistery of St. John at the Lateran in Rome), 10. von S.-Fosca auf Torcello bei Venedig (Plan of S. Fosca in Torcello, near Venice), 11. von S.-Lorenzo zu Mailand (Plan of S. Lorenzo in Milan) — 1875. This architectural engraving, dated 1875, documents the architectural heritage of the Byzantine and early Christian periods. Published under the title "Architecture," it systematically presents the development of centrally planned church architecture, in particular, through plan, section, and perspective views. At the center of the engraving is… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401I https://www.gravurdunyasi.com/img/seo/GOT1401I/1-moschee-des-sultans-suleiman-mosque-of-sultan-suleyman-2-des-1875.jpg 1. Moschee des Sultans Suleiman (Mosque of Sultan Suleyman), 2. des Sultans Bajazet (Sultan Bayezid Mosque), 3 Seraskieratsthurm (Serasker Tower), 4 Brunnen des Sultans Achmed, Sammtlich in Konstantinopel (Fountain of Sultan Ahmed in Constantinople) 5. & 6. Wandverzierungen in Stucco in Einem Wohnhause zu Algier (Wall decorations in Stucco in a Residence in Algiers) 1. Moschee des Sultans Suleiman (Mosque of Sultan Suleyman), 2. des Sultans Bajazet (Sultan Bayezid Mosque), 3 Seraskieratsthurm (Serasker Tower), 4 Brunnen des Sultans Achmed, Sammtlich in Konstantinopel (Fountain of Sultan Ahmed in Constantinople) 5. & 6. Wandverzierungen in Stucco in Einem Wohnhause zu Algier (Wall decorations in Stucco in a Residence in Algiers) — 1875. This engraving, dated 1875, demonstrates the aesthetic and structural diversity of Ottoman architecture. The works in the engraving document both the general appearance of important Ottoman buildings in Istanbul and the decorative arts that accompanied them. In the top row, from left to right, the exterior perspective of the Süleymaniye Mosque… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401J https://www.gravurdunyasi.com/img/seo/GOT1401J/1-2-3-lykische-felsgraber-lycian-rock-tombs-in-the-ancient-city-of-1875.jpg 1.,2.,3. Lykische Felsgraber (Lycian Rock Tombs in the Ancient City of Myra, Demre, Antalya and Amyntas Rock Tomb, Fethiye), 4-10. Schatzhaus des Atreus zu Mykene (Entrance and Interior Architecture of the Tholos Tomb (Treasury of Atreus) in Mycenae), 11. Löwenthor zu Mykene (Lion Gate at Mycenae), 12. Mauer zu Mykene (Wall at Mycenae), 13. Thor zu Phigalia (Gate at Phigalia), 14. Thor zu Amphissa (Gate at Amphissa), 15. Grang zu Samos (Entrance (or gallery) at Samos) 1.,2.,3. Lykische Felsgraber (Lycian Rock Tombs in the Ancient City of Myra, Demre, Antalya and Amyntas Rock Tomb, Fethiye), 4-10. Schatzhaus des Atreus zu Mykene (Entrance and Interior Architecture of the Tholos Tomb (Treasury of Atreus) in Mycenae), 11. Löwenthor zu Mykene (Lion Gate at Mycenae), 12. Mauer zu Mykene (Wall at Mycenae), 13. Thor zu Phigalia (Gate at Phigalia), 14. Thor zu Amphissa (Gate at Amphissa), 15. Grang zu Samos (Entrance (or gallery) at Samos) — 1875. The architectural structures depicted in this engraving represent examples of tomb, defensive, and sacred space architecture, spanning a wide geography stretching from southern Anatolia to the interior of Greece, from the 13th century BC to the 4th century BC. The first and second structures in the upper left of the engraving are Lycian rock tombs… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401L https://www.gravurdunyasi.com/img/seo/GOT1401L/ghazi-sultan-osman-1840.jpg Ghazi Sultan Osman Ghazi Sultan Osman — François Hippolyte Lalaisse (1812-1844) — 1840. Osman Gazi, the founder and first Sultan of the Ottoman Empire, was born in Söğüt in 1258, and reliable documentation regarding his youth is quite limited. His father was Ertuğrul Gazi, the bey of a large tribe belonging to the Kayı tribe. According to legend, his mother was Hayme Ana. After Ertuğrul Gazi's death in 1281, Osman Bey, who became the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401M https://www.gravurdunyasi.com/img/seo/GOT1401M/sultan-muhammed-khan-el-fatyh-le-conquerant-vulgairement-mahomet-ii-1-1840.jpg Sultan Muhammed Khan-el-Fatyh (le Conquerant, vulgairement Mahomet II.)-1. Medaille par Jean Fricaudet 2. Medaille par Gentile Bellini Sultan Muhammed Khan-el-Fatyh (le Conquerant, vulgairement Mahomet II.)-1. Medaille par Jean Fricaudet 2. Medaille par Gentile Bellini — Vernier — 1840. Born in Edirne in 1432 as the son of Murad II, Mehmed II was sent to Manisa as a sanjak-bey at the age of 11. Shortly thereafter, with the death of his elder brother, Alaeddin Ali Çelebi, he became sole heir to the throne. He ascended to the throne at the age of 12 in 1444 at his father's request, but two years later he handed over the reign back… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401O https://www.gravurdunyasi.com/img/seo/GOT1401O/the-sacred-camel-leaving-the-sultan-s-palace-at-constantinople-with-1882.jpg The Sacred Camel Leaving the Sultan's Palace at Constantinople With Gifts for the Shrine of the Prophet at Mecca The Sacred Camel Leaving the Sultan's Palace at Constantinople With Gifts for the Shrine of the Prophet at Mecca — J.Colborne — 1882. The engraving depicts the Surre Procession, sent to Mecca annually during the Ottoman period. The journey of the decorated camel to Mecca is part of the Surre Procession tradition, one of the most magnificent religious ceremonies of the Ottoman Empire. Departing from Istanbul every year on the 12th of Rajab, this procession aimed to deliver both… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401P https://www.gravurdunyasi.com/img/seo/GOT1401P/the-sultan-of-turkey-leaving-his-palace-to-go-to-the-mosque-1877.jpg The Sultan of Turkey Leaving His Palace To Go To The Mosque The Sultan of Turkey Leaving His Palace To Go To The Mosque — Melton Prior (1845-1910) - C.R. — 1877. This engraving, published in The Illustrated London News on April 21, 1877, depicts Ottoman Sultan Abdulhamid II leaving Dolmabahçe Palace on horseback and setting off for the Eyüp Sultan Mosque for Friday Prayers. In the Ottoman Empire, the procession of sultans to and from a public mosque on Friday prayers, accompanied by a specific ceremony… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401R https://www.gravurdunyasi.com/img/seo/GOT1401R/reading-war-placards-in-stamboul-1877.jpg Reading War Placards in Stamboul Reading War Placards in Stamboul — W.H.O — 1877. This engraving, published on the April 21, 1877, cover of The Illustrated London News with the headline "Reading War Placards in Stamboul," visualizes the circulation of information within the Ottoman public on the eve of the War of '93 (the Russo-Turkish War of 1877–78). The engraving records a threshold immediately following the accession to the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401S https://www.gravurdunyasi.com/img/seo/GOT1401S/constantinople-as-it-is-discussing-war-or-peace-in-a-cafa-at-1877.jpg Constantinople as it is -Discussing ‘War or Peace’ in a Cafa at Constantinople Constantinople as it is -Discussing ‘War or Peace’ in a Cafa at Constantinople — Melton Prior (1845-1910) — 1877. This engraving, published under the title "Constantinople as it is" in the supplement of The Illustrated London News on April 21, 1877, brings together both the general appearance and the social atmosphere of the Ottoman capital on the same page. The composition beneath the title, centered on the dome and minarets of Hagia Sophia, emphasizes the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401T https://www.gravurdunyasi.com/img/seo/GOT1401T/tram-car-1877.jpg Tram-Car Tram-Car — Melton Prior (1845-1910). — 1877. This engraving, published in The Illustrated London News on April 21, 1877, illustrates the modernization of public transportation in the Ottoman capital. The image depicts one of the horse-drawn trams, which first began operating on September 3, 1872, and marked a turning point in Istanbul's urban transportation. These horse-drawn trams, which… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401U https://www.gravurdunyasi.com/img/seo/GOT1401U/hiring-a-caique-1877.jpg Hiring a Caique Hiring a Caique — Melton Prior (1845-1910) — 1877. This engraving, titled "Hiring a Caique," depicts the boat, a primary means of transportation along the Bosphorus and the Golden Horn in 19th-century Istanbul and an integral part of daily life. The engraving depicts a boat rental scene at a pier in Istanbul's Kasım Paşa district. The rowboats in the foreground, furnished with embroidered cushions… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401V https://www.gravurdunyasi.com/img/seo/GOT1401V/street-sketches-at-constantinople-soup-seller-brooms-to-sell-sweet-1877.jpg Street Sketches at Constantinople - Soup Seller, Brooms to Sell, Sweet Stuff Seller, Egg Seller, Mad Dervishes, Porter, Porters, Water Carriers, Bear Performers Street Sketches at Constantinople - Soup Seller, Brooms to Sell, Sweet Stuff Seller, Egg Seller, Mad Dervishes, Porter, Porters, Water Carriers, Bear Performers — Melton Prior (1845-1910) — 1877. This engraving, titled "Street Sketches at Constantinople" published in The Illustrated London News on April 28, 1877, portrays daily life in the Ottoman capital through the eyes of a Western observer. The engraving brings together diverse figures such as soup vendors, egg vendors, candy vendors, broom sellers, street porters, water carriers, bear… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401W https://www.gravurdunyasi.com/img/seo/GOT1401W/sketches-of-the-people-basket-broom-seller-turkish-jew-sedan-chair-1877.jpg Sketches of the People - Basket & Broom Seller, Turkish Jew, Sedan Chair & Men, Porter, Night Guardian, Chesnut Merchant, Turkish Ladies, Dervish, A Softa Sketches of the People - Basket & Broom Seller, Turkish Jew, Sedan Chair & Men, Porter, Night Guardian, Chesnut Merchant, Turkish Ladies, Dervish, A Softa — Melton Prior (1845-1910) — 1877. This engraving captures the social diversity and daily life of Istanbul in the last quarter of the 19th century through the eyes of a Western observer. It depicts diverse social, religious, and professional groups. These include a vendor selling baskets and brooms, a member of the Jewish community, porters carrying people in litters, a porter… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401Y https://www.gravurdunyasi.com/img/seo/GOT1401Y/the-turkish-ironclad-hamidieh-1877.jpg The Turkish Ironclad Hamidieh The Turkish Ironclad Hamidieh — 1877. This engraving, published in The Illustrated London News on May 5, 1877, depicts the battleship Hamidiye, a symbolic ship of the Ottoman Empire's efforts to modernize its navy in the last quarter of the 19th century. According to the newspaper, initially built as "Mahmudiye," the ship was renamed "Hamidiye" in February 1876 to honor the accession… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1401Z https://www.gravurdunyasi.com/img/seo/GOT1401Z/presentation-of-the-address-from-the-irish-nation-to-the-sultan-at-1849.jpg Presentation of the Address From the Irish Nation to the Sultan at Constantinople Presentation of the Address From the Irish Nation to the Sultan at Constantinople — 1849. This engraving, published in the June 30, 1849 issue of The Illustrated London News, depicts the visit of Irish representatives to Istanbul to thank Ottoman Sultan Abdülmecid for the financial aid he had sent to the Irish people during the Great Famine of Ireland (1845-1852). At this ceremony, which took place at Beylerbeyi Palace, a letter of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1501 https://www.gravurdunyasi.com/img/seo/GOT1501/fountain-at-scutari-1854.jpg Fountain At Scutari Fountain At Scutari — William Henry Bartlett (1809-1854) — 1854. The Fountain of Ahmet III is located in Istanbul's Üsküdar Square, opposite the ferry pier. The fountain was built by Sultan Ahmet III in 1728 from solid marble. It is one of the most beautiful fountains in Istanbul with its architectural beauty. Fountain with eight taps, embroidered with tulips, roses and chrysanthemums. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1601 https://www.gravurdunyasi.com/img/seo/GOT1601/greek-church-of-baloukli-near-constantinople-attached-to-the-spring-1838.jpg Greek Church Of Baloukli, Near Constantinople, Attached To The Spring Of The Miraculous Fishes Greek Church Of Baloukli, Near Constantinople, Attached To The Spring Of The Miraculous Fishes — Thomas Allom (1804-1872) — 1838. Balikli Greek Church, located in Zeytinburnu in Istanbul, was built by the Byzantine Emperor Leo I. in the second half of the 5th century. The church is also known as Panagia Pege, Panagia Topkapi or Virgin Mary. The engraving depicts patients being put in the church for healing after bathing with water, which is considered sacred. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1701 https://www.gravurdunyasi.com/img/seo/GOT1701/the-arsenal-from-pera-l-arsenal-vu-de-pera-das-seearsenal-von-pera-her-1839.jpg The Arsenal From Pera-L'Arsenal, Vu De Pera-Das Seearsenal Von Pera Her The Arsenal From Pera-L'Arsenal, Vu De Pera-Das Seearsenal Von Pera Her — William Henry Bartlett (1809-1854) — 1839. The Bahriye Divanhanesi (Ministry of Navy), which was built by Sultan Mahmud II in 1834, located on the banks of Halic (Golden Horn) in Kaşımpaşa, is depicted in the engraving.The Naval Divanhanesi (Ministry of Navy) building illustrated in the engraving was demolished during the reign of Sultan Abdulaziz and today's Northern Sea Field Command… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1801 https://www.gravurdunyasi.com/img/seo/GOT1801/palace-of-belisarius-palais-de-belisaire-der-pallast-des-belisarius-1839.jpg Palace of Belisarius-Palais De Belisaire-Der Pallast Des Belisarius Palace of Belisarius-Palais De Belisaire-Der Pallast Des Belisarius — William Henry Bartlett (1809-1854) — 1839. building was demolished during the reign of Sultan Abdulaziz and today's Northern Sea Field Command Building was built in its place https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT1901 https://www.gravurdunyasi.com/img/seo/GOT1901/riven-tower-near-the-top-kapousi-tour-crevasse-pres-de-la-cime-1838.jpg Riven Tower Near The Top Kapousi-Tour Crevasse Pres De La Cime Kapousi-Trummer Des Thurms An Der Spitze Des Kapousi Riven Tower Near The Top Kapousi-Tour Crevasse Pres De La Cime Kapousi-Trummer Des Thurms An Der Spitze Des Kapousi — William Henry Bartlett (1809-1854) — 1838 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2001 https://www.gravurdunyasi.com/img/seo/GOT2001/monastery-of-st-george-of-the-precipice-princes-islands-1838.jpg Monastery Of St.George Of The Precipice, Princes Islands Monastery Of St.George Of The Precipice, Princes Islands — Thomas Allom (1804-1872) — 1838. Aya Yorgi Cliff Monastery is located in Istanbul Heybeliada. The monastery was built in 1593. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2102 https://www.gravurdunyasi.com/img/seo/GOT2102/musicians-at-the-asian-valley-of-the-sweet-waters-musiciens-dans-la-1854.jpg Musicians At The Asian Valley Of The Sweet Waters-Musiciens Dans La Vallee Astatique Des Eaux Douces-Musiker Im Asiatischen Thale Des Süssen Wassers Musicians At The Asian Valley Of The Sweet Waters-Musiciens Dans La Vallee Astatique Des Eaux Douces-Musiker Im Asiatischen Thale Des Süssen Wassers — William Henry Bartlett (1809-1854) — 1854. There are Göksu Stream and Küçüksu Stream in Istanbul, beside Anadoluhisarı, These streams are called the Asian Valley of The Sweet Waters in western languages. The shores of these streams and the meadows around were used as recreation areas in the past. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2103 https://www.gravurdunyasi.com/img/seo/GOT2103/musicians-at-the-asian-valley-of-the-sweet-waters-musiciens-dans-la-1840.jpg Musicians At The Asian Valley Of The Sweet Waters-Musiciens Dans La Vallee Astatique Des Eaux Douces-Musiker Im Asiatischen Thale Des Süssen Wassers Musicians At The Asian Valley Of The Sweet Waters-Musiciens Dans La Vallee Astatique Des Eaux Douces-Musiker Im Asiatischen Thale Des Süssen Wassers — William Henry Bartlett (1809-1854) — 1840. There are Göksu Stream and Küçüksu Stream in Istanbul, beside Anadoluhisarı, These streams are called the Asian Valley of The Sweet Waters in western languages. The shores of these streams and the meadows around were used as recreation areas in the past. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2202 https://www.gravurdunyasi.com/img/seo/GOT2202/entrance-to-the-seven-towers-1840.jpg Entrance To The Seven Towers Entrance To The Seven Towers — William Henry Bartlett (1809-1854) — 1840. It is a group of land walls and towers that surround Istanbul from the southwest, also known as the Seven Tower Dungeons. Four of these towers were built by the Byzantine Emperors, and three of them by the Sultan Mehmet the Conqueror. Now, it is an open air museum. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2301 https://www.gravurdunyasi.com/img/seo/GOT2301/third-court-of-the-serai-bournou-1838.jpg Third Court Of The Serai Bournou Third Court Of The Serai Bournou — William Henry Bartlett (1809-1854) — 1838. III. Ahmet Library was built by Sultan Ahmed III in 1719. It is written in the inscription of the building that the sultan had built with his own money in order to collect books, to encourage learning of science and to earn rewards. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2401 https://www.gravurdunyasi.com/img/seo/GOT2401/fourth-court-of-the-serai-bournou-ouatrieme-cour-duserai-bournou-der-1854.jpg Fourth Court Of The Serai Bournou-Ouatrieme Cour DuSerai Bournou-Der Vierte Hof Des Serai Bournou Fourth Court Of The Serai Bournou-Ouatrieme Cour DuSerai Bournou-Der Vierte Hof Des Serai Bournou — William Henry Bartlett (1809-1854) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2403 https://www.gravurdunyasi.com/img/seo/GOT2403/fourth-court-of-the-serai-bournou-ouatrieme-cour-duserai-bournou-der-1840.jpg Fourth Court Of The Serai Bournou-Ouatrieme Cour DuSerai Bournou-Der Vierte Hof Des Serai Bournou Fourth Court Of The Serai Bournou-Ouatrieme Cour DuSerai Bournou-Der Vierte Hof Des Serai Bournou — William Henry Bartlett (1809-1854) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2501 https://www.gravurdunyasi.com/img/seo/GOT2501/the-city-walls-descending-to-port-1854.jpg The City Walls Descending to Port The City Walls Descending to Port — William Henry Bartlett (1809-1854) — 1854. The historical walls of Istanbul started to be built in 5.century during the Eastern Roman Empire. It has been overhauled four times through destructions and reconstructions. The height of the Istanbul Walls is 15 meters, the thickness is 5 meters, and the total length of the walls is 20.5 kilometers. historical walls consists of 3 parts, land… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2601 https://www.gravurdunyasi.com/img/seo/GOT2601/bosforo-stretto-di-costantinopoli-valle-limitrofa-della-turchia-1860.jpg Bosforo-Stretto Di Costantinopoli-Valle Limitrofa Della Turchia Asiatica (Bosphorus-Strait Of Constantinople-The Asian Valley Of The Sweet Waters in Turkey) Bosforo-Stretto Di Costantinopoli-Valle Limitrofa Della Turchia Asiatica (Bosphorus-Strait Of Constantinople-The Asian Valley Of The Sweet Waters in Turkey) — Fratelli Terzaghi — 1860. Küçüksu Mihrişah Valide Sultan Fountain is located in Anadoluhisarı, next to Kuçüksu Pavilion, in the promenade in the middle of Göksu and Küçüksu streams. Fountaion was built by Sultan Selim III in the name of his mother Mihrişah Sultan in 1806. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2701S https://www.gravurdunyasi.com/img/seo/GOT2701S/court-of-the-mosque-of-eyoub-cour-de-la-mosquee-d-eyoub-der-hof-der-1840.jpg Court of the Mosque Of Eyoub-Cour De La Mosquee D'Eyoub-Der Hof Der Moschee Zu Eyoub Court of the Mosque Of Eyoub-Cour De La Mosquee D'Eyoub-Der Hof Der Moschee Zu Eyoub — William Henry Bartlett (1809-1854) — 1840. Eyüp mosque, located on the shore of the Golden Horn in Eyüp district, was built by Fatih Sultan Mehmet in 1458. The mosque was named Eyup Sultan because of the tomb of Ebu Eyyub el-Ansari, who was a bannerbearer and martyred in front of the walls of Istanbul during the failed campaign of the Umayyads to Constantinople (Istanbul) in the 7th… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2702K https://www.gravurdunyasi.com/img/seo/GOT2702K/court-of-the-mosque-of-eyoub-cour-de-la-mosquee-d-eyoub-der-hof-der-1854.jpg Court of the Mosque Of Eyoub-Cour De La Mosquee D'Eyoub-Der Hof Der Moschee Zu Eyoub Court of the Mosque Of Eyoub-Cour De La Mosquee D'Eyoub-Der Hof Der Moschee Zu Eyoub — William Henry Bartlett (1809-1854) — 1854. Eyüp mosque, located on the shore of the Golden Horn in Eyüp district, was built by Fatih Sultan Mehmet in 1458. The mosque was named Eyup Sultan because of the tomb of Ebu Eyyub el-Ansari, who was a bannerbearer and martyred in front of the walls of Istanbul during the failed campaign of the Umayyads to Constantinople (Istanbul) in the 7th… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2802 https://www.gravurdunyasi.com/img/seo/GOT2802/court-of-mosque-of-bajazet-cour-de-la-mosquee-de-bajazet-der-hof-der-1854.jpg Court Of Mosque Of Bajazet-Cour De La Mosquee De Bajazet-Der Hof Der Moschee Bajazet's Court Of Mosque Of Bajazet-Cour De La Mosquee De Bajazet-Der Hof Der Moschee Bajazet's — William Henry Bartlett (1809-1854) — 1854. Beyazid mosque is located in Beyazid district in Istanbul. It was built by Sultan II Beyazid in 1506. The letter writer waiting for the customer in engraving is striking. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT2901 https://www.gravurdunyasi.com/img/seo/GOT2901/entrance-to-the-bosphorus-from-the-black-sea-viewed-from-the-giant-s-1838.jpg Entrance to the Bosphorus From The Black Sea, Viewed From The Giant's Mountain Entrance to the Bosphorus From The Black Sea, Viewed From The Giant's Mountain — Thomas Allom (1804-1872) — 1838. Yusa Hill is located in Anadolu Kavagi in Istanbul. There is the Yusa Tomb and Yusa Mosque on Yuşa Hill. The castle located in the background of the engraving is Yoros Castle from the eastern roman period. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3001 https://www.gravurdunyasi.com/img/seo/GOT3001/the-golden-horn-from-the-cemetery-of-eyoub-1838.jpg The Golden Horn, From The Cemetery Of Eyoub The Golden Horn, From The Cemetery Of Eyoub — William Henry Bartlett (1809-1854) — 1838. The tomb of Ebu Eyyub el-Ansari, who served as a flag-bearer during the Umayyad campaign to Constantinople (Istanbul) in the 7th century and was martyred in front of the walls of Istanbul, is in Eyüp. Eyüp Cemetery was formed due to the people's desire to be buried close to the tomb. Because of this tomb, the cemetery was named Eyüp. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3101K https://www.gravurdunyasi.com/img/seo/GOT3101K/cemetery-of-scutari-1839.jpg Cemetery Of Scutari Cemetery Of Scutari — William Henry Bartlett (1809-1854) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3103 https://www.gravurdunyasi.com/img/seo/GOT3103/cemetery-of-scutari-cimetiere-de-scutari-der-begrabnissplatz-zu-1854.jpg Cemetery Of Scutari-Cimetiere De Scutari-Der Begrabnissplatz Zu Scutari Cemetery Of Scutari-Cimetiere De Scutari-Der Begrabnissplatz Zu Scutari — William Henry Bartlett (1809-1854) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3201 https://www.gravurdunyasi.com/img/seo/GOT3201/constantinople-from-cassim-pacha-constantinople-vue-du-port-1838.jpg Constantinople From Cassim Pacha-Constantinople Vue Du Port Constantinople From Cassim Pacha-Constantinople Vue Du Port — Thomas Allom (1804-1872) — 1838. In the engraving, the bridge, which was built between Unkapanı and Azapkapı in 1836 by Sultan Mahmut II, using all wooden materials, and named as "Hayratiye (Charity) Bridge-Mahmudiye Bridge" by the public because no toll was requested, is also depicted. Bridge was demolished in 1912 for the construction of a new bridge. There is also the Sokollu… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3302 https://www.gravurdunyasi.com/img/seo/GOT3302/a-scene-in-the-tchartchi-scene-dans-le-tchartchi-scene-im-tchartchi-1840.jpg A Scene in The Tchartchi-Scene Dans Le Tchartchi-Scene Im Tchartchi A Scene in The Tchartchi-Scene Dans Le Tchartchi-Scene Im Tchartchi — William Henry Bartlett (1809-1854) — 1840. The Grand Bazaar is located between Nuruosmaniye, Mercan and Beyazıt districts in Istanbul. The Grand Bazaar is the largest shopping center in the world with its 45000 square meter closed area, 64 streets, two covered bazaars, 16 inns, 22 gates, approximately 3600 shops and 20.000 employees. One of the two covered bazaars of the Grand Bazaar, the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3401 https://www.gravurdunyasi.com/img/seo/GOT3401/bebec-on-the-bosphorus-bebec-sur-le-bosphore-bebec-am-bophorus-1839.jpg Bebec, on the Bosphorus-Bebec, Sur Le Bosphore-Bebec Am Bophorus Bebec, on the Bosphorus-Bebec, Sur Le Bosphore-Bebec Am Bophorus — William Henry Bartlett (1809-1854) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3402K https://www.gravurdunyasi.com/img/seo/GOT3402K/bebec-on-the-bosphorus-bebec-sur-le-bosphore-bebec-am-bophorus-1854.jpg Bebec, on the Bosphorus-Bebec, Sur Le Bosphore-Bebec Am Bophorus Bebec, on the Bosphorus-Bebec, Sur Le Bosphore-Bebec Am Bophorus — William Henry Bartlett (1809-1854) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3501 https://www.gravurdunyasi.com/img/seo/GOT3501/constantinople-from-pera-1833.jpg Constantinople From Pera Constantinople From Pera — Edmund Thomas Parris (1793-1873) — 1833. The Bahriye Divanhanesi (Ministry of Navy), which was built by Sultan Mahmud II in 1834, located on the banks of Halic (Golden Horn) in Kaşımpaşa, is depicted in the engraving.The Naval Divanhanesi (Ministry of Navy) building illustrated in the engraving was demolished during the reign of Sultan Abdulaziz and today's Northern Sea Field Command… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3601 https://www.gravurdunyasi.com/img/seo/GOT3601/st-sophia-constantinople-1832.jpg St.Sophia, Constantinople St.Sophia, Constantinople — David Roberts (1796-1864) — 1832. Hagia Sophia was built by the Byzantine Emperor Justinian I in 537 as a church on the historical peninsula of Istanbul. After Istanbul was conquered by the Ottomans in 1453, it was converted into a mosque by Fatih Sultan Mehmet. It was used as a museum between 1935-2020, and it has been used as a mosque again since 2020. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3701 https://www.gravurdunyasi.com/img/seo/GOT3701/the-valley-of-guiuk-suey-the-sweet-waters-of-asia-on-the-bosphorus-1839.jpg The Valley of Guiuk-Suey, The Sweet Waters Of Asia On The Bosphorus The Valley of Guiuk-Suey, The Sweet Waters Of Asia On The Bosphorus — Thomas Allom (1804-1872) — 1839. In Istanbul, beside Anadoluhisarı, there are Goksu and Kucuksu Streams. In foreign sources, these streams are called Asian Valley of The Sweet Waters. The shores of these streams and the meadows around it were used as a recreation area of Istanbul in the past. These are called Küçüksu and Göksu Promenade. In addition, the engraving also includes… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3801 https://www.gravurdunyasi.com/img/seo/GOT3801/a-public-khan-khan-public-eine-unentgeltliche-herberge-1840.jpg A Public Khan-Khan Public-Eine Unentgeltliche Herberge A Public Khan-Khan Public-Eine Unentgeltliche Herberge — William Henry Bartlett (1809-1854) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3802 https://www.gravurdunyasi.com/img/seo/GOT3802/a-public-khan-khan-public-eine-unentgeltliche-herberge-1840.jpg A Public Khan-Khan Public-Eine Unentgeltliche Herberge A Public Khan-Khan Public-Eine Unentgeltliche Herberge — William Henry Bartlett (1809-1854) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT3902 https://www.gravurdunyasi.com/img/seo/GOT3902/a-turkish-apartment-in-the-fanar-l-appartement-turc-dans-le-fanar-ein-1854.jpg A Turkish Apartment in The Fanar-L'Appartement Turc, Dans Le Fanar-Ein Türkisches Zimmer Im Fanar A Turkish Apartment in The Fanar-L'Appartement Turc, Dans Le Fanar-Ein Türkisches Zimmer Im Fanar — William Henry Bartlett (1809-1854) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4001 https://www.gravurdunyasi.com/img/seo/GOT4001/apartment-in-the-palace-of-eyoup-the-residence-of-asme-sultana-1840.jpg Apartment in The Palace of Eyoup, The Residence Of Asme Sultana, Constantinople Apartment in The Palace of Eyoup, The Residence Of Asme Sultana, Constantinople — Thomas Allom (1804-1872) — 1840. Esma Sultan is the daughter of Sultan Abdülhamit I. In engraving, the reception room of the mansion where Esma Sultan lived is depicted https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4101 https://www.gravurdunyasi.com/img/seo/GOT4101/constantinople-1870.jpg Constantinople Constantinople — Francis Frith (1822-1898) (Photographer-Fotoğrafçı) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4201 https://www.gravurdunyasi.com/img/seo/GOT4201/constantinople-from-the-entrance-of-the-golden-horn-mosque-of-baiazet-1838.jpg Constantinople From The Entrance Of The Golden Horn-Mosque Of Baiazet-Seraskiers Tower-Yeni Jami-Sulimanie-Mahomet-Selim-Tower Of Galata Constantinople From The Entrance Of The Golden Horn-Mosque Of Baiazet-Seraskiers Tower-Yeni Jami-Sulimanie-Mahomet-Selim-Tower Of Galata — Thomas Allom (1804-1872) — 1838. In the middle of the engraving, there are piyade (infantry) boats with each end tapered and sharpened, bows with 16 or 20 oars carrying members of the Palace or Goverment Office (Bab-i Ali), and large rafts brought to the Golden Horn by passing logs cut from the Black Sea forests through the Bosphorus. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4301 https://www.gravurdunyasi.com/img/seo/GOT4301/entrance-to-the-black-sea-from-the-giants-grave-1850.jpg Entrance To The Black Sea From The Giants Grave Entrance To The Black Sea From The Giants Grave — William Henry Bartlett (1809-1854) — 1850's. Yusa Hill is located in Anadolu Kavagi in Istanbul. There is the Yusa Tomb and Yusa Mosque on Yuşa Hill. The castle located in the background of the engraving is Yoros Castle from the eastern roman period. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4401 https://www.gravurdunyasi.com/img/seo/GOT4401/gardens-of-the-seraglio-constantinople-1838.jpg Gardens Of The Seraglio, Constantinople Gardens Of The Seraglio, Constantinople — Thomas Allom (1804-1872) — 1838. It is an engraving on the presentation page of the book "Constantinople And The Scenery Of the Seven Churches of Asia Minor" written by Robert Walsh and illustrated by Thomas Allom. Hasbahce (Garden Of Palace) is the resting and sightseeing area of ​​the Ottoman sultans and their families in the spring and summer months at Topkapi Palace. Goths… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4501 https://www.gravurdunyasi.com/img/seo/GOT4501/interior-of-a-turkish-caffinel-constantinople-1838.jpg Interior Of A Turkish Caffinel, Constantinople Interior Of A Turkish Caffinel, Constantinople — Thomas Allom (1804-1872) — 1838 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4602 https://www.gravurdunyasi.com/img/seo/GOT4602/interior-of-the-mausoleum-of-sultan-solyman-1854.jpg Interior Of The Mausoleum Of Sultan Solyman Interior Of The Mausoleum Of Sultan Solyman — William Henry Bartlett (1809-1854) — 1854. Kanuni Sultan Suleyman Tomb is located in Suleymaniye Mosque and was built by Mimar Sinan in 1558 and 1566. Together with Suleyman the Magnificent in the tomb, His daughter Mihrimah Sultan, Suleyman II., II.Suleyman's mother Saliha Dilasub Sultan, Ahmed II., his Wife (Haseki) Rabia Sultan And II.Ahmed's daughter Asiye Sultan is buried. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4701 https://www.gravurdunyasi.com/img/seo/GOT4701/interior-of-the-mosque-of-suleimanie-1854.jpg Interior Of The Mosque Of Suleimanie Interior Of The Mosque Of Suleimanie — William Henry Bartlett (1809-1854) — 1854. Suleymaniye Mosque was built by Mimar Sinan in 1557 on behalf of Kanuni Sutan Suleyman on one of the seven most beautiful hills of Istanbul. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4801 https://www.gravurdunyasi.com/img/seo/GOT4801/mosque-of-sultan-osmanie-from-the-slave-market-mosquee-d-osmanie-vue-1839.jpg Mosque Of Sultan Osmanie From The Slave Market-Mosquee D'Osmanie, Vue Du Marche-Die Moschee Osmanie, CoieSie Sich Zeight Vom Sclavenmapkte Mosque Of Sultan Osmanie From The Slave Market-Mosquee D'Osmanie, Vue Du Marche-Die Moschee Osmanie, CoieSie Sich Zeight Vom Sclavenmapkte — William Henry Bartlett (1809-1854) — 1839. Nuruosmaniye Mosque is located in Çemberlitaş district, at the entrance of the Grand Bazaar. The mosque is the first baroque mosque built in Istanbul in 1755. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT4901 https://www.gravurdunyasi.com/img/seo/GOT4901/roumeli-hissar-or-the-castle-of-europe-on-the-bosphorus-1838.jpg Roumeli Hissar Or The Castle Of Europe On The Bosphorus Roumeli Hissar Or The Castle Of Europe On The Bosphorus — Thomas Allom (1804-1872) — 1838. The Rumeli Fortress (Bogazkesen Fortress) is located in the Sarıyer district of Istanbul and opposite the Anatolian Fortress on the Anatolian side. It was built by Fatih Sultan Mehmet in 1452 at the narrowest point of the Bosphorus in order to prevent attacks from the north of the Bosphorus before the conquest of Istanbul. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5001 https://www.gravurdunyasi.com/img/seo/GOT5001/st-sophia-from-the-bosphorus-constantinople-1832.jpg St.Sophia, From The Bosphorus, Constantinople St.Sophia, From The Bosphorus, Constantinople — David Roberts (1796-1864) — 1832. Hagia Sophia was built by the Byzantine Emperor Justinian I in 537 as a church on the historical peninsula of Istanbul. After Istanbul was conquered by the Ottomans in 1453, it was converted into a mosque by Fatih Sultan Mehmet. It was used as a museum between 1935-2020, and it has been used as a mosque again since 2020. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5101 https://www.gravurdunyasi.com/img/seo/GOT5101/the-great-cemetery-of-scutari-dark-tree-still-sad-when-others-grief-1838.jpg The Great Cemetery of Scutari-Dark Tree, Still Sad When Others' Grief Is Fled, The Only Constant Mourmer Oer The Dead The Great Cemetery of Scutari-Dark Tree, Still Sad When Others' Grief Is Fled, The Only Constant Mourmer Oer The Dead — Thomas Allom (1804-1872) — 1838 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5202K https://www.gravurdunyasi.com/img/seo/GOT5202K/aqueduct-of-valens-in-the-city-aqueduc-de-valens-wasserleitung-des-k-1854.jpg Aqueduct Of Valens In The City-Aqueduc De Valens-Wasserleitung Des K Valens Aqueduct Of Valens In The City-Aqueduc De Valens-Wasserleitung Des K Valens — William Henry Bartlett (1809-1854) — 1854. Bozdoğan (Valens Aqueduct) Aqueduct was built by the Eastern Roman Emperor Flavius Iulius Valens in 378 AD. It is located in Fatih in Istanbul, between the hill where Istanbul University is located and the hill where Fatih Mosque is located, in the Sarachane region. Bozdogan Aqueduct is part of a water transport system that is around 250… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5301 https://www.gravurdunyasi.com/img/seo/GOT5301/view-through-the-aqueduct-of-baghtche-keui-bahcekoy-constantinople-1839.jpg View Through the Aqueduct of Baghtche Keui (Bahcekoy) Constantinople-Point De Vue A Truvers L'Aqueduc De Baghtche Keul- Ausblick Durch Die Wasserleitung Bachtche Keui View Through the Aqueduct of Baghtche Keui (Bahcekoy) Constantinople-Point De Vue A Truvers L'Aqueduc De Baghtche Keul- Ausblick Durch Die Wasserleitung Bachtche Keui — William Henry Bartlett (1809-1854) — 1839. The Bahçekoy Aqueduct (Aqueduct of Sultan Mahmut I), located in the Sarıyer district of Istanbul, was built by Mimar Sinan in 1731 by Sultan Mahmut I. The length of the aqueduct is 409 meters, its height is 27 meters, its width is 3.25 meters and 21 eyes. Water was supplied to Beyoglu, Beşiktas, Ortakoy, Galata, Kurucesme, Arnavutkoy and Kasımpasa… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5302K https://www.gravurdunyasi.com/img/seo/GOT5302K/view-through-the-aqueduct-of-baghtche-keui-bahcekoy-constantinople-1839.jpg View Through the Aqueduct of Baghtche Keui (Bahcekoy) Constantinople-Point De Vue A Truvers L'Aqueduc De Baghtche Keul-Ausblick Durch Die Wasserleitung Bachtche Keui View Through the Aqueduct of Baghtche Keui (Bahcekoy) Constantinople-Point De Vue A Truvers L'Aqueduc De Baghtche Keul-Ausblick Durch Die Wasserleitung Bachtche Keui — William Henry Bartlett (1809-1854) — 1839. The Bahçekoy Aqueduct (Aqueduct of Sultan Mahmut I), located in the Sarıyer district of Istanbul, was built by Mimar Sinan in 1731 by Sultan Mahmut I. The length of the aqueduct is 409 meters, its height is 27 meters, its width is 3.25 meters and 21 eyes. Water was supplied to Beyoglu, Beşiktas, Ortakoy, Galata, Kurucesme, Arnavutkoy and Kasımpasa… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5304 https://www.gravurdunyasi.com/img/seo/GOT5304/view-through-the-aqueduct-of-baghtche-keui-bahcekoy-point-de-vue-a-1839.jpg View Through the Aqueduct of Baghtche Keui (Bahcekoy)-Point De Vue A Truvers L'Aqueduc De Baghtche Keul-Ausblick Durch Die Wasserleitung Bachtche Keui View Through the Aqueduct of Baghtche Keui (Bahcekoy)-Point De Vue A Truvers L'Aqueduc De Baghtche Keul-Ausblick Durch Die Wasserleitung Bachtche Keui — William Henry Bartlett (1809-1854) — 1839. The Bahçekoy Aqueduct (Aqueduct of Sultan Mahmut I), located in the Sarıyer district of Istanbul, was built by Mimar Sinan in 1731 by Sultan Mahmut I. The length of the aqueduct is 409 meters, its height is 27 meters, its width is 3.25 meters and 21 eyes. Water was supplied to Beyoglu, Beşiktas, Ortakoy, Galata, Kurucesme, Arnavutkoy and Kasımpasa… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5401 https://www.gravurdunyasi.com/img/seo/GOT5401/fountain-and-square-of-st-sophia-constantinople-greek-dome-st-sophia-1840.jpg Fountain And Square Of St.Sophia, Constantinople-Greek Dome St.Sophia-Minarets Added By The Turks-Gate Of Seraglio Fountain And Square Of St.Sophia, Constantinople-Greek Dome St.Sophia-Minarets Added By The Turks-Gate Of Seraglio — William Henry Bartlett (1809-1854) — 1840's. Ahmet III. Fountain is located between the Sultan's (Padişah) gate of Topkapi Palace (Babi Humayun) and Hagia Sophia. Fountain was built by Sultan Ahmed III. in 1728 by Architect Ahmet Ağa. Fountain is one of the most precious examples of Turkish Rococo style. Sultan's (Padişah) Gate (Babi Humayun) is one of the three ceremonial gates of Topkapi… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5402K https://www.gravurdunyasi.com/img/seo/GOT5402K/fountain-and-square-of-st-sophia-constantinople-fountaine-et-place-de-1839.jpg Fountain And Square Of St.Sophia, Constantinople-Fountaine et Place De Ste Sophie-Der Sophienplatz Mit Dem Sptingbrunnen Fountain And Square Of St.Sophia, Constantinople-Fountaine et Place De Ste Sophie-Der Sophienplatz Mit Dem Sptingbrunnen — William Henry Bartlett (1809-1854) — 1839. Ahmet III. Fountain is located between the Sultan's (Padişah) gate of Topkapi Palace (Babi Humayun) and Hagia Sophia. Fountain was built by Sultan Ahmed III. in 1728 by Architect Ahmet Ağa. Fountain is one of the most precious examples of Turkish Rococo style. Sultan's (Padişah) Gate (Babi Humayun) is one of the three ceremonial gates of Topkapi… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5501 https://www.gravurdunyasi.com/img/seo/GOT5501/hippodrome-at-constantinople-shewing-the-obelisk-the-spiral-delphic-1812.jpg Hippodrome At Constantinople, Shewing The Obelisk, The Spiral Delphic Pillar Upon The Right, Together With The Sumptuous Mosque Of Sultan Ahmet & C. Hippodrome At Constantinople, Shewing The Obelisk, The Spiral Delphic Pillar Upon The Right, Together With The Sumptuous Mosque Of Sultan Ahmet & C. — Michel François Preaulx (1787-1828) — 1812. The ancient hippodrum, built on the first of the seven hills of the historical peninsula in Istanbul, was built by the Roman Emperor Severuz in the 2nd century. The ancient hippodrum has a width of 117 meters and a height of 480 meters, and the human capacity of the building is between 60,000 and 100,000 people. Before the 19th century, it was… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5601 https://www.gravurdunyasi.com/img/seo/GOT5601/view-of-the-opening-the-black-sea-from-the-north-eastern-extremity-of-1809.jpg View Of The Opening The Black Sea From The North Eastern Extremity Of The Thracian Bosporus With The Side Of The Temple Of The Jupiter Urius View Of The Opening The Black Sea From The North Eastern Extremity Of The Thracian Bosporus With The Side Of The Temple Of The Jupiter Urius — Edward Daniel Clarke (1769-1822) — 1809. Yoros Castle is from the Eastern Roman period on the ridges of Anadolu Kavagi in Istanbul. The word "Urius" in the title of the engraving comes from the adjective "suitable winds (ourios)" of Zeus (known as Jupiter in Rome).The Yoros Castle in the engraving was also named after this ourios title of Zeus. Archaeologists believe that the Zeus Temple… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5701 https://www.gravurdunyasi.com/img/seo/GOT5701/view-of-sea-of-marmora-taken-from-the-window-of-the-khan-at-rhodosta-1815.jpg View Of Sea Of Marmora Taken From The Window Of The Khan At Rhodosta, With Part Of The Town View Of Sea Of Marmora Taken From The Window Of The Khan At Rhodosta, With Part Of The Town — Edward Daniel Clarke (1769-1822) — 1815 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5801 https://www.gravurdunyasi.com/img/seo/GOT5801/the-fort-and-town-of-silivria-the-ancient-selymbria-on-the-sea-of-1838.jpg The Fort And Town Of Silivria, The Ancient Selymbria, On The Sea Of Marmora The Fort And Town Of Silivria, The Ancient Selymbria, On The Sea Of Marmora — John Francis Salmon (1808-1886)- Francis Herve (1781-1850) — 1838. The ancient city of Selymbria, founded in the B.C. 6th century, has preserved its importance in every period due to its natural harbor and being located on important trade routes. The city was founded on a steep hill overlooking the Marmara Sea and this hill is surrounded by walls. The city developed over time and spread beyond the walls. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT5901 https://www.gravurdunyasi.com/img/seo/GOT5901/gulf-of-glaucus-with-the-island-covered-by-remains-of-genoese-1813.jpg Gulf Of Glaucus With The Island Covered By Remains Of Genoese Buildings And A View Of The Mountains Separating Caria And Lycia Gulf Of Glaucus With The Island Covered By Remains Of Genoese Buildings And A View Of The Mountains Separating Caria And Lycia — Edward Daniel Clarke (1769-1822) — 1813. Fethiye City was founded in 3000 BC. Persians, Attica-Delos, Lycia, Caria, Macedonia and Seleucus, Egypt Lagos Dynasty, Pergamon Kingdom and Roman civilizations dominated the city. Fethiye (Telmessos), which was known as the "City of the Priests" due to the large number of priests here, was named as Meğri (Makri), which means "distant land"… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6001 https://www.gravurdunyasi.com/img/seo/GOT6001/triopian-promontory-and-ruins-of-cnidus-as-they-appear-at-the-1812.jpg Triopian Promontory And Ruins Of Cnidus, As They Appear At The Distance Of Two Leagues, Taken From The S.W. Looking Towards The N.E. in Sailing From Cos To Rhodes Triopian Promontory And Ruins Of Cnidus, As They Appear At The Distance Of Two Leagues, Taken From The S.W. Looking Towards The N.E. in Sailing From Cos To Rhodes — Edward Daniel Clarke (1769-1822) — 1812. The ancient city of Knidos is located at the far end of the Datça Peninsula, on the Resadiye Peninsula, at the junction of the Aegean and the Mediterranean and on Tekir Cape. It is one of the most important of the Western Anatolian coastal cities. The ancient city of Knidos, which has been a settlement since the 7th century B.C., has become very… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6101 https://www.gravurdunyasi.com/img/seo/GOT6101/splendid-remains-of-public-balneae-at-alexandria-troas-1812.jpg Splendid Remains Of Public Balneae at Alexandria Troas Splendid Remains Of Public Balneae at Alexandria Troas — Michel François Preaulx (1787-1828) — 1812. It is one of the most important of the Western Anatolian coastal cities. The ancient city of Knidos, which has been a settlement since the 7th century BC, has become very rich in the 4th century BC due to its geographical location. It has also advanced considerably in science, architecture and art. It was completely destroyed after 7th century AD… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6201 https://www.gravurdunyasi.com/img/seo/GOT6201/remains-of-a-temple-of-jupiter-liberator-at-the-base-of-mount-1812.jpg Remains Of A Temple Of Jupiter Liberator At The Base Of Mount Gargarus Upon Kuchunlu Tepe Near Beyramitch In Troas, As Discovered By The Author In 1801 Remains Of A Temple Of Jupiter Liberator At The Base Of Mount Gargarus Upon Kuchunlu Tepe Near Beyramitch In Troas, As Discovered By The Author In 1801 — Michel François Preaulx (1787-1828) — 1812. Homer mentions in the Iliad that the Gods lived on Mount Ida (Kaz) and that they watched and ruled the Trojan War from here. It is also included in this epic that Zeus, the God of Gods, lived here and watched and ruled the war. Zeus Altar is located in Kucukkuyu town of Ayvacik district of Canakkale, on the slope of Ida (Kaz) Mountains. It was… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6301 https://www.gravurdunyasi.com/img/seo/GOT6301/alanteum-or-tomb-of-ajax-shewing-the-naval-station-of-the-greeks-the-1812.jpg Alanteum, Or Tomb Of Ajax, Shewing The Naval Station Of The Greeks, The Hellespont And A Distant View Of Koum Kale Alanteum, Or Tomb Of Ajax, Shewing The Naval Station Of The Greeks, The Hellespont And A Distant View Of Koum Kale — J.B.Lusieri — 1812. According to Homer's Iliad, the tomb of Ajax, the prominent hero of the Achaeans, is near Rhoetoeum (Gallipoli-Intepe). In the classical period, the Dardanelles Strait was known as Hellespont. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6401 https://www.gravurdunyasi.com/img/seo/GOT6401/kuchunlu-tepe-and-distant-view-of-gargarus-1812.jpg Kuchunlu Tepe And Distant View Of Gargarus Kuchunlu Tepe And Distant View Of Gargarus — Michel François Preaulx (1787-1828) — 1812. Skepsis Ancient City was situated on Kursunlu Hill, in Bayramici town of the city Canakkale. The city was built as terraces from the hill to the outskirt towards the valley Skamandrious / Menderes. Few remains which belong to the city are seen on the hill and only a standing remain of a building is noticed. The exact foundation date of the city is… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6501 https://www.gravurdunyasi.com/img/seo/GOT6501/tepids-springs-near-bonarbashy-called-forty-eyes-1812.jpg Tepids Springs Near Bonarbashy Called Forty Eyes Tepids Springs Near Bonarbashy Called Forty Eyes — Michel François Preaulx (1787-1828) — 1812 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6601B https://www.gravurdunyasi.com/img/seo/GOT6601B/mermer-kali-on-the-sea-of-marmora-constantinople-1875.jpg Mermer Kali, On The Sea Of Marmora, Constantinople Mermer Kali, On The Sea Of Marmora, Constantinople — 1875. It was built at the end of the 14th century of the Marble Tower ((Marmara Tower) on the Zeytinburnu coast of Istanbul. It is the starting point on the sea shore of the land walls of Istanbul, which is 5420 meters long and has 123 bastions on it. While other towers on the walls are made of materials such as stone and brick, this tower is made of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6701B https://www.gravurdunyasi.com/img/seo/GOT6701B/the-bosphorus-constantinople-1875.jpg The Bosphorus, Constantinople The Bosphorus, Constantinople — John Douglas Woodward (1846-1924) — 1875. The Rumeli Fortress (Bogazkesen Fortress) is located in the Sarıyer district of Istanbul and opposite the Anatolian Fortress on the Anatolian side. It was built by Fatih Sultan Mehmet in 1452 at the narrowest point of the Bosphorus in order to prevent attacks from the north of the Bosphorus before the conquest of Istanbul. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6801B https://www.gravurdunyasi.com/img/seo/GOT6801B/the-bosphorus-from-therapia-1875.jpg The Bosphorus From Therapia The Bosphorus From Therapia — 1875. The name (Tarabya) of the district, located in Sarıyer district on the Bosphorus, comes from Therapia, which means therapy. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT6901B https://www.gravurdunyasi.com/img/seo/GOT6901B/the-fountain-of-sweet-waters-1875.jpg The Fountain Of Sweet Waters The Fountain Of Sweet Waters — 1875. Küçüksu Mihrişah Valide Sultan Fountain is located in Anadoluhisarı, next to Kuçüksu Pavilion, in the promenade in the middle of Göksu and Küçüksu streams. Fountaion was built by Sultan Selim III in the name of his mother Mihrişah Sultan in 1806. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT7001B https://www.gravurdunyasi.com/img/seo/GOT7001B/the-tower-of-galata-and-fire-1875.jpg The Tower Of Galata And Fire The Tower Of Galata And Fire — 1875. Galata Tower is located in the Galata district of Istanbul. It was built in the 6th century. Galata Tower has been used for various purposes such as a lighthouse tower, dungeon, fire watch and observatory. Today, it serves as a restaurant and observation tower. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GOT7101B https://www.gravurdunyasi.com/img/seo/GOT7101B/turkish-fountain-1875.jpg Turkish Fountain Turkish Fountain — 1875 https://www.gravurdunyasi.com/hakkimizda.html