https://www.gravurdunyasi.com/antiqueprint/GUG215001 https://www.gravurdunyasi.com/img/seo/GUG215001/the-char-minar-hydrabad-1839.jpg The Char Minar, Hydrabad The Char Minar, Hydrabad — Henry Warren (1794-1879)-Philip Meadows Taylor (1808-1876) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG215101 https://www.gravurdunyasi.com/img/seo/GUG215101/ruins-between-futtehpore-sikri-and-biana-1839.jpg Ruins Between Futtehpore, Sikri and Biana Ruins Between Futtehpore, Sikri and Biana — Thomas Creswick (1811-1869)-T.Bacon — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG215201 https://www.gravurdunyasi.com/img/seo/GUG215201/aboo-s-tomb-merat-1839.jpg Aboo's Tomb, Merat Aboo's Tomb, Merat — Thomas Robert Colman Dibdin (1810-1893)-T.Bacon — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG215301 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https://www.gravurdunyasi.com/img/seo/GUG215601/orissa-haupttempel-des-juggernath-zu-pooree-jagannath-temple-puri-1840.jpg Orissa, Haupttempel Des Juggernath Zu Pooree (Jagannath Temple, Puri , Odisha) Orissa, Haupttempel Des Juggernath Zu Pooree (Jagannath Temple, Puri , Odisha) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG215701 https://www.gravurdunyasi.com/img/seo/GUG215701/grosser-hindu-tempel-bey-tritchencorc-in-hindostan-great-hindu-temple-1840.jpg Grosser Hindu Tempel Bey Tritchencorc in Hindostan (Great Hindu Temple in Tritchencore in Hindustan) Grosser Hindu Tempel Bey Tritchencorc in Hindostan (Great Hindu Temple in Tritchencore in Hindustan) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG215801 https://www.gravurdunyasi.com/img/seo/GUG215801/mahabalipoor-mamallapuram-1840.jpg Mahabalipoor (Mamallapuram) Mahabalipoor (Mamallapuram) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG215901 https://www.gravurdunyasi.com/img/seo/GUG215901/hurduwar-in-ostindien-1840.jpg Hurduwar in Ostindien Hurduwar in Ostindien — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG216001 https://www.gravurdunyasi.com/img/seo/GUG216001/das-tempe-thal-in-griechenland-la-vallee-tempe-en-grece-tempe-tempe-1833.jpg Das Tempe Thal in Griechenland-La Vallee Tempe En Grece-Tempe (Tempe Valley in Greece) Das Tempe Thal in Griechenland-La Vallee Tempe En Grece-Tempe (Tempe Valley in Greece) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG216101 https://www.gravurdunyasi.com/img/seo/GUG216101/the-temple-of-apollinopolis-magna-at-edfu-1814.jpg The Temple Of Apollinopolis Magna At Edfu The Temple Of Apollinopolis Magna At Edfu — Arthur Hopkins (1848-1930) — 1814 https://www.gravurdunyasi.com/hakkimizda.html 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(1804-1872) — 1843 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG216501 https://www.gravurdunyasi.com/img/seo/GUG216501/cataract-of-ting-hoo-or-the-tripod-lake-catarade-de-ting-hoo-ow-lac-1843.jpg Cataract Of Ting-Hoo, Or The Tripod Lake-Catarade De Ting Hoo, Ow Lac Du Trepied-Wasserfall Von Ting Hoo, Ader Der Dreifache See Cataract Of Ting-Hoo, Or The Tripod Lake-Catarade De Ting Hoo, Ow Lac Du Trepied-Wasserfall Von Ting Hoo, Ader Der Dreifache See — Thomas Allom (1804-1872) — 1843 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG216601 https://www.gravurdunyasi.com/img/seo/GUG216601/boolebaney-capital-of-bandoo-1825.jpg Boolebaney, Capital Of Bandoo Boolebaney, Capital Of Bandoo — William Gray — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG216701 https://www.gravurdunyasi.com/img/seo/GUG216701/birmese-kioum-or-royal-convent-1850.jpg Birmese 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https://www.gravurdunyasi.com/img/seo/GUG217001/dagobah-chapelle-a-reliques-dagoba-capilla-de-las-reliquias-dagobah-1834.jpg Dagobah, Chapelle A Reliques-Dagoba, Capilla De Las Reliquias (Dagobah, Chapel with Relics) Dagobah, Chapelle A Reliques-Dagoba, Capilla De Las Reliquias (Dagobah, Chapel with Relics) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG217101B https://www.gravurdunyasi.com/img/seo/GUG217101B/spring-sussex-n-worthing-summer-thames-thames-back-waters-autumn-1880.jpg Spring, Sussex, N.Worthing-Summer, Thames, Thames Back Waters-Autumn, Scotland, Loch Vennaghar-Winter, Devon, Torquay Spring, Sussex, N.Worthing-Summer, Thames, Thames Back Waters-Autumn, Scotland, Loch Vennaghar-Winter, Devon, Torquay — 1880's-1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG217201 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https://www.gravurdunyasi.com/img/seo/GUG217501/gate-of-constance-1820.jpg Gate Of Constance Gate Of Constance — James Pattison Cockburn (1779-847) — 1820 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG217601B https://www.gravurdunyasi.com/img/seo/GUG217601B/norwegische-kuste-1880.jpg Norwegische Küste Norwegische Küste — 1880's-1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG217701B https://www.gravurdunyasi.com/img/seo/GUG217701B/stackpole-1840.jpg Stackpole Stackpole — George Fennel Robson (1788-1833) — 1840's-1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG217801B https://www.gravurdunyasi.com/img/seo/GUG217801B/the-poo-ta-la-or-great-temple-near-zhehol-tartary-le-poo-ta-la-au-le-1843.jpg The Poo-Ta-La, Or Great Temple Near Zhehol, Tartary-Le Poo-Ta-La, Au Le Grand Temple, Pres De Zhehol, Tartarie-Der Poo-Ta- La Ader Grosse Tempel Bei 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Extremites De L'Lle Barbe, Sur La Saone, Dept. Du Rhone Vue D'une Des Extremites De L'Lle Barbe, Sur La Saone, Dept. Du Rhone — Veyrene — 1800's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG218201 https://www.gravurdunyasi.com/img/seo/GUG218201/vue-pittoresque-a-allex-dep-de-la-drome-1800.jpg Vue Pittoresque A Allex, Dep De La Drome Vue Pittoresque A Allex, Dep De La Drome — Veyrene — 1800's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG218301B https://www.gravurdunyasi.com/img/seo/GUG218301B/vue-de-deux-ponts-sur-un-torrent-en-cascades-qui-euope-la-petite-1800.jpg Vue De Deux Ponts Sur Un Torrent En Cascades, Qui Euope La Petite Route De Briancon A Grenoble, Dept. Des Hautes Alpes Vue De Deux Ponts Sur Un Torrent En Cascades, Qui Euope La Petite Route De Briancon A Grenoble, Dept. Des Hautes Alpes — Veyrene — 1800's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG218401B https://www.gravurdunyasi.com/img/seo/GUG218401B/vue-d-un-village-entre-briancon-et-mont-dauphin-dept-des-hautes-alpes-1800.jpg Vue D'Un Village Entre Briancon Et Mont Dauphin, Dept. Des Hautes Alpes Vue D'Un Village Entre Briancon Et Mont Dauphin, Dept. 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Ruines de Klopp Du Cote De Lanahe Bingen Und Ruine Klopp Von der Nahseite-Bingen At Les Ruines de Klopp Du Cote De Lanahe — Johann Adolf Lasinsky (1808-1871) — 1828 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG218801 https://www.gravurdunyasi.com/img/seo/GUG218801/bad-ems-auf-dem-wege-nach-nassau-1837.jpg Bad Ems-Auf Dem Wege Nach Nassau Bad Ems-Auf Dem Wege Nach Nassau — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG218901 https://www.gravurdunyasi.com/img/seo/GUG218901/ruines-de-st-jacques-a-provins-la-croix-de-pierre-1820.jpg Ruines De St. Jacques, A Provins, La Croix De Pierre Ruines De St. Jacques, A Provins, La Croix De Pierre — Borne — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219001 https://www.gravurdunyasi.com/img/seo/GUG219001/der-konigsstubl-zu-rhense-royal-chair-of-rhens-1850.jpg Der Königsstubl Zu Rhense (Royal Chair of Rhens) Der Königsstubl Zu Rhense (Royal Chair of Rhens) — E.Schmelzer — 1850's-1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219101 https://www.gravurdunyasi.com/img/seo/GUG219101/walter-furst-s-haus-in-attinghausen-ct-uri-la-maison-de-walter-furst-1875.jpg Walter Fürst's Haus in Attinghausen Ct.Uri-La Maison De Walter Fürst -Walter Fürst's House Walter Fürst's Haus in Attinghausen Ct.Uri-La Maison De Walter Fürst -Walter Fürst's House — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219201 https://www.gravurdunyasi.com/img/seo/GUG219201/mill-slade-near-linton-north-devon-from-a-pencil-drawing-by-j-needham-1868.jpg Mill Slade, Near Linton, North Devon, From A Pencil Drawing By J.Needham Mill Slade, Near Linton, North Devon, From A Pencil Drawing By J.Needham — Josefh Needham (Active 1850-1870) — 1868 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219301 https://www.gravurdunyasi.com/img/seo/GUG219301/assendon-near-henley-on-thames-from-a-pencil-drawing-by-j-needham-1868.jpg Assendon Near Henley On Thames From A Pencil Drawing By J.Needham Assendon Near Henley On Thames From A Pencil Drawing By J.Needham — Josefh Needham (Active 1850-1870) — 1868 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219401 https://www.gravurdunyasi.com/img/seo/GUG219401/bresil-habitation-hollandaise-brasilien-hollandisches-wohnhaus-dutch-1837.jpg Bresil, Habitation Hollandaise-Brasilien, Hollandisches Wohnhaus (Dutch House) Bresil, Habitation Hollandaise-Brasilien, Hollandisches Wohnhaus (Dutch House) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219501 https://www.gravurdunyasi.com/img/seo/GUG219501/bresil-fort-de-guillaume-de-nassau-brasilien-feste-wilhelm-s-von-1837.jpg Bresil, Fort De Guillaume De Nassau-Brasilien, Feste Wilhelm's Von Nassau Bresil, Fort De Guillaume De Nassau-Brasilien, Feste Wilhelm's Von Nassau — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219601 https://www.gravurdunyasi.com/img/seo/GUG219601/bresil-maison-d-un-planteur-bresilien-brasilien-wohnung-eines-1837.jpg Bresil, Maison d'un Planteur Bresilien-Brasilien, Wohnung Eines Brasilianischen Pflanzers (House Of A Brazilian Planter) Bresil, Maison d'un Planteur Bresilien-Brasilien, Wohnung Eines Brasilianischen Pflanzers (House Of A Brazilian Planter) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219701 https://www.gravurdunyasi.com/img/seo/GUG219701/bresil-ile-de-st-catherine-1837.jpg Bresil, Ile de St. Catherine Bresil, Ile de St. Catherine — Victor Felix Danvin (1802-1842) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219801 https://www.gravurdunyasi.com/img/seo/GUG219801/bresil-porto-seguro-1837.jpg Bresil, Porto Seguro Bresil, Porto Seguro — Victor Felix Danvin (1802-1842) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG219901 https://www.gravurdunyasi.com/img/seo/GUG219901/bresil-foret-ouverte-le-long-du-mucuri-forest-along-mucuri-river-1837.jpg Bresil, Foret Ouverte Le Long Du Mucuri (Forest Along Mucuri River) Bresil, Foret Ouverte Le Long Du Mucuri (Forest Along Mucuri River) — Victor Felix Danvin (1802-1842) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220001 https://www.gravurdunyasi.com/img/seo/GUG220001/bresil-bahia-salvador-1837.jpg Bresil,Bahia (Salvador) Bresil,Bahia (Salvador) — Vander Buch — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220101 https://www.gravurdunyasi.com/img/seo/GUG220101/bresil-piauhy-scene-from-piaui-state-1837.jpg Bresil, Piauhy (Scene From Piaui State) Bresil, Piauhy (Scene From Piaui State) — Victor Felix Danvin (1802-1842) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220201 https://www.gravurdunyasi.com/img/seo/GUG220201/bresil-st-joan-del-rey-sao-joao-del-rei-minas-gerais-1837.jpg Bresil, St.Joan Del Rey (Sao Joao Del Rei, Minas Gerais) Bresil, St.Joan Del Rey (Sao Joao Del Rei, Minas Gerais) — Vander Buch — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220301 https://www.gravurdunyasi.com/img/seo/GUG220301/bresil-vue-de-rio-janeiro-prise-du-sommet-de-l-aqueduc-view-of-rio-de-1837.jpg Bresil, Vue De Rio Janeiro Prise Du Sommet De l'Aqueduc (View Of Rio De Janerio From Top Of Aqueduct) Bresil, Vue De Rio Janeiro Prise Du Sommet De l'Aqueduc (View Of Rio De Janerio From Top Of Aqueduct) — Jean Baptiste Arnout (1788-1865) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220401B https://www.gravurdunyasi.com/img/seo/GUG220401B/massacre-of-de-langle-lemanon-ten-others-of-the-two-crews-no-66-1798.jpg Massacre Of De Langle, Lemanon & Ten Others Of The Two Crews, No.66 Massacre Of De Langle, Lemanon & Ten Others Of The Two Crews, No.66 — Nicolas Marie Ozanne (1728-1811) — 1798. Two boats, headed by Fleuriot de Langle, the commander of the Astrolabe, were sent into Fagasa Bay to obtain fresh water and were surrounded by native canoes looking to trade fruit in exchange for glass beads and cloth. The natives became restless and started to attack the two boats, resulting in the death of De Langle, 11 crews and 39 Samoans. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220501B https://www.gravurdunyasi.com/img/seo/GUG220501B/gezigt-van-bezitneeming-baai-aan-het-eiland-zuid-georgie-pl-lxxi-a-1803.jpg Gezigt Van Bezitneeming-Baai Aan Het Eiland Zuid-Georgie, PL.LXXI (A View Of Possession Bay On South Georgia island And A Part Of The South Sandwich island) Gezigt Van Bezitneeming-Baai Aan Het Eiland Zuid-Georgie, PL.LXXI (A View Of Possession Bay On South Georgia island And A Part Of The South Sandwich island) — 1803 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220601B https://www.gravurdunyasi.com/img/seo/GUG220601B/karakakooa-bay-in-the-island-of-owhyhee-1806.jpg Karakakooa Bay in The island Of Owhyhee Karakakooa Bay in The island Of Owhyhee — 1806. the first view of a Hawaiian on a surfboard (lower left) https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220701B https://www.gravurdunyasi.com/img/seo/GUG220701B/view-in-the-island-of-the-bouro-with-a-representation-the-sego-palm-1806.jpg View in The island Of The Bouro With A Representation The Sego Palm Tree Described By D'Entrecasteaux View in The island Of The Bouro With A Representation The Sego Palm Tree Described By D'Entrecasteaux — 1806 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220801B https://www.gravurdunyasi.com/img/seo/GUG220801B/porto-ferraio-1790.jpg Porto Ferraio Porto Ferraio — H.Sw. — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG220901B https://www.gravurdunyasi.com/img/seo/GUG220901B/porto-longone-1790.jpg Porto Longone Porto Longone — H.Sw. — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221001 https://www.gravurdunyasi.com/img/seo/GUG221001/fortezza-inglese-ed-olandese-di-commendo-africa-vol-iii-tav-30-1820.jpg Fortezza inglese Ed Olandese Di Commendo, Africa Vol.III. Tav.30. (English And Dutch Forts On The Gold Coast (Ghana)) Fortezza inglese Ed Olandese Di Commendo, Africa Vol.III. Tav.30. (English And Dutch Forts On The Gold Coast (Ghana)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221001S https://www.gravurdunyasi.com/img/seo/GUG221001S/fortezza-di-capo-corso-africa-vol-iii-tav-31-english-fortress-in-cape-1820.jpg Fortezza Di Capo Corso, Africa Vol.III. Tav.31. (English Fortress in Cape Coast, Ghana) Fortezza Di Capo Corso, Africa Vol.III. Tav.31. (English Fortress in Cape Coast, Ghana) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221101 https://www.gravurdunyasi.com/img/seo/GUG221101/palazzo-del-governatore-di-mozambico-a-mesuril-africa-vol-iv-tav-66-1820.jpg Palazzo Del Governatore Di Mozambico A Mesuril, Africa Vol.IV. Tav.66. (Palace Of The Portuguese Governor Of Mozambique in Mossuril) Palazzo Del Governatore Di Mozambico A Mesuril, Africa Vol.IV. Tav.66. (Palace Of The Portuguese Governor Of Mozambique in Mossuril) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221201 https://www.gravurdunyasi.com/img/seo/GUG221201/contrada-di-adun-africa-vol-iv-tav-75-district-of-adum-in-the-town-of-1820.jpg Contrada Di Adun, Africa Vol.IV. Tav.75. (District Of Adum in The Town of Kumasi, Kingdom Of Ashanti (Ghana)) Contrada Di Adun, Africa Vol.IV. Tav.75. (District Of Adum in The Town of Kumasi, Kingdom Of Ashanti (Ghana)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221301 https://www.gravurdunyasi.com/img/seo/GUG221301/case-de-madagassi-africa-vol-iv-tav-79-houses-of-madagascar-1820.jpg Case De Madagassi, Africa Vol.IV. Tav.79. (Houses Of Madagascar) Case De Madagassi, Africa Vol.IV. Tav.79. (Houses Of Madagascar) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221401 https://www.gravurdunyasi.com/img/seo/GUG221401/ponte-e-cascata-del-fiume-delle-roecie-africa-vol-iv-tav-82-wooden-1820.jpg Ponte E Cascata Del Fiume Delle Roecie, Africa Vol.IV. Tav.82. (Wooden Bridge And Waterfall At The River Roccie, Madagascar) Ponte E Cascata Del Fiume Delle Roecie, Africa Vol.IV. Tav.82. (Wooden Bridge And Waterfall At The River Roccie, Madagascar) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221501 https://www.gravurdunyasi.com/img/seo/GUG221501/sepolcri-di-tarquinia-eur-vol-v-tav-25-etruscan-tombs-in-tarquinia-1820.jpg Sepolcri Di Tarquinia, Eur. Vol V. Tav.25. (Etruscan Tombs in Tarquinia) Sepolcri Di Tarquinia, Eur. Vol V. Tav.25. (Etruscan Tombs in Tarquinia) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221601 https://www.gravurdunyasi.com/img/seo/GUG221601/chiesa-di-s-clemente-in-roma-eur-vol-viii-tav-26-church-of-s-clemente-1820.jpg Chiesa Di S.Clemente in Roma, Eur. Vol VIII. Tav.26. (Church of S.Clemente in Rome) Chiesa Di S.Clemente in Roma, Eur. Vol VIII. Tav.26. (Church of S.Clemente in Rome) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221701 https://www.gravurdunyasi.com/img/seo/GUG221701/chiesa-di-s-michele-in-pavia-eur-vol-viii-tav-34-s-michele-maggiore-1820.jpg Chiesa Di S.Michele in Pavia, Eur. Vol VIII. Tav.34.(S.Michele Maggiore Church in Pavia) Chiesa Di S.Michele in Pavia, Eur. Vol VIII. Tav.34.(S.Michele Maggiore Church in Pavia) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221801 https://www.gravurdunyasi.com/img/seo/GUG221801/cattedrale-e-battistero-di-pisa-eur-vol-viii-tav-40-the-pisa-1820.jpg Cattedrale E Battistero Di Pisa, Eur. Vol VIII. Tav.40. (The Pisa Baptistery, Pisa Cathedral And Leaning Tower) Cattedrale E Battistero Di Pisa, Eur. Vol VIII. Tav.40. (The Pisa Baptistery, Pisa Cathedral And Leaning Tower) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG221901B https://www.gravurdunyasi.com/img/seo/GUG221901B/a-view-of-the-new-discoverd-island-of-ulietea-with-some-of-its-1787.jpg A View Of The New Discoverd island Of Ulietea, With Some Of its inhabitants, A Double Canoe, And Other Small Craft, A Boat House With The Model Of A Double Canoe, & C. A View Of The New Discoverd island Of Ulietea, With Some Of its inhabitants, A Double Canoe, And Other Small Craft, A Boat House With The Model Of A Double Canoe, & C. — 1787 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222001B https://www.gravurdunyasi.com/img/seo/GUG222001B/view-in-anamooka-and-the-inhabitants-1787.jpg View in Anamooka And The inhabitants View in Anamooka And The inhabitants — 1787 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222101B https://www.gravurdunyasi.com/img/seo/GUG222101B/the-outside-of-a-morai-or-burial-place-in-atooi-the-inside-of-a-house-1787.jpg The Outside Of A Morai Or Burial Place in Atooi- The inside Of A House, in The Morai in Atooi The Outside Of A Morai Or Burial Place in Atooi- The inside Of A House, in The Morai in Atooi — 1787 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222201B https://www.gravurdunyasi.com/img/seo/GUG222201B/dove-pianse-s-pietro-dove-si-nascosero-l-apostoli-natatoria-siloe-1714.jpg Dove Pianse S. Pietro-Dove Si Nascosero l'Apostoli-Natatoria Siloe-Fonte Della (The Cave Where Saint Peter Wept After Jesus-The Cave in Which The Apostles Hid After Jesus Was Crucified-The pool of Siloam-The Spring From Which Virgin Mary Took Water After Coming Down From Mount Zion) Dove Pianse S. Pietro-Dove Si Nascosero l'Apostoli-Natatoria Siloe-Fonte Della (The Cave Where Saint Peter Wept After Jesus-The Cave in Which The Apostles Hid After Jesus Was Crucified-The pool of Siloam-The Spring From Which Virgin Mary Took Water After Coming Down From Mount Zion) — Cornelis de Bruyn (1652-1727) — 1714 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222301B https://www.gravurdunyasi.com/img/seo/GUG222301B/it-santibimo-sepolchro-entrance-to-the-holy-sepulchre-in-jerusalem-1714.jpg it Santibimo Sepolchro (Entrance To The Holy Sepulchre in Jerusalem) it Santibimo Sepolchro (Entrance To The Holy Sepulchre in Jerusalem) — Cornelis de Bruyn (1652-1727) — 1714. The Church of the Holy Sepulcher (Resurrection) was built by the Roman emperor Constantine I in 326 AD, where the cross on which the Prophet Jesus was crucified and the nails used for the crucifixion were discovered. Inside the Holy Sepulcher (Resurrection) Church, there is a sarcophagus where the Prophet Jesus is believed to be buried. This… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222401B https://www.gravurdunyasi.com/img/seo/GUG222401B/monte-libano-cedars-of-lebanon-1714.jpg Monte Libano (Cedars of Lebanon) Monte Libano (Cedars of Lebanon) — Cornelis de Bruyn (1652-1727) — 1714 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222501B https://www.gravurdunyasi.com/img/seo/GUG222501B/rosamond-s-pond-the-south-west-corner-of-saint-james-s-park-1791.jpg Rosamond's Pond, The south West Corner of Saint James's Park Rosamond's Pond, The south West Corner of Saint James's Park — 1791 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222601B https://www.gravurdunyasi.com/img/seo/GUG222601B/cleveland-house-by-st-james-s-house-of-the-mistress-of-charles-ii-1799.jpg Cleveland House By St. James's (House Of The Mistress Of Charles II.) Cleveland House By St. James's (House Of The Mistress Of Charles II.) — 1799 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222701B https://www.gravurdunyasi.com/img/seo/GUG222701B/clarendon-house-1798.jpg Clarendon House Clarendon House — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222801B https://www.gravurdunyasi.com/img/seo/GUG222801B/the-savoy-in-1650-and-as-it-is-at-present-1792.jpg The Savoy in 1650 And As it is at Present, 1792 The Savoy in 1650 And As it is at Present, 1792 — 1792 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG222901B https://www.gravurdunyasi.com/img/seo/GUG222901B/north-or-inside-view-of-traitor-s-gate-being-the-principal-entrance-1798.jpg North Or Inside View Of Traitor's Gate Being The Principal Entrance Of The Tower Of London From The River And Through Which State Prisoners Of Rank And Dignity Were Formerly Conveyed To The Tower North Or Inside View Of Traitor's Gate Being The Principal Entrance Of The Tower Of London From The River And Through Which State Prisoners Of Rank And Dignity Were Formerly Conveyed To The Tower — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223001B https://www.gravurdunyasi.com/img/seo/GUG223001B/the-principal-gate-of-the-priory-of-st-bartholomew-smithfield-1793.jpg The Principal Gate Of The Priory Of St. Bartholomew, Smithfield The Principal Gate Of The Priory Of St. Bartholomew, Smithfield — 1793 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223101B https://www.gravurdunyasi.com/img/seo/GUG223101B/a-front-view-of-the-watch-tower-discovered-near-ludgate-hill-may-1-1793.jpg A Front View Of The Watch Tower, Discovered Near Ludgate Hill May 1 1792 A Front View Of The Watch Tower, Discovered Near Ludgate Hill May 1 1792 — 1793 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223201B https://www.gravurdunyasi.com/img/seo/GUG223201B/van-dun-s-alms-houses-in-petty-france-with-his-mural-monument-on-the-1798.jpg Van Dun's Alms Houses in Petty France With His Mural Monument On The North Side Of St. Margaret's Church, Westminster Van Dun's Alms Houses in Petty France With His Mural Monument On The North Side Of St. Margaret's Church, Westminster — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223301B https://www.gravurdunyasi.com/img/seo/GUG223301B/lollards-prison-situated-on-the-noth-side-of-lambeth-palace-1791.jpg Lollards Prison, Situated On The Noth Side Of Lambeth Palace Lollards Prison, Situated On The Noth Side Of Lambeth Palace — 1791 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223401B https://www.gravurdunyasi.com/img/seo/GUG223401B/bancroft-s-monument-in-the-church-of-st-helen-bishopsgate-street-1794.jpg Bancroft's Monument in The Church Of St.Helen, Bishopsgate Street Bancroft's Monument in The Church Of St.Helen, Bishopsgate Street — 1794 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223501B https://www.gravurdunyasi.com/img/seo/GUG223501B/the-kitchen-belonging-to-leatherseller-s-hall-demolished-in-1799-1800.jpg The Kitchen Belonging To Leatherseller's Hall, Demolished in 1799 The Kitchen Belonging To Leatherseller's Hall, Demolished in 1799 — 1800 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223601B https://www.gravurdunyasi.com/img/seo/GUG223601B/the-principal-or-street-entrance-to-leatherseller-s-hall-demolished-1800.jpg The Principal Or Street Entrance To Leatherseller's Hall, Demolished 1799 The Principal Or Street Entrance To Leatherseller's Hall, Demolished 1799 — 1800 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223701B https://www.gravurdunyasi.com/img/seo/GUG223701B/winchester-house-in-winchester-street-london-wall-1800.jpg Winchester House in Winchester Street, London Wall Winchester House in Winchester Street, London Wall — 1800 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223801B https://www.gravurdunyasi.com/img/seo/GUG223801B/lincoln-s-inn-gate-chancery-lane-1800.jpg Lincoln's inn Gate, Chancery Lane Lincoln's inn Gate, Chancery Lane — 1800 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG223901B https://www.gravurdunyasi.com/img/seo/GUG223901B/remains-of-a-crypt-part-of-the-ancient-priory-of-black-nuns-adjoining-1800.jpg Remains Of A Crypt Part Of The Ancient Priory Of Black Nuns Adjoining St. Helen's Church in Bishopsgate Street Remains Of A Crypt Part Of The Ancient Priory Of Black Nuns Adjoining St. Helen's Church in Bishopsgate Street — 1800 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224001B https://www.gravurdunyasi.com/img/seo/GUG224001B/the-south-west-prospect-of-the-parish-church-of-st-paul-s-at-shadnel-1750.jpg The South West Prospect Of The Parish Church Of St.Paul's At Shadnel The South West Prospect Of The Parish Church Of St.Paul's At Shadnel — 1750's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224101B https://www.gravurdunyasi.com/img/seo/GUG224101B/his-majesty-s-stables-in-the-mews-1754.jpg His Majesty's Stables in The Mews His Majesty's Stables in The Mews — 1754. The mews were built in England in the 18th and 19th centuries, and were built on the ground floor to keep the horses in the barn, and on the upper floor to accommodate the servants. Today, barn houses (mews houses) are used as normal houses https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224201B https://www.gravurdunyasi.com/img/seo/GUG224201B/the-entrance-of-westminster-hall-1750.jpg The Entrance Of Westminster Hall The Entrance Of Westminster Hall — 1750's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224301B https://www.gravurdunyasi.com/img/seo/GUG224301B/view-from-hyde-park-view-of-the-new-barracks-in-hyde-park-1790.jpg View From Hyde Park (View Of The New Barracks in Hyde Park) View From Hyde Park (View Of The New Barracks in Hyde Park) — 1790's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224401B https://www.gravurdunyasi.com/img/seo/GUG224401B/bermondsey-abbey-in-surrey-1750.jpg Bermondsey Abbey in Surrey Bermondsey Abbey in Surrey — 1750's-1780's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224501B https://www.gravurdunyasi.com/img/seo/GUG224501B/north-view-of-the-oratory-of-the-ancient-inn-situated-in-tooley-1817.jpg North View Of The Oratory Of The Ancient inn, Situated in Tooley Street, Southwark, London, Formerly Belonging to The Priors of Lewes, Sussex North View Of The Oratory Of The Ancient inn, Situated in Tooley Street, Southwark, London, Formerly Belonging to The Priors of Lewes, Sussex — Frederick Nash (1782-1856) — 1817 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224601B https://www.gravurdunyasi.com/img/seo/GUG224601B/charing-cross-westminster-abbey-erected-by-pietro-cavalini-in-memeory-1814.jpg Charing Cross, Westminster Abbey Erected by Pietro Cavalini, in Memeory of the admirable Queen Eleanor of Castile… Charing Cross, Westminster Abbey Erected by Pietro Cavalini, in Memeory of the admirable Queen Eleanor of Castile… — 1814. Charing Cross, Westminster Abbey Erected by Pietro Cavalini, in Memeory of the admirable Queen Eleanor of Castile, by Order of her Husband, Edward I at the Village of Charing near Westminster, being the last Stage at which the Body stopped, previously to its interment in Westminster Abbey https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224701B https://www.gravurdunyasi.com/img/seo/GUG224701B/st-james-palace-1910.jpg St.James Palace St.James Palace — F.W.Sedgwick — 1910's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG224801B https://www.gravurdunyasi.com/img/seo/GUG224801B/das-kloster-richtenthal-von-carilienberg-hinter-der-muhle-richenthal-1850.jpg Das Kloster Richtenthal Von Carilienberg Hinter Der Mühle (Richenthal Abbey) Das Kloster Richtenthal Von Carilienberg Hinter Der Mühle (Richenthal Abbey) — Johann Velten (1807-1883) — 1850's-1860's https://www.gravurdunyasi.com/hakkimizda.html 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It is an ancient city that served as the capital of the Kingdom of Northern Israel in the 8th and 9th centuries BC. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG229801 https://www.gravurdunyasi.com/img/seo/GUG229801/mount-lebanon-and-the-convent-of-st-antonio-hosea-xiv-5-6-7-1834.jpg Mount Lebanon And The Convent Of St.Antonio, Hosea XIV.5.6.7. Mount Lebanon And The Convent Of St.Antonio, Hosea XIV.5.6.7. — Joseph Mallord William Turner (1775-1851)-Charles Barry (1795-1860) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG229901 https://www.gravurdunyasi.com/img/seo/GUG229901/mount-lebanon-and-the-ruins-of-baalbec-will-a-man-leave-the-snow-of-1834.jpg Mount Lebanon And The Ruins Of Baalbec "Will A Man Leave The Snow Of Lebanon Which Cometh From The Rock Of The Field", Jeremiah XVIII.14. Mount Lebanon And The Ruins Of Baalbec "Will A Man Leave The Snow Of Lebanon Which Cometh From The Rock Of The Field", Jeremiah XVIII.14. — Augustus Wall Callcott (1779-1844)-Charles Barry (1795-1860) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230001 https://www.gravurdunyasi.com/img/seo/GUG230001/the-range-of-lebanon-from-bairout-1834.jpg The Range Of Lebanon From Bairout The Range Of Lebanon From Bairout — Clarkson Stanfield (1793-1867)-William Edward FitzMaurice (1805-1889) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230002B https://www.gravurdunyasi.com/img/seo/GUG230002B/der-libanon-und-die-syrische-kuste-1835.jpg Der Libanon Und Die Syrische Küste Der Libanon Und Die Syrische Küste — Clarkson Stanfield (1793-1867)-William Edward FitzMaurice (1805-1889) — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230101 https://www.gravurdunyasi.com/img/seo/GUG230101/sidon-acts-xii-20-1834.jpg Sidon, Acts XII.20. Sidon, Acts XII.20. — Joseph Mallord William Turner (1775-1851)-Charles Barry (1795-1860) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230201 https://www.gravurdunyasi.com/img/seo/GUG230201/ramah-with-the-building-called-rachels-tomb-in-ramah-there-was-a-1835.jpg Ramah, With The Building Called Rachels Tomb-In Ramah There Was A Voice Heard, Lamentation And Weeping, Rachel Weeping For The Children, Matt. II.18. Jer.XXXI.15. Ramah, With The Building Called Rachels Tomb-In Ramah There Was A Voice Heard, Lamentation And Weeping, Rachel Weeping For The Children, Matt. II.18. Jer.XXXI.15. — Joseph Mallord William Turner (1775-1851)-Archibald Edmonstone — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230301 https://www.gravurdunyasi.com/img/seo/GUG230301/distant-view-of-arimathea-ramlah-from-the-valley-of-jeremiah-luke-1834.jpg Distant View Of Arimathea (Ramlah) From The Valley Of Jeremiah, Luke XXIII.50.51. Distant View Of Arimathea (Ramlah) From The Valley Of Jeremiah, Luke XXIII.50.51. — Clarkson Stanfield (1793-1867)-William Edward FitzMaurice (1805-1889) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230401 https://www.gravurdunyasi.com/img/seo/GUG230401/ninevah-moussul-on-the-tigris-ninevah-is-laid-waste-nahum-iii-7-1835.jpg Ninevah. Moussul On The Tigris-Ninevah is Laid Waste, Nahum III.7. Ninevah. Moussul On The Tigris-Ninevah is Laid Waste, Nahum III.7. — Joseph Mallord William Turner (1775-1851)-C.J.Rich — 1835 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230501 https://www.gravurdunyasi.com/img/seo/GUG230501/jerusalem-from-the-latin-convent-including-the-mount-of-olives-the-1833.jpg Jerusalem, From The Latin Convent, Including The Mount Of Olives, The Mosque Of Omar On The Site Of Solomons Temple (a) And The Church Of The Holy Sepulchre (b)-"Jerusalem Shall Be Trodden Down Of The Gentiles" Luke XXI.24 Jerusalem, From The Latin Convent, Including The Mount Of Olives, The Mosque Of Omar On The Site Of Solomons Temple (a) And The Church Of The Holy Sepulchre (b)-"Jerusalem Shall Be Trodden Down Of The Gentiles" Luke XXI.24 — Joseph Mallord William Turner (1775-1851)-Charles Barry (1795-1860) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230601 https://www.gravurdunyasi.com/img/seo/GUG230601/syracuse-acts-xxviii-12-1834.jpg Syracuse, Acts XXVIII.12. Syracuse, Acts XXVIII.12. — Clarkson Stanfield (1793-1867) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230701 https://www.gravurdunyasi.com/img/seo/GUG230701/view-of-truxillo-in-the-kingdom-of-peru-in-south-america-1789.jpg View Of Truxillo in The Kingdom Of Peru in South America View Of Truxillo in The Kingdom Of Peru in South America — 1789 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230801 https://www.gravurdunyasi.com/img/seo/GUG230801/port-of-dieppe-in-the-department-of-the-lower-seine-in-france-1810.jpg Port Of Dieppe in The Department Of The Lower Seine in France Port Of Dieppe in The Department Of The Lower Seine in France — 1810 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG230901 https://www.gravurdunyasi.com/img/seo/GUG230901/pagoda-indiana-asia-vol-iii-tav-23-indian-pagodas-for-vishnu-and-1820.jpg Pagoda Indiana, Asia Vol.III. Tav.23. (Indian Pagodas for Vishnu and Lakshmi) Pagoda Indiana, Asia Vol.III. Tav.23. (Indian Pagodas for Vishnu and Lakshmi) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231001 https://www.gravurdunyasi.com/img/seo/GUG231001/rocce-scolpite-di-malavipuram-asia-vol-iii-tav-33-ancient-temples-and-1820.jpg Rocce Scolpite Di Malavipuram, Asia Vol.III. Tav.33. (Ancient Temples and Shrines Covered With Bas Relief in the City of Mahabalipuram) Rocce Scolpite Di Malavipuram, Asia Vol.III. Tav.33. (Ancient Temples and Shrines Covered With Bas Relief in the City of Mahabalipuram) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231101 https://www.gravurdunyasi.com/img/seo/GUG231101/rocce-scolpite-di-malavipuram-asia-vol-iii-tav-34-ancient-temples-and-1820.jpg Rocce Scolpite Di Malavipuram, Asia Vol.III. Tav.34. (Ancient Temples and Rocks Covered With Bas Relief Carving in The City of Mahabalipuram, India) Rocce Scolpite Di Malavipuram, Asia Vol.III. Tav.34. (Ancient Temples and Rocks Covered With Bas Relief Carving in The City of Mahabalipuram, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231201 https://www.gravurdunyasi.com/img/seo/GUG231201/alzata-di-dumar-leyna-asia-vol-iii-tav-36-the-caves-of-ellora-the-1820.jpg Alzata Di Dumar Leyna, Asia Vol.III. Tav.36. (The Caves of Ellora, The Rock-cut Hindu Temples, in Maharashtra, India) Alzata Di Dumar Leyna, Asia Vol.III. Tav.36. (The Caves of Ellora, The Rock-cut Hindu Temples, in Maharashtra, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231301 https://www.gravurdunyasi.com/img/seo/GUG231301/ingresso-del-kailassa-asia-vol-iii-tav-37-entrance-to-the-kailasa-1820.jpg Ingresso Del Kailassa, Asia Vol.III. Tav.37. (Entrance to the Kailasa Temple, The Ellora Rock-cut Hindu Temple Caves, in Maharashtra, India) Ingresso Del Kailassa, Asia Vol.III. Tav.37. (Entrance to the Kailasa Temple, The Ellora Rock-cut Hindu Temple Caves, in Maharashtra, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231401 https://www.gravurdunyasi.com/img/seo/GUG231401/veduta-nord-est-del-kailassa-asia-vol-iii-tav-38-north-east-view-of-1820.jpg Veduta Nord-est Del Kailassa, Asia Vol.III. Tav.38. (North-East View of the Kailasa Temple, The Ellora Rock-cut Hindu Temple Caves, in Maharashtra, India) Veduta Nord-est Del Kailassa, Asia Vol.III. Tav.38. (North-East View of the Kailasa Temple, The Ellora Rock-cut Hindu Temple Caves, in Maharashtra, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231501 https://www.gravurdunyasi.com/img/seo/GUG231501/veduta-sud-est-del-kailassa-asia-vol-iii-tav-39-south-east-view-of-1820.jpg Veduta Sud-est Del Kailassa, Asia Vol.III. Tav.39. (South-East View of the Kailasa Temple, The Ellora Rock-cut Hindu Temple Caves, in Maharashtra, India) Veduta Sud-est Del Kailassa, Asia Vol.III. Tav.39. (South-East View of the Kailasa Temple, The Ellora Rock-cut Hindu Temple Caves, in Maharashtra, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231601 https://www.gravurdunyasi.com/img/seo/GUG231601/pagoda-di-tangiaur-asia-vol-iii-tav-41-pagoda-of-brihadeeswarar-1820.jpg Pagoda Di Tangiaur, Asia Vol.III. Tav.41. (Pagoda of Brihadeeswarar Temple or Peruvudaiyar Kovil, Thanjavur, India) Pagoda Di Tangiaur, Asia Vol.III. Tav.41. (Pagoda of Brihadeeswarar Temple or Peruvudaiyar Kovil, Thanjavur, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231701 https://www.gravurdunyasi.com/img/seo/GUG231701/palazzo-degli-antichi-ragia-a-madhureh-asia-vol-iii-tav-42-interior-1820.jpg Palazzo Degli Antichi Ragia A Madhureh, Asia Vol.III. Tav.42. (Interior of The Thirumalai Nayak Palace, Madurai, India) Palazzo Degli Antichi Ragia A Madhureh, Asia Vol.III. Tav.42. (Interior of The Thirumalai Nayak Palace, Madurai, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231801 https://www.gravurdunyasi.com/img/seo/GUG231801/sciultri-di-madhureh-asia-vol-iii-tav-43-statues-at-thirumalai-nayak-1820.jpg Sciultri Di Madhureh, Asia Vol.III. Tav.43. (Statues at Thirumalai Nayak Palace, Madurai, India) Sciultri Di Madhureh, Asia Vol.III. Tav.43. (Statues at Thirumalai Nayak Palace, Madurai, India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG231901 https://www.gravurdunyasi.com/img/seo/GUG231901/il-banian-o-ficus-indica-ec-asia-vol-iii-tav-4-a-temple-and-banyan-1820.jpg Il Banian o Ficus Indica ec., Asia Vol.III. Tav.4. (A Temple and Banyan Tree in India) Il Banian o Ficus Indica ec., Asia Vol.III. Tav.4. (A Temple and Banyan Tree in India) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232001 https://www.gravurdunyasi.com/img/seo/GUG232001/sala-del-trono-asia-vol-iv-tav-69-amarapura-palace-acceptance-of-1820.jpg Sala Del Trono, Asia Vol.IV. Tav.69. (Amarapura Palace, Acceptance of British Diplomat Michael Symes and Mission by King Bodawpaya of Burma in 1795) Sala Del Trono, Asia Vol.IV. Tav.69. (Amarapura Palace, Acceptance of British Diplomat Michael Symes and Mission by King Bodawpaya of Burma in 1795) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232101 https://www.gravurdunyasi.com/img/seo/GUG232101/kium-o-monastero-asia-vol-iv-tav-72-a-kioum-or-buddhist-monastery-in-1820.jpg Kium o Monastero, Asia Vol.IV. Tav.72. (A Kioum or Buddhist Monastery in Burma) Kium o Monastero, Asia Vol.IV. Tav.72. (A Kioum or Buddhist Monastery in Burma) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232201 https://www.gravurdunyasi.com/img/seo/GUG232201/tempio-in-pegu-detto-scioe-madu-asia-vol-iv-tav-73-shoemadoo-temple-1820.jpg Tempio in Pegu Detto Scioe-Madu, Asia Vol.IV. Tav.73. (Shoemadoo Temple-Shwemawdaw Pagoda, Bago in Myanmar (Burma)) Tempio in Pegu Detto Scioe-Madu, Asia Vol.IV. Tav.73. (Shoemadoo Temple-Shwemawdaw Pagoda, Bago in Myanmar (Burma)) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232301 https://www.gravurdunyasi.com/img/seo/GUG232301/conventi-di-talapoini-asia-vol-iv-tav-89-buddhist-monastery-of-straw-1820.jpg Conventi Di Talapoini, Asia Vol.IV. Tav.89. (Buddhist Monastery of Straw Huts and Temple in the Kingdom of Siam, Thailand) Conventi Di Talapoini, Asia Vol.IV. Tav.89. (Buddhist Monastery of Straw Huts and Temple in the Kingdom of Siam, Thailand) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232401 https://www.gravurdunyasi.com/img/seo/GUG232401/veduta-di-malacca-asia-vol-iv-tav-92-view-of-the-town-of-malacca-1820.jpg Veduta Di Malacca, Asia Vol.IV. Tav.92. (View of the Town of Malacca, Malaysia) Veduta Di Malacca, Asia Vol.IV. Tav.92. (View of the Town of Malacca, Malaysia) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232501 https://www.gravurdunyasi.com/img/seo/GUG232501/grande-muraglia-tav-29-the-great-wall-of-china-1820.jpg Grande Muraglia, Tav.29. (The Great Wall of China) Grande Muraglia, Tav.29. (The Great Wall of China) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232601 https://www.gravurdunyasi.com/img/seo/GUG232601/varj-sepoleri-tav-39-various-sepulchres-in-china-1820.jpg Varj Sepoleri, Tav.39. (Various Sepulchres in China) Varj Sepoleri, Tav.39. (Various Sepulchres in China) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232701 https://www.gravurdunyasi.com/img/seo/GUG232701/sepolero-di-un-grande-tav-40-the-tomb-of-a-chinese-nobleman-with-1820.jpg Sepolero di un Grande, Tav.40. (The Tomb of a Chinese Nobleman with Statues in a Large Courtyard in China) Sepolero di un Grande, Tav.40. (The Tomb of a Chinese Nobleman with Statues in a Large Courtyard in China) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232801 https://www.gravurdunyasi.com/img/seo/GUG232801/peristilio-di-yuen-ming-yuen-tav-53-peristyle-of-yuan-ming-yuan-old-1820.jpg Peristilio di Yuen Ming Yuen, Tav.53. (Peristyle of Yuan Ming Yuan -Old Summer Palace, Beijing, China) Peristilio di Yuen Ming Yuen, Tav.53. (Peristyle of Yuan Ming Yuan -Old Summer Palace, Beijing, China) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG232901 https://www.gravurdunyasi.com/img/seo/GUG232901/torre-di-nan-kin-tav-57-octagonal-nine-story-porcelain-tower-in-1820.jpg Torre Di Nan-Kin, Tav.57. (Octagonal Nine-Story Porcelain Tower in Nanjing (Nanking), China.) Torre Di Nan-Kin, Tav.57. (Octagonal Nine-Story Porcelain Tower in Nanjing (Nanking), China.) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233001 https://www.gravurdunyasi.com/img/seo/GUG233001/arco-di-cantone-di-ce-ceu-fu-c-tav-58-triumphal-arch-of-ce-ceu-fu-in-1820.jpg Arco Di Cantone Di Ce-Ceu-Fu, &c., Tav.58. (Triumphal Arch of Ce-Ceu-Fu in Canton (Guangzhou), China) Arco Di Cantone Di Ce-Ceu-Fu, &c., Tav.58. (Triumphal Arch of Ce-Ceu-Fu in Canton (Guangzhou), China) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233101 https://www.gravurdunyasi.com/img/seo/GUG233101/palazzo-imperiale-tav-84-imperial-palace-tokyo-japan-1820.jpg Palazzo Imperiale, Tav.84. (Imperial Palace, Tokyo, Japan) Palazzo Imperiale, Tav.84. (Imperial Palace, Tokyo, Japan) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233201 https://www.gravurdunyasi.com/img/seo/GUG233201/tempio-di-daibods-tav-85-home-of-the-thousand-armed-kannon-buddhist-1820.jpg Tempio Di Daibods, Tav.85. (Home of the Thousand Armed Kannon (Buddhist Temple),Sanjusangendo or Hall of the Lotus King, Kyoto, Japan) Tempio Di Daibods, Tav.85. (Home of the Thousand Armed Kannon (Buddhist Temple),Sanjusangendo or Hall of the Lotus King, Kyoto, Japan) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233301 https://www.gravurdunyasi.com/img/seo/GUG233301/grotta-di-posilippo-eur-vol-v-tav-3-view-of-the-neapolitan-crypt-or-1820.jpg Grotta Di Posilippo, Eur. Vol. V. Tav.3. (View of the Neapolitan Crypt or Crypta Neapolitana, Ancient Roman Road Tunnel Linking Naples to Pozzuoli on the Via Domitiana, Italy. Grotta di Posillipo.) Grotta Di Posilippo, Eur. Vol. V. Tav.3. (View of the Neapolitan Crypt or Crypta Neapolitana, Ancient Roman Road Tunnel Linking Naples to Pozzuoli on the Via Domitiana, Italy. Grotta di Posillipo.) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233401 https://www.gravurdunyasi.com/img/seo/GUG233401/interno-del-colosseo-eur-vol-v-tav-42-view-of-the-interior-of-the-1820.jpg Interno Del Colosseo, Eur. Vol. V. Tav.42. (View of the Interior of the Colosseum (Flavian Amphitheater), Rome) Interno Del Colosseo, Eur. Vol. V. Tav.42. (View of the Interior of the Colosseum (Flavian Amphitheater), Rome) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233501 https://www.gravurdunyasi.com/img/seo/GUG233501/palazzo-di-cesari-eur-vol-v-tav-43-palace-of-the-caesars-rome-1820.jpg Palazzo Di Cesari, Eur. Vol. V. Tav.43. (Palace of the Caesars, Rome) Palazzo Di Cesari, Eur. Vol. V. Tav.43. (Palace of the Caesars, Rome) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233601 https://www.gravurdunyasi.com/img/seo/GUG233601/panteon-eur-vol-v-tav-45-1820.jpg Panteon, Eur. Vol. V. Tav.45. Panteon, Eur. Vol. V. Tav.45. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233601S https://www.gravurdunyasi.com/img/seo/GUG233601S/panteon-eur-vol-v-tav-46-1820.jpg Panteon, Eur. Vol. V. Tav.46. Panteon, Eur. Vol. V. Tav.46. — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233701 https://www.gravurdunyasi.com/img/seo/GUG233701/castello-ponte-s-angelo-eur-vol-v-tav-49-the-ponte-sant-angelo-on-the-1820.jpg Castello Ponte S.Angelo, Eur. Vol. V. Tav.49. (The Ponte Sant Angelo on the River Tiber and Castel Sant Angelo, Rome) Castello Ponte S.Angelo, Eur. Vol. V. Tav.49. (The Ponte Sant Angelo on the River Tiber and Castel Sant Angelo, Rome) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233801 https://www.gravurdunyasi.com/img/seo/GUG233801/facciata-di-s-marcorotta-in-venezia-eur-vol-viii-tav-41-the-facade-of-1820.jpg Facciata di S.Marcorotta in Venezia, Eur. Vol. VIII. Tav.41 (The Facade of The Basilica of San Marco, Venice) Facciata di S.Marcorotta in Venezia, Eur. Vol. VIII. Tav.41 (The Facade of The Basilica of San Marco, Venice) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG233901 https://www.gravurdunyasi.com/img/seo/GUG233901/obelisco-d-axuma-africa-vol-iii-tav-4-the-obelisk-of-axum-in-ethiopia-1820.jpg Obelisco d Axuma, Africa Vol.III. Tav 4. (The Obelisk of Axum in Ethiopia) Obelisco d Axuma, Africa Vol.III. Tav 4. (The Obelisk of Axum in Ethiopia) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234001 https://www.gravurdunyasi.com/img/seo/GUG234001/sedile-sul-quale-re-abissini-si-facevano-incoronare-africa-vol-iii-1820.jpg Sedile Sul Quale Re Abissini si Facevano Incoronare, Africa Vol.III. Tav 5. (Venue of Coronation Ceremonies of Ancient Abyssinian Kings) Sedile Sul Quale Re Abissini si Facevano Incoronare, Africa Vol.III. Tav 5. (Venue of Coronation Ceremonies of Ancient Abyssinian Kings) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234101 https://www.gravurdunyasi.com/img/seo/GUG234101/citta-d-adovva-africa-vol-iii-tav-14-the-city-of-adwa-ethiopia-1820.jpg Citta d'Adovva, Africa Vol.III. Tav 14. (The City of Adwa, Ethiopia) Citta d'Adovva, Africa Vol.III. Tav 14. (The City of Adwa, Ethiopia) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234201 https://www.gravurdunyasi.com/img/seo/GUG234201/citta-di-litaku-africa-vol-iv-tav-62-the-city-of-lataku-kuruman-south-1820.jpg Citta di Litaku, Africa Vol.IV. Tav 62. (The City of Lataku (Kuruman), South Africa) Citta di Litaku, Africa Vol.IV. Tav 62. (The City of Lataku (Kuruman), South Africa) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234301 https://www.gravurdunyasi.com/img/seo/GUG234301/cave-sepolcrali-de-guanci-africa-vol-ii-tav-65-sepulchral-cave-with-1820.jpg Cave Sepolcrali de Guanci, Africa Vol.II. Tav 65. (Sepulchral Cave With Mummies of the Guanche People on the Canary Islands) Cave Sepolcrali de Guanci, Africa Vol.II. Tav 65. (Sepulchral Cave With Mummies of the Guanche People on the Canary Islands) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234401NN https://www.gravurdunyasi.com/img/seo/GUG234401NN/the-city-of-guatemala-1890.jpg The City Of Guatemala The City Of Guatemala — Captain H.Rose — 1890 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234501NN https://www.gravurdunyasi.com/img/seo/GUG234501NN/the-port-of-san-jose-de-guatemala-central-america-1890.jpg The Port of San Jose De Guatemala, Central America The Port of San Jose De Guatemala, Central America — Captain H.Rose — 1890 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234601NN https://www.gravurdunyasi.com/img/seo/GUG234601NN/dulcigno-from-the-north-1880.jpg Dulcigno From The North Dulcigno From The North — Captain Gambier — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234701NN https://www.gravurdunyasi.com/img/seo/GUG234701NN/dulcigno-with-encampment-of-turkish-regulars-view-from-the-south-1880.jpg Dulcigno With Encampment Of Turkish Regulars, View From The South Dulcigno With Encampment Of Turkish Regulars, View From The South — Captain Gambier — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234801NN https://www.gravurdunyasi.com/img/seo/GUG234801NN/the-emperor-of-austria-s-tour-in-dalmatia-ragusa-dubrovnik-grande-1875.jpg The Emperor Of Austria's Tour in Dalmatia-Ragusa (Dubrovnik)- Grande (Sponza) Palace, Ragusa (Dubrovnik)-Cattaro (Kotor)-Civil Tribunal, Sara (Zadar) The Emperor Of Austria's Tour in Dalmatia-Ragusa (Dubrovnik)- Grande (Sponza) Palace, Ragusa (Dubrovnik)-Cattaro (Kotor)-Civil Tribunal, Sara (Zadar) — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG234901 https://www.gravurdunyasi.com/img/seo/GUG234901/the-market-in-sokoto-in-1853-1857.jpg The Market in Sokoto in 1853 The Market in Sokoto in 1853 — Heinrich Barth (1821-1865)-Johann Martin Bernatz (1802-1878) — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235001 https://www.gravurdunyasi.com/img/seo/GUG235001/encampment-in-the-forest-january-1842-in-modzogo-musgo-cameroon-1857.jpg Encampment in The Forest, January 1842 (in Modzogo (Musgo). Cameroon) Encampment in The Forest, January 1842 (in Modzogo (Musgo). Cameroon) — Heinrich Barth (1821-1865)-Johann Martin Bernatz (1802-1878) — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235101 https://www.gravurdunyasi.com/img/seo/GUG235101/the-mbang-or-sultan-of-bagirmi-abdul-qadir-ii-al-mahdi-returns-from-1857.jpg The Mbang, or Sultan of Bagirmi, Abdul Qadir II al-Mahdi, Returns From an Expedition, 1852, in Mas-ena (Massenya), Southwestern Chad The Mbang, or Sultan of Bagirmi, Abdul Qadir II al-Mahdi, Returns From an Expedition, 1852, in Mas-ena (Massenya), Southwestern Chad — Heinrich Barth (1821-1865)-Johann Martin Bernatz (1802-1878) — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235201 https://www.gravurdunyasi.com/img/seo/GUG235201/kano-from-mount-dala-feb-10-1850-1857.jpg Kano From Mount Dala, Feb. 10 1850 Kano From Mount Dala, Feb. 10 1850 — Heinrich Barth (1821-1865)-Johann Martin Bernatz (1802-1878) — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235301 https://www.gravurdunyasi.com/img/seo/GUG235301/barea-the-village-being-pillaged-january-9-1852-1857.jpg Barea, The Village Being Pillaged, January 9, 1852 Barea, The Village Being Pillaged, January 9, 1852 — Heinrich Barth (1821-1865)-Johann Martin Bernatz (1802-1878) — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235401 https://www.gravurdunyasi.com/img/seo/GUG235401/the-ngaljam-at-demmo-dec-31-1851-1857.jpg The Ngaljam At Demmo, Dec. 31 1851 The Ngaljam At Demmo, Dec. 31 1851 — Heinrich Barth (1821-1865)-Johann Martin Bernatz (1802-1878) — 1857 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235501 https://www.gravurdunyasi.com/img/seo/GUG235501/norman-gateway-windsor-castle-1886.jpg Norman Gateway, Windsor Castle Norman Gateway, Windsor Castle — Herbert Railton (1857-1910) — 1886 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235601 https://www.gravurdunyasi.com/img/seo/GUG235601/da-feste-hau-und-schloss-oevelgunne-strong-house-and-castle-ovelgonne-1671.jpg Daß Feste Hauß und Schloss, Oevelgunne (Strong House and Castle, Ovelgönne) Daß Feste Hauß und Schloss, Oevelgunne (Strong House and Castle, Ovelgönne) — 1671 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235701 https://www.gravurdunyasi.com/img/seo/GUG235701/general-view-of-the-louvre-and-the-statue-of-henry-iv-1840.jpg General View of the Louvre and the Statue of Henry IV. General View of the Louvre and the Statue of Henry IV. — Louis Jules Arnout (1814-1868) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235801 https://www.gravurdunyasi.com/img/seo/GUG235801/a-view-of-the-great-pyramid-of-cholula-tlachihualtepetl-near-mexico-1814.jpg A View of the Great Pyramid of Cholula (Tlachihualtepetl), Near Mexico A View of the Great Pyramid of Cholula (Tlachihualtepetl), Near Mexico — 1814 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG235901 https://www.gravurdunyasi.com/img/seo/GUG235901/rhodes-rhodos-naillac-tower-1840.jpg Rhodes (Rhodos) (Naillac Tower) Rhodes (Rhodos) (Naillac Tower) — Jean Baptiste Arnout (1788-1865) — 1840. Naillac Tower was built by Philibert de Naillac in 1421 at the entrance to the harbour. The 46-metre-high square-shaped tower was used as a watchtower. It was seriously damaged in two earthquakes in the 19th century and was demolished because it could fall on ships in the harbour. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236001 https://www.gravurdunyasi.com/img/seo/GUG236001/remparts-de-st-jean-d-acre-1840.jpg Remparts de St.Jean d'Acre Remparts de St.Jean d'Acre — 1840. The Akka city is located on the Mediterranean coast of Israel today. The first form of the strategically important castle is Byzantine architecture, and after it came under Ottoman rule in the 16th century, the castle and thick walls that have survived to this day were built by the Vizier of the Ottoman Empire, Cezzar Ahmet Pasha. The castle was… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236101 https://www.gravurdunyasi.com/img/seo/GUG236101/prosspect-der-stadt-damiat-tab-viii-1774.jpg Prosspect Der Stadt Damiat (Tab VIII) Prosspect Der Stadt Damiat (Tab VIII) — Georg Vilhelm Baurenfeind (1728-1763) — 1774. This expansive panorama, showing the Egyptian Mediterranean port of Damietta from the water, presents a silhouette of sailboats and boats in the foreground, and minarets and flat-roofed houses in the background. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236201 https://www.gravurdunyasi.com/img/seo/GUG236201/a-view-of-the-sphinx-at-the-pyramids-at-gizeh-a-patera-charged-with-1804.jpg A View of the Sphinx at the Pyramids at Gizeh, a Patera, Charged with the Portraits of Osiris and Isis, and Sculptures of Egyptian Musicians, Pompey's or Dioclesian's Pillar, and Cleopatra's Needle A View of the Sphinx at the Pyramids at Gizeh, a Patera, Charged with the Portraits of Osiris and Isis, and Sculptures of Egyptian Musicians, Pompey's or Dioclesian's Pillar, and Cleopatra's Needle — Dominique Vivant Denon (1747-1825) — 1804. This engraving is taken from Description de l’Égypte, an ambitious work issued in 23 volumes between 1809 and 1828 and containing more than 837 plates. The print is based on sketches made by the artist and diplomat Dominique Vivant, Baron de Denon (1747–1825), who travelled in Egypt in 1798 with Napoleon’s army. When Napoleon Bonaparte (1769–1821)… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236301 https://www.gravurdunyasi.com/img/seo/GUG236301/general-view-of-thebes-plan-of-the-temple-of-luxor-1820.jpg General View of Thebes - Plan of the Temple of Luxor General View of Thebes - Plan of the Temple of Luxor — 1820's. The upper register presents a panoramic view of ancient Thebes on the Nile, while the lower register gives a ground plan of the temple complex at Luxor, with processional colonnades and sanctuary courts carefully labelled https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236401 https://www.gravurdunyasi.com/img/seo/GUG236401/bassin-du-dragon-1688-1845.jpg Bassin Du Dragon, 1688 Bassin Du Dragon, 1688 — Jean Cotelle (1642-1708) — 1845. Shows the Dragon Fountain at Versailles with water jets, mythological chariot scene and dragon, with deities and clouds above; links baroque garden design with royal spectacle. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236501 https://www.gravurdunyasi.com/img/seo/GUG236501/bronlee-new-south-wales-erin-go-bragh-hotel-on-broulee-island-1870.jpg Bronlee, New South Wales (Erin-Go-Bragh Hotel on Broulee Island) Bronlee, New South Wales (Erin-Go-Bragh Hotel on Broulee Island) — John Skinner Prout (1805-1876) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236601 https://www.gravurdunyasi.com/img/seo/GUG236601/part-of-the-bridge-at-merida-1816.jpg Part of the Bridge at Merida Part of the Bridge at Merida — 1816. View of the Roman bridge at Mérida in Spain, focusing on several arches crossing a river, with figures and animals in the foreground; part of an antiquarian series on Roman remains. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236701 https://www.gravurdunyasi.com/img/seo/GUG236701/ruins-of-the-triumphal-arch-at-merida-1816.jpg Ruins of the Triumphal Arch at Merida Ruins of the Triumphal Arch at Merida — 1816. View of the remains of a Roman triumphal arch in Mérida, Spain, integrated into later urban buildings. The print juxtaposes ancient masonry with everyday street life, underlining the continuity between Roman Augusta Emerita and the modern town. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236801 https://www.gravurdunyasi.com/img/seo/GUG236801/passage-of-quindiu-in-the-cordillere-of-the-andes-1825.jpg Passage of Quindiu in the Cordillere of the Andes Passage of Quindiu in the Cordillere of the Andes — 1825. Dramatic mountain landscape in the Colombian Andes, with travellers and porters crossing the Quindío pass through dense vegetation and steep valleys. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG236901 https://www.gravurdunyasi.com/img/seo/GUG236901/the-cornillon-gate-meaux-1816.jpg The Cornillon Gate, Meaux The Cornillon Gate, Meaux — 1816. View of the medieval Cornillon Gate at Meaux in France, with drawbridge, walls and surrounding buildings, combining architectural detail with everyday figures. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237001 https://www.gravurdunyasi.com/img/seo/GUG237001/pont-du-gard-bridge-and-aqueduct-near-nismes-1800.jpg Pont du Gard, Bridge and Aqueduct near Nismes Pont du Gard, Bridge and Aqueduct near Nismes — 1800's. View of the ancient Roman aqueduct of Pont du Gard near Nîmes in southern France. The three-tiered series of arches emphasizes Roman engineering and the monumental scale of the structure within a picturesque, overgrown landscape. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237101 https://www.gravurdunyasi.com/img/seo/GUG237101/swiss-cottage-lavey-1829.jpg Swiss Cottage, Lavey Swiss Cottage, Lavey — Samuel Prout (1783-1852) — 1829. Alpine village scene showing timber cottages with projecting balconies, external stairs and storage galleries, probably in Lavey, Switzerland. Figures engaged in conversation and domestic work create an ethnographic record of rural Swiss life. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237201 https://www.gravurdunyasi.com/img/seo/GUG237201/petrarch-s-house-at-arqu-1829.jpg Petrarch’s House at Arquà Petrarch’s House at Arquà — Samuel Prout (1783-1852) — 1829. View of the house at Arqua (Arqua Petrarca) traditionally associated with the poet Francesco Petrarch. The elevated loggia, surrounding garden and distant hills present the residence as a place of retreat and literary memory. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237301 https://www.gravurdunyasi.com/img/seo/GUG237301/norrkoping-ostergotland-sweden-1839.jpg Norrköping, Östergötland, Sweden Norrköping, Östergötland, Sweden — 1839. Panoramic view of the Swedish town of Norrköping taken from the water. Church towers, dense roofs and a fortified complex in the foreground emphasize the city’s role as a Baltic port and regional centre. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237401 https://www.gravurdunyasi.com/img/seo/GUG237401/the-mint-of-santiago-chile-1824.jpg The Mint of Santiago (Chile) The Mint of Santiago (Chile) — James Paroissien — 1824. View of the mint buildings in Santiago, Chile, with a wide paved square animated by mounted officers, townspeople and street vendors. The composition highlights the mint as both a financial institution and a civic gathering space. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237501 https://www.gravurdunyasi.com/img/seo/GUG237501/canton-chinese-calcutta-1829.jpg Canton - Chinese - Calcutta Canton - Chinese - Calcutta — 1829. Composite plate with three small scenes: the harbour of Canton with a Chinese junk and European trading houses; a Chinese ceremonial group; and the riverside warehouses and shipping of Calcutta. Together they visualise key Asian nodes of global trade. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237601 https://www.gravurdunyasi.com/img/seo/GUG237601/the-pyramids-of-egypt-1780.jpg The Pyramids of Egypt The Pyramids of Egypt — Conrad Martin Metz (1749-1827) — 1780 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237701 https://www.gravurdunyasi.com/img/seo/GUG237701/the-campanile-venice-1830.jpg The Campanile, Venice The Campanile, Venice — Samuel Prout (1783-1852) — 1830 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237801 https://www.gravurdunyasi.com/img/seo/GUG237801/newry-from-trevor-hill-co-down-1831.jpg Newry from Trevor Hill, Co. Down. Newry from Trevor Hill, Co. Down. — Thomas Mann Baynes (1794-1876) — 1831 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GUG237901 https://www.gravurdunyasi.com/img/seo/GUG237901/view-of-the-harbour-of-the-island-of-ponza-1825.jpg View of the Harbour of the Island of Ponza View of the Harbour of the Island of Ponza — 1825 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0101B https://www.gravurdunyasi.com/img/seo/GWH0101B/marriage-a-la-mode-the-contract-1833.jpg Marriage A La Mode-The Contract Marriage A La Mode-The Contract — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0104B https://www.gravurdunyasi.com/img/seo/GWH0104B/marriage-a-la-mode-plate-i-the-signing-of-the-marriage-contract-1870.jpg Marriage A La Mode-Plate I-The Signing Of The Marriage Contract Marriage A La Mode-Plate I-The Signing Of The Marriage Contract — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0201B https://www.gravurdunyasi.com/img/seo/GWH0201B/marriage-a-la-mode-breakfast-scene-1832.jpg Marriage A La Mode-Breakfast Scene Marriage A La Mode-Breakfast Scene — William Hogarth (1697-1764) — 1832 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0301B https://www.gravurdunyasi.com/img/seo/GWH0301B/marriage-a-la-mode-scene-with-the-quack-1833.jpg Marriage A La Mode-Scene With The Quack Marriage A La Mode-Scene With The Quack — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0401B https://www.gravurdunyasi.com/img/seo/GWH0401B/marriage-a-la-mode-the-toilette-1833.jpg Marriage A La Mode-The Toilette Marriage A La Mode-The Toilette — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0403B https://www.gravurdunyasi.com/img/seo/GWH0403B/marriage-a-la-mode-plate-4-1820.jpg Marriage A La Mode-Plate 4 Marriage A La Mode-Plate 4 — William Hogarth (1697-1764) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0501B https://www.gravurdunyasi.com/img/seo/GWH0501B/marriage-a-la-mode-death-of-the-earl-1833.jpg Marriage A La Mode-Death Of The Earl Marriage A La Mode-Death Of The Earl — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0503B https://www.gravurdunyasi.com/img/seo/GWH0503B/marriage-a-la-mode-death-of-the-earl-1820.jpg Marriage A La Mode-Death Of The Earl Marriage A La Mode-Death Of The Earl — William Hogarth (1697-1764) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0601B https://www.gravurdunyasi.com/img/seo/GWH0601B/marriage-a-la-mode-death-of-countess-1833.jpg Marriage A La Mode-Death Of Countess Marriage A La Mode-Death Of Countess — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0603B https://www.gravurdunyasi.com/img/seo/GWH0603B/marriage-a-la-mode-plate-6-1820.jpg Marriage A La Mode-Plate 6 Marriage A La Mode-Plate 6 — William Hogarth (1697-1764) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0701 https://www.gravurdunyasi.com/img/seo/GWH0701/the-harlot-s-progress-ensnared-by-a-procuress-plate-1-1833.jpg The Harlot's Progress-Ensnared By A Procuress-Plate 1 The Harlot's Progress-Ensnared By A Procuress-Plate 1 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0801K https://www.gravurdunyasi.com/img/seo/GWH0801K/the-harlot-s-progress-quarrels-with-her-jew-protector-plate-2-1833.jpg The Harlot's Progress-Quarrels With Her Jew Protector-Plate 2 The Harlot's Progress-Quarrels With Her Jew Protector-Plate 2 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0802B https://www.gravurdunyasi.com/img/seo/GWH0802B/the-harlot-s-progress-plate-ii-the-jew-the-mistress-and-the-lover-1870.jpg The Harlot's Progress-Plate II.-The Jew, The Mistress And The Lover The Harlot's Progress-Plate II.-The Jew, The Mistress And The Lover — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0901 https://www.gravurdunyasi.com/img/seo/GWH0901/the-harlot-s-progress-apprehended-by-a-magistraate-plate-3-1833.jpg The Harlot's Progress-Apprehended By A Magistraate-Plate 3 The Harlot's Progress-Apprehended By A Magistraate-Plate 3 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH0903B https://www.gravurdunyasi.com/img/seo/GWH0903B/the-harlot-s-progress-plate-iii-the-harlot-s-downfall-1870.jpg The Harlot's Progress-Plate III.-The Harlot's Downfall The Harlot's Progress-Plate III.-The Harlot's Downfall — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1001 https://www.gravurdunyasi.com/img/seo/GWH1001/the-harlot-s-progress-scene-in-bridewell-plate-4-1833.jpg The Harlot's Progress-Scene in Bridewell-Plate 4 The Harlot's Progress-Scene in Bridewell-Plate 4 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1003B https://www.gravurdunyasi.com/img/seo/GWH1003B/the-harlot-s-progress-plate-iv-scene-in-bridewell-1870.jpg The Harlot's Progress-Plate IV.-Scene in Bridewell The Harlot's Progress-Plate IV.-Scene in Bridewell — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1102K https://www.gravurdunyasi.com/img/seo/GWH1102K/the-harlot-s-progress-expires-while-the-doctors-are-disputing-plate-5-1833.jpg The Harlot's Progress-Expires While The Doctors Are Disputing-Plate 5 The Harlot's Progress-Expires While The Doctors Are Disputing-Plate 5 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1103B https://www.gravurdunyasi.com/img/seo/GWH1103B/the-harlot-s-progress-plate-v-the-death-1870.jpg The Harlot's Progress-Plate V.-The Death The Harlot's Progress-Plate V.-The Death — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1201 https://www.gravurdunyasi.com/img/seo/GWH1201/the-harlot-s-progress-the-funeral-plate-6-1833.jpg The Harlot's Progress-The Funeral-Plate 6 The Harlot's Progress-The Funeral-Plate 6 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1203B https://www.gravurdunyasi.com/img/seo/GWH1203B/the-harlot-s-progress-plate-vi-the-funeral-1870.jpg The Harlot's Progress-Plate VI.-The Funeral The Harlot's Progress-Plate VI.-The Funeral — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1301B https://www.gravurdunyasi.com/img/seo/GWH1301B/the-first-stage-of-cruelty-1807.jpg The First Stage Of Cruelty The First Stage Of Cruelty — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1302B https://www.gravurdunyasi.com/img/seo/GWH1302B/the-four-stages-of-cruelty-the-first-stage-of-cruelty-1833.jpg The Four Stages Of Cruelty-The First Stage Of Cruelty The Four Stages Of Cruelty-The First Stage Of Cruelty — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1401B https://www.gravurdunyasi.com/img/seo/GWH1401B/the-second-stage-of-cruelty-1807.jpg The Second Stage Of Cruelty The Second Stage Of Cruelty — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1402B https://www.gravurdunyasi.com/img/seo/GWH1402B/the-four-stages-of-cruelty-the-second-stage-of-cruelty-1833.jpg The Four Stages Of Cruelty-The Second Stage Of Cruelty The Four Stages Of Cruelty-The Second Stage Of Cruelty — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1501B https://www.gravurdunyasi.com/img/seo/GWH1501B/the-four-stages-of-cruelty-cruelty-in-perfection-1833.jpg The Four Stages Of Cruelty-Cruelty In Perfection The Four Stages Of Cruelty-Cruelty In Perfection — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1601B https://www.gravurdunyasi.com/img/seo/GWH1601B/the-four-stages-of-cruelty-the-reward-of-cruelty-1833.jpg The Four Stages Of Cruelty-The Reward Of Cruelty The Four Stages Of Cruelty-The Reward Of Cruelty — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1701 https://www.gravurdunyasi.com/img/seo/GWH1701/industry-and-idleness-the-fellow-prentices-at-their-looms-plate-1-1833.jpg Industry And Idleness-The Fellow Prentices At Their Looms-Plate 1 Industry And Idleness-The Fellow Prentices At Their Looms-Plate 1 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1801 https://www.gravurdunyasi.com/img/seo/GWH1801/industry-and-idleness-the-industrious-prentice-performing-the-duty-of-1833.jpg Industry And Idleness-The Industrious Prentice Performing The Duty Of A Christian-Plate 2 Industry And Idleness-The Industrious Prentice Performing The Duty Of A Christian-Plate 2 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH1902K https://www.gravurdunyasi.com/img/seo/GWH1902K/industry-and-idleness-the-idle-prentice-at-play-in-the-church-yard-1833.jpg Industry And Idleness-The Idle Prentice At Play in The Church Yard-Plate 3 Industry And Idleness-The Idle Prentice At Play in The Church Yard-Plate 3 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2002K https://www.gravurdunyasi.com/img/seo/GWH2002K/industry-and-idleness-the-industrious-prentice-a-favourite-and-1833.jpg Industry And Idleness-The Industrious Prentice A Favourite And Entrusted By His Master-Plate 4 Industry And Idleness-The Industrious Prentice A Favourite And Entrusted By His Master-Plate 4 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2102K https://www.gravurdunyasi.com/img/seo/GWH2102K/industry-and-idleness-the-idle-prentice-turn-d-away-and-sent-to-sea-1833.jpg Industry And Idleness-The Idle Prentice Turn'd Away And Sent To Sea-Plate 5 Industry And Idleness-The Idle Prentice Turn'd Away And Sent To Sea-Plate 5 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2103B https://www.gravurdunyasi.com/img/seo/GWH2103B/industry-and-idleness-the-idle-prentice-turn-d-away-and-sent-to-sea-1820.jpg Industry And Idleness-The Idle Prentice Turn'd Away And Sent To Sea-Plate 5 Industry And Idleness-The Idle Prentice Turn'd Away And Sent To Sea-Plate 5 — William Hogarth (1697-1764) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2201 https://www.gravurdunyasi.com/img/seo/GWH2201/industry-and-idleness-the-industrious-prentice-out-of-his-time-1833.jpg Industry And Idleness-The Industrious Prentice Out Of His Time & Married To His Master's Daughter-Plate 6 Industry And Idleness-The Industrious Prentice Out Of His Time & Married To His Master's Daughter-Plate 6 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2203B https://www.gravurdunyasi.com/img/seo/GWH2203B/the-industrious-prentice-out-of-his-time-and-married-to-his-master-s-1796.jpg The Industrious Prentice Out Of His Time And Married To His Master's Daughter-Plate 6-The Virtous Woman is A Crown To Her Husband The Industrious Prentice Out Of His Time And Married To His Master's Daughter-Plate 6-The Virtous Woman is A Crown To Her Husband — William Hogarth (1697-1764) — 1796 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2204B https://www.gravurdunyasi.com/img/seo/GWH2204B/industry-and-idleness-plate-vi-the-marriage-of-the-the-industrious-1870.jpg Industry And Idleness-Plate VI-The Marriage Of The The Industrious Apprentice Industry And Idleness-Plate VI-The Marriage Of The The Industrious Apprentice — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2301 https://www.gravurdunyasi.com/img/seo/GWH2301/industry-and-idleness-the-idle-prentice-returned-from-sea-and-in-a-1833.jpg Industry And Idleness-The Idle Prentice Returned From Sea And in A Garret With A Prostitute-Plate 7 Industry And Idleness-The Idle Prentice Returned From Sea And in A Garret With A Prostitute-Plate 7 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2303 https://www.gravurdunyasi.com/img/seo/GWH2303/fleiss-und-faulheit-industry-and-idleness-leviticus-chap-xxvi-v-36-1840.jpg Fleiss Und Faulheit-Industry And Idleness-Leviticus Chap.XXVI.V.36-Plate 7 Fleiss Und Faulheit-Industry And Idleness-Leviticus Chap.XXVI.V.36-Plate 7 — William Hogarth (1697-1764) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2401 https://www.gravurdunyasi.com/img/seo/GWH2401/industry-and-idleness-the-industrious-prentice-grown-rich-and-sheriff-1833.jpg Industry And Idleness-The Industrious Prentice Grown Rich And Sheriff Of London-Plate 8 Industry And Idleness-The Industrious Prentice Grown Rich And Sheriff Of London-Plate 8 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2501 https://www.gravurdunyasi.com/img/seo/GWH2501/industry-and-idleness-the-idle-prentice-betrayed-by-a-prostitute-1833.jpg Industry And Idleness-The Idle Prentice Betrayed By A Prostitute-Plate 9 Industry And Idleness-The Idle Prentice Betrayed By A Prostitute-Plate 9 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2503B https://www.gravurdunyasi.com/img/seo/GWH2503B/industry-and-idleness-plate-ix-tom-idle-betrayed-by-his-mistress-1870.jpg Industry And Idleness-Plate IX-Tom Idle Betrayed By His Mistress Industry And Idleness-Plate IX-Tom Idle Betrayed By His Mistress — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2602K https://www.gravurdunyasi.com/img/seo/GWH2602K/industry-and-idleness-the-industrious-prentice-alderman-of-london-the-1833.jpg Industry And Idleness-The Industrious Prentice Alderman Of London, The Idle One Impeach'd Before Him By His Accomplice-Plate 10. Industry And Idleness-The Industrious Prentice Alderman Of London, The Idle One Impeach'd Before Him By His Accomplice-Plate 10. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2603B https://www.gravurdunyasi.com/img/seo/GWH2603B/industry-and-idleness-the-industrious-prentice-alderman-of-london-the-1820.jpg Industry And Idleness-The Industrious Prentice Alderman Of London, The Idle One Impeach'd Before Him By His Accomplice-Plate 10. Industry And Idleness-The Industrious Prentice Alderman Of London, The Idle One Impeach'd Before Him By His Accomplice-Plate 10. — William Hogarth (1697-1764) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2604B https://www.gravurdunyasi.com/img/seo/GWH2604B/industry-and-idleness-plate-x-tom-idle-brought-before-alderman-1870.jpg Industry And Idleness-Plate X.-Tom Idle Brought Before Alderman Goodchild Industry And Idleness-Plate X.-Tom Idle Brought Before Alderman Goodchild — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2701 https://www.gravurdunyasi.com/img/seo/GWH2701/industry-and-idleness-the-idle-prentice-executed-at-tyburn-plate-11-1833.jpg Industry And Idleness-The Idle Prentice Executed At Tyburn-Plate 11. Industry And Idleness-The Idle Prentice Executed At Tyburn-Plate 11. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2703B https://www.gravurdunyasi.com/img/seo/GWH2703B/industry-and-idleness-plate-xi-the-execution-of-thomas-idle-1870.jpg Industry And Idleness-Plate XI.-The Execution Of Thomas Idle Industry And Idleness-Plate XI.-The Execution Of Thomas Idle — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2801 https://www.gravurdunyasi.com/img/seo/GWH2801/industry-and-idleness-the-industrious-prentice-lord-mayor-of-london-1833.jpg Industry And Idleness-The Industrious Prentice Lord Mayor Of London-Plate 12. Industry And Idleness-The Industrious Prentice Lord Mayor Of London-Plate 12. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2803B https://www.gravurdunyasi.com/img/seo/GWH2803B/industry-and-idleness-plate-xii-frank-goodchild-lord-mayor-of-london-1870.jpg Industry And Idleness-Plate XII.-Frank Goodchild Lord Mayor Of London Industry And Idleness-Plate XII.-Frank Goodchild Lord Mayor Of London — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH2901K https://www.gravurdunyasi.com/img/seo/GWH2901K/the-rake-s-progress-the-young-heir-takes-possession-of-the-miser-s-1833.jpg The Rake's Progress-The Young Heir Takes Possession of the Miser’s Effects-Plate I. The Rake's Progress-The Young Heir Takes Possession of the Miser’s Effects-Plate I. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3001K https://www.gravurdunyasi.com/img/seo/GWH3001K/the-rake-s-progress-surrounded-by-artists-professors-plate-2-1833.jpg The Rake's Progress-Surrounded By Artists & Professors-Plate 2 The Rake's Progress-Surrounded By Artists & Professors-Plate 2 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3101K https://www.gravurdunyasi.com/img/seo/GWH3101K/the-rake-s-progress-tavern-scene-plate-3-1833.jpg The Rake's Progress-Tavern Scene-Plate 3 The Rake's Progress-Tavern Scene-Plate 3 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3201K https://www.gravurdunyasi.com/img/seo/GWH3201K/the-rake-s-progress-arrested-for-debt-as-going-to-court-plate-4-1833.jpg The Rake's Progress-Arrested For Debt As Going To Court- Plate 4 The Rake's Progress-Arrested For Debt As Going To Court- Plate 4 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3202B https://www.gravurdunyasi.com/img/seo/GWH3202B/the-rake-s-progress-plate-4-the-arrest-for-debt-1870.jpg The Rake's Progress-Plate 4-The Arrest For Debt The Rake's Progress-Plate 4-The Arrest For Debt — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3301K https://www.gravurdunyasi.com/img/seo/GWH3301K/the-rake-s-progress-marries-an-old-maid-plate-5-1833.jpg The Rake's Progress-Marries An Old Maid- Plate 5 The Rake's Progress-Marries An Old Maid- Plate 5 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3302B https://www.gravurdunyasi.com/img/seo/GWH3302B/the-rake-s-progress-plate-5-the-rake-s-marriage-1870.jpg The Rake's Progress-Plate 5-The Rake's Marriage The Rake's Progress-Plate 5-The Rake's Marriage — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3401K https://www.gravurdunyasi.com/img/seo/GWH3401K/the-rake-s-progress-gaming-house-scene-plate-6-1833.jpg The Rake's Progress-Gaming House Scene- Plate 6 The Rake's Progress-Gaming House Scene- Plate 6 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3402B https://www.gravurdunyasi.com/img/seo/GWH3402B/the-rake-s-progress-plate-6-the-rake-s-ruin-at-the-gaming-table-1870.jpg The Rake's Progress-Plate 6-The Rake's Ruin At The Gaming Table The Rake's Progress-Plate 6-The Rake's Ruin At The Gaming Table — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3501K https://www.gravurdunyasi.com/img/seo/GWH3501K/the-rake-s-progress-prison-scene-plate-7-1833.jpg The Rake's Progress-Prison Scene-Plate 7. The Rake's Progress-Prison Scene-Plate 7. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3601K https://www.gravurdunyasi.com/img/seo/GWH3601K/the-rake-s-progress-scene-in-bedlam-plate-8-1833.jpg The Rake's Progress-Scene In Bedlam-Plate 8. The Rake's Progress-Scene In Bedlam-Plate 8. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3602B https://www.gravurdunyasi.com/img/seo/GWH3602B/the-rake-s-progress-plate-8-the-rake-in-a-madhouse-1870.jpg The Rake's Progress-Plate 8-The Rake In A Madhouse The Rake's Progress-Plate 8-The Rake In A Madhouse — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3702K https://www.gravurdunyasi.com/img/seo/GWH3702K/the-election-humours-of-an-election-entertainment-plate-1-1833.jpg The Election-Humours Of An Election Entertainment-Plate 1. The Election-Humours Of An Election Entertainment-Plate 1. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3801K https://www.gravurdunyasi.com/img/seo/GWH3801K/the-election-canvassing-for-votes-plate-2-1833.jpg The Election-Canvassing For Votes-Plate 2. The Election-Canvassing For Votes-Plate 2. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3901K https://www.gravurdunyasi.com/img/seo/GWH3901K/the-election-the-polling-plate-3-1833.jpg The Election-The Polling-Plate 3 The Election-The Polling-Plate 3 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH3902B https://www.gravurdunyasi.com/img/seo/GWH3902B/the-election-plate-3-polling-at-an-election-1870.jpg The Election-Plate 3.-Polling At An Election The Election-Plate 3.-Polling At An Election — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4001 https://www.gravurdunyasi.com/img/seo/GWH4001/the-election-chairing-the-member-plate-4-1833.jpg The Election-Chairing The Member-Plate 4. The Election-Chairing The Member-Plate 4. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4101 https://www.gravurdunyasi.com/img/seo/GWH4101/hudibras-frontispiece-1833.jpg Hudibras-Frontispiece Hudibras-Frontispiece — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4201B https://www.gravurdunyasi.com/img/seo/GWH4201B/hudibras-plate-ii-hudibras-sallying-forth-1870.jpg Hudibras-Plate II.-Hudibras Sallying Forth Hudibras-Plate II.-Hudibras Sallying Forth — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4301B https://www.gravurdunyasi.com/img/seo/GWH4301B/hudibras-plate-iii-first-adventure-1870.jpg Hudibras-Plate III.-First Adventure Hudibras-Plate III.-First Adventure — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4401BB https://www.gravurdunyasi.com/img/seo/GWH4401BB/hudibras-catechis-d-plate-4-1802.jpg Hudibras Catechis'd-Plate 4 Hudibras Catechis'd-Plate 4 — William Hogarth (1697-1764) — 1802 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4402 https://www.gravurdunyasi.com/img/seo/GWH4402/hudibras-catechis-d-1833.jpg Hudibras Catechis'd Hudibras Catechis'd — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4403B https://www.gravurdunyasi.com/img/seo/GWH4403B/hudibras-plate-iv-hudibras-catechised-1870.jpg Hudibras-Plate IV.-Hudibras Catechised Hudibras-Plate IV.-Hudibras Catechised — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4501B https://www.gravurdunyasi.com/img/seo/GWH4501B/hudibras-plate-v-hudibras-vanquished-by-trulla-1870.jpg Hudibras-Plate V-Hudibras Vanquished By Trulla Hudibras-Plate V-Hudibras Vanquished By Trulla — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4601B https://www.gravurdunyasi.com/img/seo/GWH4601B/hudibras-in-tribulation-plate-6-1802.jpg Hudibras In Tribulation-Plate 6 Hudibras In Tribulation-Plate 6 — William Hogarth (1697-1764) — 1802 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4602B https://www.gravurdunyasi.com/img/seo/GWH4602B/hudibras-plate-vi-hudibras-in-tribulation-1870.jpg Hudibras-Plate VI.-Hudibras In Tribulation Hudibras-Plate VI.-Hudibras In Tribulation — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4701BB https://www.gravurdunyasi.com/img/seo/GWH4701BB/hudibras-and-the-lawyer-plate-7-1802.jpg Hudibras And The Lawyer-Plate 7. Hudibras And The Lawyer-Plate 7. — William Hogarth (1697-1764) — 1802 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4702 https://www.gravurdunyasi.com/img/seo/GWH4702/hudibras-with-the-lawyer-plate-7-1833.jpg Hudibras With The Lawyer-Plate 7 Hudibras With The Lawyer-Plate 7 — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4703B https://www.gravurdunyasi.com/img/seo/GWH4703B/hudibras-plate-vii-hudibras-and-the-lawyer-1870.jpg Hudibras-Plate VII.-Hudibras And The Lawyer Hudibras-Plate VII.-Hudibras And The Lawyer — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4801B https://www.gravurdunyasi.com/img/seo/GWH4801B/hudibras-plate-viii-hudibras-consulting-sidrophel-1870.jpg Hudibras-Plate VIII.-Hudibras Consulting Sidrophel Hudibras-Plate VIII.-Hudibras Consulting Sidrophel — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH4901B https://www.gravurdunyasi.com/img/seo/GWH4901B/hudibras-plate-ix-the-committee-1870.jpg Hudibras-Plate IX.-The Committee Hudibras-Plate IX.-The Committee — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5001B https://www.gravurdunyasi.com/img/seo/GWH5001B/hudibras-triumphant-plate-10-1802.jpg Hudibras Triumphant-Plate 10 Hudibras Triumphant-Plate 10 — William Hogarth (1697-1764) — 1802 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5002 https://www.gravurdunyasi.com/img/seo/GWH5002/hudibras-leading-tromdero-in-triumph-plate-10-1833.jpg Hudibras Leading Tromdero In Triumph- Plate 10. Hudibras Leading Tromdero In Triumph- Plate 10. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5003B https://www.gravurdunyasi.com/img/seo/GWH5003B/hudibras-plate-x-hudibras-triumphant-1870.jpg Hudibras-Plate X-Hudibras Triumphant Hudibras-Plate X-Hudibras Triumphant — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5101B https://www.gravurdunyasi.com/img/seo/GWH5101B/times-of-the-day-morning-1870.jpg Times Of The Day-Morning Times Of The Day-Morning — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5102K https://www.gravurdunyasi.com/img/seo/GWH5102K/times-of-the-day-morning-1833.jpg Times Of The Day-Morning Times Of The Day-Morning — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5201B https://www.gravurdunyasi.com/img/seo/GWH5201B/noon-1807.jpg Noon Noon — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5202K https://www.gravurdunyasi.com/img/seo/GWH5202K/times-of-the-day-noon-1833.jpg Times Of The Day-Noon Times Of The Day-Noon — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5203B https://www.gravurdunyasi.com/img/seo/GWH5203B/times-of-the-day-noon-1870.jpg Times Of The Day-Noon Times Of The Day-Noon — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5301K https://www.gravurdunyasi.com/img/seo/GWH5301K/times-of-the-day-evening-1833.jpg Times Of The Day-Evening Times Of The Day-Evening — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5302B https://www.gravurdunyasi.com/img/seo/GWH5302B/times-of-the-day-evening-1870.jpg Times Of The Day-Evening Times Of The Day-Evening — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5401K https://www.gravurdunyasi.com/img/seo/GWH5401K/times-of-the-day-night-1833.jpg Times Of The Day-Night Times Of The Day-Night — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5402B https://www.gravurdunyasi.com/img/seo/GWH5402B/times-of-the-day-night-1870.jpg Times Of The Day-Night Times Of The Day-Night — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5501B https://www.gravurdunyasi.com/img/seo/GWH5501B/beer-street-1807.jpg Beer Street Beer Street — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5502B https://www.gravurdunyasi.com/img/seo/GWH5502B/beer-street-1870.jpg Beer Street Beer Street — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5503K https://www.gravurdunyasi.com/img/seo/GWH5503K/beer-street-and-gin-lane-beer-street-1833.jpg Beer Street And Gin Lane-Beer Street Beer Street And Gin Lane-Beer Street — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5601B https://www.gravurdunyasi.com/img/seo/GWH5601B/gin-lane-1870.jpg Gın Lane Gın Lane — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5602K https://www.gravurdunyasi.com/img/seo/GWH5602K/beer-street-and-gin-lane-gin-lane-1833.jpg Beer Street And Gin Lane-Gin Lane Beer Street And Gin Lane-Gin Lane — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5701 https://www.gravurdunyasi.com/img/seo/GWH5701/england-1850.jpg England England — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5702 https://www.gravurdunyasi.com/img/seo/GWH5702/england-1850.jpg England England — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5703K https://www.gravurdunyasi.com/img/seo/GWH5703K/england-1833.jpg England England — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5801 https://www.gravurdunyasi.com/img/seo/GWH5801/france-1850.jpg France France — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5802K https://www.gravurdunyasi.com/img/seo/GWH5802K/france-1833.jpg France France — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5901B https://www.gravurdunyasi.com/img/seo/GWH5901B/the-times-plate-1-1861.jpg The Times-Plate 1. The Times-Plate 1. — William Hogarth (1697-1764) — 1861 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH5902 https://www.gravurdunyasi.com/img/seo/GWH5902/the-times-plate-1-1850.jpg The Times-Plate 1. The Times-Plate 1. — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6001B https://www.gravurdunyasi.com/img/seo/GWH6001B/the-times-plate-2-1861.jpg The Times-Plate 2. The Times-Plate 2. — William Hogarth (1697-1764) — 1861 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6101 https://www.gravurdunyasi.com/img/seo/GWH6101/taste-in-high-life-1798.jpg Taste in High Life Taste in High Life — William Hogarth (1697-1764) — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6103K https://www.gravurdunyasi.com/img/seo/GWH6103K/taste-in-high-life-1833.jpg Taste in High Life Taste in High Life — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6201B https://www.gravurdunyasi.com/img/seo/GWH6201B/pit-ticket-1800.jpg Pit Ticket Pit Ticket — William Hogarth (1697-1764) — 1800's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6202B https://www.gravurdunyasi.com/img/seo/GWH6202B/pit-ticket-1808.jpg Pit Ticket Pit Ticket — William Hogarth (1697-1764) — 1808 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6203 https://www.gravurdunyasi.com/img/seo/GWH6203/the-cock-pit-1833.jpg The Cock Pit The Cock Pit — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6302K https://www.gravurdunyasi.com/img/seo/GWH6302K/william-hogarth-from-an-original-picture-painted-by-himself-1833.jpg William Hogarth From An Original Picture Painted By Himself William Hogarth From An Original Picture Painted By Himself — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6401 https://www.gravurdunyasi.com/img/seo/GWH6401/hogart-with-his-dog-1850.jpg Hogart With His Dog Hogart With His Dog — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6502 https://www.gravurdunyasi.com/img/seo/GWH6502/william-hogarth-1764-1870.jpg William Hogarth, 1764 William Hogarth, 1764 — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6601B https://www.gravurdunyasi.com/img/seo/GWH6601B/the-laughing-audience-1833.jpg The Laughing Audience The Laughing Audience — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6602B https://www.gravurdunyasi.com/img/seo/GWH6602B/the-laughing-audience-1870.jpg The Laughing Audience The Laughing Audience — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6603K https://www.gravurdunyasi.com/img/seo/GWH6603K/the-laughing-audience-1833.jpg The Laughing Audience The Laughing Audience — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6701B https://www.gravurdunyasi.com/img/seo/GWH6701B/the-chorus-1820.jpg The Chorus The Chorus — William Hogarth (1697-1764) — 1820's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6702B https://www.gravurdunyasi.com/img/seo/GWH6702B/the-chorus-1870.jpg The Chorus The Chorus — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6703K https://www.gravurdunyasi.com/img/seo/GWH6703K/the-chorus-1833.jpg The Chorus The Chorus — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6801B https://www.gravurdunyasi.com/img/seo/GWH6801B/the-lecture-1808.jpg The Lecture The Lecture — William Hogarth (1697-1764) — 1808 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6802B https://www.gravurdunyasi.com/img/seo/GWH6802B/alma-mater-1870.jpg Alma Mater Alma Mater — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6803K https://www.gravurdunyasi.com/img/seo/GWH6803K/the-lecture-1833.jpg The Lecture The Lecture — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6901B https://www.gravurdunyasi.com/img/seo/GWH6901B/arms-of-the-undertakers-1870.jpg Arms Of The Undertakers Arms Of The Undertakers — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH6902K https://www.gravurdunyasi.com/img/seo/GWH6902K/consultation-of-physicians-1833.jpg Consultation Of Physicians Consultation Of Physicians — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7001 https://www.gravurdunyasi.com/img/seo/GWH7001/3-characters-4-caricaturas-1807.jpg 3 Characters 4 Caricaturas 3 Characters 4 Caricaturas — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7101K https://www.gravurdunyasi.com/img/seo/GWH7101K/the-bench-character-and-caricatura-1833.jpg The Bench-Character And Caricatura The Bench-Character And Caricatura — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7201B https://www.gravurdunyasi.com/img/seo/GWH7201B/the-house-of-commons-in-sir-robert-walpole-s-administration-1870.jpg The House Of Commons, In Sir Robert Walpole's Administration The House Of Commons, In Sir Robert Walpole's Administration — William Hogarth (1697-1764)-James Thornhill (1675-1734) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7301B https://www.gravurdunyasi.com/img/seo/GWH7301B/the-enraged-musician-1806.jpg The Enraged Musician The Enraged Musician — William Hogarth (1697-1764) — 1806 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7302 https://www.gravurdunyasi.com/img/seo/GWH7302/the-enraged-musician-1833.jpg The Enraged Musician The Enraged Musician — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7401B https://www.gravurdunyasi.com/img/seo/GWH7401B/masquerade-ticket-1822.jpg Masquerade Ticket Masquerade Ticket — William Hogarth (1697-1764) — 1822 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7501B https://www.gravurdunyasi.com/img/seo/GWH7501B/masquerades-and-operas-burlington-gate-1807.jpg Masquerades And Operas, Burlington Gate Masquerades And Operas, Burlington Gate — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7502K https://www.gravurdunyasi.com/img/seo/GWH7502K/masquerades-and-operas-burlington-gate-1833.jpg Masquerades And Operas, Burlington Gate Masquerades And Operas, Burlington Gate — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7601B https://www.gravurdunyasi.com/img/seo/GWH7601B/the-south-sea-bubble-an-allegory-1870.jpg The South Sea Bubble-An Allegory The South Sea Bubble-An Allegory — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7701B https://www.gravurdunyasi.com/img/seo/GWH7701B/the-midnight-conversation-1870.jpg The Midnight Conversation The Midnight Conversation — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7703K https://www.gravurdunyasi.com/img/seo/GWH7703K/a-midnight-modern-conversation-1833.jpg A Midnight Modern Conversation A Midnight Modern Conversation — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7801B https://www.gravurdunyasi.com/img/seo/GWH7801B/the-sleeping-congregation-1870.jpg The Sleeping Congregation The Sleeping Congregation — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7802K https://www.gravurdunyasi.com/img/seo/GWH7802K/the-sleeping-congregation-1833.jpg The Sleeping Congregation The Sleeping Congregation — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7901 https://www.gravurdunyasi.com/img/seo/GWH7901/the-march-to-finchley-1870.jpg The March To Finchley The March To Finchley — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH7902 https://www.gravurdunyasi.com/img/seo/GWH7902/ausmarsch-der-truppen-nach-finchley-the-march-to-finchley-1850.jpg Ausmarsch Der Truppen Nach Finchley-The March To Finchley Ausmarsch Der Truppen Nach Finchley-The March To Finchley — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8001 https://www.gravurdunyasi.com/img/seo/GWH8001/the-distressed-poet-1833.jpg The Distressed Poet The Distressed Poet — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8003K https://www.gravurdunyasi.com/img/seo/GWH8003K/the-distressed-poet-1833.jpg The Distressed Poet The Distressed Poet — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8101 https://www.gravurdunyasi.com/img/seo/GWH8101/gate-of-calais-o-the-roast-beef-of-old-england-1833.jpg Gate Of Calais-O The Roast Beef Of Old England Gate Of Calais-O The Roast Beef Of Old England — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8202K https://www.gravurdunyasi.com/img/seo/GWH8202K/southwark-fair-1833.jpg Southwark Fair Southwark Fair — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8302K https://www.gravurdunyasi.com/img/seo/GWH8302K/country-inn-yard-1833.jpg Country Inn Yard Country Inn Yard — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8401 https://www.gravurdunyasi.com/img/seo/GWH8401/the-match-maker-1798.jpg The Match Maker The Match Maker — William Hogarth (1697-1764) — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8501 https://www.gravurdunyasi.com/img/seo/GWH8501/a-medley-credulity-superstition-and-fanaticism-1798.jpg A Medley-Credulity, Superstition And Fanaticism A Medley-Credulity, Superstition And Fanaticism — William Hogarth (1697-1764) — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8601B https://www.gravurdunyasi.com/img/seo/GWH8601B/two-plates-for-miltons-1809.jpg Two Plates For Miltons Two Plates For Miltons — William Hogarth (1697-1764) — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8701B https://www.gravurdunyasi.com/img/seo/GWH8701B/perseus-andromeda-frontispiece-perseus-descending-1808.jpg Perseus & Andromeda-Frontispiece-Perseus Descending Perseus & Andromeda-Frontispiece-Perseus Descending — William Hogarth (1697-1764) — 1808 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8801B https://www.gravurdunyasi.com/img/seo/GWH8801B/rich-s-triumphal-entry-1809.jpg Rich's Triumphal Entry Rich's Triumphal Entry — William Hogarth (1697-1764) — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH8901B https://www.gravurdunyasi.com/img/seo/GWH8901B/the-farmers-return-1807.jpg The Farmers Return The Farmers Return — William Hogarth (1697-1764) — 1807 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9001B https://www.gravurdunyasi.com/img/seo/GWH9001B/joseph-porter-esq-of-mortlake-1809.jpg Joseph Porter Esq. Of Mortlake Joseph Porter Esq. Of Mortlake — William Hogarth (1697-1764) — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9101B https://www.gravurdunyasi.com/img/seo/GWH9101B/before-1870.jpg Before Before — William Hogarth (1697-1764) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9201 https://www.gravurdunyasi.com/img/seo/GWH9201/analysis-of-beauty-plate-2-1850.jpg Analysis Of Beauty-Plate 2 Analysis Of Beauty-Plate 2 — William Hogarth (1697-1764) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9301 https://www.gravurdunyasi.com/img/seo/GWH9301/garrick-in-der-rolle-richard-des-dritten-mr-garrick-in-the-character-1850.jpg Garrick In Der Rolle Richard Des Dritten-Mr Garrick In The Character Of The Richard The Third Garrick In Der Rolle Richard Des Dritten-Mr Garrick In The Character Of The Richard The Third — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9302K https://www.gravurdunyasi.com/img/seo/GWH9302K/garrick-in-the-character-of-the-richard-the-third-1833.jpg Garrick In The Character Of The Richard The Third Garrick In The Character Of The Richard The Third — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9401 https://www.gravurdunyasi.com/img/seo/GWH9401/henry-the-eight-anna-boleyne-1833.jpg Henry The Eight & Anna Boleyne Henry The Eight & Anna Boleyne — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9501 https://www.gravurdunyasi.com/img/seo/GWH9501/columbus-breaking-the-egg-1833.jpg Columbus Breaking The Egg Columbus Breaking The Egg — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9502K https://www.gravurdunyasi.com/img/seo/GWH9502K/columbus-breaking-the-egg-1833.jpg Columbus Breaking The Egg Columbus Breaking The Egg — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9601 https://www.gravurdunyasi.com/img/seo/GWH9601/swearing-child-1870.jpg Swearing Child Swearing Child — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9701B https://www.gravurdunyasi.com/img/seo/GWH9701B/sancho-starved-by-his-physician-1833.jpg Sancho Starved By His Physician Sancho Starved By His Physician — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9801B https://www.gravurdunyasi.com/img/seo/GWH9801B/sigismonda-with-the-heart-of-her-husband-1833.jpg Sigismonda, With The Heart Of Her Husband Sigismonda, With The Heart Of Her Husband — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH9901B https://www.gravurdunyasi.com/img/seo/GWH9901B/the-pool-of-bethesda-1870.jpg The Pool Of Bethesda The Pool Of Bethesda — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10001B https://www.gravurdunyasi.com/img/seo/GWH10001B/the-good-samaritan-1870.jpg The Good Samaritan The Good Samaritan — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10101B https://www.gravurdunyasi.com/img/seo/GWH10101B/moses-before-pharaoh-s-daughter-1833.jpg Moses Before Pharaoh's Daughter Moses Before Pharaoh's Daughter — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10201B https://www.gravurdunyasi.com/img/seo/GWH10201B/frontispiece-to-the-artist-catalogue-1870.jpg Frontispiece To The Artist Catalogue Frontispiece To The Artist Catalogue — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10301B https://www.gravurdunyasi.com/img/seo/GWH10301B/the-funeral-of-chyrstom-and-marcello-vindicating-herself-vol-1-book-2-1870.jpg The Funeral Of Chyrstom And Marcello Vindicating Herself-Vol 1. Book 2. Chap. 5 The Funeral Of Chyrstom And Marcello Vindicating Herself-Vol 1. Book 2. Chap. 5 — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10401B https://www.gravurdunyasi.com/img/seo/GWH10401B/the-inn-keepers-wife-daughter-talking-care-of-don-after-being-beaten-1870.jpg The Inn Keepers Wife & Daughter Talking Care Of Don After Being Beaten & Bruiesed-Vol 1. Book 3. Chap. 2. The Inn Keepers Wife & Daughter Talking Care Of Don After Being Beaten & Bruiesed-Vol 1. Book 3. Chap. 2. — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10501B https://www.gravurdunyasi.com/img/seo/GWH10501B/don-luixote-releases-yalley-slaves-vol-1-book-3-chap-8-1870.jpg Don Luixote Releases Yalley Slaves-Vol 1. Book 3. Chap. 8. Don Luixote Releases Yalley Slaves-Vol 1. Book 3. Chap. 8. — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10601B https://www.gravurdunyasi.com/img/seo/GWH10601B/the-unfortunate-knight-of-the-rock-meeting-don-luixote-book-3-chap-9-1870.jpg The Unfortunate Knight Of The Rock Meeting Don Luixote-Book 3. Chap. 9. The Unfortunate Knight Of The Rock Meeting Don Luixote-Book 3. Chap. 9. — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10701B https://www.gravurdunyasi.com/img/seo/GWH10701B/don-luixote-seizes-the-barber-s-bason-for-mainbrino-s-helmet-book-3-1870.jpg Don Luixote Seizes The Barber's Bason For Mainbrino's Helmet-Book 3. Chap. 7. Don Luixote Seizes The Barber's Bason For Mainbrino's Helmet-Book 3. Chap. 7. — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10801B https://www.gravurdunyasi.com/img/seo/GWH10801B/the-burate-barber-disguising-themselves-to-convey-don-luixote-book-3-1870.jpg The Burate & Barber Disguising Themselves To Convey Don Luixote-Book 3. Chap. 13. The Burate & Barber Disguising Themselves To Convey Don Luixote-Book 3. Chap. 13. — William Hogarth (1697-1764) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10901K https://www.gravurdunyasi.com/img/seo/GWH10901K/hymen-and-cupid-1833.jpg Hymen And Cupid Hymen And Cupid — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH10902B https://www.gravurdunyasi.com/img/seo/GWH10902B/hymen-and-cupid-1809.jpg Hymen And Cupid Hymen And Cupid — William Hogarth (1697-1764) — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11001K https://www.gravurdunyasi.com/img/seo/GWH11001K/captain-thomas-coram-founder-of-the-foundling-hospital-1833.jpg Captain Thomas Coram, Founder Of The Foundling Hospital Captain Thomas Coram, Founder Of The Foundling Hospital — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11101K https://www.gravurdunyasi.com/img/seo/GWH11101K/martin-folkes-esq-1833.jpg Martin Folkes Esq. Martin Folkes Esq. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11201K https://www.gravurdunyasi.com/img/seo/GWH11201K/daniel-lock-esq-1833.jpg Daniel Lock, Esq. Daniel Lock, Esq. — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11301K https://www.gravurdunyasi.com/img/seo/GWH11301K/the-politician-1833.jpg The Politician The Politician — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11401K https://www.gravurdunyasi.com/img/seo/GWH11401K/the-bruiser-charles-churchill-once-the-reverend-in-the-character-of-a-1833.jpg The Bruiser, Charles Churchill(Once The Reverend) In The Character Of A Russian Hercules The Bruiser, Charles Churchill(Once The Reverend) In The Character Of A Russian Hercules — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11501K https://www.gravurdunyasi.com/img/seo/GWH11501K/the-foundlings-1833.jpg The Foundlings The Foundlings — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11601K https://www.gravurdunyasi.com/img/seo/GWH11601K/paul-before-felix-1833.jpg Paul Before Felix Paul Before Felix — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11701K https://www.gravurdunyasi.com/img/seo/GWH11701K/strolling-players-rehearsing-in-a-barn-1833.jpg Strolling Players, Rehearsing In A Barn Strolling Players, Rehearsing In A Barn — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11801K https://www.gravurdunyasi.com/img/seo/GWH11801K/bambridge-on-trial-for-murder-by-a-committee-of-the-house-of-commons-1833.jpg Bambridge On Trial For Murder By A Committee Of The House Of Commons Bambridge On Trial For Murder By A Committee Of The House Of Commons — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH11901K https://www.gravurdunyasi.com/img/seo/GWH11901K/impression-from-a-silver-tankard-1833.jpg Impression From A Silver Tankard Impression From A Silver Tankard — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12001K https://www.gravurdunyasi.com/img/seo/GWH12001K/seller-1833.jpg Seller Seller — William Hogarth (1697-1764) — 1833 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12101B https://www.gravurdunyasi.com/img/seo/GWH12101B/christ-his-disciples-1850.jpg Christ & His Disciples Christ & His Disciples — William Hogarth (1697-1764) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12201U https://www.gravurdunyasi.com/img/seo/GWH12201U/a-musical-study-1809.jpg A Musical Study A Musical Study — William Hogarth (1697-1764) — 1809 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12301BB https://www.gravurdunyasi.com/img/seo/GWH12301BB/bambridge-on-trial-for-murder-by-a-committee-of-the-house-of-commons-1803.jpg Bambridge on Trial for Murder by a Committee of the House of Commons Bambridge on Trial for Murder by a Committee of the House of Commons — William Hogarth (1697-1764) — 1803 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12401K https://www.gravurdunyasi.com/img/seo/GWH12401K/hogarth-and-his-dog-1879.jpg Hogarth And His Dog Hogarth And His Dog — William Hogarth (1697-1764) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12501 https://www.gravurdunyasi.com/img/seo/GWH12501/the-milk-maid-hogarth-s-enraged-musician-1850.jpg The Milk Maid (Hogarth's Enraged Musician) The Milk Maid (Hogarth's Enraged Musician) — William Hogarth (1697-1764) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWH12601 https://www.gravurdunyasi.com/img/seo/GWH12601/oratorio-of-judith-the-chorus-1808.jpg Oratorio Of Judith (The Chorus) Oratorio Of Judith (The Chorus) — William Hogarth (1697-1764) — 1808 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0103B https://www.gravurdunyasi.com/img/seo/GWS0103B/the-play-scane-hamlet-act-iii-sc-2-1854.jpg The Play Scane "Hamlet", Act III Sc. 2 The Play Scane "Hamlet", Act III Sc. 2 — Daniel Maclise (1806-1870) — 1854. Hamlet (1600-1601), one of William Shakespeare's most performed and interpreted tragedies, tells the story of Prince Hamlet of Denmark's efforts to uncover the guilt of his uncle Claudius, who ascended to the throne after his father's death. The play is structured around themes of revenge, power, betrayal, melancholy, and death. Hamlet's mental… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0201K https://www.gravurdunyasi.com/img/seo/GWS0201K/malvolio-act-3-sc-4-twelfth-night-1855.jpg Malvolio, Act 3 Sc. 4 (Twelfth Night) Malvolio, Act 3 Sc. 4 (Twelfth Night) — Daniel Maclise (1806-1870) — 1855. Twelfth Night, one of William Shakespeare's most famous comedies, is a masterpiece that combines elements of love, identity confusion, and humor. It premiered in January 1602 at the court of Queen Elizabeth I. Named after the 12th day of Christmas, this period symbolizes joy, identity shifts, and the reversal of social roles. The story takes place… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0301K https://www.gravurdunyasi.com/img/seo/GWS0301K/juliet-and-the-nurse-act-2-sc-5-romeo-and-juiet-1852.jpg Juliet And The Nurse, Act 2 Sc.5 (Romeo And Juiet) Juliet And The Nurse, Act 2 Sc.5 (Romeo And Juiet) — Henry Perronet Briggs (1791-1844) — 1852. William Shakespeare's tragedy "Romeo and Juliet" is one of the most famous works of world literature, exploring themes of love and fate. Written between 1595 and 1596, the play depicts the tragic love affair between Romeo and Juliet, children of two feuding families in Verona. The play revolves around the passion of youth, the purity of love, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0401K https://www.gravurdunyasi.com/img/seo/GWS0401K/falstaff-and-anne-page-the-merry-wives-of-windsor-1855.jpg Falstaff And Anne Page (The Merry Wives Of Windsor) Falstaff And Anne Page (The Merry Wives Of Windsor) — George Clint (1770-1854) — 1855. William Shakespeare's comedy "The Merry Wives of Windsor," first published in 1602, became one of the most cheerful works reflecting the social relations of Elizabethan England. The plot revolves around Sir John Falstaff, the famous character Shakespeare had previously introduced in his play Henry IV. Throughout the play, Sir John Falstaff… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0502K https://www.gravurdunyasi.com/img/seo/GWS0502K/christopher-sly-the-taming-of-the-shrew-1867.jpg Christopher Sly "The Taming Of The Shrew" Christopher Sly "The Taming Of The Shrew" — William Quiller Orchardson (1832-1910) — 1867. One of William Shakespeare's most controversial comedies, "The Taming of the Shrew" is thought to have been written in the early 1590s. The play, centered on marriage, gender roles, and power relations, reflects male-female dynamics during the Renaissance while also posing questions that remain controversial for contemporary audiences. At the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0601B https://www.gravurdunyasi.com/img/seo/GWS0601B/the-wooing-of-henry-v-act-5-scene-2-the-life-of-king-henry-the-fifth-1876.jpg The Wooing Of Henry V., Act 5 Scene 2 (The Life of King Henry the Fifth) The Wooing Of Henry V., Act 5 Scene 2 (The Life of King Henry the Fifth) — William Frederick Yeames (1835-1918) — 1876. William Shakespeare's "The Life of King Henry V" is a history play, first performed in 1599, that glorifies English nationalism, heroism, and the king's leadership qualities, particularly through the Battle of Agincourt (1415). The play is the final installment of Shakespeare's four-part Lancaster history series and reveals how Prince Hal, known… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0702B https://www.gravurdunyasi.com/img/seo/GWS0702B/falstaff-and-his-friends-the-merry-wives-and-windsor-1870.jpg Falstaff And His Friends (The Merry Wives And Windsor) Falstaff And His Friends (The Merry Wives And Windsor) — Charles Robert Leslie (1794 -1859) — 1870-1876. William Shakespeare's comedy "The Merry Wives of Windsor," first published in 1602, became one of the most cheerful works reflecting the social relations of Elizabethan England. The plot revolves around Sir John Falstaff, the famous character Shakespeare had previously introduced in his play Henry IV. Throughout the play, Sir John Falstaff… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0801B https://www.gravurdunyasi.com/img/seo/GWS0801B/shakspere-william-shakespeare-1870.jpg Shakspere (William Shakespeare) Shakspere (William Shakespeare) — Chandos — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0802 https://www.gravurdunyasi.com/img/seo/GWS0802/william-shakespeare-1870.jpg William Shakespeare William Shakespeare — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0901B https://www.gravurdunyasi.com/img/seo/GWS0901B/the-scene-in-the-temple-garden-first-part-king-henry-vl-1850.jpg The Scene İn The Temple Garden-First Part (King Henry Vl.) The Scene İn The Temple Garden-First Part (King Henry Vl.) — John Pettie (1832-1910) — 1850's. "King Henry VI" (Henry VI, Parts I–III) is one of William Shakespeare's historical plays, written in the early 1590s, and constitutes the first part of a trilogy depicting the civil war known as the "Wars of the Roses." The plays portray the political intrigues, bloody conflicts, and power struggles between the houses of York and Lancaster for the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS0902K https://www.gravurdunyasi.com/img/seo/GWS0902K/the-rival-roses-king-henry-vl-first-part-1874.jpg The Rival Roses (King Henry Vl., First Part) The Rival Roses (King Henry Vl., First Part) — John Pettie (1832-1910) — 1874. "King Henry VI" (Henry VI, Parts I–III) is one of William Shakespeare's historical plays, written in the early 1590s, and constitutes the first parts of a trilogy depicting the civil war known as the "Wars of the Roses." The plays portray the political intrigues, bloody conflicts, and power struggles between the houses of York and Lancaster for… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1001B https://www.gravurdunyasi.com/img/seo/GWS1001B/the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1870.jpg The Seven Ages Of Man, Act II Sc. VII (As You Like İt) The Seven Ages Of Man, Act II Sc. VII (As You Like İt) — William Mulready (1786-1863) — 1870-1876. William Shakespeare's pastoral comedy "As You Like It," written between 1599 and 1600, is one of his most notable works, both for its dramatic setting and its philosophical subtext. The play revolves around the identity shifts, love affairs, and humorous dialogues of the protagonists who seek refuge in the Forest of Arden. One of the most… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1101B https://www.gravurdunyasi.com/img/seo/GWS1101B/the-quarrel-of-wolsey-and-buckingham-act-1-sc-1-king-henry-vlll-1870.jpg The Quarrel Of Wolsey And Buckingham, Act 1 Sc. 1(King Henry Vlll.) The Quarrel Of Wolsey And Buckingham, Act 1 Sc. 1(King Henry Vlll.) — Solomon Alexander Hart (1806-1881) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1201B https://www.gravurdunyasi.com/img/seo/GWS1201B/imogen-in-the-cave-act-iii-sc-6-cymbeline-1873.jpg Imogen İn The Cave, Act III Sc. 6 (Cymbeline) Imogen İn The Cave, Act III Sc. 6 (Cymbeline) — Thomas Alexander Ferguson Graham (1840-1906) — 1873-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1302B https://www.gravurdunyasi.com/img/seo/GWS1302B/prince-henry-poins-and-palstaff-first-part-act-2-sc-5the-history-of-1873.jpg Prince Henry, Poins, And Palstaff, First Part Act 2 Sc. 5The History Of Henry IV.) Prince Henry, Poins, And Palstaff, First Part Act 2 Sc. 5The History Of Henry IV.) — William Quiller Orchardson (1832-1910) — 1873 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1401B https://www.gravurdunyasi.com/img/seo/GWS1401B/othello-relating-his-adventures-act-1-sc-3-othello-1870.jpg Othello Relating His Adventures, Act 1 Sc. 3(Othello) Othello Relating His Adventures, Act 1 Sc. 3(Othello) — Charles West Cope (1811-1890) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1501B https://www.gravurdunyasi.com/img/seo/GWS1501B/ophelia-hamlet-1873.jpg Ophelia(Hamlet) Ophelia(Hamlet) — Arthur Hughes (1832-1915) — 1873-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1601B https://www.gravurdunyasi.com/img/seo/GWS1601B/prince-arthur-and-hubert-the-life-and-death-of-king-john-1870.jpg Prince Arthur And Hubert(The Life And Death Of King John) Prince Arthur And Hubert(The Life And Death Of King John) — Laslett John Pott (1837-1898) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1701B https://www.gravurdunyasi.com/img/seo/GWS1701B/troilus-and-cressida-1870.jpg Troilus And Cressida Troilus And Cressida — Valentine Walter Bromley (1848-1877) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1801B https://www.gravurdunyasi.com/img/seo/GWS1801B/puck-and-the-fairies-midsummer-night-s-dream-1870.jpg Puck And The Fairies(Midsummer Night's Dream) Puck And The Fairies(Midsummer Night's Dream) — Richard Dadd (1817-1886) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS1901B https://www.gravurdunyasi.com/img/seo/GWS1901B/queen-katherina-act-3-sc-1-king-henry-vlll-1870.jpg Queen Katherina, Act 3 Sc. 1(King Henry Vlll.) Queen Katherina, Act 3 Sc. 1(King Henry Vlll.) — Charles Robert Leslie (1794 -1859) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2001B https://www.gravurdunyasi.com/img/seo/GWS2001B/juliet-in-the-cell-of-friar-lawrence-romeo-and-juliet-1870.jpg Juliet İn The Cell Of Friar Lawrence(Romeo And Juliet) Juliet İn The Cell Of Friar Lawrence(Romeo And Juliet) — Edward Matthew Ward (1816-1879) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2101B https://www.gravurdunyasi.com/img/seo/GWS2101B/queen-elizabeth-and-the-duke-of-york-the-tragedy-of-king-richard-iii-1870.jpg Queen Elizabeth And The Duke Of York(The Tragedy Of King Richard III.) Queen Elizabeth And The Duke Of York(The Tragedy Of King Richard III.) — Edward Matthew Ward (1816-1879) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2201B https://www.gravurdunyasi.com/img/seo/GWS2201B/shylock-the-merchant-of-venice-1870.jpg Shylock (The Merchant Of Venice) Shylock (The Merchant Of Venice) — John Gilbert (1817-1897) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2202B https://www.gravurdunyasi.com/img/seo/GWS2202B/shylock-after-the-trial-the-merchant-of-venice-1873.jpg Shylock After The Trial (The Merchant Of Venice) Shylock After The Trial (The Merchant Of Venice) — John Gilbert (1817-1897) — 1873 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2301B https://www.gravurdunyasi.com/img/seo/GWS2301B/touchstone-and-audrey-as-you-like-it-1870.jpg Touchstone And Audrey (As You Like İt) Touchstone And Audrey (As You Like İt) — John Pettie (1832-1910) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2401B https://www.gravurdunyasi.com/img/seo/GWS2401B/talbot-and-the-countess-of-auvergne-first-part-act-ii-sc-3-king-henry-1870.jpg Talbot And The Countess Of Auvergne, First Part Act II Sc. 3(King Henry Vl.) Talbot And The Countess Of Auvergne, First Part Act II Sc. 3(King Henry Vl.) — William Quiller Orchardson (1832-1910) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2501B https://www.gravurdunyasi.com/img/seo/GWS2501B/wolsey-at-leicester-abbey-act-iv-scene-ll-king-henry-viii-1870.jpg Wolsey At Leicester Abbey, Act. IV Scene ll(King Henry VIII.) Wolsey At Leicester Abbey, Act. IV Scene ll(King Henry VIII.) — Charles West Cope (1811-1890) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2601B https://www.gravurdunyasi.com/img/seo/GWS2601B/the-duel-twelfth-night-1870.jpg The Duel (Twelfth Night) The Duel (Twelfth Night) — William Powell Frith (1819-1909) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2701B https://www.gravurdunyasi.com/img/seo/GWS2701B/shylock-salanio-and-salarino-act-3-scene-1-the-merchant-of-venice-1903.jpg Shylock, Salanio And Salarino, Act 3 Scene 1 (The Merchant Of Venice) Shylock, Salanio And Salarino, Act 3 Scene 1 (The Merchant Of Venice) — John Gilbert (1817-1897) — 1903 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2801B https://www.gravurdunyasi.com/img/seo/GWS2801B/florizel-and-perdita-the-winter-s-tale-1870.jpg Florizel And Perdita (The Winter's Tale) Florizel And Perdita (The Winter's Tale) — Charles Robert Leslie (1794 -1859) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS2901B https://www.gravurdunyasi.com/img/seo/GWS2901B/volumnia-reproaching-brutus-and-sicinius-act-4-sc-2-coriolanus-1850.jpg Volumnia Reproaching Brutus And Sicinius, Act 4 Sc. 2(Coriolanus) Volumnia Reproaching Brutus And Sicinius, Act 4 Sc. 2(Coriolanus) — James Dromgole Linton (1840-1916) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3001B https://www.gravurdunyasi.com/img/seo/GWS3001B/timon-and-flavius-timon-of-athens-the-life-of-timon-of-athens-1870.jpg Timon And Flavius, Timon Of Athens (The Life Of Timon Of Athens) Timon And Flavius, Timon Of Athens (The Life Of Timon Of Athens) — Henry Wallis (1806-1890) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3101B https://www.gravurdunyasi.com/img/seo/GWS3101B/the-globe-theatre-bankside-1593-1870.jpg The Globe Theatre, Bankside. 1593 The Globe Theatre, Bankside. 1593 — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3201B https://www.gravurdunyasi.com/img/seo/GWS3201B/the-nine-worthies-act-4-sc-1-love-s-labour-s-lost-1870.jpg The Nine Worthies, Act 4 Sc. 1 (Love's Labour's Lost) The Nine Worthies, Act 4 Sc. 1 (Love's Labour's Lost) — Robert Alexander Hillingford (1828-1904) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3301B https://www.gravurdunyasi.com/img/seo/GWS3301B/othello-and-desdemona-act-lv-sc-2-othello-1870.jpg Othello And Desdemona, Act lV Sc. 2(Othello) Othello And Desdemona, Act lV Sc. 2(Othello) — Francis Bernard Dicksee (1853-1928) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3401B https://www.gravurdunyasi.com/img/seo/GWS3401B/juliet-act-lll-scene-ll-romeo-and-juliet-1870.jpg Juliet, Act lll. Scene ll.(Romeo And Juliet ) Juliet, Act lll. Scene ll.(Romeo And Juliet ) — Alfred Joseph Woolmer (1805-1892) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3501B https://www.gravurdunyasi.com/img/seo/GWS3501B/disarming-of-cupid-sonnet-cliv-1870.jpg Disarming Of Cupid(Sonnet Cliv) Disarming Of Cupid(Sonnet Cliv) — William Edward Frost (1810-77) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3601B https://www.gravurdunyasi.com/img/seo/GWS3601B/the-death-of-caesar-1874.jpg The Death Of Caesar The Death Of Caesar — Jean Leon Gerome (1824–1904) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3701B https://www.gravurdunyasi.com/img/seo/GWS3701B/cleopatra-and-caesar-antony-and-cleopatra-1870.jpg Cleopatra And Caesar(Antony And Cleopatra) Cleopatra And Caesar(Antony And Cleopatra) — Jean Leon Gerome (1824–1904) — 1870-1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3801B https://www.gravurdunyasi.com/img/seo/GWS3801B/othello-act-3-sc-4-1827.jpg Othello, Act 3 Sc.4 Othello, Act 3 Sc.4 — Henri Jean Baptiste Victoire Fradelle (1778-1865) — 1827 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS3901 https://www.gravurdunyasi.com/img/seo/GWS3901/mr-g-v-brooke-as-othello-act-3-sc-3-othello-1850.jpg Mr. G.V. Brooke As Othello, Act 3 Sc. 3(Othello) Mr. G.V. Brooke As Othello, Act 3 Sc. 3(Othello) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4001 https://www.gravurdunyasi.com/img/seo/GWS4001/mr-m-kean-buchanan-as-othello-act-1-sc-2-othello-1850.jpg Mr. M'Kean Buchanan As Othello, Act. 1 Sc. 2(Othello) Mr. M'Kean Buchanan As Othello, Act. 1 Sc. 2(Othello) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4101 https://www.gravurdunyasi.com/img/seo/GWS4101/mr-couldock-as-iago-act-2-sc-1-othello-1850.jpg Mr.Couldock As Iago, Act.2 Sc.1(Othello) Mr.Couldock As Iago, Act.2 Sc.1(Othello) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4201 https://www.gravurdunyasi.com/img/seo/GWS4201/mr-macready-as-iago-act-2-sc-1-othello-1850.jpg Mr. Macready As Iago, Act 2 Sc. 1(Othello) Mr. Macready As Iago, Act 2 Sc. 1(Othello) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4301 https://www.gravurdunyasi.com/img/seo/GWS4301/mr-g-bennett-as-hubert-act-4-sc-1-the-life-and-death-of-king-john-1850.jpg Mr. G.Bennett As Hubert, Act. 4 Sc. 1(The Life And Death Of King John) Mr. G.Bennett As Hubert, Act. 4 Sc. 1(The Life And Death Of King John) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4302 https://www.gravurdunyasi.com/img/seo/GWS4302/mr-g-bennett-as-hubert-act-4-sc-1-the-life-and-death-of-king-john-1850.jpg Mr. G.Bennett As Hubert, Act. 4 Sc. 1(The Life And Death Of King John) Mr. G.Bennett As Hubert, Act. 4 Sc. 1(The Life And Death Of King John) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4401 https://www.gravurdunyasi.com/img/seo/GWS4401/miss-glyn-as-constance-act-3-sc-1-the-life-and-death-of-king-john-1850.jpg Miss Glyn As Constance, Act. 3 Sc. 1(The Life And Death Of King John) Miss Glyn As Constance, Act. 3 Sc. 1(The Life And Death Of King John) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4501 https://www.gravurdunyasi.com/img/seo/GWS4501/mr-henry-betty-as-faulconbridge-act-1-sc-1-the-life-and-death-of-king-1850.jpg Mr. Henry Betty As Faulconbridge, Act. 1 Sc. 1(The Life And Death Of King John) Mr. Henry Betty As Faulconbridge, Act. 1 Sc. 1(The Life And Death Of King John) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4502 https://www.gravurdunyasi.com/img/seo/GWS4502/mr-henry-betty-as-faulconbridge-act-1-sc-1-the-life-and-death-of-king-1850.jpg Mr. Henry Betty As Faulconbridge, Act. 1 Sc. 1(The Life And Death Of King John) Mr. Henry Betty As Faulconbridge, Act. 1 Sc. 1(The Life And Death Of King John) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4601 https://www.gravurdunyasi.com/img/seo/GWS4601/mrs-mowatt-as-beatrice-act-2-sc-1-much-ado-about-nothing-1850.jpg Mrs. Mowatt As Beatrice, Act. 2 Sc. 1 (Much Ado About Nothing) Mrs. Mowatt As Beatrice, Act. 2 Sc. 1 (Much Ado About Nothing) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4602 https://www.gravurdunyasi.com/img/seo/GWS4602/mrs-mowatt-as-beatrice-act-2-sc-1-much-ado-about-nothing-1850.jpg Mrs. Mowatt As Beatrice, Act. 2 Sc. 1 (Much Ado About Nothing) Mrs. Mowatt As Beatrice, Act. 2 Sc. 1 (Much Ado About Nothing) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4701 https://www.gravurdunyasi.com/img/seo/GWS4701/mr-e-l-davenport-as-benedick-act-2-sc-3-much-ado-about-nothing-1850.jpg Mr. E.L. Davenport As Benedick, Act. 2 Sc. 3 (Much Ado About Nothing) Mr. E.L. Davenport As Benedick, Act. 2 Sc. 3 (Much Ado About Nothing) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4702 https://www.gravurdunyasi.com/img/seo/GWS4702/mr-e-l-davenport-as-benedick-act-2-sc-3-much-ado-about-nothing-1850.jpg Mr. E.L. Davenport As Benedick, Act. 2 Sc. 3 (Much Ado About Nothing) Mr. E.L. Davenport As Benedick, Act. 2 Sc. 3 (Much Ado About Nothing) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4801 https://www.gravurdunyasi.com/img/seo/GWS4801/mr-macready-as-benedick-act-2-sc-3-much-ado-about-nothing-1850.jpg Mr. Macready As Benedick, Act. 2 Sc. 3 (Much Ado About Nothing) Mr. Macready As Benedick, Act. 2 Sc. 3 (Much Ado About Nothing) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4901 https://www.gravurdunyasi.com/img/seo/GWS4901/mrs-fitzwilliam-as-mrs-page-act-2-sc-1-the-merry-wives-of-windsor-1850.jpg Mrs. Fitzwilliam As Mrs. Page, Act.2 Sc. 1 (The Merry Wives Of Windsor) Mrs. Fitzwilliam As Mrs. Page, Act.2 Sc. 1 (The Merry Wives Of Windsor) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS4902 https://www.gravurdunyasi.com/img/seo/GWS4902/mrs-fitzwilliam-as-mrs-page-act-2-sc-1-the-merry-wives-of-windsor-1850.jpg Mrs. Fitzwilliam As Mrs. Page, Act.2 Sc. 1 (The Merry Wives Of Windsor) Mrs. Fitzwilliam As Mrs. Page, Act.2 Sc. 1 (The Merry Wives Of Windsor) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5001 https://www.gravurdunyasi.com/img/seo/GWS5001/mrs-winstanley-as-mrs-quickly-act-2-sc-2-the-merry-wives-of-windsor-1850.jpg Mrs. Winstanley As Mrs. Quickly, Act 2 Sc. 2 (The Merry Wives Of Windsor) Mrs. Winstanley As Mrs. Quickly, Act 2 Sc. 2 (The Merry Wives Of Windsor) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5002 https://www.gravurdunyasi.com/img/seo/GWS5002/mrs-winstanley-as-mrs-quickly-act-2-sc-2-the-merry-wives-of-windsor-1850.jpg Mrs. Winstanley As Mrs. Quickly, Act 2 Sc. 2 (The Merry Wives Of Windsor) Mrs. Winstanley As Mrs. Quickly, Act 2 Sc. 2 (The Merry Wives Of Windsor) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5003 https://www.gravurdunyasi.com/img/seo/GWS5003/mrs-winstanley-as-mrs-quickly-act-2-sc-2-the-merry-wives-of-windsor-1850.jpg Mrs. Winstanley As Mrs. Quickly, Act 2 Sc. 2 (The Merry Wives Of Windsor) Mrs. Winstanley As Mrs. Quickly, Act 2 Sc. 2 (The Merry Wives Of Windsor) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5101 https://www.gravurdunyasi.com/img/seo/GWS5101/mr-h-hall-and-mr-vaudrey-of-the-t-r-birmingham-act-5-sc-1-hamlet-1850.jpg Mr. H.Hall And Mr. Vaudrey (Of The T.R. Birmingham), Act. 5 Sc. 1(Hamlet) Mr. H.Hall And Mr. Vaudrey (Of The T.R. Birmingham), Act. 5 Sc. 1(Hamlet) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5201 https://www.gravurdunyasi.com/img/seo/GWS5201/mr-charles-kean-as-hamlet-act-3-sc-2-hamlet-1850.jpg Mr. Charles Kean As Hamlet, Act. 3 Sc. 2(Hamlet) Mr. Charles Kean As Hamlet, Act. 3 Sc. 2(Hamlet) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5301 https://www.gravurdunyasi.com/img/seo/GWS5301/mr-g-v-brooke-as-hamlet-act-3-sc-2-hamlet-1850.jpg Mr. G.V. Brooke As Hamlet, Act. 3 Sc. 2(Hamlet) Mr. G.V. Brooke As Hamlet, Act. 3 Sc. 2(Hamlet) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5401 https://www.gravurdunyasi.com/img/seo/GWS5401/miss-woolgar-as-rosalind-act-3-sc-2-as-you-like-it-1850.jpg Miss Woolgar As Rosalind, Act. 3, Sc. 2 (As You Like İt) Miss Woolgar As Rosalind, Act. 3, Sc. 2 (As You Like İt) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5501 https://www.gravurdunyasi.com/img/seo/GWS5501/mr-j-p-harley-as-touchstone-act-5-sc-1-as-you-like-it-1850.jpg Mr. J.P. Harley As Touchstone, Act. 5 Sc. 1 (As You Like İt) Mr. J.P. Harley As Touchstone, Act. 5 Sc. 1 (As You Like İt) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5601 https://www.gravurdunyasi.com/img/seo/GWS5601/mr-w-davidge-as-pistol-act-2-sc-1-the-life-of-king-henry-the-fifth-1850.jpg Mr. W.Davidge As Pistol, Act. 2 Sc. 1(The Life of King Henry the Fifth) Mr. W.Davidge As Pistol, Act. 2 Sc. 1(The Life of King Henry the Fifth) — Meader Brothers — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5701 https://www.gravurdunyasi.com/img/seo/GWS5701/madame-celeste-as-the-princess-katherina-act-5-sc-2-the-life-of-king-1850.jpg Madame Celeste As The Princess Katherina, Act. 5 Sc. 2(The Life of King Henry the Fifth) Madame Celeste As The Princess Katherina, Act. 5 Sc. 2(The Life of King Henry the Fifth) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5703 https://www.gravurdunyasi.com/img/seo/GWS5703/madame-celeste-as-the-princess-katherina-act-5-sc-2-the-life-of-king-1850.jpg Madame Celeste As The Princess Katherina, Act. 5 Sc. 2(The Life of King Henry the Fifth) Madame Celeste As The Princess Katherina, Act. 5 Sc. 2(The Life of King Henry the Fifth) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5801 https://www.gravurdunyasi.com/img/seo/GWS5801/mr-george-bennett-as-king-henry-the-eighth-act-2-sc-4-king-henry-viii-1850.jpg Mr. George Bennett As King Henry The Eighth, Act. 2 Sc. 4(King Henry VIII.) Mr. George Bennett As King Henry The Eighth, Act. 2 Sc. 4(King Henry VIII.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5802 https://www.gravurdunyasi.com/img/seo/GWS5802/mr-george-bennett-as-king-henry-the-eighth-act-2-sc-4-king-henry-viii-1850.jpg Mr. George Bennett As King Henry The Eighth, Act. 2 Sc. 4(King Henry VIII.) Mr. George Bennett As King Henry The Eighth, Act. 2 Sc. 4(King Henry VIII.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5901 https://www.gravurdunyasi.com/img/seo/GWS5901/miss-glyn-as-queen-katherine-act-4-sc-2-king-henry-viii-1850.jpg Miss Glyn As Queen Katherine, Act 4 Sc. 2(King Henry VIII.) Miss Glyn As Queen Katherine, Act 4 Sc. 2(King Henry VIII.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS5902 https://www.gravurdunyasi.com/img/seo/GWS5902/miss-glyn-as-queen-katherine-act-4-sc-2-king-henry-viii-1850.jpg Miss Glyn As Queen Katherine, Act 4 Sc. 2(King Henry VIII.) Miss Glyn As Queen Katherine, Act 4 Sc. 2(King Henry VIII.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6001 https://www.gravurdunyasi.com/img/seo/GWS6001/mr-buckstone-as-launcelot-gobbo-act-2-sc-2-the-merchant-of-venice-1850.jpg Mr. Buckstone As Launcelot Gobbo, Act 2 Sc. 2 (The Merchant Of Venice) Mr. Buckstone As Launcelot Gobbo, Act 2 Sc. 2 (The Merchant Of Venice) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6002 https://www.gravurdunyasi.com/img/seo/GWS6002/mr-buckstone-as-launcelot-gobbo-act-2-sc-2-the-merchant-of-venice-1850.jpg Mr. Buckstone As Launcelot Gobbo, Act 2 Sc. 2 (The Merchant Of Venice) Mr. Buckstone As Launcelot Gobbo, Act 2 Sc. 2 (The Merchant Of Venice) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6101 https://www.gravurdunyasi.com/img/seo/GWS6101/mr-macready-as-macbeth-act-1-sc-3-macbeth-1850.jpg Mr. Macready As Macbeth, Act. 1 Sc. 3(Macbeth) Mr. Macready As Macbeth, Act. 1 Sc. 3(Macbeth) — Tracey — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6201 https://www.gravurdunyasi.com/img/seo/GWS6201/mr-m-kean-buchanan-as-macbeth-act-3-sc-1-macbeth-1850.jpg Mr. M'Kean Buchanan As Macbeth, Act. 3 Sc. 1(Macbeth) Mr. M'Kean Buchanan As Macbeth, Act. 3 Sc. 1(Macbeth) — Brinkerhoff — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6301 https://www.gravurdunyasi.com/img/seo/GWS6301/mr-compton-as-launce-act-4-scene-2-the-two-gentlemen-of-verona-1850.jpg Mr. Compton As Launce, Act 4. Scene 2 (The Two Gentlemen Of Verona) Mr. Compton As Launce, Act 4. Scene 2 (The Two Gentlemen Of Verona) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6303 https://www.gravurdunyasi.com/img/seo/GWS6303/mr-compton-as-launce-act-4-scene-2-the-two-gentlemen-of-verona-1850.jpg Mr. Compton As Launce, Act 4. Scene 2 (The Two Gentlemen Of Verona) Mr. Compton As Launce, Act 4. Scene 2 (The Two Gentlemen Of Verona) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6401 https://www.gravurdunyasi.com/img/seo/GWS6401/mr-j-w-wallack-as-gloster-act-1-sc-1-the-tragedy-of-king-richard-iii-1850.jpg Mr. J.W.Wallack As Gloster, Act. 1 Sc. 1(The Tragedy Of King Richard III.) Mr. J.W.Wallack As Gloster, Act. 1 Sc. 1(The Tragedy Of King Richard III.) — P.Haas — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6402 https://www.gravurdunyasi.com/img/seo/GWS6402/mr-j-w-wallack-as-gloster-act-1-sc-1-the-tragedy-of-king-richard-iii-1850.jpg Mr. J.W.Wallack As Gloster, Act. 1 Sc. 1(The Tragedy Of King Richard III.) Mr. J.W.Wallack As Gloster, Act. 1 Sc. 1(The Tragedy Of King Richard III.) — P.Haas — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6501 https://www.gravurdunyasi.com/img/seo/GWS6501/mr-couldock-as-richard-lll-act-4-sc-2-the-tragedy-of-king-richard-iii-1850.jpg Mr. Couldock As Richard lll., Act. 4 Sc. 2(The Tragedy Of King Richard III.) Mr. Couldock As Richard lll., Act. 4 Sc. 2(The Tragedy Of King Richard III.) — Glees & Germon — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6601 https://www.gravurdunyasi.com/img/seo/GWS6601/mr-macready-as-cassius-and-mr-e-l-davenport-as-brutus-act-4-sc-3-1850.jpg Mr. Macready As Cassius And Mr. E.L. Davenport As Brutus, Act. 4 Sc. 3(Julius Caeser) Mr. Macready As Cassius And Mr. E.L. Davenport As Brutus, Act. 4 Sc. 3(Julius Caeser) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6701 https://www.gravurdunyasi.com/img/seo/GWS6701/mr-creswick-as-hotspur-part-1-act-2-sc-3-the-history-of-henry-iv-1850.jpg Mr. Creswick As Hotspur, Part 1 Act. 2 Sc. 3(The History Of Henry IV.) Mr. Creswick As Hotspur, Part 1 Act. 2 Sc. 3(The History Of Henry IV.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6702 https://www.gravurdunyasi.com/img/seo/GWS6702/mr-creswick-as-hotspur-part-1-act-2-sc-3-the-history-of-henry-iv-1850.jpg Mr. Creswick As Hotspur, Part 1 Act. 2 Sc. 3(The History Of Henry IV.) Mr. Creswick As Hotspur, Part 1 Act. 2 Sc. 3(The History Of Henry IV.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6801 https://www.gravurdunyasi.com/img/seo/GWS6801/mr-w-davidge-as-malvolio-act-3-sc-4-twelfth-night-1850.jpg Mr. W.Davidge As Malvolio, Act 3 Sc. 4 (Twelfth Night) Mr. W.Davidge As Malvolio, Act 3 Sc. 4 (Twelfth Night) — Meade Brothers — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6802 https://www.gravurdunyasi.com/img/seo/GWS6802/mr-w-davidge-as-malvolio-act-3-sc-4-twelfth-night-1850.jpg Mr. W.Davidge As Malvolio, Act 3 Sc. 4 (Twelfth Night) Mr. W.Davidge As Malvolio, Act 3 Sc. 4 (Twelfth Night) — Meade Brothers — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS6901 https://www.gravurdunyasi.com/img/seo/GWS6901/miss-laura-addison-as-imogen-act-1-sc-7-cymbeline-1850.jpg Miss Laura Addison As Imogen, Act. 1 Sc. 7 (Cymbeline) Miss Laura Addison As Imogen, Act. 1 Sc. 7 (Cymbeline) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7001 https://www.gravurdunyasi.com/img/seo/GWS7001/mr-t-mead-as-iachimo-act-1-sc-7-cymbeline-1850.jpg Mr. T.Mead As Iachimo, Act. 1 Sc. 7(Cymbeline) Mr. T.Mead As Iachimo, Act. 1 Sc. 7(Cymbeline) — R.Hogg — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7101 https://www.gravurdunyasi.com/img/seo/GWS7101/mr-a-younge-as-stephano-and-mr-h-nye-as-trinculo-act-3-sc-2-the-1850.jpg Mr. A.Younge As Stephano And Mr. H.Nye As Trinculo, Act. 3 Sc. 2 (The Tempest) Mr. A.Younge As Stephano And Mr. H.Nye As Trinculo, Act. 3 Sc. 2 (The Tempest) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7102 https://www.gravurdunyasi.com/img/seo/GWS7102/mr-a-younge-as-stephano-and-mr-h-nye-as-trinculo-act-3-sc-2-the-1850.jpg Mr. A.Younge As Stephano And Mr. H.Nye As Trinculo, Act. 3 Sc. 2 (The Tempest) Mr. A.Younge As Stephano And Mr. H.Nye As Trinculo, Act. 3 Sc. 2 (The Tempest) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7201 https://www.gravurdunyasi.com/img/seo/GWS7201/mr-ira-aldridge-as-aaron-act-4-sc-2-titus-andronicus-1850.jpg Mr. Ira Aldridge As Aaron, Act. 4 Sc. 2(Titus Andronicus) Mr. Ira Aldridge As Aaron, Act. 4 Sc. 2(Titus Andronicus) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7202 https://www.gravurdunyasi.com/img/seo/GWS7202/mr-ira-aldridge-as-aaron-act-4-sc-2-titus-andronicus-1850.jpg Mr. Ira Aldridge As Aaron, Act. 4 Sc. 2(Titus Andronicus) Mr. Ira Aldridge As Aaron, Act. 4 Sc. 2(Titus Andronicus) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7301 https://www.gravurdunyasi.com/img/seo/GWS7301/mr-creswick-as-coriolanus-act-5-sc-5-coriolanus-1850.jpg Mr. Creswick As Coriolanus, Act. 5 Sc. 5(Coriolanus) Mr. Creswick As Coriolanus, Act. 5 Sc. 5(Coriolanus) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7302 https://www.gravurdunyasi.com/img/seo/GWS7302/mr-creswick-as-coriolanus-act-5-sc-5-coriolanus-1850.jpg Mr. Creswick As Coriolanus, Act. 5 Sc. 5(Coriolanus) Mr. Creswick As Coriolanus, Act. 5 Sc. 5(Coriolanus) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7401 https://www.gravurdunyasi.com/img/seo/GWS7401/mr-george-bennett-as-apemantus-act-1-sc-2-the-life-of-timon-of-athens-1850.jpg Mr. George Bennett As Apemantus, Act 1 Sc. 2(The Life Of Timon Of Athens) Mr. George Bennett As Apemantus, Act 1 Sc. 2(The Life Of Timon Of Athens) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7501 https://www.gravurdunyasi.com/img/seo/GWS7501/mr-charles-pitt-as-gloster-part-3-act-5-sc-6-king-henry-vl-1850.jpg Mr. Charles Pitt As Gloster, Part 3 Act. 5 Sc. 6(King Henry Vl.) Mr. Charles Pitt As Gloster, Part 3 Act. 5 Sc. 6(King Henry Vl.) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7601 https://www.gravurdunyasi.com/img/seo/GWS7601/miss-clyn-as-cleopatra-act-2-sc-5-antony-cleopatra-1850.jpg Miss Clyn As Cleopatra, Act 2. Sc. 5(Antony & Cleopatra) Miss Clyn As Cleopatra, Act 2. Sc. 5(Antony & Cleopatra) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7701 https://www.gravurdunyasi.com/img/seo/GWS7701/miss-cooper-as-helena-act-2-sc-3-midsummer-night-s-dream-1850.jpg Miss Cooper As Helena, Act 2 Sc 3 (Midsummer Night's Dream) Miss Cooper As Helena, Act 2 Sc 3 (Midsummer Night's Dream) — F.Ellen Drummond (1833-1860) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7801B https://www.gravurdunyasi.com/img/seo/GWS7801B/mr-vandenhoff-as-coriolanus-act-2-sc-3-coriolanus-1850.jpg Mr. Vandenhoff As Coriolanus, Act. 2 Sc. 3 (Coriolanus) Mr. Vandenhoff As Coriolanus, Act. 2 Sc. 3 (Coriolanus) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS7901 https://www.gravurdunyasi.com/img/seo/GWS7901/charlotte-and-susan-cushman-as-romeo-and-juliet-act-3-sc-5-romeo-and-1850.jpg Charlotte And Susan Cushman As Romeo And Juliet, Act. 3 Sc. 5 (Romeo And Juliet) Charlotte And Susan Cushman As Romeo And Juliet, Act. 3 Sc. 5 (Romeo And Juliet) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8001 https://www.gravurdunyasi.com/img/seo/GWS8001/mr-willam-farren-as-romeo-and-mr-hoskins-as-mercutio-act-2-sc-4-romeo-1850.jpg Mr. Willam Farren As Romeo And Mr. Hoskins As Mercutio, Act. 2, Sc. 4 (Romeo And Juliet) Mr. Willam Farren As Romeo And Mr. Hoskins As Mercutio, Act. 2, Sc. 4 (Romeo And Juliet) — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8101 https://www.gravurdunyasi.com/img/seo/GWS8101/mrs-h-marston-and-mr-f-younge-as-audrey-and-touchstone-act-5-sc-4-as-1850.jpg Mrs. H.Marston And Mr. F.Younge As Audrey And Touchstone, Act. 5, Sc. 4 (As You Like İt) Mrs. H.Marston And Mr. F.Younge As Audrey And Touchstone, Act. 5, Sc. 4 (As You Like İt) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8201 https://www.gravurdunyasi.com/img/seo/GWS8201/mr-g-v-brooke-as-othello-and-mr-james-bennett-as-iago-act-3-sc-3-1850.jpg Mr. G.V. Brooke As Othello And Mr. James Bennett As Iago, Act. 3 Sc. 3 (Othello) Mr. G.V. Brooke As Othello And Mr. James Bennett As Iago, Act. 3 Sc. 3 (Othello) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8302 https://www.gravurdunyasi.com/img/seo/GWS8302/mr-george-bennett-as-othello-and-mrs-jane-bennett-as-desdemona-act-4-1850.jpg Mr. George Bennett As Othello And Mrs. Jane Bennett As Desdemona, Act. 4 Sc. 2( Othello) Mr. George Bennett As Othello And Mrs. Jane Bennett As Desdemona, Act. 4 Sc. 2( Othello) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8401 https://www.gravurdunyasi.com/img/seo/GWS8401/miss-julia-harland-and-miss-conqouest-as-oberon-and-puck-act-2-sc-2-1850.jpg Miss Julia Harland And Miss Conqouest As Oberon And Puck, Act. 2 Sc. 2 (Midsummer Night's Dream) Miss Julia Harland And Miss Conqouest As Oberon And Puck, Act. 2 Sc. 2 (Midsummer Night's Dream) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8501 https://www.gravurdunyasi.com/img/seo/GWS8501/mrs-ternan-and-mr-lewis-ball-as-the-countess-rousillon-and-her-clown-1850.jpg Mrs. Ternan And Mr. Lewis Ball As The Countess Rousillon And Her Clown, Act. 1 Sc. 3 (All's Well That Ends Well) Mrs. Ternan And Mr. Lewis Ball As The Countess Rousillon And Her Clown, Act. 1 Sc. 3 (All's Well That Ends Well) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8601 https://www.gravurdunyasi.com/img/seo/GWS8601/miss-jeny-marston-and-mr-f-robinson-as-florizel-and-perdita-act-4-sc-1850.jpg Miss Jeny Marston And Mr. F.Robinson As Florizel And Perdita, Act. 4 Sc. 3 (The Winter's Tale) Miss Jeny Marston And Mr. F.Robinson As Florizel And Perdita, Act. 4 Sc. 3 (The Winter's Tale) — Paine of Islington (photographers) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8701 https://www.gravurdunyasi.com/img/seo/GWS8701/miss-glyn-and-mr-hoskins-as-isabella-lucio-act-1-sc-5-measure-for-1850.jpg Miss Glyn And Mr. Hoskins As İsabella & Lucio, Act. 1 Sc. 5 (Measure For Measure) Miss Glyn And Mr. Hoskins As İsabella & Lucio, Act. 1 Sc. 5 (Measure For Measure) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8801 https://www.gravurdunyasi.com/img/seo/GWS8801/mr-atkins-and-miss-cross-of-the-t-r-birmingham-as-grumio-and-curtis-1850.jpg Mr. Atkins And Miss. Cross (Of The T.R.Birmingham) As Grumio And Curtis, Act 4 Sc.1 (The Taming Of The Shrew) Mr. Atkins And Miss. Cross (Of The T.R.Birmingham) As Grumio And Curtis, Act 4 Sc.1 (The Taming Of The Shrew) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS8901 https://www.gravurdunyasi.com/img/seo/GWS8901/troilus-and-cressida-pandarus-act-3-sc-2-1850.jpg Troilus And Cressida(Pandarus), Act.3 Sc.2 Troilus And Cressida(Pandarus), Act.3 Sc.2 — Opie — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9001 https://www.gravurdunyasi.com/img/seo/GWS9001/merchant-of-venice-act-3-sc-2-1850.jpg Merchant Of Venice, Act. 3 Sc.2 Merchant Of Venice, Act. 3 Sc.2 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9101 https://www.gravurdunyasi.com/img/seo/GWS9101/merchant-of-venice-act-2-sc-5-1890.jpg Merchant Of Venice, Act 2 Sc.5 Merchant Of Venice, Act 2 Sc.5 — 1890 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9201 https://www.gravurdunyasi.com/img/seo/GWS9201/twelfth-night-act-3-scene-1-1850.jpg Twelfth Night, Act 3 Scene 1 Twelfth Night, Act 3 Scene 1 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9301 https://www.gravurdunyasi.com/img/seo/GWS9301/othello-act-3-sc-3-1890.jpg Othello, Act 3 Sc. 3 Othello, Act 3 Sc. 3 — 1890 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9401 https://www.gravurdunyasi.com/img/seo/GWS9401/comedy-of-errors-act-3-sc-2-1890.jpg Comedy Of Errors, Act. 3 Sc. 2 Comedy Of Errors, Act. 3 Sc. 2 — 1890 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9501 https://www.gravurdunyasi.com/img/seo/GWS9501/midsummer-night-s-dream-act-2-sc-2-1850.jpg Midsummer Night's Dream, Act. 2 Sc. 2 Midsummer Night's Dream, Act. 2 Sc. 2 — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9601 https://www.gravurdunyasi.com/img/seo/GWS9601/othello-act-lv-1773.jpg Othello, Act lV Othello, Act lV — İsaac Taylor (1730-1807) — 1773 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9701 https://www.gravurdunyasi.com/img/seo/GWS9701/othello-act-3-sc-1-1789.jpg Othello, Act 3 Sc. 1 Othello, Act 3 Sc. 1 — Hankins — 1789 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9801 https://www.gravurdunyasi.com/img/seo/GWS9801/twelfth-night-malvolio-i-extend-my-hand-to-him-thus-act-2-sc-5-1830.jpg Twelfth Night(Malvolio:I Extend My Hand To Him Thus), Act 2 Sc.5 Twelfth Night(Malvolio:I Extend My Hand To Him Thus), Act 2 Sc.5 — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS9901 https://www.gravurdunyasi.com/img/seo/GWS9901/tempest-prospero-come-away-servant-come-act-1-sc-2-1830.jpg Tempest (Prospero:Come Away, Servant, Come), Act 1 Sc 2 Tempest (Prospero:Come Away, Servant, Come), Act 1 Sc 2 — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10001 https://www.gravurdunyasi.com/img/seo/GWS10001/taming-of-the-shrew-hostress-you-will-not-pay-for-the-glasses-you-1830.jpg Taming Of The Shrew (Hostress:You Will Not Pay For The Glasses You Have Burst?), İnduc. Sc. l Taming Of The Shrew (Hostress:You Will Not Pay For The Glasses You Have Burst?), İnduc. Sc. l — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10101 https://www.gravurdunyasi.com/img/seo/GWS10101/othello-emilia-she-lov-d-thee-cruel-moor-act-v-sc-ll-1830.jpg Othello (Emilia:She Lov'd Thee Cruel Moor), Act. V Sc. ll Othello (Emilia:She Lov'd Thee Cruel Moor), Act. V Sc. ll — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10201 https://www.gravurdunyasi.com/img/seo/GWS10201/julius-cesar-portia-and-when-i-ask-d-you-what-the-matter-was-you-star-1830.jpg Julius Cesar (Portia:And When I Ask'd You What The Matter Was, You Star'd Upon Me With Ungentle Looks) Act. ll Sc. l Julius Cesar (Portia:And When I Ask'd You What The Matter Was, You Star'd Upon Me With Ungentle Looks) Act. ll Sc. l — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10301 https://www.gravurdunyasi.com/img/seo/GWS10301/antony-and-cleopatra-iras-go-to-him-madam-speak-to-him-act-lll-sc-lx-1830.jpg Antony And Cleopatra (Iras:Go to Him, Madam, Speak To Him), Act. lll Sc. lX Antony And Cleopatra (Iras:Go to Him, Madam, Speak To Him), Act. lll Sc. lX — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10401 https://www.gravurdunyasi.com/img/seo/GWS10401/coriolanus-coriolanus-my-name-is-caius-marcius-act-lv-sc-v-1830.jpg Coriolanus (Coriolanus:My Name Is Caius Marcius), Act. lV Sc. V Coriolanus (Coriolanus:My Name Is Caius Marcius), Act. lV Sc. V — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10501 https://www.gravurdunyasi.com/img/seo/GWS10501/king-john-arthur-o-save-me-hubert-save-me-act-lv-sc-l-1830.jpg King John (Arthur:O Save Me, Hubert, Save Me.), Act. lV Sc. l King John (Arthur:O Save Me, Hubert, Save Me.), Act. lV Sc. l — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10601 https://www.gravurdunyasi.com/img/seo/GWS10601/macbeth-lady-macbeth-hark-i-laid-their-daggers-ready-act-ll-sc-ll-1830.jpg Macbeth (Lady Macbeth:Hark! I Laid Their Daggers Ready), Act. ll Sc. ll Macbeth (Lady Macbeth:Hark! I Laid Their Daggers Ready), Act. ll Sc. ll — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10701 https://www.gravurdunyasi.com/img/seo/GWS10701/winter-s-tale-leontes-still-virginalling-act-l-sc-ll-1830.jpg Winter's Tale (Leontes:Still Virginalling), Act. l Sc. ll Winter's Tale (Leontes:Still Virginalling), Act. l Sc. ll — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10801 https://www.gravurdunyasi.com/img/seo/GWS10801/troilus-and-cressida-pandarus-o-brave-troilus-look-well-upon-him-1830.jpg Troilus And Cressida (Pandarus:O Brave Troilus? Look Well Upon Him Niece), Act. l Sc. ll Troilus And Cressida (Pandarus:O Brave Troilus? Look Well Upon Him Niece), Act. l Sc. ll — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS10901 https://www.gravurdunyasi.com/img/seo/GWS10901/king-henry-vlll-queen-katherine-there-sits-a-judge-that-no-king-can-1830.jpg King Henry Vlll. ( Queen Katherine:There Sits A Judge, That No King Can Corrupt), Act. lll Sc. L King Henry Vlll. ( Queen Katherine:There Sits A Judge, That No King Can Corrupt), Act. lll Sc. L — Francis Philip Stephanoff (1788-1860) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11001 https://www.gravurdunyasi.com/img/seo/GWS11001/timon-of-athens-flavius-and-whilst-this-poor-wealth-lasts-act-lv-sc-1830.jpg Timon Of Athens (Flavius:And Whilst This Poor Wealth Lasts), Act. lV Sc. lll Timon Of Athens (Flavius:And Whilst This Poor Wealth Lasts), Act. lV Sc. lll — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11101 https://www.gravurdunyasi.com/img/seo/GWS11101/much-ado-about-nothing-beatrice-against-my-will-i-am-sent-to-bid-you-1830.jpg Much Ado About Nothing (Beatrice:Against My Will, I am Sent To Bid You Come Into Dinner), Act. ll Sc.lll Much Ado About Nothing (Beatrice:Against My Will, I am Sent To Bid You Come Into Dinner), Act. ll Sc.lll — Francis Philip Stephanoff (1788-1860) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11201 https://www.gravurdunyasi.com/img/seo/GWS11201/king-richard-lll-second-murderer-what-shall-we-stabhim-as-he-sleeps-1830.jpg King Richard lll. (Second Murderer:What Shall. We StabHim As He Sleeps?), Act. l Sc. lV King Richard lll. (Second Murderer:What Shall. We StabHim As He Sleeps?), Act. l Sc. lV — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11301 https://www.gravurdunyasi.com/img/seo/GWS11301/king-henry-lv-falstaff-this-chair-shall-be-my-state-part-l-act-ll-sc-1830.jpg King Henry lV. (Falstaff:This Chair Shall Be My State), Part l Act. ll Sc. lV King Henry lV. (Falstaff:This Chair Shall Be My State), Part l Act. ll Sc. lV — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11401 https://www.gravurdunyasi.com/img/seo/GWS11401/cymbeline-imogen-oh-no-answer-then-i-ii-enter-act-lll-sc-vl-1830.jpg Cymbeline (Imogen:Oh! No Answer? Then I'II Enter), Act. lll Sc. Vl Cymbeline (Imogen:Oh! No Answer? Then I'II Enter), Act. lll Sc. Vl — Richard Westall (1765-1836) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11501 https://www.gravurdunyasi.com/img/seo/GWS11501/measure-for-measure-bernardine-you-rogue-i-have-been-drinking-all-1830.jpg Measure For Measure (Bernardine:You Rogue, I Have Been Drinking All Night, I am not Fitted For't), Act. lV Sc. lll Measure For Measure (Bernardine:You Rogue, I Have Been Drinking All Night, I am not Fitted For't), Act. lV Sc. lll — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11601 https://www.gravurdunyasi.com/img/seo/GWS11601/king-lear-lear-i-pray-weep-not-act-lv-sc-vll-1830.jpg King Lear (Lear:I Pray, Weep not), Act. lV Sc. Vll King Lear (Lear:I Pray, Weep not), Act. lV Sc. Vll — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11701 https://www.gravurdunyasi.com/img/seo/GWS11701/all-s-well-that-ends-well-bertram-this-to-my-mother-act-ll-sc-v-1830.jpg All's Well That Ends Well (Bertram:This To My mother), Act. ll Sc. V All's Well That Ends Well (Bertram:This To My mother), Act. ll Sc. V — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11801 https://www.gravurdunyasi.com/img/seo/GWS11801/love-s-labour-s-lost-biron-where-lies-thy-grief-o-tell-me-good-dumain-1830.jpg Love's Labour's Lost (Biron:Where Lies Thy Grief, O Tell Me, Good Dumain?), Act.lV Sc. lll Love's Labour's Lost (Biron:Where Lies Thy Grief, O Tell Me, Good Dumain?), Act.lV Sc. lll — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS11901 https://www.gravurdunyasi.com/img/seo/GWS11901/king-henry-vl-suffolk-o-fairest-beauty-do-not-fear-first-part-act-v-1830.jpg King Henry Vl. (Suffolk:O Fairest Beauty, Do not Fear.) First Part Act. V Sc. lll. King Henry Vl. (Suffolk:O Fairest Beauty, Do not Fear.) First Part Act. V Sc. lll. — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12001 https://www.gravurdunyasi.com/img/seo/GWS12001/king-henry-vl-queen-margaret-give-me-thy-hand-second-part-act-lll-sc-1830.jpg King Henry Vl. (Queen Margaret:Give Me Thy Hand), Second Part Act. lll Sc. ll King Henry Vl. (Queen Margaret:Give Me Thy Hand), Second Part Act. lll Sc. ll — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12101 https://www.gravurdunyasi.com/img/seo/GWS12101/comedy-of-errors-adriana-come-i-will-fasten-on-this-sleeve-of-thine-1830.jpg Comedy Of Errors (Adriana:Come, I Will Fasten On This Sleeve Of Thine), Act. ll Sc. ll Comedy Of Errors (Adriana:Come, I Will Fasten On This Sleeve Of Thine), Act. ll Sc. ll — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12201 https://www.gravurdunyasi.com/img/seo/GWS12201/king-henry-v-pistol-pish-for-thee-iceland-dog-act-ll-sc-l-1830.jpg King Henry V. (Pistol:Pish For Thee, Iceland Dog), Act. ll Sc. l King Henry V. (Pistol:Pish For Thee, Iceland Dog), Act. ll Sc. l — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12301 https://www.gravurdunyasi.com/img/seo/GWS12301/king-henry-vl-lady-grey-right-gracious-lord-i-cannot-brook-delay-1830.jpg King Henry Vl. (Lady Grey:Right Gracious Lord, I Cannot Brook Delay), Third Part Act 3 Sc 2 King Henry Vl. (Lady Grey:Right Gracious Lord, I Cannot Brook Delay), Third Part Act 3 Sc 2 — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12401 https://www.gravurdunyasi.com/img/seo/GWS12401/merchant-of-venice-shylock-the-villany-you-teach-me-i-will-execute-1830.jpg Merchant Of Venice (Shylock:The Villany, You Teach Me, I Will Execute), Act. lll Sc. l Merchant Of Venice (Shylock:The Villany, You Teach Me, I Will Execute), Act. lll Sc. l — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12501 https://www.gravurdunyasi.com/img/seo/GWS12501/romeo-and-juliet-nurse-jesu-what-haste-can-you-not-stay-awhile-act-ll-1830.jpg Romeo And Juliet (Nurse:Jesu! What Haste? Can You Not Stay Awhile?), Act. ll Sc. V Romeo And Juliet (Nurse:Jesu! What Haste? Can You Not Stay Awhile?), Act. ll Sc. V — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12601 https://www.gravurdunyasi.com/img/seo/GWS12601/as-you-like-it-jaques-and-then-the-lover-act-ll-sc-vll-1830.jpg As You Like It (Jaques:And Then The Lover), Act. ll Sc. Vll As You Like It (Jaques:And Then The Lover), Act. ll Sc. Vll — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12701 https://www.gravurdunyasi.com/img/seo/GWS12701/pericles-prince-of-tyre-act-2-scene-last-1800.jpg Pericles, Prince Of Tyre, Act 2 Scene Last Pericles, Prince Of Tyre, Act 2 Scene Last — Robert Ker Porter (1777-1842) — 1800 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12801 https://www.gravurdunyasi.com/img/seo/GWS12801/cymbline-act-5-scene-1-1799.jpg Cymbline, Act 5 Scene 1 Cymbline, Act 5 Scene 1 — John Thurston (1774- 1822) — 1799 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS12901 https://www.gravurdunyasi.com/img/seo/GWS12901/bertha-act-ii-sc-5-romeo-and-juliet-1832.jpg Bertha, Act II Sc.5 (Romeo And Juliet) Bertha, Act II Sc.5 (Romeo And Juliet) — Henry Perronet Briggs (1791-1844) — 1832 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13001 https://www.gravurdunyasi.com/img/seo/GWS13001/hotspur-and-lady-percy-the-history-of-henry-iv-1832.jpg Hotspur And Lady Percy (The History Of Henry IV.) Hotspur And Lady Percy (The History Of Henry IV.) — Alfred Edward Chalon (1780-1860) — 1832 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13101 https://www.gravurdunyasi.com/img/seo/GWS13101/imogen-cymbeline-1832.jpg Imogen (Cymbeline) Imogen (Cymbeline) — Alfred Edward Chalon (1780-1860) — 1832 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13201 https://www.gravurdunyasi.com/img/seo/GWS13201/two-gentlemen-of-verona-silvia-i-do-detest-false-perjur-d-proteus-act-1830.jpg Two Gentlemen Of Verona (Silvia:I Do Detest False Perjur'd Proteus) Act 5 Sc. 4 Two Gentlemen Of Verona (Silvia:I Do Detest False Perjur'd Proteus) Act 5 Sc. 4 — John Masey Wright (1777-1866) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13301B https://www.gravurdunyasi.com/img/seo/GWS13301B/mrs-robinson-perdita-the-winter-s-tale-1890.jpg Mrs.Robinson(Perdita)(The Winter's Tale) Mrs.Robinson(Perdita)(The Winter's Tale) — Thomas Gainsborough (1727-1788) — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13401B https://www.gravurdunyasi.com/img/seo/GWS13401B/cardinal-wolsey-act-lll-scene-ll-king-henry-viii-1850.jpg Cardinal Wolsey, Act. lll Scene ll(King Henry VIII.) Cardinal Wolsey, Act. lll Scene ll(King Henry VIII.) — Henry Courtney Selous (1803-1890) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13502 https://www.gravurdunyasi.com/img/seo/GWS13502/good-night-a-thousand-times-good-night-act-2-sc-2-romeo-and-juliet-1840.jpg Good Night, A Thousand Times Good Night, Act 2 Sc. 2 (Romeo And Juliet) Good Night, A Thousand Times Good Night, Act 2 Sc. 2 (Romeo And Juliet) — Edward Henry Corbould (1815-1905) — 1840 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13601 https://www.gravurdunyasi.com/img/seo/GWS13601/all-s-well-that-ends-well-act-lv-scene-lll-1870.jpg All's Well That Ends Well, Act lV Scene lll All's Well That Ends Well, Act lV Scene lll — B.Thomson — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13701 https://www.gravurdunyasi.com/img/seo/GWS13701/hamlet-act-lll-scene-lv-1870.jpg Hamlet, Act lll Scene lV Hamlet, Act lll Scene lV — R.Cook — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13801 https://www.gravurdunyasi.com/img/seo/GWS13801/king-lear-act-lv-scene-vll-1870.jpg King Lear, Act lV. Scene Vll. King Lear, Act lV. Scene Vll. — R.Cook — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS13901 https://www.gravurdunyasi.com/img/seo/GWS13901/merry-wives-of-windsor-act-v-scene-v-1870.jpg Merry Wives Of Windsor, Act V Scene V Merry Wives Of Windsor, Act V Scene V — Robert Smirke (1752-1845) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14001 https://www.gravurdunyasi.com/img/seo/GWS14001/othello-act-lv-scene-ll-1870.jpg Othello, Act lV Scene ll Othello, Act lV Scene ll — M.Thomson — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14101 https://www.gravurdunyasi.com/img/seo/GWS14101/twelfth-night-act-lll-scene-lv-1870.jpg Twelfth Night- Act lll Scene lV Twelfth Night- Act lll Scene lV — Robert Smirke (1752-1845) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14201 https://www.gravurdunyasi.com/img/seo/GWS14201/titus-andronicus-aaron-vengeance-is-in-my-heart-death-in-my-hand-act-1830.jpg Titus Andronicus (Aaron:Vengeance is in My Heart, Death in My Hand), Act 2 Sc 3 Titus Andronicus (Aaron:Vengeance is in My Heart, Death in My Hand), Act 2 Sc 3 — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14301 https://www.gravurdunyasi.com/img/seo/GWS14301/merchant-of-venice-1870.jpg Merchant Of Venice Merchant Of Venice — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14402 https://www.gravurdunyasi.com/img/seo/GWS14402/juliet-the-nurse-act-4-sc-5-romeo-and-juiet-1850.jpg Juliet & The Nurse, Act 4 Sc. 5 (Romeo And Juiet) Juliet & The Nurse, Act 4 Sc. 5 (Romeo And Juiet) — John Masey Wright (1777-1866) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14501 https://www.gravurdunyasi.com/img/seo/GWS14501/christopher-sly-the-hostess-act-1st-scene-1st-the-taming-of-the-shrew-1836.jpg Christopher Sly & The Hostess, Act 1st Scene 1st(The Taming Of The Shrew) Christopher Sly & The Hostess, Act 1st Scene 1st(The Taming Of The Shrew) — Joseph Nash (1809-1878) — 1836 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14601 https://www.gravurdunyasi.com/img/seo/GWS14601/cymbeline-song-fear-no-more-the-heat-of-the-sun-act-4-scene-5-1799.jpg Cymbeline (Song:Fear No More, The Heat Of The Sun), Act 4 Scene 5 Cymbeline (Song:Fear No More, The Heat Of The Sun), Act 4 Scene 5 — John Thurston (1774- 1822) — 1799 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14701 https://www.gravurdunyasi.com/img/seo/GWS14701/cymbeline-act-ii-sc-2-1788.jpg Cymbeline, Act II Sc. 2 Cymbeline, Act II Sc. 2 — Richard Corbould (1757-1831) — 1788 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14801 https://www.gravurdunyasi.com/img/seo/GWS14801/romeo-und-iulie-act-iii-sc-v-1850.jpg Romeo Und Iulie, Act III Sc. V Romeo Und Iulie, Act III Sc. V — Carl Ferdinand Sohn (1805-1867) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS14901 https://www.gravurdunyasi.com/img/seo/GWS14901/king-henry-iv-morton-whose-swift-wrath-beat-down-the-never-daunted-1830.jpg King Henry IV. (Morton:Whose Swift Wrath Beat Down The Never Daunted Porcy To The Earth), Second Part Act 1 Sc.1 King Henry IV. (Morton:Whose Swift Wrath Beat Down The Never Daunted Porcy To The Earth), Second Part Act 1 Sc.1 — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15001 https://www.gravurdunyasi.com/img/seo/GWS15001/king-lear-1798.jpg King Lear King Lear — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15101 https://www.gravurdunyasi.com/img/seo/GWS15101/taming-of-the-shrew-1830.jpg Taming Of The Shrew Taming Of The Shrew — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15201 https://www.gravurdunyasi.com/img/seo/GWS15201/taming-of-the-shrew-1830.jpg Taming Of The Shrew Taming Of The Shrew — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15301 https://www.gravurdunyasi.com/img/seo/GWS15301/shakspeare-s-monument-in-stratford-church-1850.jpg Shakspeare's Monument In Stratford Church Shakspeare's Monument In Stratford Church — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15401 https://www.gravurdunyasi.com/img/seo/GWS15401/william-shakespeare-1850.jpg William Shakespeare William Shakespeare — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15501 https://www.gravurdunyasi.com/img/seo/GWS15501/the-works-of-william-shakspere-1850.jpg The Works Of William Shakspere The Works Of William Shakspere — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15601 https://www.gravurdunyasi.com/img/seo/GWS15601/the-complete-works-of-shakspere-1850.jpg The Complete Works Of Shakspere The Complete Works Of Shakspere — T.D.Scott — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15701 https://www.gravurdunyasi.com/img/seo/GWS15701/the-complete-works-of-shakspere-1850.jpg The Complete Works Of Shakspere The Complete Works Of Shakspere — T.D.Scott — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15801 https://www.gravurdunyasi.com/img/seo/GWS15801/william-shakespeare-histories-1850.jpg William Shakespeare-Histories William Shakespeare-Histories — T.D.Scott — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS15901 https://www.gravurdunyasi.com/img/seo/GWS15901/william-shakespeare-comedies-1850.jpg William Shakespeare-Comedies William Shakespeare-Comedies — T.D.Scott — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16001 https://www.gravurdunyasi.com/img/seo/GWS16001/william-shakespeare-1890.jpg William Shakespeare William Shakespeare — 1890's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16101 https://www.gravurdunyasi.com/img/seo/GWS16101/hamlet-act-lv-scene-v-1850.jpg Hamlet, Act lV. Scene V. Hamlet, Act lV. Scene V. — Benjamin West (1738-1820) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16201B https://www.gravurdunyasi.com/img/seo/GWS16201B/kemble-as-hamlet-1830.jpg Kemble As Hamlet Kemble As Hamlet — Thomas Lawrence (1769-1830) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16301B https://www.gravurdunyasi.com/img/seo/GWS16301B/shakspeare-s-tomb-stratford-church-1860.jpg Shakspeare's Tomb, Stratford Church Shakspeare's Tomb, Stratford Church — Henry Warren (1794-1879) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16401B https://www.gravurdunyasi.com/img/seo/GWS16401B/autolycus-act-iv-scene-4-the-winter-s-tale-1867.jpg Autolycus, Act IV, Scene 4 (The Winter's Tale) Autolycus, Act IV, Scene 4 (The Winter's Tale) — Charles Robert Leslie (1794 -1859) — 1867 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16501B https://www.gravurdunyasi.com/img/seo/GWS16501B/portia-and-shylock-act-iv-scene-i-the-merchant-of-venice-1870.jpg Portia And Shylock, Act IV. Scene I. (The Merchant Of Venice) Portia And Shylock, Act IV. Scene I. (The Merchant Of Venice) — J.Dawson Watson (1832-1892) — 1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16601B https://www.gravurdunyasi.com/img/seo/GWS16601B/shakespeare-seated-between-the-dramatic-muse-the-genius-of-painting-1798.jpg Shakespeare Seated Between The Dramatic Muse & The Genius Of Painting Shakespeare Seated Between The Dramatic Muse & The Genius Of Painting — I.Banks — 1798 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS16701B https://www.gravurdunyasi.com/img/seo/GWS16701B/cymbeline-posthumus-my-queen-my-mistress-o-lady-weep-no-more-act-i-1890.jpg Cymbeline (Posthumus:My Queen! My mistress! O lady Weep No More), Act I, Scene I Cymbeline (Posthumus:My Queen! My mistress! 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Sir), Act 1 Sc 1 Merry Wives Of Windsor (Anne:Will't Please Your Worship To Come In. Sir), Act 1 Sc 1 — Robert Smirke (1752-1845) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS17401 https://www.gravurdunyasi.com/img/seo/GWS17401/pericles-simondies-who-is-the-first-that-doth-prefer-himself-act-11-s-1830.jpg Pericles (Simondies:Who Is The First That Doth Prefer Himself?), Act 11 S.c 11 Pericles (Simondies:Who Is The First That Doth Prefer Himself?), Act 11 S.c 11 — Henry Corbould (1787-1844) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS17501 https://www.gravurdunyasi.com/img/seo/GWS17501/juliet-1821.jpg Juliet Juliet — Louisa Sharpe (1798-1843) — 1821 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS17601 https://www.gravurdunyasi.com/img/seo/GWS17601/joan-of-arc-in-prison-part-i-act-v-scene-4-king-henry-vi-1850.jpg Joan Of Arc In Prison, Part I, Act V Scene 4(King Henry VI.) Joan Of Arc In Prison, Part I, Act V Scene 4(King Henry VI.) — Paul Delaroche (1797-1856) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS17701 https://www.gravurdunyasi.com/img/seo/GWS17701/mr-wrench-as-benedick-in-much-ado-about-nothing-1814.jpg Mr. Wrench As Benedick In Much Ado About Nothing Mr. Wrench As Benedick In Much Ado About Nothing — 1814 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS17801 https://www.gravurdunyasi.com/img/seo/GWS17801/h-r-h-the-princess-of-wales-richard-iii-act-4-sc-4-1874.jpg H.R.H. The Princess Of Wales, Richard III, Act 4 Sc. 4 H.R.H. 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Scene Romeo And Juliet At The Haymarket Theatre Miss Neilson In The Balcony Scene Romeo And Juliet At The Haymarket Theatre — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18201B https://www.gravurdunyasi.com/img/seo/GWS18201B/scene-from-romeo-and-juliet-at-the-lyceum-theatre-1882.jpg Scene From Romeo And Juliet At The Lyceum Theatre Scene From Romeo And Juliet At The Lyceum Theatre — R&E Taylor — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18301B https://www.gravurdunyasi.com/img/seo/GWS18301B/potraits-of-shakspeare-1864.jpg Potraits Of Shakspeare Potraits Of Shakspeare — 1864 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18401B https://www.gravurdunyasi.com/img/seo/GWS18401B/the-last-sheet-of-shakspeare-s-will-1864.jpg The Last Sheet Of Shakspeare's Will The Last Sheet Of Shakspeare's Will — 1864 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18501B https://www.gravurdunyasi.com/img/seo/GWS18501B/olivia-twelfth-night-1863.jpg Olivia (Twelfth Night) Olivia (Twelfth Night) — Charles Robert Leslie (1794 -1859) — 1863 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18601B https://www.gravurdunyasi.com/img/seo/GWS18601B/scene-from-antony-and-cleopatra-at-drury-lane-theatre-1873.jpg Scene From "Antony And Cleopatra" At Drury Lane Theatre Scene From "Antony And Cleopatra" At Drury Lane Theatre — 1873 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18701B https://www.gravurdunyasi.com/img/seo/GWS18701B/othello-and-desdemona-1874.jpg Othello And Desdemona Othello And Desdemona — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18801B https://www.gravurdunyasi.com/img/seo/GWS18801B/richard-lll-at-astley-s-the-death-of-wile-surrly-1856.jpg Richard lll At Astley's-The Death Of Wile Surrly Richard lll At Astley's-The Death Of Wile Surrly — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS18901B https://www.gravurdunyasi.com/img/seo/GWS18901B/scene-from-king-john-at-drury-lane-theatre-1865.jpg Scene From King John At Drury Lane Theatre Scene From King John At Drury Lane Theatre — 1865 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS19001B https://www.gravurdunyasi.com/img/seo/GWS19001B/scene-from-the-merchant-of-venice-at-the-princess-theatre-the-1858.jpg Scene From The Merchant Of Venice At The Princess Theatre, The Elopement Of Jessica Scene From The Merchant Of Venice At The Princess Theatre, The Elopement Of Jessica — 1858 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS19101B https://www.gravurdunyasi.com/img/seo/GWS19101B/scene-from-king-richard-the-third-at-the-princess-theatre-1854.jpg Scene From King Richard The Third At The Princess Theatre Scene From King Richard The Third At The Princess Theatre — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS19201B https://www.gravurdunyasi.com/img/seo/GWS19201B/scene-from-much-ado-about-nothing-at-the-princess-theatre-1859.jpg Scene From Much Ado About Nothing, At The Princess' Theatre Scene From Much Ado About Nothing, At The Princess' Theatre — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS19301 https://www.gravurdunyasi.com/img/seo/GWS19301/miss-cushman-as-viola-and-miss-susan-cushman-as-olivia-in-twelfth-1846.jpg Miss Cushman As Viola And Miss Susan Cushman As Olivia In Twelfth Night At The Haymarket Theatre Miss Cushman As Viola And Miss Susan Cushman As Olivia In Twelfth Night At The Haymarket Theatre — 1846 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https://www.gravurdunyasi.com/antiqueprint/GWS19701 https://www.gravurdunyasi.com/img/seo/GWS19701/johanna-wagner-as-romeo-at-her-majesty-s-theatre-1856.jpg Johanna Wagner As Romeo At Her Majesty's Theatre Johanna Wagner As Romeo At Her Majesty's Theatre — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS19801 https://www.gravurdunyasi.com/img/seo/GWS19801/le-roi-boit-twelfth-night-1860.jpg Le Roi Boit (Twelfth Night) Le Roi Boit (Twelfth Night) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS19901BB https://www.gravurdunyasi.com/img/seo/GWS19901BB/mr-henry-irving-as-hamlet-hamlet-1880.jpg Mr. Henry Irving As Hamlet(Hamlet) Mr. Henry Irving As Hamlet(Hamlet) — Frederick Barnard (1846-1896) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20001B https://www.gravurdunyasi.com/img/seo/GWS20001B/scene-from-julius-cesar-as-performed-at-drury-lane-theatre-by-the-1881.jpg Scene From "Julıus Cesar" As Performed At Drury Lane Theatre By The Saxe-Meiningen Court Company Scene From "Julıus Cesar" As Performed At Drury Lane Theatre By The Saxe-Meiningen Court Company — 1881 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20101B https://www.gravurdunyasi.com/img/seo/GWS20101B/scene-from-halevy-s-opera-la-tempesta-at-her-majesty-s-theatra-1850.jpg Scene From Halevy's Opera "La Tempesta" At Her Majesty's Theatra Scene From Halevy's Opera "La Tempesta" At Her Majesty's Theatra — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20201B https://www.gravurdunyasi.com/img/seo/GWS20201B/signor-lablache-as-caliban-la-tempesta-1850.jpg Signor Lablache As "Caliban" (La Tempesta) Signor Lablache As "Caliban" (La Tempesta) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20301B https://www.gravurdunyasi.com/img/seo/GWS20301B/madame-sontag-as-miranda-la-tempesta-1850.jpg Madame Sontag As "Miranda" (La Tempesta) Madame Sontag As "Miranda" (La Tempesta) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20401B https://www.gravurdunyasi.com/img/seo/GWS20401B/the-bateman-children-at-st-james-s-theatre-1851.jpg "The Bateman Children" At St. James's Theatre "The Bateman Children" At St. James's Theatre — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20501BB https://www.gravurdunyasi.com/img/seo/GWS20501BB/where-merchants-most-do-congregate-the-merchant-of-venice-1875.jpg Where Merchants Most Do Congregate (The Merchant Of Venice) Where Merchants Most Do Congregate (The Merchant Of Venice) — Frams Huard — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20601K https://www.gravurdunyasi.com/img/seo/GWS20601K/luna-in-her-car-from-the-winter-s-tale-at-the-princess-theatre-1856.jpg "Luna In Her Car" From " The Winter's Tale" At The Princess' Theatre "Luna In Her Car" From " The Winter's Tale" At The Princess' Theatre — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20701K https://www.gravurdunyasi.com/img/seo/GWS20701K/scene-from-a-midsummer-night-s-dream-at-the-princess-theatre-1856.jpg Scene From "A Midsummer Night's Dream" At The Princess' Theatre Scene From "A Midsummer Night's Dream" At The Princess' Theatre — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20801K https://www.gravurdunyasi.com/img/seo/GWS20801K/the-stateu-scene-from-the-winter-s-tale-at-the-princess-theatre-1856.jpg The Stateu Scene From "The Winter's Tale", At The Princess' Theatre The Stateu Scene From "The Winter's Tale", At The Princess' Theatre — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS20901B https://www.gravurdunyasi.com/img/seo/GWS20901B/scene-from-hamlet-at-the-crystal-palace-1873.jpg Scene From "Hamlet" At The Crystal Palace Scene From "Hamlet" At The Crystal Palace — 1873 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21001 https://www.gravurdunyasi.com/img/seo/GWS21001/perdita-act-iv-scene-iii-the-winter-s-tale-1849.jpg Perdita, Act IV. Scene III. (The Winter's Tale) Perdita, Act IV. Scene III. (The Winter's Tale) — John Hayter (1800-1895) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21101 https://www.gravurdunyasi.com/img/seo/GWS21101/jessica-act-ii-scene-v-the-merchant-of-venice-1849.jpg Jessica, Act II. Scene V. (The Merchant Of Venice) Jessica, Act II. Scene V. (The Merchant Of Venice) — John William Wright (1802 -1848) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21201 https://www.gravurdunyasi.com/img/seo/GWS21201/anne-bullen-act-ii-scene-ii-king-henry-viii-1846.jpg Anne Bullen, Act II. Scene II.(King Henry VIII.) Anne Bullen, Act II. Scene II.(King Henry VIII.) — John William Wright (1802 -1848) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21301 https://www.gravurdunyasi.com/img/seo/GWS21301/princess-katherina-of-france-act-v-scene-ii-henry-v-1846.jpg Princess Katherina Of France, Act V. Scene II.(Henry V.) Princess Katherina Of France, Act V. Scene II.(Henry V.) — John William Wright (1802 -1848) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21401 https://www.gravurdunyasi.com/img/seo/GWS21401/margaret-vi-part-act-v-scene-iii-king-henry-vl-1846.jpg Margaret, VI. Part Act V. Scene III.(King Henry Vl.) Margaret, VI. Part Act V. Scene III.(King Henry Vl.) — John William Wright (1802 -1848) — 1846 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21501 https://www.gravurdunyasi.com/img/seo/GWS21501/julia-act-i-scene-ii-the-two-gentlemen-of-verona-1849.jpg Julia, Act I. Scene II. (The Two Gentlemen Of Verona) Julia, Act I. Scene II. (The Two Gentlemen Of Verona) — Augustus Leopold Egg (1816-1863) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21601B https://www.gravurdunyasi.com/img/seo/GWS21601B/mrs-page-act-ii-scene-i-the-merry-wives-of-windsor-1849.jpg Mrs. Page,Act II. Scene I. (The Merry Wives Of Windsor) Mrs. Page,Act II. Scene I. (The Merry Wives Of Windsor) — John William Wright (1802 -1848) — 1849 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21701BB https://www.gravurdunyasi.com/img/seo/GWS21701BB/d-of-york-brother-to-ed-v-resign-d-by-the-queen-act-ii-scene-4-the-1795.jpg D. Of York Brother To Ed.V.Resign'd By The Queen, Act II.Scene 4.(The Tragedy Of King Richard III.) D. Of York Brother To Ed.V.Resign'd By The Queen, Act II.Scene 4.(The Tragedy Of King Richard III.) — John Opie (1761-1807) — 1795 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21801B https://www.gravurdunyasi.com/img/seo/GWS21801B/the-shakspeare-commemoration-scene-from-shakspeare-s-play-of-king-1864.jpg The Shakspeare Commemoration, Scene From Shakspeare's Play Of "King Henry IV." Part I, as Played Drury Lane, Battle Of shrewsbury, in The Last Act The Shakspeare Commemoration, Scene From Shakspeare's Play Of "King Henry IV." Part I, as Played Drury Lane, Battle Of shrewsbury, in The Last Act — 1864 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS21901BB https://www.gravurdunyasi.com/img/seo/GWS21901BB/jaques-discovered-by-the-duke-as-you-like-it-act-ii-scene-i-as-you-1795.jpg Jaques Discovered By The Duke, As You Like It, Act II, Scene I (As You Like It) Jaques Discovered By The Duke, As You Like It, Act II, Scene I (As You Like It) — Henry William Bunbury (1750-1811) — 1795 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22001NN https://www.gravurdunyasi.com/img/seo/GWS22001NN/rosalind-from-as-you-like-it-1877.jpg "Rosalind" From "As You Like it" "Rosalind" From "As You Like it" — William Salter Herrick (1807-1891) — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22101NN https://www.gravurdunyasi.com/img/seo/GWS22101NN/shakspere-s-cymbeline-at-the-lyceum-act-2-scene-2-iachimo-sir-henry-1896.jpg Shakspere's Cymbeline At The Lyceum, Act 2 Scene 2-Iachimo(Sir Henry İrwing) And İmogen (Miss Ellen Terry) "O S'eep, Thou Ape Of Death, Lie Dull Upon Her" Shakspere's Cymbeline At The Lyceum, Act 2 Scene 2-Iachimo(Sir Henry İrwing) And İmogen (Miss Ellen Terry) "O S'eep, Thou Ape Of Death, Lie Dull Upon Her" — 1896 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22201K https://www.gravurdunyasi.com/img/seo/GWS22201K/ophelia-1876.jpg Ophelia Ophelia — Jean-Baptiste Bertrand (1823-1887) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22301K https://www.gravurdunyasi.com/img/seo/GWS22301K/shakspeare-1878.jpg Shakspeare Shakspeare — John Quincy Adams Ward (1830-1910) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22401K https://www.gravurdunyasi.com/img/seo/GWS22401K/the-banquet-scene-in-macbeth-1879.jpg The Banquet Scene in "Macbeth" The Banquet Scene in "Macbeth" — Daniel Maclise (1806-1870) — 1879. William Shakespeare's tragedy (1606), Macbeth, depicts the tragic rise and fall of the Scottish general Macbeth, triggered by a prophecy from witches that he would one day become king. At the instigation of his wife, Lady Macbeth, Macbeth ascends to the throne by killing King Duncan, building his power on guilt, paranoia, and bloody deeds. The… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22501K https://www.gravurdunyasi.com/img/seo/GWS22501K/othello-1879.jpg Othello Othello — Heinrich Hofmann (1824-1911) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22601K https://www.gravurdunyasi.com/img/seo/GWS22601K/the-despatch-from-trebizond-1880.jpg The Despatch From Trebizond The Despatch From Trebizond — Henry Wallis (1806-1890) — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22701K https://www.gravurdunyasi.com/img/seo/GWS22701K/the-bouquet-1880.jpg The Bouquet The Bouquet — Heinrich Anton von Angeli (1840-1925) — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22801K https://www.gravurdunyasi.com/img/seo/GWS22801K/kemble-in-ths-character-of-hamlet-born-at-prescot-lancashire-feb-1-1844.jpg Kemble in Ths Character Of Hamlet, Born At Prescot, Lancashire, Feb 1 1757 Kemble in Ths Character Of Hamlet, Born At Prescot, Lancashire, Feb 1 1757 — Thomas Lawrence (1769-1830) — 1844 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS22901 https://www.gravurdunyasi.com/img/seo/GWS22901/cressida-troilus-cressida-act-4-sc-4-1847.jpg Cressida (Troilus & Cressida), Act.4 Sc.4 Cressida (Troilus & Cressida), Act.4 Sc.4 — Kenny Meadows (1790-1874) — 1847 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23001K https://www.gravurdunyasi.com/img/seo/GWS23001K/queen-isabella-and-her-ladies-king-ii-richard-act-3-scene-4-1874.jpg Queen Isabella And Her Ladies (King II.Richard, Act 3. Scene 4) Queen Isabella And Her Ladies (King II.Richard, Act 3. Scene 4) — George Henry Boughton (1833-1905) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23101K https://www.gravurdunyasi.com/img/seo/GWS23101K/lear-and-cordella-1874.jpg Lear And Cordella Lear And Cordella — Marcus Stone (1840-1921) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23201K https://www.gravurdunyasi.com/img/seo/GWS23201K/king-richard-the-second-s-entry-into-london-king-ii-richard-act-5-1859.jpg King Richard The Second's Entry into London (King II. Richard, Act 5. Scene 2) King Richard The Second's Entry into London (King II. Richard, Act 5. Scene 2) — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23301 https://www.gravurdunyasi.com/img/seo/GWS23301/the-death-of-mortimer-king-henry-vl-act-ii-scene-5-1830.jpg The Death Of Mortimer, (King Henry Vl. Act II. Scene 5.) The Death Of Mortimer, (King Henry Vl. Act II. Scene 5.) — James Northcote (1746-1831) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23401 https://www.gravurdunyasi.com/img/seo/GWS23401/the-death-of-cardinal-beaufort-king-henry-vl-part-2-act-3-scene-3-1830.jpg The Death Of Cardinal Beaufort, (King Henry Vl. Part 2. Act 3. Scene 3.) The Death Of Cardinal Beaufort, (King Henry Vl. Part 2. Act 3. Scene 3.) — Henry Fuseli (1741-1825) — 1830's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23501 https://www.gravurdunyasi.com/img/seo/GWS23501/all-the-world-s-a-stage-the-seven-ages-of-man-act-ii-sc-vii-as-you-1850.jpg All The World’s A Stage (The Seven Ages of Man), Act II Sc. VII (As You Like İt) All The World’s A Stage (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23601 https://www.gravurdunyasi.com/img/seo/GWS23601/the-infancy-the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1850.jpg The Infancy (The Seven Ages of Man), Act II Sc. VII (As You Like İt) The Infancy (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23701 https://www.gravurdunyasi.com/img/seo/GWS23701/the-school-boy-the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1850.jpg The School-Boy (The Seven Ages of Man), Act II Sc. VII (As You Like İt) The School-Boy (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23801 https://www.gravurdunyasi.com/img/seo/GWS23801/the-lover-the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1850.jpg The Lover (The Seven Ages of Man), Act II Sc. VII (As You Like İt) The Lover (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS23901 https://www.gravurdunyasi.com/img/seo/GWS23901/the-soldier-the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1850.jpg The Soldier (The Seven Ages of Man), Act II Sc. VII (As You Like İt) The Soldier (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS24001 https://www.gravurdunyasi.com/img/seo/GWS24001/the-justice-the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1850.jpg The Justice (The Seven Ages of Man), Act II Sc. VII (As You Like İt) The Justice (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS24101 https://www.gravurdunyasi.com/img/seo/GWS24101/the-pantaloon-the-seven-ages-of-man-act-ii-sc-vii-as-you-like-it-1850.jpg The Pantaloon (The Seven Ages of Man), Act II Sc. VII (As You Like İt) The Pantaloon (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GWS24201 https://www.gravurdunyasi.com/img/seo/GWS24201/second-childhood-or-extreme-old-age-the-seven-ages-of-man-act-ii-sc-1850.jpg Second Childhood or Extreme Old Age (The Seven Ages of Man), Act II Sc. VII (As You Like İt) Second Childhood or Extreme Old Age (The Seven Ages of Man), Act II Sc. VII (As You Like İt) — Daniel Maclise (1806-1870) — 1850. This engraving references William Shakespeare's famous "The Seven Ages of Man" monologue from his pastoral comedy, As You Like It. Beginning with Shakespeare's words, "All the world's a stage," this passage depicts human life in seven stages from birth to death: infancy, childhood, youth in love, military service, judicial service, old age, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GYI0101K https://www.gravurdunyasi.com/img/seo/GYI0101K/the-autumn-gift-1854.jpg The Autumn Gift The Autumn Gift — George Lance (1802-1864) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GYI0201K https://www.gravurdunyasi.com/img/seo/GYI0201K/the-summer-gift-1854.jpg The Summer Gift The Summer Gift — George Lance (1802-1864) — 1854 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GYI0301K https://www.gravurdunyasi.com/img/seo/GYI0301K/red-cap-1855.jpg Red-Cap Red-Cap — George Lance (1802-1864) — 1855 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GYI0302B https://www.gravurdunyasi.com/img/seo/GYI0302B/red-cap-1851.jpg Red-Cap Red-Cap — George Lance (1802-1864) — 1851 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0101B https://www.gravurdunyasi.com/img/seo/GZM0101B/a-country-blacksmith-1870.jpg A Country Blacksmith A Country Blacksmith — Joseph Mallord William Turner (1775-1851) — 1870 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0201B https://www.gravurdunyasi.com/img/seo/GZM0201B/the-poulterer-der-geflugelhandler-1850.jpg The Poulterer-Der Geflügelhandler The Poulterer-Der Geflügelhandler — Gabr.Metzü — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0301B https://www.gravurdunyasi.com/img/seo/GZM0301B/marchand-de-tisane-1796.jpg Marchand De Tisane Marchand De Tisane — Paul Jourdy (1805-1856) — 1796 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0401B https://www.gravurdunyasi.com/img/seo/GZM0401B/the-writing-master-1880.jpg The Writing Master The Writing Master — Frans Van Mieris (1635-1681) — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0501B https://www.gravurdunyasi.com/img/seo/GZM0501B/l-antiquaire-the-antiquary-1829.jpg L' Antiquaire (The Antiquary) L' Antiquaire (The Antiquary) — Richard Parkes Bonnington (1801-1828) — 1829 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0601B https://www.gravurdunyasi.com/img/seo/GZM0601B/the-letter-writer-seville-1858.jpg The Letter Writer-Seville The Letter Writer-Seville — John Philip (1817-1867) — 1858 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0701B https://www.gravurdunyasi.com/img/seo/GZM0701B/the-postillion-1878.jpg The Postillion The Postillion — Jean Richard Goubie (1842-1899) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0801B https://www.gravurdunyasi.com/img/seo/GZM0801B/fish-woman-of-dieppe-1880.jpg Fish Woman Of Dieppe Fish Woman Of Dieppe — Georges Haquette (1854-1906) — 1880's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM0901 https://www.gravurdunyasi.com/img/seo/GZM0901/the-chemist-der-chemiker-1850.jpg The Chemist-Der Chemiker The Chemist-Der Chemiker — David Teniers (1610-1690) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1001B https://www.gravurdunyasi.com/img/seo/GZM1001B/what-d-ye-lack-madam-what-d-ye-lack-1872.jpg What D'ye Lack, Madam? What D'ye Lack? What D'ye Lack, Madam? What D'ye Lack? — John Pettie (1839-1893) — 1872 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1101B https://www.gravurdunyasi.com/img/seo/GZM1101B/the-crossing-sweeper-1860.jpg The Crossing Sweeper The Crossing Sweeper — William Powell Frith (1819-1909) — 1860's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1201B https://www.gravurdunyasi.com/img/seo/GZM1201B/la-devineresse-the-fortuneteller-die-wahrsagerin-1850.jpg La Devineresse-The Fortuneteller-Die Wahrsagerin La Devineresse-The Fortuneteller-Die Wahrsagerin — Frans Van Mieris (1635-1681) — 1850 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1301B https://www.gravurdunyasi.com/img/seo/GZM1301B/shoe-bazaar-cairo-1882.jpg Shoe Bazaar, Cairo Shoe Bazaar, Cairo — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1401B https://www.gravurdunyasi.com/img/seo/GZM1401B/khan-el-sarai-the-jeweller-s-bazaar-1882.jpg Khan El Sarai, The Jeweller's Bazaar Khan El Sarai, The Jeweller's Bazaar — 1882 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1501B https://www.gravurdunyasi.com/img/seo/GZM1501B/bulgarian-peasante-1876.jpg Bulgarian Peasante Bulgarian Peasante — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1601B https://www.gravurdunyasi.com/img/seo/GZM1601B/bulgarian-workpeople-1876.jpg Bulgarian Workpeople Bulgarian Workpeople — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1701 https://www.gravurdunyasi.com/img/seo/GZM1701/marchand-de-peaux-de-lapins-1800.jpg Marchand de Peaux de Lapins Marchand de Peaux de Lapins — 1800's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1801U https://www.gravurdunyasi.com/img/seo/GZM1801U/the-painter-1889.jpg The Painter The Painter — Jean-Louis-Ernest Meissonier (1815-1891) — 1889 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM1901U https://www.gravurdunyasi.com/img/seo/GZM1901U/the-critic-1879.jpg The Critic The Critic — Jean-Louis-Ernest Meissonier (1815-1891) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2001BB https://www.gravurdunyasi.com/img/seo/GZM2001BB/salon-de-1898-l-astronome-tableau-de-roybet.jpg Salon De 1898, L'Astronome, Tableau De Roybet Salon De 1898, L'Astronome, Tableau De Roybet — Ferdinand Roybet (1840-1920) — 1898 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2101BB https://www.gravurdunyasi.com/img/seo/GZM2101BB/thatcher-1884.jpg Thatcher Thatcher — George Morland (1762-1804) — 1884 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2201NN https://www.gravurdunyasi.com/img/seo/GZM2201NN/a-bulgarian-poulterer-at-gorny-studen-1877.jpg A Bulgarian Poulterer At Gorny Studen A Bulgarian Poulterer At Gorny Studen — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2301NN https://www.gravurdunyasi.com/img/seo/GZM2301NN/with-the-russians-at-sistova-a-jeweller-s-shop-1877.jpg With The Russians At Sistova-A Jeweller's Shop With The Russians At Sistova-A Jeweller's Shop — 1877 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2401 https://www.gravurdunyasi.com/img/seo/GZM2401/the-young-italian-fruit-seller-1876.jpg The Young Italian Fruit Seller The Young Italian Fruit Seller — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2501K https://www.gravurdunyasi.com/img/seo/GZM2501K/the-connoisseur-1878.jpg The Connoisseur The Connoisseur — Giovanni Boldini (1842-1931) — 1878 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2601K https://www.gravurdunyasi.com/img/seo/GZM2601K/the-astrologer-1879.jpg The Astrologer The Astrologer — John Seymour Lucas (1849-1923) — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2701K https://www.gravurdunyasi.com/img/seo/GZM2701K/a-sakka-or-water-carrier-with-his-kirbeh-or-goat-skin-filled-ewith-1879.jpg A Sakka Or Water Carrier With His Kirbeh Or Goat Skin Filled Ewith Water From The Nile A Sakka Or Water Carrier With His Kirbeh Or Goat Skin Filled Ewith Water From The Nile — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2801K https://www.gravurdunyasi.com/img/seo/GZM2801K/sais-or-groom-1879.jpg Sais Or Groom Sais Or Groom — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM2901K https://www.gravurdunyasi.com/img/seo/GZM2901K/a-cariene-merchant-1879.jpg A Cariene Merchant A Cariene Merchant — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3001K https://www.gravurdunyasi.com/img/seo/GZM3001K/a-dragoman-1879.jpg A Dragoman A Dragoman — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3101K https://www.gravurdunyasi.com/img/seo/GZM3101K/a-night-watchman-1879.jpg A Night Watchman A Night Watchman — 1879 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3201K https://www.gravurdunyasi.com/img/seo/GZM3201K/the-wine-tasters-1880.jpg The Wine Tasters The Wine Tasters — Eduard Kurzbauer (1840-1879) — 1880 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3301K https://www.gravurdunyasi.com/img/seo/GZM3301K/a-kentish-ratcatcher-1883.jpg A Kentish Ratcatcher A Kentish Ratcatcher — William Collins (1788-1847) — 1883 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3401K https://www.gravurdunyasi.com/img/seo/GZM3401K/an-itinerant-doctor-at-tien-sing-china-docteur-ambulant-a-tien-sing-1848.jpg An itinerant Doctor At Tien Sing, China-Docteur Ambulant A Tien Sing-Der Wanderende Doctor, Zu Tien Sing An itinerant Doctor At Tien Sing, China-Docteur Ambulant A Tien Sing-Der Wanderende Doctor, Zu Tien Sing — Thomas Allom (1804-1872) — 1848 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3501B https://www.gravurdunyasi.com/img/seo/GZM3501B/a-reaper-1856.jpg A Reaper A Reaper — John Absolon (1815-1895) — 1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3601B https://www.gravurdunyasi.com/img/seo/GZM3601B/a-shepherd-s-christmas-1859.jpg A Shepherd's Christmas A Shepherd's Christmas — 1859 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3701 https://www.gravurdunyasi.com/img/seo/GZM3701/the-spinner-die-spinnerin-1850.jpg The Spinner-Die Spinnerin The Spinner-Die Spinnerin — Caspar Netscher (1639-1684) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3801 https://www.gravurdunyasi.com/img/seo/GZM3801/the-studio-1850.jpg The Studio The Studio — Frans Van Mieris (1635-1681) — 1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM3901 https://www.gravurdunyasi.com/img/seo/GZM3901/la-adivina-the-fortuna-teller-1840.jpg La Adivina (The Fortuna Teller) La Adivina (The Fortuna Teller) — Fanny Corbaux (1812-1883) — 1840's-1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4001 https://www.gravurdunyasi.com/img/seo/GZM4001/italien-md-de-figures-1855.jpg Italien Md. De Figures Italien Md. De Figures — 1855-1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4101 https://www.gravurdunyasi.com/img/seo/GZM4101/artiste-du-louvre-1855.jpg Artiste Du Louvre Artiste Du Louvre — 1855-1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4201 https://www.gravurdunyasi.com/img/seo/GZM4201/garcon-de-cafe-1855.jpg Garçon De Cafe Garçon De Cafe — 1855-1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4301 https://www.gravurdunyasi.com/img/seo/GZM4301/vivandiere-1855.jpg Vivandiere Vivandiere — 1855-1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4401 https://www.gravurdunyasi.com/img/seo/GZM4401/zoe-la-blanchisseuse-laundress-1855.jpg Zoe La Blanchisseuse (Laundress) Zoe La Blanchisseuse (Laundress) — 1855-1856 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4501 https://www.gravurdunyasi.com/img/seo/GZM4501/truffle-hunter-1838.jpg Truffle Hunter Truffle Hunter — 1838 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4601 https://www.gravurdunyasi.com/img/seo/GZM4601/a-reaper-1860.jpg A Reaper A Reaper — 1860's-1870's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4701 https://www.gravurdunyasi.com/img/seo/GZM4701/a-reaper-1840.jpg A Reaper A Reaper — 1840's-1850's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4801 https://www.gravurdunyasi.com/img/seo/GZM4801/bresil-maquignons-paulistes-paulista-horse-dealers-1837.jpg Bresil, Maquignons Paulistes (Paulista Horse Dealers) Bresil, Maquignons Paulistes (Paulista Horse Dealers) — François Hippolyte Lalaisse (1812-1844) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM4901 https://www.gravurdunyasi.com/img/seo/GZM4901/bresil-voiturier-de-coton-et-sertanejo-cotton-trader-and-sertanejo-1837.jpg Bresil, Voiturier de Coton et Sertanejo (Cotton Trader And Sertanejo) Bresil, Voiturier de Coton et Sertanejo (Cotton Trader And Sertanejo) — Vernier — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5001 https://www.gravurdunyasi.com/img/seo/GZM5001/bresil-caravane-de-marchands-allant-a-tijuca-caravan-of-merchants-1837.jpg Bresil, Caravane De Marchands Allant A Tijuca (Caravan Of Merchants Going To Tijuca, Rio De Janerio) Bresil, Caravane De Marchands Allant A Tijuca (Caravan Of Merchants Going To Tijuca, Rio De Janerio) — François Hippolyte Lalaisse (1812-1844) — 1837 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5101K https://www.gravurdunyasi.com/img/seo/GZM5101K/the-tithe-collector-s-return-1874.jpg The Tithe Collector's Return The Tithe Collector's Return — Jehan Georges Vibert (1840-1902) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5201K https://www.gravurdunyasi.com/img/seo/GZM5201K/reed-gathering-1874.jpg Reed Gathering Reed Gathering — Gustave Jundt (1830-1884) — 1874 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5301NNB https://www.gravurdunyasi.com/img/seo/GZM5301NNB/the-apothecary-1876.jpg The Apothecary The Apothecary — Henry Stacy Marks (1829-1898) — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5401NN https://www.gravurdunyasi.com/img/seo/GZM5401NN/female-labour-in-germany-sawing-wood-mixing-mortar-street-sweepers-1876.jpg Female Labour in Germany-Sawing Wood, Mixing Mortar, Street Sweepers, Clearing Brick, Grading A Street Female Labour in Germany-Sawing Wood, Mixing Mortar, Street Sweepers, Clearing Brick, Grading A Street — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5501NN https://www.gravurdunyasi.com/img/seo/GZM5501NN/haymakers-1875.jpg Haymakers Haymakers — Lawrence Duncan (1836-1913) — 1875 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5601NN https://www.gravurdunyasi.com/img/seo/GZM5601NN/a-fire-in-japan-1876.jpg A Fire in Japan A Fire in Japan — 1876 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5701 https://www.gravurdunyasi.com/img/seo/GZM5701/divertimento-de-serpenti-asia-vol-iii-tav-62-snake-charmers-1820.jpg Divertimento de Serpenti, Asia Vol. III Tav.62 (Snake Charmers) Divertimento de Serpenti, Asia Vol. III Tav.62 (Snake Charmers) — 1820's-1840's https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GZM5801 https://www.gravurdunyasi.com/img/seo/GZM5801/the-poor-painter-in-his-studio-1680.jpg The Poor Painter in His Studio The Poor Painter in His Studio — Andries Both (1612-1642) — 1680-1690 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0101 https://www.gravurdunyasi.com/img/seo/GKE0101/mount-gerizim-and-the-vale-of-nablous-from-mount-ebal-1840.jpg Mount Gerizim and the Vale of Nablous (From Mount Ebal) Mount Gerizim and the Vale of Nablous (From Mount Ebal) — William Henry Bartlett (1809-1854) — 1840's. This engraving shows the rugged slopes of Mount Gerizim overlooking Nablus valley, capturing the scenic contrast between terraces, olive groves and distant hills. The site is significant in Samaritan and biblical traditions. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0201 https://www.gravurdunyasi.com/img/seo/GKE0201/view-of-the-rent-in-the-rock-under-mount-calvary-1803.jpg View of the Rent in the Rock, under Mount Calvary View of the Rent in the Rock, under Mount Calvary — L.Mayer — 1803 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0301 https://www.gravurdunyasi.com/img/seo/GKE0301/fount-in-the-desert-1840.jpg Fount in the Desert Fount in the Desert — Henry Warren (1794-1879) — 1840's. This engraving depicts a scene of a spring in the desert. It is symbolically linked to themes of salvation, grace, and pilgrimage. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0401 https://www.gravurdunyasi.com/img/seo/GKE0401/the-river-jordan-1850.jpg The River Jordan The River Jordan — John Cramb (Active 1850-1860) (Photographer-Fotoğrafçı) — 1850's-1860's. This engraving depicts a tranquil section of the Jordan River. The composition features pilgrims or local figures standing on the riverbank. The reflections on the water's surface carry sacred meaning in Christian tradition, particularly alluding to spiritual purification rituals such as Jesus' baptism. The work combines both the serene beauty of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0501 https://www.gravurdunyasi.com/img/seo/GKE0501/valley-of-gihon-1850.jpg Valley of Gihon Valley of Gihon — John Cramb (Active 1850-1860) (Photographer-Fotoğrafçı) — 1850's-1860's. This engraving, titled "Gihon Valley," depicts a panoramic view of a historical and sacred site located west of Jerusalem. The engraving presents a pastoral scene that alludes to both biblical narratives and the 19th-century tradition of depicting the Holy Land. Throughout history, the Gihon Valley has held great strategic and religious… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0601 https://www.gravurdunyasi.com/img/seo/GKE0601/the-gamesters-1895.jpg The Gamesters The Gamesters — Walter Dendy Sadler (1854-1923) — 1895. This engraving depicts a satirical social scene of Victorian gentlemen playing cards outdoors. Sadler was famous for humorously portraying middle-class leisure activities. The detailed garden setting highlights the cultural values of entertainment and sociability in late 19th century England. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0701 https://www.gravurdunyasi.com/img/seo/GKE0701/a-coming-shower-1890.jpg A Coming Shower A Coming Shower — Pierre Outin (1840-1899) — 1890. The engraving masterfully depicts the dramatic impact of a moment before the rain. On the beach, beside small fishing boats, two young women in elegant dresses seek shelter with their umbrellas. In the same scene, a coarsely dressed fisherman and his child point to the sky to warn a well-dressed companion of an approaching storm. The engraving… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0801 https://www.gravurdunyasi.com/img/seo/GKE0801/clotilde-1820.jpg Clotilde Clotilde — George Murray (active 1796-1822) — 1820's. The engraving shows a romanticized female figure named Clotilde, depicted in noble attire, gazing outward over a garden wall. This type of portraiture was popular in the Victorian era, evoking themes of virtue, melancholy, and romance. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE0901 https://www.gravurdunyasi.com/img/seo/GKE0901/sir-nicholas-bacon-ob-1579-1830.jpg Sir Nicholas Bacon (OB. 1579) Sir Nicholas Bacon (OB. 1579) — Federico Zuccaro (Zucchero) (1540-1609) — 1830. This engraving depicts Sir Nicholas Bacon (1510–1579), who served as Lord Keeper of the Great Seal during the reign of Queen Elizabeth I. The Great Seal is the seal that grants authority on behalf of the state to official acts of the monarch, such as decrees, appointments, and privileges. The offices with largely the same authority over the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1001 https://www.gravurdunyasi.com/img/seo/GKE1001/richard-boyle-earl-of-burlington-ob-1753-1831.jpg Richard Boyle, Earl of Burlington (OB. 1753) Richard Boyle, Earl of Burlington (OB. 1753) — Jonathan Richardson (1667-1745) — 1831. The engraving portrays Richard Boyle, known as a patron of Palladian architecture in Britain. His patronage shaped 18th-century British architecture, and the portrait underlines his noble status. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1101 https://www.gravurdunyasi.com/img/seo/GKE1101/henry-matthews-1870.jpg Henry Matthews Henry Matthews — 1870's. This engraving depicts Henry Matthews, a 19th-century British politician and barrister. The use of photographic reference indicates the transition from painted to photographic sources in engraved portraits. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1201 https://www.gravurdunyasi.com/img/seo/GKE1201/lord-clyde-1870.jpg Lord Clyde Lord Clyde — John Jabez Edwin Mayall (1813-1901) (Photographer) — 1870's. The engraving depicts Lord Clyde, a British Army officer notable for his role in the Indian Rebellion of 1857. His stern expression reflects military discipline. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1301 https://www.gravurdunyasi.com/img/seo/GKE1301/grand-duke-michael-1870.jpg Grand Duke Michael Grand Duke Michael — 1870's. This engraving portrays Grand Duke Michael Pavlovich of Russia (1798–1849), the youngest son of Emperor Paul I. The portrait reflects Russian imperial portraiture’s formal grandeur, with emphasis on uniform details and military honor. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1401 https://www.gravurdunyasi.com/img/seo/GKE1401/miss-fenton-english-actress-lavinia-fenton-as-polly-peachum-in-john-1807.jpg Miss Fenton (English Actress Lavinia Fenton as Polly Peachum in John Gay's "Beggar's Opera") Miss Fenton (English Actress Lavinia Fenton as Polly Peachum in John Gay's "Beggar's Opera") — William Hogarth (1697-1764) — 1807. This oval portrait engraving depicts Lavinia Fenton (1708–1760), referred to as "Miss Fenton" in the title, in her famous role as Polly Peachum in John Gay's The Beggar's Opera (1728). The Beggar's Opera, a forerunner of the ballad opera genre based on folk tunes orchestrated by Johann Christopher Pepusch, satirized Italian opera and the politics… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1501 https://www.gravurdunyasi.com/img/seo/GKE1501/mr-pine-english-publisher-engraver-and-cartographer-john-pine-1808.jpg Mr. Pine (English Publisher, Engraver and Cartographer John Pine) Mr. Pine (English Publisher, Engraver and Cartographer John Pine) — William Hogarth (1697-1764) — 1808. John Pine (1690–1756) was one of the leading designers, engravers, cartographers, and publishers of Georgian Britain. He published the lavish two-volume edition of Horace (1733–1737), entirely printed on copperplate. He produced a visual record of the Order of the Bath ceremonies (1730) and detailed engravings of the tapestries of the Spanish… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1601 https://www.gravurdunyasi.com/img/seo/GKE1601/cardinal-wolsey-cardinal-lord-chancellor-archbishop-of-york-thomas-1830.jpg Cardinal Wolsey (Cardinal, Lord Chancellor, Archbishop of York Thomas Wolsey) Cardinal Wolsey (Cardinal, Lord Chancellor, Archbishop of York Thomas Wolsey) — Hans Holbein the Younger (1497-1543) — 1830's. This engraving depicts Cardinal Thomas Wolsey (1473–1530), Archbishop of York, Lord Chancellor of England, and one of Henry VIII's most important advisors. The plate caption states that the portrait was reproduced from an original in Christ Church, Oxford. The institution in question was Cardinal College, which Wolsey founded in 1525 and later… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1701 https://www.gravurdunyasi.com/img/seo/GKE1701/lucy-percy-countess-of-carlisle-1830.jpg Lucy Percy (Countess of Carlisle) Lucy Percy (Countess of Carlisle) — Anthony van Dyck (1599-1641) — 1830's. This engraving depicts Lucy Percy, Countess of Carlisle (1599–1660). The daughter of Henry Percy, 9th Earl of Northumberland, Lucy married James Hay, 1st Earl of Carlisle. Her intelligence and influence made her a prominent figure at the courts of Charles I and Queen Henrietta Maria. She maintained close ties with both royalist and parliamentary… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE1901 https://www.gravurdunyasi.com/img/seo/GKE1901/burning-of-the-brooklyn-theatre-the-ruins-1877.jpg Burning of the Brooklyn Theatre: The Ruins Burning of the Brooklyn Theatre: The Ruins — 1877. This engraving depicts the reduced ruins of the Brooklyn Theatre Fire, which devastated New York City on Tuesday night, December 5, 1876. The news report and image, published in the January 6, 1877, issue of The Illustrated London News, depicted the dramatic atmosphere of destruction and rescue efforts that followed the fire. The news text is as… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE2001 https://www.gravurdunyasi.com/img/seo/GKE2001/christmas-with-poor-jack-at-the-seamen-s-hospital-late-dreadnought-1877.jpg Christmas with Poor Jack at the Seamen’s Hospital (Late Dreadnought), Greenwich Christmas with Poor Jack at the Seamen’s Hospital (Late Dreadnought), Greenwich — W.P. — 1877. The engraving shows a Christmas meal organized for poor sailors at the Seamen’s Hospital in Greenwich. This reflects Victorian philanthropic traditions and social support for maritime workers. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE2201 https://www.gravurdunyasi.com/img/seo/GKE2201/the-railway-accident-at-arlesey-1877.jpg The Railway Accident at Arlesey The Railway Accident at Arlesey — 1877. This engraving depicts the railway accident at Arlesey, reflecting the dangers of 19th-century industrial transport. The scattered wreckage and victims highlight both the fragility of early railway technology and the human cost of accidents. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE4501 https://www.gravurdunyasi.com/img/seo/GKE4501/a-caravan-attacked-by-arabs-1830.jpg A Caravan Attacked by Arabs A Caravan Attacked by Arabs — 1830`s. The engraving depicts a dramatic desert scene where a caravan is ambushed by Arab raiders near stone ruins and mountain landscapes. The image captures 19th-century European fascination with Orientalist themes and the dangers of Middle Eastern travel. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE4601 https://www.gravurdunyasi.com/img/seo/GKE4601/interior-view-of-the-holy-sepulchre-at-jerusalem-1836.jpg Interior View of the Holy Sepulchre at Jerusalem Interior View of the Holy Sepulchre at Jerusalem — L.Mayer — 1836. A detailed interior view of the Holy Sepulchre in Jerusalem showing pilgrims in reverence before the tomb of Christ. This print reflects early 19th-century Christian pilgrimage imagery and British interest in biblical geography. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE4701 https://www.gravurdunyasi.com/img/seo/GKE4701/ramleh-1830.jpg Ramleh Ramleh — 1830`s. The engraving presents a panoramic view of Ramleh (modern-day Ramla, Israel), with a herd of goats in the foreground and the domed townscape and minarets in the distance, typical of Holy Land illustrations. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE4801 https://www.gravurdunyasi.com/img/seo/GKE4801/antiquities-of-the-bible-assyrian-vases-birs-nimroud-furniture-1840.jpg Antiquities of the Bible, Assyrian - Vases - Birs Nimroud - Furniture - Entrance to an Assyrian Palace - Sardanapalus & Altar - Wingedbull – Sculpture - Nineveh - Coffins Antiquities of the Bible, Assyrian - Vases - Birs Nimroud - Furniture - Entrance to an Assyrian Palace - Sardanapalus & Altar - Wingedbull – Sculpture - Nineveh - Coffins — 1840`s. This composite engraving depicts artifacts and architectural elements from ancient Assyria: Nimrud ziggurat, Assyrian vases, winged bulls, statues, and palace interiors symbolizing the splendor of Mesopotamian civilization. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE4901 https://www.gravurdunyasi.com/img/seo/GKE4901/desolation-of-nineveh-remains-at-khorsabad-remains-at-nimroud-nahum-i-1850.jpg Desolation of Nineveh - Remains at Khorsabad - Remains at Nimroud (Nahum I.14-III.6,7)- Excavated Remains at Nimroud (Zephaniah 2:13–15) Desolation of Nineveh - Remains at Khorsabad - Remains at Nimroud (Nahum I.14-III.6,7)- Excavated Remains at Nimroud (Zephaniah 2:13–15) — H. Warren -After Botta & Layard — 1850`s. This engraving, titled "Desolation of Nineveh," provides a visual summary of Assyrian archaeological discoveries made in the mid-19th century. The ruins of Khorsabad, located near present-day Mosul, in the upper section depict the ruins of Dur-Sharrukin, the city built as a capital by King Sargon II. This scene shows ruined structures and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5001 https://www.gravurdunyasi.com/img/seo/GKE5001/desolation-of-babylon-site-of-the-ruins-of-babylon-ruins-of-the-1850.jpg Desolation of Babylon - Site of the Ruins of Babylon - Ruins of the Lesser Palace - Birs Nimroud from the East - The Mujelibe from the South, Supposed Remains of Palace of Babylon -Birs Nimroud from the North West, Supposed Ruins of the Temple of Bel (Isaiah XIV.II.15 XLVI.I and Jeremiah I.2.L.I.25) Desolation of Babylon - Site of the Ruins of Babylon - Ruins of the Lesser Palace - Birs Nimroud from the East - The Mujelibe from the South, Supposed Remains of Palace of Babylon -Birs Nimroud from the North West, Supposed Ruins of the Temple of Bel (Isaiah XIV.II.15 XLVI.I and Jeremiah I.2.L.I.25) — H.Warren from Sketches by J.B. Fraser — 1850`s. This engraving, titled "Desolation of Babylon," depicts the ruins of Babylon, one of the most famous cities in ancient Mesopotamia, in a multi-scene composition. The "Site of the Ruins of Babylon," located at the top, presents the quiet and barren landscape of this city, once considered the center of the world. The "Ruins of the Lesser Palace,"… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5101 https://www.gravurdunyasi.com/img/seo/GKE5101/laplanders-the-rein-deer-drawing-the-sledges-over-the-snow-1810.jpg Laplanders - The Rein Deer Drawing the Sledges over the Snow Laplanders - The Rein Deer Drawing the Sledges over the Snow — 1810`s. The print illustrates Lappish (Sami) people using reindeer to pull sledges over snowy terrain, reflecting early ethnographic depictions of Lapland. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5201 https://www.gravurdunyasi.com/img/seo/GKE5201/a-man-of-quality-in-congo-carried-in-his-hamock-1810.jpg A Man of Quality in Congo Carried in his Hamock A Man of Quality in Congo Carried in his Hamock — 1810`s. The scene shows an African nobleman carried by servants in a hammock, a depiction influenced by European 18th–19th century “Manners and Customs” travel literature. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5301 https://www.gravurdunyasi.com/img/seo/GKE5301/natives-of-cochin-china-playing-at-shuttlecock-with-their-feet-1810.jpg Natives of Cochin China Playing at Shuttlecock with their Feet Natives of Cochin China Playing at Shuttlecock with their Feet — 1810`s. This engraving reflects Eurocentric observations of daily life in Southeast Asian societies in the late 18th and early 19th centuries. The region known as "Cochin China" encompassed the southern part of present-day Vietnam. The engraving depicts local people playing featherball with their feet in an open village area. This game is still a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5401 https://www.gravurdunyasi.com/img/seo/GKE5401/chas-the-hottentot-surrenders-himself-prisoner-to-the-dutch-ensign-1780.jpg Chas the Hottentot Surrenders Himself Prisoner to the Dutch Ensign Chas the Hottentot Surrenders Himself Prisoner to the Dutch Ensign — S.Wale — 1780`s. An allegorical colonial scene showing an African figure surrendering to a Dutch officer, framed by rococo ornamentation, typical of 18th-century European travel book illustrations. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5501 https://www.gravurdunyasi.com/img/seo/GKE5501/cairo-and-the-mokattam-hills-from-the-nile-the-pyramids-of-geezeh-1840.jpg Cairo and the Mokattam Hills from the Nile / The Pyramids of Geezeh from the Quarries of Toora Cairo and the Mokattam Hills from the Nile / The Pyramids of Geezeh from the Quarries of Toora — E.W.Cooke — 1840`s. Two landscape views of Egypt: one showing Cairo and Mokattam Hills from the Nile, the other showing the Pyramids of Giza from Toora quarries, capturing Orientalist fascination with ancient Egypt. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5601 https://www.gravurdunyasi.com/img/seo/GKE5601/valley-of-the-jordan-1842.jpg Valley of the Jordan Valley of the Jordan — David Roberts (1796-1864) — 1842. This color lithograph, adapted from David Roberts' work, depicts the Jordan Valley, one of the most important valleys in biblical geography. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5701 https://www.gravurdunyasi.com/img/seo/GKE5701/edom-and-the-red-sea-entrance-to-petra-edom-numbers-xx-19-akabah-on-1850.jpg Edom and the Red Sea - Entrance to Petra (Edom) (Numbers XX.19)- Akabah on the Red Sea Near the Site of Eziongeber - Aaron’s Tomb, Mount Hor (Numbers XX.28. XXXIII.38) - Triumphal Arch, Petra (Edom) (Numbers XX.20) Edom and the Red Sea - Entrance to Petra (Edom) (Numbers XX.19)- Akabah on the Red Sea Near the Site of Eziongeber - Aaron’s Tomb, Mount Hor (Numbers XX.28. XXXIII.38) - Triumphal Arch, Petra (Edom) (Numbers XX.20) — J.A.Houston (after Laborde) — 1850`s. This engraving consists of four separate scenes depicting Edom and the Red Sea region, one of the most dramatic and symbolic regions of biblical geography. In the left scene, "Entrance to Petra (Edom)" depicts the moment of entry into the ancient city of Petra, located in present-day Jordan, through the narrow rock passage (Siq). This monumental… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5801 https://www.gravurdunyasi.com/img/seo/GKE5801/lydda-1850.jpg Lydda Lydda — 1850`s. View of Lydda (modern Lod, Israel), showing palm groves, domed houses, and a minaret; an example of 19th-century Holy Land topographical engravings. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE5901 https://www.gravurdunyasi.com/img/seo/GKE5901/tomb-of-sultan-berkook-1880.jpg Tomb of Sultan Berkook Tomb of Sultan Berkook — 1880`s. This engraving depicts the tomb of the Mamluk Sultan Barquq. Located within Cairo's renowned "Karatayiye Madrasa and Tomb Complex," the structure was built in the late 14th century and reflects the architectural style of the reign of Sultan Barquq (al-Malik al-Zahir Barquq, 1382-1399), founder of the Burji Mamluk dynasty. The engraving displays… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6001 https://www.gravurdunyasi.com/img/seo/GKE6001/mar-saba-valley-of-the-kedron-1850.jpg Mar Saba, Valley of the Kedron Mar Saba, Valley of the Kedron — J. D. Woodward — 1850`s. A dramatic view of the ancient Mar Saba Monastery built into the cliffs of the Kidron Valley near Jerusalem, one of the oldest inhabited monasteries in the world. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6101 https://www.gravurdunyasi.com/img/seo/GKE6101/view-of-the-pyramids-of-memphis-and-colossal-sphinx-s-head-1800.jpg View of the Pyramids of Memphis and Colossal Sphinx’s Head View of the Pyramids of Memphis and Colossal Sphinx’s Head — W. M. Craig — 1800`s. This engraving features the pyramids, symbols of ancient Egyptian civilization, and the head of the Great Sphinx of Giza. The title, "View of the Pyramids of Memphis and Colossal Sphinx’s Head," depicts the Giza plateau near the ancient city of Memphis. The engraving depicts the three great pyramids of Cheops (Khufu), Khafre (Khafre), and Menkaure… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6201 https://www.gravurdunyasi.com/img/seo/GKE6201/palmyre-palmyra-1850.jpg Palmyre (Palmyra) Palmyre (Palmyra) — 1850`s. This lithograph depicts the ruins of the ancient city of Palmyra. Also known as "Tadmor" in ancient sources, Palmyra was prominent as a trading post between Roman and Persian civilizations, experiencing a golden age of independence and culture, particularly during the reign of Queen Zenobia (3rd century AD). The colonnaded main street at the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6301 https://www.gravurdunyasi.com/img/seo/GKE6301/ruined-temples-at-phil-egypt-1840.jpg Ruined Temples at Philæ (Egypt) Ruined Temples at Philæ (Egypt) — David Roberts (after sketch by C. Barry) — 1840`s. This engraving depicts the temple complex on the island of Philae, located on the Nile River. The Temple of Isis, located at the center of the composition, was one of the last sacred centers of ancient Egyptian religion and remained active during the Hellenistic and Roman periods. The engraving, with its monumental pylon gates, columned porticoes… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6401 https://www.gravurdunyasi.com/img/seo/GKE6401/hebron-1850.jpg Hebron Hebron — 1850`s. This engraving depicts a panoramic view of the city of Hebron (Al-Khalil), located in Palestine, in the 19th century. At the center of the composition, the Mosque of Abraham (Cave of the Patriarchs), one of the city's most sacred structures, is clearly visible. This structure was built over the sacred cave believed to contain the tombs of Abraham… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6501 https://www.gravurdunyasi.com/img/seo/GKE6501/dead-sea-1850.jpg Dead Sea Dead Sea — 1850`s. The view depicts travelers at the shores of the Dead Sea, the lowest point on Earth. The calm, reflective waters contrast with the rugged surrounding cliffs, capturing the desolate beauty of the biblical landscape. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6601 https://www.gravurdunyasi.com/img/seo/GKE6601/les-statues-de-memnon-th-bes-die-memnons-statuen-zu-theben-1840.jpg Les Statues de Memnon à Thèbes - Die Memnons Statuen zu Theben Les Statues de Memnon à Thèbes - Die Memnons Statuen zu Theben — I.L.Rüdisühli (Basel) — 1840`s. This engraving depicts the Colossi of Memnon, located in ancient Thebes, near modern-day Luxor. These two colossal stone statues were guardian figures that adorned the façade of the funerary temple of Amenhotep III (Amenophis III), the 18th Dynasty pharaoh who reigned in the 14th century BC. Each approximately 18 meters high, these statues… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6701 https://www.gravurdunyasi.com/img/seo/GKE6701/jerusalem-is-builded-as-a-city-that-is-compact-together-1850.jpg Jerusalem is Builded as a City that is Compact Together Jerusalem is Builded as a City that is Compact Together — 1850`s. This engraving, titled "Jerusalem is Built as a City that is Compact Together," presents a panoramic view of Jerusalem accompanied by a symbolic expression taken from sacred texts. The engraving depicts the entirety of Old Jerusalem, surrounded by walls, from a high vantage point. The Dome of the Rock, located at the center of the composition… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6801 https://www.gravurdunyasi.com/img/seo/GKE6801/the-lake-and-town-of-tiberias-1843.jpg The Lake and Town of Tiberias The Lake and Town of Tiberias — J.D. Harding (after Count Léon de Laborde) — 1843. This engraving depicts the city of Tiberias on the shores of Lake Galilee (Tiberia) and the pastoral life surrounding it. The walled city of Tiberias, situated on the lakeshore, is depicted alongside the Bedouin tents in the foreground and the daily activities of the local population. Tiberias holds a significant place in Christian and Jewish… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE6901 https://www.gravurdunyasi.com/img/seo/GKE6901/alexandria-ancient-plan-of-the-city-and-port-1820.jpg Alexandria (Ancient Plan of the City and Port) Alexandria (Ancient Plan of the City and Port) — 1820’s. This engraving, titled "Alexandria," presents an idealized plan view of Alexandria, one of the most important port cities of the ancient world. The inscription "Island of Pharos" at the bottom of the engraving depicts the Pharos (Alexandria) Lighthouse, located at the city's entrance and considered one of the Seven Wonders of Antiquity. This… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7001 https://www.gravurdunyasi.com/img/seo/GKE7001/tyre-1840.jpg Tyre Tyre — W. H. Bartlett — 1840`s. This engraving, titled "Tyre," depicts the ruins of the ancient Phoenician city of Tyre, located on the coast of Lebanon. The two figures in the foreground likely represent local inhabitants of the period, while the dark silhouette in the background, merging with the sea, depicts Tyre, once a center of trade, glassmaking, and purple dye… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7101 https://www.gravurdunyasi.com/img/seo/GKE7101/mount-tabor-from-the-north-1850.jpg Mount Tabor from the North Mount Tabor from the North — 1850`s. This engraving, titled "View of Mount Tabor from the North," depicts a northern view of Mount Tabor, a mountain located in the Galilee region of Israel that holds profound spiritual significance in Christian history. The shepherds, goats, and traveling figures in the foreground represent both the pastoral reality of the scene and everyday life in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7201 https://www.gravurdunyasi.com/img/seo/GKE7201/opening-of-the-suez-canal-1869.jpg Opening of the Suez Canal Opening of the Suez Canal — 1869. A historic scene of the opening ceremony of the Suez Canal in Egypt, attended by international delegations and ships from various nations. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7301 https://www.gravurdunyasi.com/img/seo/GKE7301/jerusalem-at-the-time-of-christ-1840.jpg Jerusalem (at the Time of Christ) Jerusalem (at the Time of Christ) — 1840`s. This 19th-century engraving presents an imagined reconstruction of ancient Jerusalem as it might have appeared during the lifetime of Christ. The artist depicts a fortified city filled with monumental architecture, sacred complexes, and elevated temples, reflecting both biblical imagination and 19th-century archaeological speculation. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7401 https://www.gravurdunyasi.com/img/seo/GKE7401/ceremony-upon-the-overflowing-of-the-nile-at-cairo-1780.jpg Ceremony upon the Overflowing of the Nile at Cairo Ceremony upon the Overflowing of the Nile at Cairo — S. Wale — 1780. This engraving depicts a traditional ceremony held during the Nile's flooding season in Cairo in the late 18th century. It depicts the "Nile Flood Festival," a celebration of the Nile's annual floods, which bring fertility. The "Nile Flood Festival," or Wafaa an-Nil in Arabic, is an ancient tradition celebrated in Egypt every year around August… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7501 https://www.gravurdunyasi.com/img/seo/GKE7501/the-attachment-of-an-hottentot-to-the-manners-of-his-country-shewn-by-1780.jpg The Attachment of an Hottentot to the Manners of his Country, Shewn by the Conduct of one of Them Bred from his Infancy Among Europeans The Attachment of an Hottentot to the Manners of his Country, Shewn by the Conduct of one of Them Bred from his Infancy Among Europeans — 1780. This engraving reflects the colonial and ethnographic perspective of the 18th century. The term "Hottentot" was used at the time to describe the Khoisan people of Southern Africa, a term now considered racist and derogatory. The text is used to illustrate how, despite European claims to "civilize" the indigenous peoples, they tended to revert to… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7601 https://www.gravurdunyasi.com/img/seo/GKE7601/damascus-1845.jpg Damascus Damascus — A.W.Callcott (after C.Barry) — 1845. The engraving captures Damascus viewed through an arched foreground, emphasizing its lush oasis and distant skyline of minarets and domes, symbolizing one of the world’s oldest continuously inhabited cities. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7701 https://www.gravurdunyasi.com/img/seo/GKE7701/damascus-from-the-spot-where-st-paul-was-converted-1850.jpg Damascus (from the Spot where St. Paul was Converted) Damascus (from the Spot where St. Paul was Converted) — J. A. Houston (after Lt. Col. Mc.Niven) — 1850`s. This engraving depicts a view of Damascus from the spot where St. Paul is believed to have converted to Christianity. The engraving's composition, within the 19th-century Romantic Orientalist landscape, depicts both the memory of a sacred moment and the pastoral beauty of the East. Local figures in traditional attire in the foreground represent… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7801 https://www.gravurdunyasi.com/img/seo/GKE7801/damascus-1855.jpg Damascus Damascus — W.Telbin (sketch fom A. Campbell) — 1855. This engraving depicts a panoramic view of Damascus, the capital of Syria, in the mid-19th century. The composition, along with the minaret of the Umayyad Mosque (Great Mosque of Damascus) and the surrounding ancient urban fabric, highlights the city's historical and religious significance. The site of the Umayyad Mosque has been considered sacred… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE7901 https://www.gravurdunyasi.com/img/seo/GKE7901/damascus-the-street-called-straight-1845.jpg Damascus (The Street Called Straight) Damascus (The Street Called Straight) — 1845. This engraving depicts ancient ruins along the Via Recta, one of Damascus's oldest and most historic streets. Mentioned in the Bible (Acts 9:11), this street is known as the place where St. Paul was blinded before his conversion to Christianity and where he was subsequently healed. Therefore, it is both a sacred site in Christian tradition and a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8001 https://www.gravurdunyasi.com/img/seo/GKE8001/damascus-1845.jpg Damascus Damascus — T.C.Dibdin (sketch fom F.Catherwood) — 1845. This engraving depicts a general view of Damascus, the capital of Syria, taken from southeastern Syria in the mid-19th century. The composition presents the elegant silhouettes of Islamic architecture within a pastoral landscape. In the foreground, date palms, tombstones, and figures in traditional dress are seen. This scene reflects rural life… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8101 https://www.gravurdunyasi.com/img/seo/GKE8101/the-ancient-winter-palace-of-the-czarina-at-st-petersburg-1750.jpg The Ancient Winter Palace of the Czarina at St. Petersburg The Ancient Winter Palace of the Czarina at St. Petersburg — 1750`s-1790"s. This engraving depicts the Tsarina's Old Winter Palace in St. Petersburg, the capital of the Russian Empire, in the late 18th century. The image depicts a palace with classical lines on the banks of the Neva River, with small boats and rowers moving on the river in the foreground. The engraving also depicts the water network, the bridge and canal… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8201 https://www.gravurdunyasi.com/img/seo/GKE8201/pool-of-bethesda-and-church-of-st-anne-1850.jpg Pool of Bethesda and Church of St. Anne Pool of Bethesda and Church of St. Anne — J. Cramb (photographed by) — 1850–1860. The engraving depicts the Church of St. Anna, located northeast of Jerusalem's Old City, and the nearby Pool of Bethesda. The Dome of the Rock (Kubbet al-Sakhra) is prominently featured in the right-hand background of the engraving, demonstrating topographic accuracy. The composition reflects the architectural texture of Jerusalem during the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8301 https://www.gravurdunyasi.com/img/seo/GKE8301/mount-lebanon-from-beyrout-1850.jpg Mount Lebanon from Beyrout Mount Lebanon from Beyrout — J. Cramb (Photographer-Fotoğrafçı) — 1850–1860. Depicts Mount Lebanon seen from Beirut, part of 19th-century orientalist landscape series. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8401 https://www.gravurdunyasi.com/img/seo/GKE8401/palmyra-1850.jpg Palmyra Palmyra — J. D. Woodward — 1850–1860. This engraving depicts the ruins of the ancient city of Palmyra, located in the desert of present-day Syria, in a dramatic chiaroscuro. In the foreground, a camel caravan and figures of travelers seated by a fire evoke the exotic atmosphere of the East, while the ruins of the Triumphal Arch, the Great Colonnaded Street, and the Temple of Bel in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8501 https://www.gravurdunyasi.com/img/seo/GKE8501/grabmal-des-st-sabas-bei-jerusalem-tombeau-de-st-sabas-pres-jerusalem-1840.jpg Grabmal Des St.Sabas Bei Jerusalem-Tombeau De St.Sabas Pres Jerusalem (Tomb of St. Sabas Near Jerusalem) / Grabmal Des Herodes-Agrippa Bei Jerusalem (Tomb of Herode-Agrippa near Jerusalem) Grabmal Des St.Sabas Bei Jerusalem-Tombeau De St.Sabas Pres Jerusalem (Tomb of St. Sabas Near Jerusalem) / Grabmal Des Herodes-Agrippa Bei Jerusalem (Tomb of Herode-Agrippa near Jerusalem) — 1840–1860. This engraving shows two important tombs located near Jerusalem: the Tomb of Saint Sabas and the Tomb of Herod-Agrippa. The structure on the left, located in the Mar Saba Monastery near Jerusalem, belongs to Saint Sabas (439–532), a renowned hermit who practiced asceticism in the Palestinian desert in the 5th century. Sabas is considered a pioneer… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8601 https://www.gravurdunyasi.com/img/seo/GKE8601/bethlehem-1850.jpg Bethlehem Bethlehem — W. Leitch (from a sketch by F.Arrundale) — 1850–1860. Panorama of Bethlehem, south of Jerusalem, during Ottoman rule. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8701 https://www.gravurdunyasi.com/img/seo/GKE8701/la-mosquee-tulun-au-caire-moschee-tulun-in-cairo-mosque-tulun-cairo-1850.jpg La Mosquee Tulun au Caire - Moschee Tulun in Cairo - Mosque Tulun, Cairo La Mosquee Tulun au Caire - Moschee Tulun in Cairo - Mosque Tulun, Cairo — 1850`s. This lithograph depicts the Mosque of al-Tulun (Ahmad Ibn Tulun) in Cairo. The engraving meticulously depicts the mosque's spacious courtyard, arched porticoes, and distinctive brick architecture. The Mosque of al-Tulun is one of the oldest and most impressive structures of Islamic architecture. Built between 876 and 879 by the Abbasid governor… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8801 https://www.gravurdunyasi.com/img/seo/GKE8801/the-waters-of-merom-bar-el-huleh-the-scene-of-joshua-s-victory-over-1850.jpg The Waters of Merom (Bar-el-Huleh), The Scene of Joshua`s Victory Over the Kings of the Canaanites The Waters of Merom (Bar-el-Huleh), The Scene of Joshua`s Victory Over the Kings of the Canaanites — B.Bough (After Van de Velde) — 1850–1860. The engraving depicts the area of ​​the Huleh Valley (formerly the Waters of Merom) in northern Palestine. The Waters of Merom, known today as Lake Hule, was a freshwater lake located approximately 25 kilometers north of the Sea of ​​Galilee in northern Israel. In ancient times, the Waters of Merom referred to a wetland that fed the upper reaches… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE8901 https://www.gravurdunyasi.com/img/seo/GKE8901/the-king-of-jagra-summond-before-mumbo-jumbo-1770.jpg The King of Jagra summond before Mumbo Jumbo The King of Jagra summond before Mumbo Jumbo — S.Wale — 1770`s. This engraving is one of the imaginative representations of West African societies in 18th-century Europe. The composition depicts a scene purportedly reflecting African village life and local forms of governance. In the center, a superhuman-sized figure in long robes (a ceremonial figure referred to as "Mumbo Jumbo" in European sources) appears… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9001 https://www.gravurdunyasi.com/img/seo/GKE9001/the-ordeal-fruit-practised-by-the-gentoos-1770.jpg The Ordeal Fruit Practised by the Gentoos The Ordeal Fruit Practised by the Gentoos — S.Wale — 1770`s. This engraving depicts the Ordeal Fruit Ritual, a judicial ritual practiced among Hindu communities in India known as "Gentoos." In this scene, a group of priests or sages are depicted gathered around an altar, their hands extended over the sacred vessel in the center. The Ordeal Fruit Ritual was known in ancient Indian societies as a method of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9101 https://www.gravurdunyasi.com/img/seo/GKE9101/act-of-trampling-over-the-images-of-our-saviour-the-virgin-mary-at-1770.jpg Act of trampling Over the Images of Our Saviour & the Virgin Mary at the Beginning of the New Year at Nagasaki Act of trampling Over the Images of Our Saviour & the Virgin Mary at the Beginning of the New Year at Nagasaki — S.Wale — 1770`s. This engraving depicts a scene from the Edo Period (17th–19th centuries), when Christianity was banned in Japan. A Japanese man steps on a cross and Christian icons placed on the ground, while other figures in traditional dress stand around him as the ceremony's organizers. Officials and religious representatives in the background observe the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9201 https://www.gravurdunyasi.com/img/seo/GKE9201/a-gentoo-woman-burning-herself-on-the-funeral-pile-of-her-husband-1770.jpg A Gentoo Woman Burning Herself on the Funeral Pile of Her Husband A Gentoo Woman Burning Herself on the Funeral Pile of Her Husband — S.Wale — 1770`s. The engraving depicts the ritual of self-immolation by Hindu widows, known in European sources as "sati" or "suttee," as part of their husbands' funeral rites. In this scene, a woman is shown sitting on a pyre containing her deceased husband's body, pouring oil on her head. In the background, female figures weep, while priests and a crowd of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9301 https://www.gravurdunyasi.com/img/seo/GKE9301/ceremony-of-marriage-of-the-japanese-1770.jpg Ceremony of Marriage of the Japanese Ceremony of Marriage of the Japanese — S.Wale — 1770`s. A depiction of a traditional Japanese wedding ceremony, framed with Rococo ornamentation, emphasizing the exotic customs admired by Enlightenment Europe. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9401 https://www.gravurdunyasi.com/img/seo/GKE9401/inside-view-of-a-winter-hutt-of-the-kamptschadales-1770.jpg Inside View of a Winter Hutt of the Kamptschadales Inside View of a Winter Hutt of the Kamptschadales — 1770`s. This engraving, dating from the 18th century, is one of the earliest visual documents of the daily life of the Kamchatka indigenous communities, who have lived for thousands of years on the Kamchatka Peninsula, the easternmost point of the Russian Empire. It depicts the interior of a winter shelter partially buried underground, supported by wooden… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9601 https://www.gravurdunyasi.com/img/seo/GKE9601/the-swing-on-which-the-principal-persons-in-india-pass-away-much-of-1770.jpg The Swing on which the principal Persons in India pass away much of their Time The Swing on which the principal Persons in India pass away much of their Time — 1770`s. This engraving represents a scene from the daily life of the aristocratic class in India before the British colonial era. At the center of the composition, a couple sits on a large swing adorned with ornate fabrics. The male and female figures are depicted as representing the local rulers or members of the upper caste. The women wear traditional… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9701 https://www.gravurdunyasi.com/img/seo/GKE9701/the-boiling-springs-at-giesar-with-a-distant-view-of-mount-heela-1800.jpg The Boiling Springs at Giesar with a Distant View of Mount Heela (Icelanders) The Boiling Springs at Giesar with a Distant View of Mount Heela (Icelanders) — 1800`s. This engraving is an important natural depiction from the late 18th-century European geography of exploration. It depicts the hot water gushes (geysers) that occur in the Geysir region, one of Iceland's most famous geothermal areas. In the foreground, Icelandic people, depicted in traditional clothing, are seen gathered near the natural hot… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9801 https://www.gravurdunyasi.com/img/seo/GKE9801/dresses-of-the-inhabitants-of-eastern-tartary-1800.jpg Dresses of the Inhabitants of Eastern Tartary Dresses of the Inhabitants of Eastern Tartary — 1800`s. This engraving depicts the clothing and customs of the people of "Eastern Tatarstan," encompassing the regions of Siberia and Manchuria, in the late 18th century. The composition depicts a large group gathered on the banks of a river. Rolling hills in the background, a single hut in the distance, and sparse forest texture create a landscape… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE9901 https://www.gravurdunyasi.com/img/seo/GKE9901/ruins-of-chichen-yucatan-from-stephens-yucatan-1840.jpg Ruins of Chichen, Yucatan (From Stephens’ Yucatan) Ruins of Chichen, Yucatan (From Stephens’ Yucatan) — F. Catherwood — 1840`s. This engraving, titled "Ruins of Chichen, Yucatan," is based on John Lloyd Stephens's mid-19th-century travelogue "Incidents of Travel in Yucatan." The engraving's illustrations were created by renowned architect and artist Frederick Catherwood. The work is based on observations made at the ruins of the ancient city of Chichen Itza during Stephens… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10001 https://www.gravurdunyasi.com/img/seo/GKE10001/going-out-to-dinner-a-hundred-years-ago-1820.jpg Going Out to Dinner a Hundred Years Ago Going Out to Dinner a Hundred Years Ago — S.E.Walter — 1820`s. A humorous 19th-century genre print depicting a carriage accident and travelers stranded en route to dinner, reflecting satire on social customs and travel difficulties of the Georgian period. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10101 https://www.gravurdunyasi.com/img/seo/GKE10101/a-view-of-barrington-park-the-seat-of-the-countess-talbot-1790.jpg A View of Barrington Park, the Seat of the Countess Talbot, Gloucestershire A View of Barrington Park, the Seat of the Countess Talbot, Gloucestershire — 1790`s. This engraving is titled "A View of Barrington Park, the Seat of the Countess Talbot, Gloucestershire" It combines the rural aristocracy of the period with the English concept of landscaping, providing a visual representation of the "country estate" tradition. The engraving depicts Barrington Park in Gloucestershire as an elegant Palladian… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10201 https://www.gravurdunyasi.com/img/seo/GKE10201/evening-1900.jpg Evening Evening — 1900`s. A poetic etching showing a church among trees at dusk. The tonal subtleties and soft palette capture the tranquil melancholy of the English countryside. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10301 https://www.gravurdunyasi.com/img/seo/GKE10301/a-rainy-day-at-cookham-1870.jpg A Rainy Day at Cookham A Rainy Day at Cookham — Frederick Walker (1840-1875) — 1870`s. A realistic etching capturing a rainy village scene in Cookham, England. The artist’s focus on atmosphere and ordinary life exemplifies British social realism. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10401 https://www.gravurdunyasi.com/img/seo/GKE10401/bears-and-dogs-1820.jpg Bears and Dogs Bears and Dogs — Frans Snyders (1579-1657) — 1820`s. Based on a Baroque animal painting by Snyders, showing a violent encounter between bears and dogs. Exemplifies dynamic composition and anatomical mastery. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10501 https://www.gravurdunyasi.com/img/seo/GKE10501/the-alto-del-puente-salto-del-soldado-in-the-cordillera-of-the-andes-1827.jpg The Alto del Puente & Salto del Soldado, in the Cordillera of the Andes The Alto del Puente & Salto del Soldado, in the Cordillera of the Andes — 1827. This engraving is among the early 19th-century engravings of exploration and travel, depicting the geological and topographical diversity of South America. It depicts the Salto del Soldado (Soldier's Falls) region in the Chilean Andes. The composition depicts the dramatic landscape of a valley nestled among the Andes' steep cliffs. On the left… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10601 https://www.gravurdunyasi.com/img/seo/GKE10601/cathedrale-d-orleans-cote-meridionale-1840.jpg Cathedrale d’Orleans (Cote Meridionale) Cathedrale d’Orleans (Cote Meridionale) — Chapey ??? — 1840`s. This impressive engraving depicts the Cathedral of Orleans in the city of Orleans in central France. With its exquisite detail, the engraving meticulously captures the elegant verticality, intricate ornamentation, and monumental grandeur of late Gothic architecture. At the center of the composition rises the magnificent south facade of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10701 https://www.gravurdunyasi.com/img/seo/GKE10701/sandridge-victoria-1865.jpg Sandridge, Victoria Sandridge, Victoria — N. Chevalier — 1865. Depicts early Melbourne (Sandridge) as a developing colonial port in Australia. Industrial chimneys and ships mark the transition to modernity. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10801 https://www.gravurdunyasi.com/img/seo/GKE10801/ponte-mammolo-1790.jpg Ponte Mammolo Ponte Mammolo — 1790`s. Ponte Mammolo is an ancient bridge located over the Aniene (anciently known as the Anio) River, northeast of Rome, Italy. It takes its name from its location and has a long history dating back to both Roman and medieval times. The bridge was an important part of the ancient road network surrounding Rome, serving as a strategic crossing point… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE10901 https://www.gravurdunyasi.com/img/seo/GKE10901/court-departure-scene-1850.jpg Court Departure Scene Court Departure Scene — Adolphe Lalauze (1838-1906) — 1850`s. A ceremonial departure scene with aristocratic figures in Renaissance costume, characterized by refined detail and theatrical composition. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11001 https://www.gravurdunyasi.com/img/seo/GKE11001/pechlarn-pochlarn-1720.jpg Pechlarn (Pöchlarn) Pechlarn (Pöchlarn) — 1720`s. This engraving depicts the town of Pöchlarn (Pöchlarn an der Donau), located in Lower Austria (Niederösterreich), on the south bank of the Danube River. The word "Pechlarn" appears in the center of the engraving, and the Danube River is depicted in the lower section, marked by the words "Thonaw Fl." The engraving's composition is designed to unite… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11101 https://www.gravurdunyasi.com/img/seo/GKE11101/the-french-emperor-napoleon-iii-who-was-defeated-in-the-battle-of-1870.jpg The French Emperor Napoleon III, who was defeated in the Battle of Sedan, was taken to the headquarters of King Wilhelm I by the Prussian Chancellor Otto von Bismarck. The French Emperor Napoleon III, who was defeated in the Battle of Sedan, was taken to the headquarters of King Wilhelm I by the Prussian Chancellor Otto von Bismarck. — Wilhelm Camphausen (1818-1885) — 1870`s. The Franco-Prussian War of 1870–1871 was a conflict waged by the German states against France, led by the Kingdom of Prussia, that radically altered the balance of power in Europe. As a result, France suffered a crushing defeat and Napoleon III was dethroned. This engraving depicts the morning after the Battle of Sedan, a critical turning point in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11201 https://www.gravurdunyasi.com/img/seo/GKE11201/scene-on-the-river-nile-at-phil-above-syene-the-ancient-boundary-of-1840.jpg Scene on the River Nile at Philæ, Above Syene (The Ancient Boundary of the Land of Egypt, Judith I.IX) Scene on the River Nile at Philæ, Above Syene (The Ancient Boundary of the Land of Egypt, Judith I.IX) — W. H. Bartlett (1809–1854) — 1840`s. This engraving depicts the sacred island of Philae (Philae) near Aswan, in southern Egypt, and the surrounding archaeological fabric. At the center of the composition is the columned structure of the Temple of the Goddess Isis, a temple notable for its majesty on the banks of the Nile. The temple's elegant column capitals bear traces of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11301 https://www.gravurdunyasi.com/img/seo/GKE11301/bubastis-pbeseth-heliopolis-aten-or-on-daphne-tahpanhes-memphis-noph-1850.jpg Bubastis (Pbeseth) - Heliopolis (Aten or On) - Daphne (Tahpanhes) - Memphis (Noph), Ezekiel XXX. 17. 18. Jeremiah XLIII. 8. 9 - Isaiah XIX. I. Ezekiel XXX. 13. Bubastis (Pbeseth) - Heliopolis (Aten or On) - Daphne (Tahpanhes) - Memphis (Noph), Ezekiel XXX. 17. 18. Jeremiah XLIII. 8. 9 - Isaiah XIX. I. Ezekiel XXX. 13. — H. Warren (from sketches J.Bonomi) — 1850`s. This multilayered and historically rich engraving is an archaeological panorama that visually documents, along with biblical references, the most important sacred and historical cities of Ancient Egypt: Bubastis, Heliopolis, Daphne (Tahpanhes), and Memphis (Noph). The quotations at the bottom of the engraving, "Ezekiel XXX.17–18, Jeremiah… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11401 https://www.gravurdunyasi.com/img/seo/GKE11401/lebanon-and-baalbec-deuteronomy-chap-i-v-7-tadmor-chron-ii-chap-viii-1845.jpg Lebanon and Baalbec (Deuteronomy Chap.I. V.7) - Tadmor (Chron. II. Chap.VIII. V.4) - Ramah (Jeremiah Chap.35 V.15) Lebanon and Baalbec (Deuteronomy Chap.I. V.7) - Tadmor (Chron. II. Chap.VIII. V.4) - Ramah (Jeremiah Chap.35 V.15) — W.Westall — 1845. This engraving is part of a series of biblical geography works published by W. R. McPhun (Glasgow) in the mid-19th century. The "Lebanon and Baalbec" scene at the top depicts the ancient city of Heliopolis (modern-day Baalbek) and its surroundings, nestled in the foothills of the Lebanon Mountains. The temples of Jupiter, Bacchus, and Venus, built… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11501 https://www.gravurdunyasi.com/img/seo/GKE11501/samaria-1860.jpg Samaria Samaria — J. Cramb (Photographer-Fotoğrafçı) — 1860`s. This engraving depicts the ruins of the ancient city of Samaria. The landscape depicts the tranquil ruins of this ancient city, once adorned with royal palaces, colonnaded streets, and temples, nestled in the shadow of the surrounding mountainous terrain and amidst a pastoral atmosphere. The ancient city of Samaria lies approximately 10 kilometers… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11601 https://www.gravurdunyasi.com/img/seo/GKE11601/shiloh-1860.jpg Shiloh Shiloh — J. Cramb (Photographer-Fotoğrafçı) — 1860`s. This engraving depicts the ancient settlement of Shiloh, a site frequently mentioned in the Old Testament and an important sacred center dating back to the earliest periods of Israelite history. The engraving presents the ruins of stone walls rising from the ground and the surrounding rural landscape in a quiet yet profound historical atmosphere.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11701 https://www.gravurdunyasi.com/img/seo/GKE11701/bethany-1860.jpg Bethany Bethany — J. Cramb (Photographer-Fotoğrafçı) — 1860`s. This engraving depicts the village of Bethany (now known as al-Eizaria), located on the eastern slopes of the Mount of Olives, approximately 3 kilometers east of Jerusalem. This ancient settlement holds great sacred significance in both biblical narratives and early Christian tradition. Bethany is frequently mentioned in the New Testament as the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11801 https://www.gravurdunyasi.com/img/seo/GKE11801/the-dead-sea-1860.jpg The Dead Sea The Dead Sea — 1860`s. This engraving depicts a view of the Dead Sea. Known in the West as the "Dead Sea," this enclosed basin lies approximately 430 meters below sea level at the lowest point of the Jordan Rift Valley. The engraving, along with the lake's vast, motionless surface and the surrounding barren hills and vegetated terrain, reflects the region's unique… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE11901 https://www.gravurdunyasi.com/img/seo/GKE11901/hebron-with-the-cave-of-machpelah-1860.jpg Hebron with the Cave of Machpelah Hebron with the Cave of Machpelah — J. Cramb (Photographer-Fotoğrafçı) — 1860`s. This engraving depicts Hebron (Al-Khalil), one of the holiest cities of both biblical geography and the Abrahamic religions, and the Cave of Machpelah. The engraving presents the dense texture of the ancient city's stone structures within the serene landscape of the surrounding hills, while also highlighting the architectural mass of the Cave of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12001 https://www.gravurdunyasi.com/img/seo/GKE12001/wilderness-of-sin-the-pilgrim-s-rock-in-the-wady-nasb-site-and-ruins-1850.jpg Wilderness of Sin – The Pilgrim’s Rock in the Wady Nasb - Site and Ruins of Feiran (Paran) in the Wady Feiran - Engraved Rocks in the Wady Moketteb (Exodus XVI.I. - Numbers XXXIII.10.15 Wilderness of Sin – The Pilgrim’s Rock in the Wady Nasb - Site and Ruins of Feiran (Paran) in the Wady Feiran - Engraved Rocks in the Wady Moketteb (Exodus XVI.I. - Numbers XXXIII.10.15 — J. A. Houston (after Laborde) — 1850`s. This engraving consists of three separate engravings under the title "Desert of Sin." These engravings depict Moses' journeys through the Sinai Peninsula and the landscapes traversed by the Israelites during their Exodus from Egypt. The top scene depicts Wadi Nasb, traditionally identified as one of the places where the Israelites stopped in the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12101 https://www.gravurdunyasi.com/img/seo/GKE12101/shechem-naplous-with-view-of-mount-gerizim-1860.jpg Shechem (Naplous) with View of Mount Gerizim Shechem (Naplous) with View of Mount Gerizim — 1860`s. This engraving depicts the city of Nablus (formerly Shechem) in present-day Palestine, with Mount Gerizim rising above it. Located between Mounts Ebal and Gerizim in northern Palestine, Nablus is one of the region's oldest and most continuously inhabited settlements. Archaeological findings indicate that the city's history dates back to the 3rd… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12201 https://www.gravurdunyasi.com/img/seo/GKE12201/sidon-and-mount-lebanon-1880.jpg Sidon and Mount Lebanon Sidon and Mount Lebanon — 1880`s. This color engraving depicts the ancient Phoenician city of Sidon (Sidon) with the Lebanon Mountains rising in the background. Sidon, one of the most important port cities in the Eastern Mediterranean throughout history, lies within the borders of present-day Lebanon and was an ancient center continuously inhabited since prehistoric times. The… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12301 https://www.gravurdunyasi.com/img/seo/GKE12301/a-street-in-peshawar-1878.jpg A Street in Peshawar A Street in Peshawar — 1878. This engraving is a 19th-century Orientalist observation documenting daily life in Peshawar, within the borders of present-day Pakistan, during the British colonial era. The engraving provides a visual resource for the South Asian urban aesthetic of the period, detailing both the architectural texture and social activity. The engraving depicts… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12401 https://www.gravurdunyasi.com/img/seo/GKE12401/ismailia-on-the-suez-canal-1870.jpg Ismailia on the Suez Canal Ismailia on the Suez Canal — 1870`s. This engraving, titled "Ismailia on the Suez Canal," depicts a scene of great historical significance in the context of the construction of the Suez Canal in the second half of the 19th century and the formation of modern Egypt. The city of Ismailia, seen in the engraving, was founded in 1862 by Ferdinand de Lesseps, the director of the Suez Canal… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12501 https://www.gravurdunyasi.com/img/seo/GKE12501/sidon-from-the-north-east-1845.jpg Sidon from the North East Sidon from the North East — A.Penley (after L.F.Cassas) — 1845. This engraving, titled "Sidon from the North East" depicts the ancient city of Sidon, located within the borders of present-day Lebanon, as seen from the sea. In the foreground, figures of fishermen working on the shore, dockworkers carrying cargo, and gathering nets are seen, while sailboats navigating the waves in the background emphasize… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12601 https://www.gravurdunyasi.com/img/seo/GKE12601/mosque-of-omar-dome-of-the-rock-1860.jpg Mosque of Omar (Dome of the Rock) Mosque of Omar (Dome of the Rock) — J. Cramb (Photographer-Fotoğrafçı) — 1860`s. This engraving, titled "Omar Mosque," depicts the Dome of the Rock (Dome of the Rock) in present-day Jerusalem. Referred to as the "Omar Mosque" in 19th-century Western publications, this structure is one of the oldest and most impressive examples of Islamic architecture, built not during the reign of Caliph Omar but by the Umayyad Caliph Abd… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12701 https://www.gravurdunyasi.com/img/seo/GKE12701/date-palms-on-the-left-bank-of-the-nile-opposite-boolak-1849.jpg Date Palms on the Left Bank of the Nile, Opposite Boolak Date Palms on the Left Bank of the Nile, Opposite Boolak — 1849. This engraving is a refined example of Orientalist landscape works documenting scenes of nature and daily life along the Nile River in the 19th century. Titled "Date Palms on the Left Bank of the Nile, Opposite Boolak" it depicts the shore facing Bulak (Bulaq), a major port and commercial center north of Cairo, Egypt's capital, in the 19th… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12801 https://www.gravurdunyasi.com/img/seo/GKE12801/ombos-kom-ombo-temple-1840.jpg Ombos (Kom Ombo Temple) Ombos (Kom Ombo Temple) — H.Bibby — 1840`s. This engraving depicts the Temple of Kom Ombo, located on the banks of the Nile River in the Aswan region of Egypt. Dating to the Ptolemaic Dynasty of ancient Egypt (180-47 BC), this monumental structure, with its dual-theological temple plan, constitutes a unique example of Egyptian architecture. The temple was dedicated to two gods: Haroeris… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE12901 https://www.gravurdunyasi.com/img/seo/GKE12901/valley-of-jehoshaphat-between-mount-moriah-and-mount-of-olives-brook-1850.jpg Valley of Jehoshaphat (Between Mount Moriah and Mount of Olives) - Brook Kedron - Tomb of Absalom - Tomb of St.James - Tomb of Zechariah Valley of Jehoshaphat (Between Mount Moriah and Mount of Olives) - Brook Kedron - Tomb of Absalom - Tomb of St.James - Tomb of Zechariah — D.Roberts (after Rev. R.Master) — 1850`s. This engraving depicts in detail the sacred Valley of Jehoshaphat (Kidron), located east of Jerusalem, and the ancient rock tombs within. The structures identified by the artist in the lower part of the engraving (Brook Kedron, the Tomb of Absalom, the Tomb of St. James, and the Tomb of Zechariah) form the historical and topographical center of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE13001 https://www.gravurdunyasi.com/img/seo/GKE13001/bethlehem-1850.jpg Bethlehem Bethlehem — J. W. Turnbull R.A. — 1850`s. This engraving depicts Bethlehem, the city considered the birthplace of Jesus. Within the European-centric orientalist artistic approach of the period, the engraving serves as both a religious and topographical document. In the foreground of the composition, the scene of the pilgrimage to Bethlehem is seen, accompanied by figures of Mary and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE13101 https://www.gravurdunyasi.com/img/seo/GKE13101/bethany-1850.jpg Bethany Bethany — C. Werner — 1850`s. This engraving depicts the ancient village of Bethany (now known as al-Eizariyya), located on the eastern slope of the Mount of Olives, approximately 3 kilometers east of Jerusalem, and the area surrounding the Tomb of Lazarus, which is believed to be located there. The composition presents both the sacred site where the miraculous event described… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE14401 https://www.gravurdunyasi.com/img/seo/GKE14401/violante-palma-1827.jpg Violante Palma Violante Palma — Paris Bordone (1500-1571) — 1827. This engraving is based on the painting "Violante Palma," created in 1530 by Paris Bordone (1500-1571), one of the leading masters of the 16th-century Venetian Renaissance. Friedrich John (1769-1843), a leading 19th-century German engraver, reproduced the work using the mezzotint-steel engraving technique. Thus, the engraving is a work of art that… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE14501 https://www.gravurdunyasi.com/img/seo/GKE14501/otiositas-1827.jpg Otiositas Otiositas — Antonio Allegri da Correggio (1489-1534) — 1827. This engraving is based on a composition by Antonio Allegri da Correggio (1489–1534), one of the leading masters of the Italian Renaissance. It was reproduced in mezzotint and steel engraving by the renowned 19th-century German engraver Friedrich John (1769–1843). Allegorically, this scene is an artistic expression of the opposition "otium vs.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE14601 https://www.gravurdunyasi.com/img/seo/GKE14601/zigeunerinn-1827.jpg Zigeunerinn Zigeunerinn — Antonio Allegri da Correggio (1489-1534) — 1827. This engraving is based on a composition by Antonio Allegri da Correggio (1489-1534), one of the leading masters of the Italian Renaissance. It was reproduced in mezzotint by the renowned 19th-century German engraver Friedrich John (1769-1843). The figure, superficially labeled a "gypsy woman," is actually a secularized, pastoral variation on the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE14701 https://www.gravurdunyasi.com/img/seo/GKE14701/ideal-1827.jpg Ideal Ideal — Jacobo Palma (Palma Vecchio) (1480-1528) — 1827. This engraving is based on a portrait painted by the Venetian Renaissance painter Jacopo Palma il Vecchio (1480-1528) in the first half of the 16th century. The engraving was created in the early 19th century by Friedrich John (1769-1843) using the mezzotint technique under the title "Ideal." The engraving represents the Venetian Renaissance… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE14801 https://www.gravurdunyasi.com/img/seo/GKE14801/david-1827.jpg David David — Domenichino (1581-1641) - Michele Desubleo (1602-1676) — 1827. This engraving is based on a painting by Michele Desubleo (1602-1676) and was masterfully crafted into steel in the 19th century by Friedrich John (1769-1843). The engraving, titled "David," depicts the biblical scene of David slaying Goliath, a moment immediately following the event. The painting was initially attributed to Domenichino of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE14901 https://www.gravurdunyasi.com/img/seo/GKE14901/narciss-1827.jpg Narciss Narciss — Marc Antonio Franceschini (1648-1729) — 1827. This engraving is based on an original painting by Marc Antonio Franceschini, "Narcissus," and was engraved on steel by Friedrich John. This composition, a mythological scene, combines the influences of both ancient Greek narrative tradition and the emotional lyricism of the Baroque period. The engraving depicts the tragic story of Narcissus, son… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15001 https://www.gravurdunyasi.com/img/seo/GKE15001/circassierinn-circassian-woman-1827.jpg Circassierinn (Circassian Woman) Circassierinn (Circassian Woman) — Domenichino (1581-1641) — 1827. The term "Circassienne" was used in 18. and 19. century European art to describe Circassian women of Caucasian origin, fair-skinned women renowned for their graceful beauty. This depiction was not merely an ethnographic representation; it also became an aesthetic ideal for European artists, symbolizing the mysterious femininity of the East. The… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15101 https://www.gravurdunyasi.com/img/seo/GKE15101/fortuna-1827.jpg Fortuna Fortuna — Guido Reni (1575-1642) - Carlo Maratta — 1827. This engraving was inspired by Guido Reni's original painting "Fortuna (Goddess of Luck)" and masterfully engraved on steel by Friedrich John in the 19th century. The composition depicts the classical iconography of Fortuna, one of the oldest allegorical figures in human history. In the engraving, a half-naked female figure floats above the earth… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15201 https://www.gravurdunyasi.com/img/seo/GKE15201/amor-1827.jpg Amor Amor — Guido Reni (1575-1642) — 1827. This engraving was inspired by Guido Reni's "Amor (Cupid)" and engraved on steel by Friedrich John. The engraving represents one of the purest examples of Guido Reni's understanding of classical elegance and idealized beauty, characteristic of the Bologna School. The composition features a small, winged boy, Amor (Cupid), standing on a marble… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15301 https://www.gravurdunyasi.com/img/seo/GKE15301/lautenspielerin-the-lute-player-1827.jpg Lautenspielerin (The Lute Player) Lautenspielerin (The Lute Player) — Michelangelo Merisi da Caravaggio (1571-1610) — 1827. This exquisite engraving is based on Michelangelo Merisi da Caravaggio's famous painting "Lautenspielerin (The Lute Player)" and was crafted on steel by Friedrich John. The engraving is one of the most impressive examples of Caravaggio's use of dramatic light and natural realism, reflected in a fine engraving technique. The original painting… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15401 https://www.gravurdunyasi.com/img/seo/GKE15401/charitas-1827.jpg Charitas Charitas — Carlo Cignani (1628-1719) — 1827. This engraving is adapted from Carlo Cignani's "Caritas (Allegory of Charity/Mercy)" and engraved on steel by Friedrich John. The engraving masterfully reflects the sweet idealism developed by Cignani in the late Baroque period, his depiction of divine love through the mother figure, and the Raphaelesque elegance. At the center of the composition… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15501 https://www.gravurdunyasi.com/img/seo/GKE15501/charitas-1827.jpg Charitas Charitas — Carlo Cignani (1628-1719) — 1827. This engraving is adapted from Carlo Cignani's "Caritas (Allegory of Charity/Mercy)" and engraved on steel by Friedrich John. The engraving masterfully reflects the sweet idealism developed by Cignani in the late Baroque period, his depiction of divine love through the mother figure, and the Raphaelesque elegance. At the center of the composition… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15601 https://www.gravurdunyasi.com/img/seo/GKE15601/nymphe-im-bade-nymph-in-the-bath-1827.jpg Nymphe im Bade (Nymph in the Bath) Nymphe im Bade (Nymph in the Bath) — Ludovico Carracci (155-1619) — 1827. This elegant engraving is adapted from Ludovico Carracci's "Nymphe im Bade" (Water Nymph) and engraved on steel by calligrapher Friedrich John. The composition is based on a classical theme depicting the harmony between nature and the female body. Standing half-waist in water, the nymph slightly turns her head to the side while holding on to a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE15701 https://www.gravurdunyasi.com/img/seo/GKE15701/cupido-1827.jpg Cupido Cupido — Guido Reni (1575-1642) — 1827. This elegant engraving is adapted from "Cupid" by Guido Reni and engraved on steel by calligrapher Friedrich John. At the center of the composition is the figure of a winged child (i.e., Cupid/Eros) reclining on the ground. In his left hand is a bow, and on his other side is a quiver full of love arrows. A distant couple is seen on the horizon… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE19901 https://www.gravurdunyasi.com/img/seo/GKE19901/turk-cascade-killarney-torc-waterfall-1840.jpg Turk Cascade (Killarney) (Torc Waterfall) Turk Cascade (Killarney) (Torc Waterfall) — W. H. Bartlett — 1840`s-1850`s. Torc Waterfall is located in the Killarney Lakes region of County Kerry, Ireland. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE20101 https://www.gravurdunyasi.com/img/seo/GKE20101/verrerie-en-bois-wooden-glassworks-l-operation-de-faire-le-cueillage-1760.jpg Verrerie en Bois (Wooden Glassworks), L’Operation de Faire le Cueillage avec la Felle et de l’alonger a` lauge (Pl. VIII) (The Operation of Gathering with the Felle and Extending it in the Lag) Verrerie en Bois (Wooden Glassworks), L’Operation de Faire le Cueillage avec la Felle et de l’alonger a` lauge (Pl. VIII) (The Operation of Gathering with the Felle and Extending it in the Lag) — Radel (active 1751-1767) — 1760`s. The engraving depicts the process of early glassworkers working within a wooden structure, removing the glass mass from the furnace, gathering it onto a rod, and stretching and shaping it while hot with hand tools. In Fig. 1, the craftsman's position between the furnace and hearth mass and the dark space where the glass melts reflects the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE20201 https://www.gravurdunyasi.com/img/seo/GKE20201/verrerie-en-bois-wooden-glassworks-l-operation-de-recevoir-le-pot-1760.jpg Verrerie en Bois (Wooden Glassworks), l’Operation de recevoir le, Pot rouge sortant de la Carcaise, Plan et Coupe de la Caraise ou Four à cuire les Pots (Pl. X) (The operation of receiving the red pot coming out of the kiln, plan and section of the kiln or oven for baking the pots) Verrerie en Bois (Wooden Glassworks), l’Operation de recevoir le, Pot rouge sortant de la Carcaise, Plan et Coupe de la Caraise ou Four à cuire les Pots (Pl. X) (The operation of receiving the red pot coming out of the kiln, plan and section of the kiln or oven for baking the pots) — Radel (active 1751-1767) — 1760`s. This engraving depicts the removal of special refractory crucibles (large ceramic vessels used to melt raw glass) from high-temperature furnaces in wood-fired kilns, along with a technical cross-section and plan of the furnaces. In the upper scene, workers pull the crucible from the furnace using long wooden wedges and metal-tipped rods, while the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE20301 https://www.gravurdunyasi.com/img/seo/GKE20301/verrerie-en-bois-wooden-glassworks-l-operation-de-retirer-de-l-arche-1760.jpg Verrerie en Bois (Wooden Glassworks), l’Operation de Retirer de l’Arche les Ferraces Remplies de Differentes Marchandises de Verrerie Pour les Porter au Magasin (Pl. XXII) (Wooden Glassworks, the Operation of Removing From the Furnace-chamber the Baskets Filled with Various Glassware Products, in order to Carry Them to the Storage Room) Verrerie en Bois (Wooden Glassworks), l’Operation de Retirer de l’Arche les Ferraces Remplies de Differentes Marchandises de Verrerie Pour les Porter au Magasin (Pl. XXII) (Wooden Glassworks, the Operation of Removing From the Furnace-chamber the Baskets Filled with Various Glassware Products, in order to Carry Them to the Storage Room) — Radel (active 1751-1767) — 1760`s. This engraving depicts post-production processes in a glassworks (wood-fired glass furnace). The engraving depicts the process of glass containers, fired and left to cool in the furnace, being removed from the furnace belt, placed in baskets, and transported to storage. This stage represents a crucial process in 18th-century glass production… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE20401 https://www.gravurdunyasi.com/img/seo/GKE20401/a-statue-of-the-goddess-nemesis-in-the-isle-of-zia-1741.jpg A Statue of the Goddess Nemesis in the Isle of Zia A Statue of the Goddess Nemesis in the Isle of Zia — 1741. This engraving depicts the torso of a statue of Nemesis found on the ancient Greek island of Zia (modern-day Kea). In Greek mythology, Nemesis is the goddess who represents the concepts of "divine justice," "deserved retribution," and "punishment of arrogance and excess." Nemesis was believed to restore balance, particularly in cases where humans… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE20501 https://www.gravurdunyasi.com/img/seo/GKE20501/soldier-with-a-matchlock-1823.jpg Soldier with a Matchlock Soldier with a Matchlock — 1823. This hand-painted engraving depicts a Chinese soldier wielding a matchlock musket. Matchlock muskets became widespread in China, particularly from the Ming period onward, and continued in use during the first two centuries of the Qing period. Therefore, this engraving serves as a visual resource for how China's military modernization was perceived… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE20601 https://www.gravurdunyasi.com/img/seo/GKE20601/carp-1820.jpg Carp Carp — C.Hardy — 1820`s. Natural history print depicting a common carp (Cyprinus carpio), detailed in line engraving. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21101 https://www.gravurdunyasi.com/img/seo/GKE21101/tartarie-vestibule-d-une-maison-a-boukhara-plate-6-the-entrance-to-a-1848.jpg Tartarie - Vestibule d’une Maison a Boukhara (Plate 6) (The Entrance to a Residence in the Emirate of Bukhara) Tartarie - Vestibule d’une Maison a Boukhara (Plate 6) (The Entrance to a Residence in the Emirate of Bukhara) — 1848. This engraving depicts the entrance to a residence in the Emirate of Bukhara, Central Asia. In 19th-century Europe, the term "Tartarie" was used as a broad ethnographic term encompassing present-day Uzbekistan, Turkmenistan, and West Turkestan. The composition depicts the courtyard-covered sofa arrangement seen in traditional Bukhara townhouses.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21201 https://www.gravurdunyasi.com/img/seo/GKE21201/tartarie-kirguizes-kasaks-plate-1-1848.jpg Tartarie - Kirguizes - Kasaks (Plate 1) Tartarie - Kirguizes - Kasaks (Plate 1) — 1848. This engraving depicts the horse-shepherd warrior typology representative of the "Kyrgyz/Kazakh" communities living in the steppes of West Turkestan. In 19th-century French ethnographic literature, the term "Tartarie" was used as a broader regional term encompassing the regions of present-day Kazakhstan, Kyrgyzstan, and West Turkestan. The figures… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21301 https://www.gravurdunyasi.com/img/seo/GKE21301/syrie-ancienne-temple-circulaire-a-baalbeck-plate-16-the-circular-1848.jpg Syrie Ancienne - Temple Circulaire a Baalbeck (Plate 16) (The Circular Temple of Venus at the Ancient City of Baalbek in Lebanon) Syrie Ancienne - Temple Circulaire a Baalbeck (Plate 16) (The Circular Temple of Venus at the Ancient City of Baalbek in Lebanon) — 1848. This engraving depicts the circular Temple of Venus at the ancient city of Baalbek in Lebanon. Baalbek was a center of the cult of Jupiter Heliopolitanus during the Roman Imperial period. Monumental temples dedicated to Jupiter, Venus, and Mars were constructed there. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21401 https://www.gravurdunyasi.com/img/seo/GKE21401/palestine-fontaine-a-cana-en-galilee-plate-37-fountain-at-cana-in-1845.jpg Palestine - Fontaine a Cana en Galilee (Plate 37) (Fountain at Cana in Galilee) Palestine - Fontaine a Cana en Galilee (Plate 37) (Fountain at Cana in Galilee) — Louis Francois Cassas (1756-1827) — 1845. This engraving depicts a fountain scene attributed to Cana in Galilee, one of the most frequently referenced sites in Christian sacred geography. Cana is known as the site of the "turning water into wine" event described in the Bible, particularly in the Gospel of John, and considered Jesus' first miracle. Therefore, for 19th-century European… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21601 https://www.gravurdunyasi.com/img/seo/GKE21601/palestine-samarie-plate-58-1845.jpg Palestine - Samarie (Plate 58) Palestine - Samarie (Plate 58) — 1845. This engraving depicts the ancient city of Samaria. Samaria is the site of the settlement of Shomron, the capital of the ancient Kingdom of Israel, and functioned as a regional political, economic, and religious center from the 9th century BC onward. The octagonal architectural fragment located on the upper level of the building ruin depicted in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21701 https://www.gravurdunyasi.com/img/seo/GKE21701/palestine-porte-de-damas-a-jerusalem-plate-54-damascus-gate-in-1845.jpg Palestine - Porte de Damas a Jerusalem (Plate 54) (Damascus Gate in Jerusalem) Palestine - Porte de Damas a Jerusalem (Plate 54) (Damascus Gate in Jerusalem) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts one of the main gates, known as the "Damascus Gate," located in the northern wall of the Old City of Jerusalem. This monumental gate was in heavy use during the Ottoman period and served a strategic function both as a crossroads for trade routes and as one of the main arteries leading to the inner sanctuary of the Holy… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21801 https://www.gravurdunyasi.com/img/seo/GKE21801/palestine-retraite-des-apotres-restauration-d-apres-cassas-plate-36-1845.jpg Palestine - Retraite des Apotres (Restauration d’apres Cassas) (Plate 36) (The Apostles' Hermitage) Palestine - Retraite des Apotres (Restauration d’apres Cassas) (Plate 36) (The Apostles' Hermitage) — Leon Gaucherel (1816-1886) — 1845. This engraving is a depiction constructed with a reconstructionist approach derived from the drawings of Louis François Cassas. The engraving's title, meaning "The Apostles' Hermitage," is an example of iconographic-archaeological romanticization frequently encountered in 19th-century European topographical publications, particularly those on… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE21901 https://www.gravurdunyasi.com/img/seo/GKE21901/palestine-plaine-du-jourdain-plate-7-jordan-valley-1845.jpg Palestine - Plaine du Jourdain (Plate 7) (Jordan Valley) Palestine - Plaine du Jourdain (Plate 7) (Jordan Valley) — 1845. Wide panoramic view of the Jordan Valley, showing nomads and caravans crossing the river plains; a Romantic depiction of Biblical geography. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22001 https://www.gravurdunyasi.com/img/seo/GKE22001/palestine-couvent-st-saba-et-environs-du-cedron-plate-62-st-saba-s-1845.jpg Palestine - Couvent St.Saba et Environs du Cedron (Plate 62) (St. Saba's Convent and Surrounding Area of ​​Cedar) Palestine - Couvent St.Saba et Environs du Cedron (Plate 62) (St. Saba's Convent and Surrounding Area of ​​Cedar) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the Monastery of Mar Saba (St. Saba) in the Kidron Valley, located between Jericho and Jerusalem in what is now the West Bank. Founded by the Cappadocian monk St. Saba in the 5th century AD, this monastery is considered one of the largest and most influential centers of Palestinian desert monasticism. From the Byzantine… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22101 https://www.gravurdunyasi.com/img/seo/GKE22101/palestine-gaza-plate-66-1845.jpg Palestine - Gaza (Plate 66) Palestine - Gaza (Plate 66) — Leon Gaucherel (1816-1886) — 1845. Depicts the city of Gaza with minarets and domed mosques surrounded by palm trees; an Ottoman coastal landscape. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22201 https://www.gravurdunyasi.com/img/seo/GKE22201/palestine-gaza-plate-65-1845.jpg Palestine - Gaza (Plate 65) Palestine - Gaza (Plate 65) — Leon Gaucherel (1816-1886) — 1845. Alternative view of Gaza with palm groves and water reservoirs in foreground; serene desert-town atmosphere. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22301 https://www.gravurdunyasi.com/img/seo/GKE22301/palestine-ustensiles-de-toilette-pour-les-femmes-plate-20-1845.jpg Palestine - Ustensiles de Toilette pour les Femmes (Plate 20) Palestine - Ustensiles de Toilette pour les Femmes (Plate 20) — Vernier — 1845. Ethnographic plate showing jewelry, perfume flasks, and grooming items used by Palestinian women in the early 19th century. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22401 https://www.gravurdunyasi.com/img/seo/GKE22401/palestine-caracteres-1-pheniciens-2-hebra-ques-des-monnaies-3-1845.jpg Palestine - Caracteres - 1. Pheniciens 2. Hebraïques des Monnaies 3. Samaritains 4. Hebrew (1. Phoenician Script 2. Hebrew Characters Seen on Ancient Coins 3. Samaritan Script 4. Classical Hebrew Script (Plate 8) Palestine - Caracteres - 1. Pheniciens 2. Hebraïques des Monnaies 3. Samaritains 4. Hebrew (1. Phoenician Script 2. Hebrew Characters Seen on Ancient Coins 3. Samaritan Script 4. Classical Hebrew Script (Plate 8) — 1845. This engraving is one of the most characteristic visual examples of philological orientalism in 19th-century scholarship. The table was designed to typologically compare the different alphabet forms of ancient Palestine. The engraving brings together Old Phoenician script, Hebrew characters found on ancient coins, Samaritan script, and Classical… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22501 https://www.gravurdunyasi.com/img/seo/GKE22501/palestine-instruments-de-musique-mentionnes-dans-les-pseaumes-plate-1845.jpg Palestine - Instruments de Musique Mentionnes dans les Pseaumes (Plate 15) (Musical Instruments Mentioned in the Psalms) Palestine - Instruments de Musique Mentionnes dans les Pseaumes (Plate 15) (Musical Instruments Mentioned in the Psalms) — Sansonetti — 1845. This engraving represents possible visual equivalents of musical instruments mentioned in the Book of Psalms of the Old Testament. These drawings are not based on direct archaeological finds, but rather on a composite interpretation derived from philological descriptions by 19th-century European scholars, descriptions in ancient texts, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22601 https://www.gravurdunyasi.com/img/seo/GKE22601/palestine-instruments-de-musique-mentionnes-dans-les-pseaumes-plate-1845.jpg Palestine - Instruments de Musique Mentionnes dans les Pseaumes (Plate 16) (Musical Instruments Mentioned in the Psalms) Palestine - Instruments de Musique Mentionnes dans les Pseaumes (Plate 16) (Musical Instruments Mentioned in the Psalms) — Sansonetti — 1845. This engraving represents possible visual equivalents of musical instruments mentioned in the Book of Psalms of the Old Testament (lyre, kinnor, nevel, wind instruments, sipsi, pan flute-like wind instruments, and natural horns made from animal horns). These drawings are not based on direct archaeological finds, but rather on a composite… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22701 https://www.gravurdunyasi.com/img/seo/GKE22701/palestine-instruments-de-musique-mentionnes-dans-les-pseaumes-plate-1845.jpg Palestine - Instruments de Musique Mentionnes dans les Pseaumes (Plate 17) (Musical Instruments Mentioned in the Psalms) Palestine - Instruments de Musique Mentionnes dans les Pseaumes (Plate 17) (Musical Instruments Mentioned in the Psalms) — Sansonetti — 1845. This engraving represents possible visual equivalents of musical instruments mentioned in the Book of Psalms of the Old Testament. These drawings are not based on direct archaeological finds, but rather on a composite interpretation derived from philological descriptions by 19th-century European scholars, descriptions in ancient texts, and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22801 https://www.gravurdunyasi.com/img/seo/GKE22801/palestine-bostra-plate-39-1845.jpg Palestine - Bostra (Plate 39) Palestine - Bostra (Plate 39) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the ancient city of Bosra (Busra), located in modern-day Syria. As the capital of the Arabian Petraea province during the Roman Empire, Bosra became one of the region's most strategic centers, both administratively and militarily, from the 2nd century AD onward. The columnar architectural order seen in the engraving is a row… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE22901 https://www.gravurdunyasi.com/img/seo/GKE22901/palestine-chapelle-du-st-sepulchre-a-jerusalem-plate-41-chapel-of-the-1845.jpg Palestine - Chapelle du St. Sepulchre a Jerusalem (Plate 41) (Chapel of the St. Sepulchre in Jerusalem) Palestine - Chapelle du St. Sepulchre a Jerusalem (Plate 41) (Chapel of the St. Sepulchre in Jerusalem) — 1845. This engraving depicts the Chapel of the Holy Sepulchre, located beneath the main dome of the Church of the Holy Sepulchre in Jerusalem and considered one of the holiest sites in the Christian world. According to traditional belief, the tomb where Jesus was buried and resurrected on the third day is located within this structure. With a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23001 https://www.gravurdunyasi.com/img/seo/GKE23001/palestine-mosquee-d-omar-a-jerusalem-plate-50-dome-of-the-rock-mosque-1845.jpg Palestine - Mosquee d’Omar a Jerusalem (Plate 50) (Dome of the Rock -Mosque of Omar) Palestine - Mosquee d’Omar a Jerusalem (Plate 50) (Dome of the Rock -Mosque of Omar) — 1845. This engraving depicts the Dome of the Rock (Dome of the Rock or Stone), commonly known as the "Mosque of Omar" (Mosque of Omar), a term often used in 19th-century European publications. However, as it is known in modern academic terminology, this structure is not a "Mosque," but rather a domed sacred structure or sanctuary built by the Umayyad… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23101 https://www.gravurdunyasi.com/img/seo/GKE23101/palestine-girasa-djerasch-plate-38-1845.jpg Palestine - Girasa (Djerasch) (Plate 38) Palestine - Girasa (Djerasch) (Plate 38) — 1845. This engraving depicts the ruins of the Temple of Artemis at Jerash (ancient Gerasa), located approximately 50 km north of Amman, Jordan, and considered one of the best-preserved cities of the Roman period. While traces of settlement in the city date back to 7500 BC, the true founding of ancient Gerasa is attributed to the reign of Alexander the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23201 https://www.gravurdunyasi.com/img/seo/GKE23201/palestine-la-mer-rouge-a-suez-the-red-sea-at-suez-plate-5-1845.jpg Palestine - La Mer Rouge a Suez (The Red Sea at Suez) (Plate 5) Palestine - La Mer Rouge a Suez (The Red Sea at Suez) (Plate 5) — 1845. This engraving depicts Suez (Suez) on the Red Sea coast. In the first half of the 19th century, Suez was described as both a strategic port city for the Ottoman Empire's connection between the Red Sea and the Mediterranean and an indispensable crossroads for European travelers on the Egypt-Hejaz pilgrimage and trade routes. The engraving shows… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23301 https://www.gravurdunyasi.com/img/seo/GKE23301/palestine-le-mont-sinai-plate-6-1845.jpg Palestine - Le Mont Sinai (Plate 6) Palestine - Le Mont Sinai (Plate 6) — 1845. This engraving depicts the 19th-century view of the traditional path leading to the summit of Mount Sinai (Jebel Musa) and the small chapel/ruin structure located near the summit. Mount Sinai is a sacred mountain of central importance in all Jewish, Christian, and Islamic traditions. In Jewish belief, it is considered the site of the giving of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23401 https://www.gravurdunyasi.com/img/seo/GKE23401/palestine-le-tabernacle-plate-12-1845.jpg Palestine - Le Tabernacle (Plate 12) Palestine - Le Tabernacle (Plate 12) — Leon Gaucherel (1816-1886) — 1845. This engraving, titled "The Tabernacle," reconstructs the idealized architectural scheme of the portable Tabernacle (Mishkan/Tabernacle) revealed to Moses on Sinai according to the tradition of 19th-century orientalist printmaking. According to Hebrew sacred tradition, the Tabernacle is a portable sacred tabernacle that embodied God's presence… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23501 https://www.gravurdunyasi.com/img/seo/GKE23501/palestine-grand-pretre-jewish-high-priest-plate-9-1845.jpg Palestine - Grand Pretre (Jewish High Priest) (Plate 9) Palestine - Grand Pretre (Jewish High Priest) (Plate 9) — Vernier — 1845. This engraving reimagines the figure of the "Jewish High Priest" who officiated in the Temple of Jerusalem in Hebrew tradition within the aesthetics of a 19th-century French sacred history atlas. The costume depicted is an idealized vision of "high priestly" garb, constructed according to textual reference, particularly based on Exodus 28 and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23601 https://www.gravurdunyasi.com/img/seo/GKE23601/palestine-pretre-jewish-priest-plate-10-1845.jpg Palestine - Pretre (Jewish Priest) (Plate 10) Palestine - Pretre (Jewish Priest) (Plate 10) — Vernier — 1845. This engraving reimagines the figure of the "Jewish Priest" who served in the Temple in Jerusalem in Hebrew tradition within the aesthetics of a 19th-century French sacred history atlas. The costume typology seen in such engravings is not based on direct archaeological findings, but rather on iconographic reconstructions made in 19th-century… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23701 https://www.gravurdunyasi.com/img/seo/GKE23701/palestine-vetements-des-pretres-plate-11-1845.jpg Palestine -Vetements des Pretres (Plate 11) Palestine -Vetements des Pretres (Plate 11) — Vernier — 1845. This engraving schematically and individually presents the elements of the high priestly garments used in the ancient Jewish temple, based on detailed descriptions in the Old Testament (especially Exodus 28 and Leviticus 8). The engraving shows individual elements of ritual attire, including the high priest's headdress, the breastplate (hoshen)… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23801 https://www.gravurdunyasi.com/img/seo/GKE23801/syrie-moderne-eglise-a-bethleem-interior-view-of-the-church-of-the-1848.jpg Syrie Moderne - Eglise a Bethleem (Interior View of the Church of the Nativity at Bethlehem) (Plate 8) Syrie Moderne - Eglise a Bethleem (Interior View of the Church of the Nativity at Bethlehem) (Plate 8) — 1848. This engraving shows the main nave of the Church of the Nativity in Bethlehem. The Church of the Nativity is one of the earliest and most important sacred sites built over the cave where, according to Christian tradition, Jesus was born. The original structure was commissioned in the 4th century (326-339 AD) by Emperor Constantine and his mother… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE23901 https://www.gravurdunyasi.com/img/seo/GKE23901/palestine-costumes-des-femmes-plate-19-palestinian-women-s-attire-1845.jpg Palestine - Costumes des Femmes (Plate 19) (Palestinian Women's Attire) Palestine - Costumes des Femmes (Plate 19) (Palestinian Women's Attire) — Vernier — 1845. This engraving typifies the "Palestinian women's attire" in 19th-century Western Orientalist literature. The engraving presents clothing, jewelry, and forms of veiling (beyond a literal reflection of ethnographic reality) in a schematic manner to illustrate the "cultural codes of the local population." The engraving depicts three distinct female… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24001 https://www.gravurdunyasi.com/img/seo/GKE24001/palestine-palais-des-soudans-a-gaza-plate-67-sudanese-palace-pasha-s-1845.jpg Palestine - Palais des Soudans a Gaza (Plate 67) (Sudanese Palace (Pasha's Palace - Qasr al-Basha) in Gaza) Palestine - Palais des Soudans a Gaza (Plate 67) (Sudanese Palace (Pasha's Palace - Qasr al-Basha) in Gaza) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the Pasha's Palace (Qasr al-Basha). Located in the al-Daraj neighborhood of Gaza's Old City, the Pasha's Palace was one of the most important administrative structures built during the Mamluk period (13th century). Throughout history, the palace has been known by various names, including the Gaza Governor's Mansion, the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24101 https://www.gravurdunyasi.com/img/seo/GKE24101/palestine-ruines-d-ascalon-plate-61-ruins-of-ascalon-1845.jpg Palestine - Ruines d’Ascalon (Plate 61) (Ruins of Ascalon) Palestine - Ruines d’Ascalon (Plate 61) (Ruins of Ascalon) — Leon Gaucherel (1816-1886) — 1845. This engraving shows the ruins of Ascalon (Askelon). Located 13 km from the present-day Israel-Gaza border on the Mediterranean coast, Ascalon was one of the most important ports of ancient Philistia. From the 2nd millennium BC onward, it served as a strategic city throughout the Egyptian, Phoenician, Persian, Hellenistic, Roman, Byzantine… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24201 https://www.gravurdunyasi.com/img/seo/GKE24201/palestine-mosquee-erigee-a-hebron-sur-l-emplacement-du-tombeau-du-1845.jpg Palestine - Mosquee erigee a Hebron sur l’emplacement du Tombeau du Patriarche Abraham (Plate 56) (Mosque erected in Hebron on the site of the Tomb of the Patriarch Abraham) Palestine - Mosquee erigee a Hebron sur l’emplacement du Tombeau du Patriarche Abraham (Plate 56) (Mosque erected in Hebron on the site of the Tomb of the Patriarch Abraham) — 1845. This engraving depicts the "Makpelah Cave" (also known as the Cave of the Double Tombs, the Cave of the Patriarchs, or Me'arat al-Makhpela) and the Haram al-Khalil Mosque (Al-Khalil Mosque) in the city of Hebron, located in the modern-day West Bank. This sacred site is believed to depict the cave where Abraham, Isaac, Jacob, and their wives are… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24301 https://www.gravurdunyasi.com/img/seo/GKE24301/palestine-chretiens-de-bethleem-plate-60-bethlehem-christians-1845.jpg Palestine - Chretiens de Bethleem (Plate 60) (Bethlehem Christians) Palestine - Chretiens de Bethleem (Plate 60) (Bethlehem Christians) — Vernier — 1845. This engraving depicts the everyday dress of local Christians in Bethlehem. Bethlehem, a city where Latin Catholic, Greek Orthodox, and Armenian Apostolic communities lived together, was one of the few settlements in the 18th and 19th centuries where the everyday dress codes of different denominational traditions could be observed side by side in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24401 https://www.gravurdunyasi.com/img/seo/GKE24401/palestine-bethlem-plate-59-1845.jpg Palestine - Bethlem (Plate 59) Palestine - Bethlem (Plate 59) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the topographical settlement, including the remains of city walls, ramparts, and stone houses, of Bethlehem, located in the West Bank, approximately 10 km south of Jerusalem, at the beginning of the 19th century. Located south of the Judean Hills, Bethlehem is considered the birthplace of Jesus Christ according to Christian… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24501 https://www.gravurdunyasi.com/img/seo/GKE24501/palestine-eglise-de-bethleem-plate-43-church-of-bethlehem-church-of-1845.jpg Palestine - Eglise de Bethleem (Plate 43) (Church of Bethlehem-Church of the Nativity) Palestine - Eglise de Bethleem (Plate 43) (Church of Bethlehem-Church of the Nativity) — 1845. This engraving depicts the interior of the Church of the Nativity in Bethlehem, a place of significance in Christian history. The basilica, whose initial construction phase dates to the reign of Emperor Constantine and his mother Helena (4th century AD), was almost entirely rebuilt in the 6th century during the reign of Emperor Justinian. Most of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24601 https://www.gravurdunyasi.com/img/seo/GKE24601/palestine-plan-de-l-eglise-de-bethleem-plate-44-plan-of-the-church-of-1845.jpg Palestine - Plan de l’Eglise de Bethleem (Plate 44) (Plan of the Church of Bethlehem-Church of the Nativity) Palestine - Plan de l’Eglise de Bethleem (Plate 44) (Plan of the Church of Bethlehem-Church of the Nativity) — 1845. Ground plan showing the basilical layout of the Church of the Nativity, with its nave, transept, and apse. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24701 https://www.gravurdunyasi.com/img/seo/GKE24701/palestine-couvent-de-la-nativite-a-bethleem-plate-45-convent-of-the-1845.jpg Palestine - Couvent de la Nativite a Bethleem (Plate 45) (Convent of the Nativity in Bethlehem) Palestine - Couvent de la Nativite a Bethleem (Plate 45) (Convent of the Nativity in Bethlehem) — 1845. This engraving depicts the interior of the Church of the Nativity in Bethlehem, one of Christianity's holiest sites. Built in the 4th century AD by Emperor Constantine and his mother Helena, and later extensively renovated during the reign of Emperor Justinian in the 6th century, this sacred complex was built over the cave traditionally believed… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24801 https://www.gravurdunyasi.com/img/seo/GKE24801/palestine-jerusalem-plate-46-1845.jpg Palestine - Jerusalem (Plate 46) Palestine - Jerusalem (Plate 46) — 1845. This engraving depicts a detailed, bird's-eye panoramic view of Jerusalem from a high vantage point in the early 19th century. The most striking elements in the engraving are the Dome of the Rock, located at the center of the Jerusalem skyline, and the domes of the Al-Aqsa Mosque, visible immediately adjacent to it. These two structures are among… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE24901 https://www.gravurdunyasi.com/img/seo/GKE24901/palestine-entree-de-l-eglise-du-saint-sepulcre-a-jerusalem-plate-47-1845.jpg Palestine - Entree de l’Eglise du Saint-Sepulcre a Jerusalem (Plate 47) (Entrance to the Church of the Holy Sepulcher in Jerusalem) Palestine - Entree de l’Eglise du Saint-Sepulcre a Jerusalem (Plate 47) (Entrance to the Church of the Holy Sepulcher in Jerusalem) — 1845. This engraving depicts the main entrance courtyard of the Church of the Holy Sepulchre in Jerusalem, one of Christianity's holiest structures. According to traditional Christian belief, this church, which houses the site of Jesus' crucifixion, burial, and resurrection, was built in the early 4th century during the reign of Emperor Constantine and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25001 https://www.gravurdunyasi.com/img/seo/GKE25001/palestine-vue-de-jerusalem-plate-53-view-of-jerusalem-1845.jpg Palestine - Vue de Jerusalem (Plate 53) (View of Jerusalem) Palestine - Vue de Jerusalem (Plate 53) (View of Jerusalem) — 1845. This engraving depicts the outer walls of 19th-century Jerusalem, and particularly the deep valleys in the southwestern part of Jerusalem, which have historically served as both a natural defensive line and an urban boundary. The steep cliffs and slopes in the foreground are a clear example of the natural geography specific to the area surrounding… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25101 https://www.gravurdunyasi.com/img/seo/GKE25101/palestine-rue-a-jerusalem-plate-55-street-in-jerusalem-1845.jpg Palestine - Rue a Jerusalem (Plate 55) (Street in Jerusalem) Palestine - Rue a Jerusalem (Plate 55) (Street in Jerusalem) — 1845. This engraving reflects the structural layout of Old Jerusalem, featuring vaulted, stone-arched passageways, narrow streets, and occasionally covered corridors, which are among its characteristic architectural features. Such street structures were shaped from the Middle Ages, considering both the city's defensive needs and the region's climatic… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25201 https://www.gravurdunyasi.com/img/seo/GKE25201/palestine-mosquee-de-david-sur-le-mont-sion-a-jerusalem-plate-57-1845.jpg Palestine - Mosquee de David sur le Mont Sion a Jerusalem (Plate 57) (Mosque of David on Mount Zion in Jerusalem) Palestine - Mosquee de David sur le Mont Sion a Jerusalem (Plate 57) (Mosque of David on Mount Zion in Jerusalem) — 1845. This engraving depicts the multi-layered sacred space on Mount Zion in Jerusalem, historically known as both the "Mosque of David" and the "Tomb of David." This structure holds profound historical and religious significance for the three major Abrahamic religions. In Judaism, it is recognized as the burial place of King David, in Christianity as… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25301 https://www.gravurdunyasi.com/img/seo/GKE25301/palestine-le-mont-thabor-plate-1-mount-tabor-1845.jpg Palestine - Le Mont Thabor (Plate 1) (Mount Tabor) Palestine - Le Mont Thabor (Plate 1) (Mount Tabor) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts Mount Tabor, located in the Galilee region of Israel. Mount Tabor is a natural elevation of great geographical and religious significance. This 588-meter-high conical mountain, dominating the Plain of Esdraelon, is one of the region's most prominent topographical features. In Christian tradition, Mount Tabor is considered… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25401 https://www.gravurdunyasi.com/img/seo/GKE25401/palestine-la-mer-morte-plate-2-the-dead-sea-1845.jpg Palestine - La Mer Morte (Plate 2) (The Dead Sea) Palestine - La Mer Morte (Plate 2) (The Dead Sea) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the Dead Sea, located on the Palestine-Jordan border. At approximately -430 meters, the lowest point on Earth below sea level, the Dead Sea has historically been a subject of both geographical and scientific curiosity due to its extreme salinity and high mineral density. Referred to as the Dead Sea in biblical tradition… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25501 https://www.gravurdunyasi.com/img/seo/GKE25501/palestine-mouton-a-large-queue-plate-3-broad-tailed-sheep-1845.jpg Palestine - Mouton a Large Queue (Plate 3) (Broad-tailed Sheep) Palestine - Mouton a Large Queue (Plate 3) (Broad-tailed Sheep) — Vernier — 1845. Illustration of a fat-tailed sheep, common in the Levant region. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25601 https://www.gravurdunyasi.com/img/seo/GKE25601/palestine-cedres-du-liban-plate-13-cedars-of-lebanon-1845.jpg Palestine - Cedres du Liban (Plate 13) (Cedars of Lebanon) Palestine - Cedres du Liban (Plate 13) (Cedars of Lebanon) — 1845. This engraving depicts a forest of Cedars of Lebanon. Cedars of Lebanon are one of the most powerful cultural symbols of the ancient Near East and are frequently mentioned in both the Old Testament and Mesopotamian inscriptions. Cedars were a valuable source of timber, used primarily for temple, palace, shipbuilding, and sacred architecture by the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25701 https://www.gravurdunyasi.com/img/seo/GKE25701/palestine-tiberias-plate-68-1845.jpg Palestine - Tiberias (Plate 68) Palestine - Tiberias (Plate 68) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the city of Tiberias, located on the shores of Lake Galilee, and the ruins of the Tiberias Citadel, one of its most prominent historical structures. Founded by Herod Antipas in the 1st century AD in the name of the Roman Emperor Tiberius, the city was an important settlement in both the Roman and Byzantine periods and became… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25801 https://www.gravurdunyasi.com/img/seo/GKE25801/palestine-jericho-plate-63-1845.jpg Palestine - Jericho (Plate 63) Palestine - Jericho (Plate 63) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the Jericho region, and specifically the steep limestone mountain range known as Mount of Temptation or Mount of Experience (dark mountains in ancient travel accounts), northwest of the Dead Sea. Jericho is considered one of the world's oldest continuously inhabited sites, both archaeologically and religiously. It holds a… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE25901 https://www.gravurdunyasi.com/img/seo/GKE25901/palestine-vallee-de-josaphat-plate-23-1845.jpg Palestine - Vallee de Josaphat (Plate 23) Palestine - Vallee de Josaphat (Plate 23) — 1845. This engraving depicts monumental rock tombs in the Valley of Jehoshaphat, located in the Kidron Valley, which lies between the Old City and the Mount of Olives, east of Jerusalem. A sacred site associated with the Day of Judgment in Jewish, Christian, and Islamic traditions, this valley has been home to magnificent funerary monuments since… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26001 https://www.gravurdunyasi.com/img/seo/GKE26001/palestine-plan-general-des-trois-piscines-de-salomon-plate-24-general-1845.jpg Palestine - Plan General des Trois Piscines de Salomon (Plate 24) (General Plan of the Solomon Pools) Palestine - Plan General des Trois Piscines de Salomon (Plate 24) (General Plan of the Solomon Pools) — Leon Gaucherel (1816-1886) — 1845. This engraving shows the schematic plan of three large ancient water reservoirs, known as the "Pools of Solomon," located southwest of Jerusalem between Bethlehem and the Etam Valley. These pools played a critical role in meeting Jerusalem's water needs from antiquity to the Ottoman period. While the pools are traditionally attributed to King… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26101 https://www.gravurdunyasi.com/img/seo/GKE26101/palestine-piscine-de-siloe-a-jerusalem-plate-25-the-entrance-stairs-1845.jpg Palestine - Piscine de Siloe a Jerusalem (Plate 25) (The Entrance Stairs to the Pool of Siloam in Jerusalem and the Ancient Passage Connecting to This Structure, the Tunnel of Hezekiah) Palestine - Piscine de Siloe a Jerusalem (Plate 25) (The Entrance Stairs to the Pool of Siloam in Jerusalem and the Ancient Passage Connecting to This Structure, the Tunnel of Hezekiah) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the entrance stairs to the Pool of Siloam in Jerusalem and the ancient passageway connecting it. The Pool of Siloam is a series of rock-cut pools located on the southern slopes of Wadi Hilweh, southeast of Jerusalem, outside the Old City walls. It is an important religious site in both Jewish and Christian traditions. It… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26201 https://www.gravurdunyasi.com/img/seo/GKE26201/palestine-monument-sepulcral-des-rois-de-juda-plate-26-sepulchral-1845.jpg Palestine - Monument Sepulcral des Rois de Juda (Plate 26) (Sepulchral Monument of the Kings of Judah) Palestine - Monument Sepulcral des Rois de Juda (Plate 26) (Sepulchral Monument of the Kings of Judah) — Cassas — 1845. This engraving depicts a monumental rock-cut tomb popularly known as the "Tombs of the Kings of Judah." This designation is a traditional, though historically inaccurate, term coined by Western travelers in the 18th and 19th centuries for the large-scale tombs they encountered in the region. In fact, this structure is associated with one of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26301 https://www.gravurdunyasi.com/img/seo/GKE26301/palestine-restauration-du-monument-sepulcral-des-rois-de-juda-plate-1845.jpg Palestine - Restauration du Monument Sepulcral des Rois de Juda (Plate 27) (Restoration of the Sepulchral Monument of the Kings of Judah) Palestine - Restauration du Monument Sepulcral des Rois de Juda (Plate 27) (Restoration of the Sepulchral Monument of the Kings of Judah) — Cassas — 1845. This engraving is an idealized reconstruction (restitution) depiction of the monumental rock-cut tomb popularly known as the "Tombs of the Kings of Judah." In reality, this necropolis in northwest Jerusalem is a richly decorated Jewish burial complex from the Second Temple period, known in modern literature as the "Tomb of the Kings - Kalfa Rock… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26401 https://www.gravurdunyasi.com/img/seo/GKE26401/palestine-tombeau-d-absalon-plate-29-1845.jpg Palestine - Tombeau d’Absalon (Plate 29) Palestine - Tombeau d’Absalon (Plate 29) — 1845. This engraving depicts the famous rock monument of Absalom (Yad Avshalom) in the Kidron Valley, east of Jerusalem. Although traditionally attributed to Absalom, son of King David, modern research indicates that this structure belonged to a wealthy aristocratic family of the Second Temple period, between the 1st century BC and the 1st century AD.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26501 https://www.gravurdunyasi.com/img/seo/GKE26501/palestine-plan-des-tombeaux-d-absalon-et-de-zacharie-plate-31-plan-of-1845.jpg Palestine - Plan des Tombeaux d’Absalon et de Zacharie (Plate 31) (Plan of the Tombs of Absalom and Zechariah) Palestine - Plan des Tombeaux d’Absalon et de Zacharie (Plate 31) (Plan of the Tombs of Absalom and Zechariah) — Cassas — 1845. This engraving depicts the plan of three successive rock-cut tombs in the Kidron Valley (Absalom's Tomb, Zechariah's Tomb, and the rock-cut tomb attributed to Jehoshaphat). Based on topographical surveys by 19th-century European travelers, this plan presents the locations of the tombs, their entrance records, the rock-cut piles, and a comparison… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26601 https://www.gravurdunyasi.com/img/seo/GKE26601/palestine-restauration-du-tombeau-de-josaphat-plate-32-restoration-of-1845.jpg Palestine - Restauration du Tombeau de Josaphat (Plate 32) (Restoration of the Tomb of Jehoshaphat) Palestine - Restauration du Tombeau de Josaphat (Plate 32) (Restoration of the Tomb of Jehoshaphat) — Cassas — 1845. This engraving is a reconstruction drawing of the monument known as the Tomb of Jehoshaphat. In reality, the rock-cut tomb in the Kidron Valley, popularly attributed to Jehoshaphat, has a plain façade, and the monumental sculptural groups and rich ornamentation seen in this engraving are absent from the existing structure. Consequently, this… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26701 https://www.gravurdunyasi.com/img/seo/GKE26701/palestine-vue-du-monument-appel-vulgairement-tombeau-de-josaphat-1845.jpg Palestine - Vue du Monument appelé vulgairement Tombeau de Josaphat (Plate 33) (View of the Monument Commonly Known as the Tomb of Jehoshaphat) Palestine - Vue du Monument appelé vulgairement Tombeau de Josaphat (Plate 33) (View of the Monument Commonly Known as the Tomb of Jehoshaphat) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts the mausoleum popularly known as the "Tomb of Jehoshaphat." However, this designation is historically inaccurate. King Jehoshaphat's burial place is unknown, and the designation is merely a conventional reference. The monument seen in the engraving is part of the ancient Jewish necropolis along the Kidron Valley, east of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26801 https://www.gravurdunyasi.com/img/seo/GKE26801/palestine-retraite-des-apotres-vallee-de-josaphat-plate-35-1845.jpg Palestine - Retraite des Apotres, Vallee de Josaphat (Plate 35) Palestine - Retraite des Apotres, Vallee de Josaphat (Plate 35) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts a rock-cut structure called the "Sanctuary of the Apostles," overlooking the Kidron Valley (historically known as the Valley of Josaphat) in eastern Jerusalem. Although the name "Sanctuary of the Apostles" is based on local tradition, modern archaeology has established a connection to the monumental tomb complexes of the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE26901 https://www.gravurdunyasi.com/img/seo/GKE26901/palestine-1-pressoir-2-3-4-5-6-instruments-aratoires-plate-18-press-1845.jpg Palestine - 1. Pressoir 2.3.4.5.6.– Instruments Aratoires (Plate 18) (Press-Agricultural implements) Palestine - 1. Pressoir 2.3.4.5.6.– Instruments Aratoires (Plate 18) (Press-Agricultural implements) — Leon Gaucherel (1816-1886) — 1845. This engraving depicts agricultural technologies and simple mechanical production tools specific to Palestine. The scene in the upper section depicts a primitive press system, referred to in the text as a "Pressoir," used to crush and process produce such as grapes or olives. Inside a rectangular chamber surrounded by stone walls, several people… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27001 https://www.gravurdunyasi.com/img/seo/GKE27001/palestine-monnaies-du-temps-des-machabees-plate-21-coins-from-the-1845.jpg Palestine - Monnaies du Temps des Machabees (Plate 21) (Coins from the Time of the Maccabees) Palestine - Monnaies du Temps des Machabees (Plate 21) (Coins from the Time of the Maccabees) — ??? — 1845. This engraving contains illustrations of coins from the Maccabean (Hashmonean) Dynasty, one of the most important political-religious periods in Jewish history. The Hasmonean State, established following the Maccabean Revolt against Seleucid rule in the 2nd century BC, developed a coinage tradition representing both religious independence and… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27101 https://www.gravurdunyasi.com/img/seo/GKE27101/palestine-bas-relief-de-l-arc-de-titus-plate-23-bas-relief-from-the-1845.jpg Palestine - Bas-relief de l’Arc de Titus (Plate 23) (Bas-relief from the Arch of Titus) Palestine - Bas-relief de l’Arc de Titus (Plate 23) (Bas-relief from the Arch of Titus) — Vernier — 1845. This engraving is a graphic reproduction of the relief on the Arch of Titus in Rome, depicting the triumphal procession following the Roman conquest of Jerusalem in 70 CE. This scene, symbolizing the Flavian dynasty's victory, reflects both the propagandistic power of Roman art and the monumental memory of one of the most devastating events in… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27201 https://www.gravurdunyasi.com/img/seo/GKE27201/syrie-ancienne-temple-du-soleil-a-baalbeck-plate-11-view-of-the-1848.jpg Syrie Ancienne - Temple du Soleil a Baalbeck (Plate 11) (View of the Temple of the Sun (Heliopolitan Jupiter) ruins in Baalbek, Lebanon) Syrie Ancienne - Temple du Soleil a Baalbeck (Plate 11) (View of the Temple of the Sun (Heliopolitan Jupiter) ruins in Baalbek, Lebanon) — 1848. This engraving depicts the ruins of the Temple of the Sun (Temple of Jupiter Helipolitanus), one of the most monumental architectural remains from the Roman period at the ancient city of Baalbek, located in modern-day Lebanon. Known in antiquity as Heliopolis, Baalbek was one of the most magnificent sacred centers of the Roman Empire in the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27301 https://www.gravurdunyasi.com/img/seo/GKE27301/syrie-ancienne-plan-general-du-temple-du-soleil-a-baalbeck-plate-10-1848.jpg Syrie Ancienne - Plan General du Temple du Soleil a Baalbeck (Plate 10) (Plan of the Temple of the Sun (Heliopolitan Jupiter) ruins in Baalbek, Lebanon) Syrie Ancienne - Plan General du Temple du Soleil a Baalbeck (Plate 10) (Plan of the Temple of the Sun (Heliopolitan Jupiter) ruins in Baalbek, Lebanon) — 1848. This engraving shows the general plan of the Temple of the Sun (Temple of Jupiter Helipolitanus), one of the most monumental architectural remains from the Roman period at the ancient city of Baalbek, located in modern-day Lebanon. Known in antiquity as Heliopolis, Baalbek was one of the most magnificent sacred centers of the Roman Empire in the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27401 https://www.gravurdunyasi.com/img/seo/GKE27401/syrie-ancienne-plan-et-elevation-du-temple-circulaire-a-baalbeck-1848.jpg Syrie Ancienne - Plan et Elevation du Temple Circulaire a Baalbeck (Plate 17) (Detailed Plan and Elevation of the Circular temple (Temple of Venus) in Baalbek) Syrie Ancienne - Plan et Elevation du Temple Circulaire a Baalbeck (Plate 17) (Detailed Plan and Elevation of the Circular temple (Temple of Venus) in Baalbek) — 1848. This engraving shows both the façade and ground plan of the circular temple (often identified as the Temple of Venus) in the ancient Baalbek complex. This temple, one of the most distinctive works of Roman architecture in the Eastern Mediterranean, is particularly notable for its circular plan, elegant column arrangement, and complex spatial… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27501 https://www.gravurdunyasi.com/img/seo/GKE27501/palestine-tombeau-de-zacharie-plate-30-tomb-of-zechariah-1845.jpg Palestine - Tombeau de Zacharie (Plate 30) (Tomb of Zechariah) Palestine - Tombeau de Zacharie (Plate 30) (Tomb of Zechariah) — Cassas — 1845. This engraving is an idealized depiction of the monumental tomb structure believed to belong to Zechariah, located in the Kidron Valley in Jerusalem. While the monument was actually carved from a single piece of rock, the engraving presents it as a more orderly, symmetrical, and monumental composition. The façade of this tomb combines… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27601 https://www.gravurdunyasi.com/img/seo/GKE27601/palestine-eglise-du-st-sepulcre-a-jerusalem-plate-40-church-of-the-1845.jpg Palestine - Eglise du St Sepulcre a Jerusalem (Plate 40) (Church of the Holy Sepulcher in Jerusalem) Palestine - Eglise du St Sepulcre a Jerusalem (Plate 40) (Church of the Holy Sepulcher in Jerusalem) — 1845. This engraving depicts the interior of the Church of the Holy Sepulchre, one of the holiest sites in the Christian world, alongside 19th-century pilgrimage practices and its multi-layered architectural texture. The focus of the engraving is on the paved courtyards and passages leading to the chapels near the site where Jesus is believed to have… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27701 https://www.gravurdunyasi.com/img/seo/GKE27701/palestine-chaire-de-la-mosquee-d-omar-a-jerusalem-plate-51-pulpit-of-1845.jpg Palestine - Chaire de la Mosquee d’Omar a Jerusalem (Plate 51) (Pulpit of the Mosque of Omar in Jerusalem) Palestine - Chaire de la Mosquee d’Omar a Jerusalem (Plate 51) (Pulpit of the Mosque of Omar in Jerusalem) — 1845. This engraving depicts the structure labeled "Munbar of the Mosque of Omar in Jerusalem." However, this designation, used by 18th- and 19th-century European travelers, reflects a historical tradition that associates the entire Haram al-Sharif with the Caliph Omar, not a single mosque in the modern sense. Therefore, the pulpit seen in the engraving… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27801 https://www.gravurdunyasi.com/img/seo/GKE27801/palestine-synagogue-a-jerusalem-plate-52-synagogue-in-jerusalem-1845.jpg Palestine - Synagogue a Jerusalem (Plate 52) (Synagogue in Jerusalem) Palestine - Synagogue a Jerusalem (Plate 52) (Synagogue in Jerusalem) — 1845. This engraving depicts in detail the interior of a Jewish synagogue in 19th-century Jerusalem. The scene in the drawing reflects in considerable detail the worship life, dress, and synagogue architecture of the Jewish community in Jerusalem during that period. The high, columned, and ornate platform seen in the center of the engraving, called the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE27901 https://www.gravurdunyasi.com/img/seo/GKE27901/palestine-ruines-de-l-eglise-des-sept-douleurs-a-jerusalem-plate-49-1845.jpg Palestine - Ruines de l’Eglise des Sept Douleurs a Jerusalem (Plate 49) (Ruins of the Church of the Seven Sorrows in Jerusalem) Palestine - Ruines de l’Eglise des Sept Douleurs a Jerusalem (Plate 49) (Ruins of the Church of the Seven Sorrows in Jerusalem) — Leon Gaucherel (1816-1886) — 1845. Ruins of a church attributed to the "Seven Sorrows" of Mary, symbolic of Christian grief and passion. The crumbling arches and tower evoke medieval crusader architecture. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28001 https://www.gravurdunyasi.com/img/seo/GKE28001/palestine-ruines-de-l-eglise-st-pierre-a-jerusalem-plate-48-ruins-of-1845.jpg Palestine - Ruines de l’Eglise St. Pierre a Jerusalem (Plate 48) (Ruins of St. Peter's Church in Jerusalem) Palestine - Ruines de l’Eglise St. Pierre a Jerusalem (Plate 48) (Ruins of St. Peter's Church in Jerusalem) — Leon Gaucherel (1816-1886) — 1845. Remains of the Church of St. Peter, dedicated to the apostle Peter. The tall tower and partial arches reflect the Gothic influences from Crusader periods. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28101 https://www.gravurdunyasi.com/img/seo/GKE28101/palestine-plan-de-l-eglise-du-st-sepulchre-plate-42-plan-of-the-1845.jpg Palestine - Plan de l’Eglise du St.Sepulchre (Plate 42) (Plan of the Church of the Holy Sepulchre) Palestine - Plan de l’Eglise du St.Sepulchre (Plate 42) (Plan of the Church of the Holy Sepulchre) — 1845. This engraving shows the architectural plan of the Church of the Holy Sepulchre in Jerusalem. The Church of the Holy Sepulchre is one of the holiest sites in the Christian world, housing the Golgotha ​​Hill where Jesus was crucified and the tomb where he is believed to have been buried and resurrected within the same complex. The plan drawn in the… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28201 https://www.gravurdunyasi.com/img/seo/GKE28201/palestine-plan-du-temple-construit-par-herode-plate-22-plan-of-the-1845.jpg Palestine - Plan du Temple Construit par Herode (Plate 22) (Plan of the Temple Built by Herod) Palestine - Plan du Temple Construit par Herode (Plate 22) (Plan of the Temple Built by Herod) — 1845. This engraving schematically depicts the architectural layout of the Temple of Jerusalem (Second Temple), renovated by Herod. Herod's massive rebuilding project, initiated in the 20s BC, both expanded the Temple Mount, one of the most important places of worship in Jewish history, and transformed it into an architecturally magnificent complex.… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28301 https://www.gravurdunyasi.com/img/seo/GKE28301/palestine-monument-sepulcral-taille-dans-le-roc-pres-de-jerusalem-1845.jpg Palestine - Monument Sepulcral Taille Dans le Roc, Pres de Jerusalem (Plate 34) (Rock-Hewn Sepulchral Monument, Near Jerusalem) Palestine - Monument Sepulcral Taille Dans le Roc, Pres de Jerusalem (Plate 34) (Rock-Hewn Sepulchral Monument, Near Jerusalem) — Leon Gaucherel (1816-1886) — 1845. This engraving is a typical example of the rock-cut tomb architecture frequently encountered around Jerusalem. In antiquity, Jewish, Roman, and early Christian communities, in particular, used multi-chambered tomb structures carved into valley slopes or natural rock surfaces. The monument depicted in the engraving is an idealized representation of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28401 https://www.gravurdunyasi.com/img/seo/GKE28401/panoramic-view-of-batoum-showing-the-line-of-coast-1877.jpg Panoramic View of Batoum, Showing the Line of Coast Panoramic View of Batoum, Showing the Line of Coast — 1877. This two-part panoramic engraving, published in the May 12, 1877, issue of The Illustrated London News, depicts a panoramic view of the coastline and hinterland of Batumi (present-day Batumi/Georgia), one of the Ottoman Empire's most strategic ports during the Russo-Turkish War (1877-1878), located on the southeastern Black Sea. By the outbreak of… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28501 https://www.gravurdunyasi.com/img/seo/GKE28501/the-war-cape-kalaghra-bay-of-varna-in-the-black-sea-1877.jpg The War: Cape Kalaghra, Bay of Varna, in the Black Sea The War: Cape Kalaghra, Bay of Varna, in the Black Sea — 1877. This engraving, published in the May 12, 1877, issue of The Illustrated London News, depicts the rough Black Sea waves and steep rock formations around Cape Kalaghra (present-day Cape Kaliagra, Bulgaria), located on the eastern shore of the Gulf of Varna. During the Russo-Turkish War of 1877, the Black Sea became a critical operational area for… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28601 https://www.gravurdunyasi.com/img/seo/GKE28601/byzantine-imperial-coat-of-arms-double-headed-eagle-1628.jpg Byzantine Imperial Coat of Arms (Double-Headed Eagle) Byzantine Imperial Coat of Arms (Double-Headed Eagle) — Sebastian Munster (1489-1552) — 1628. This woodcut depicts the Byzantine Imperial Coat of Arms, the double-headed eagle, frequently used in 16th-century early modern European history texts. The page containing the engraving appears alongside a full-figured portrait of Constantine XI Palaiologos (Konstantin Dragases) in the same work. This context demonstrates that the double-headed… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28701 https://www.gravurdunyasi.com/img/seo/GKE28701/tartare-du-cherasan-prince-inminiens-1839.jpg Tartare du Cherasan - Prince Inminiens Tartare du Cherasan - Prince Inminiens — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28801 https://www.gravurdunyasi.com/img/seo/GKE28801/ispahan-1839.jpg Ispahan Ispahan — Juluen Leopold Boilly (1796 - 1874) — 1839. Wide-perspective view of Isfahan with its mosques, domes, and central square. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE28901 https://www.gravurdunyasi.com/img/seo/GKE28901/temple-de-cans-ouati-1839.jpg Temple de Cans-Ouati Temple de Cans-Ouati — Juluen Leopold Boilly (1796 - 1874) — 1839. Depicts the ruins of the Cans-Ouati temple in North Africa, showing architectural remains and local figures. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29001 https://www.gravurdunyasi.com/img/seo/GKE29001/ruines-du-temple-de-jupiter-ammon-1839.jpg Ruines du Temple de Jupiter-Ammon Ruines du Temple de Jupiter-Ammon — Juluen Leopold Boilly (1796 - 1874) — 1839. Represents the ruins of the ancient sanctuary dedicated to Jupiter-Ammon, emphasizing monumental desert archaeology. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29101 https://www.gravurdunyasi.com/img/seo/GKE29101/une-princesse-abyssine-1839.jpg Une Princesse Abyssine Une Princesse Abyssine — Juluen Leopold Boilly (1796 - 1874) — 1839. A stylized depiction of an Abyssinian (Ethiopian) princess with attendants. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29201 https://www.gravurdunyasi.com/img/seo/GKE29201/famille-de-la-tribu-d-hazorta-1839.jpg Famille de la Tribu d’Hazorta Famille de la Tribu d’Hazorta — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29301 https://www.gravurdunyasi.com/img/seo/GKE29301/kasr-el-zian-dans-la-grande-oasis-1839.jpg Kasr-el-Zian, dans la Grande Oasis Kasr-el-Zian, dans la Grande Oasis — Juluen Leopold Boilly (1796 - 1874) — 1839. Qasr al-Zayan is an ancient temple located in the Kharga oasis in Egypt. It was dedicated to the Theban triad of Amun, Mut, and Khonsu. The temple was built during the Greek period and expanded and decorated during the reign of Roman Emperor Antoninus Pius in 140 AD. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29401 https://www.gravurdunyasi.com/img/seo/GKE29401/necropole-pres-khargeh-1839.jpg Necropole pres Khargeh Necropole pres Khargeh — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29501 https://www.gravurdunyasi.com/img/seo/GKE29501/pont-de-teri-en-gherval-grass-rope-bridge-at-teree-gurwall-1839.jpg Pont de Teri en Gherval (Grass Rope Bridge at Teree, Gurwall) Pont de Teri en Gherval (Grass Rope Bridge at Teree, Gurwall) — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29601 https://www.gravurdunyasi.com/img/seo/GKE29601/herdouar-haridwar-or-hurdwar-a-place-of-hindoo-pilgrimage-1839.jpg Herdouar (Haridwar or Hurdwar, a Place of Hindoo Pilgrimage) Herdouar (Haridwar or Hurdwar, a Place of Hindoo Pilgrimage) — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29701 https://www.gravurdunyasi.com/img/seo/GKE29701/el-ouiche-1839.jpg El Ouiche El Ouiche — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29801 https://www.gravurdunyasi.com/img/seo/GKE29801/mousa-1839.jpg Mousa Mousa — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE29901 https://www.gravurdunyasi.com/img/seo/GKE29901/une-favorite-du-sultan-de-bornou-1839.jpg Une Favorite du Sultan de Bornou Une Favorite du Sultan de Bornou — Juluen Leopold Boilly (1796 - 1874) — 1839. Depicts a noblewoman of the Bornu Empire accompanied by a servant, illustrating Saharan court culture. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30001 https://www.gravurdunyasi.com/img/seo/GKE30001/lancier-du-sultan-de-begharmi-1839.jpg Lancier du Sultan de Begharmi Lancier du Sultan de Begharmi — Juluen Leopold Boilly (1796 - 1874) — 1839. Shows a fully armored cavalry lancer of the Bagirmi Sultanate, with distinctive chain-mail horse armor. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30101 https://www.gravurdunyasi.com/img/seo/GKE30101/cafres-caffres-fighting-with-the-kirri-1839.jpg Cafres (Caffres Fighting With the Kirri) Cafres (Caffres Fighting With the Kirri) — Juluen Leopold Boilly (1796 - 1874) — 1839. Ethnographic illustration of South African groups traditionally referred to as “Cafres.” https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30201 https://www.gravurdunyasi.com/img/seo/GKE30201/troupes-d-autruches-et-de-couaggas-pres-des-monts-korril-1839.jpg Troupes d’Autruches et de Couaggas pres des Monts Korril Troupes d’Autruches et de Couaggas pres des Monts Korril — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30301 https://www.gravurdunyasi.com/img/seo/GKE30301/tombeaux-antiques-a-cyrene-1839.jpg Tombeaux Antiques a Cyrene Tombeaux Antiques a Cyrene — Juluen Leopold Boilly (1796 - 1874) — 1839. Illustrates rock-cut tombs of the ancient Greek city Cyrene in Libya. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30401 https://www.gravurdunyasi.com/img/seo/GKE30401/ruines-de-tombeaux-antiques-a-ptolometa-exercices-d-arabes-1839.jpg Ruines de Tombeaux Antiques a Ptolometa - Exercices d’Arabes Ruines de Tombeaux Antiques a Ptolometa - Exercices d’Arabes — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30501 https://www.gravurdunyasi.com/img/seo/GKE30501/palais-d-ete-du-roi-de-perse-pres-teheran-1839.jpg Palais d’ete du Roi de Perse pres Teheran Palais d’ete du Roi de Perse pres Teheran — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30601 https://www.gravurdunyasi.com/img/seo/GKE30601/sultanieh-soltaniyeh-iran-1839.jpg Sultanieh (Soltaniyeh, Iran) Sultanieh (Soltaniyeh, Iran) — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30701 https://www.gravurdunyasi.com/img/seo/GKE30701/forteresse-de-morzouk-1839.jpg Forteresse de Morzouk Forteresse de Morzouk — Juluen Leopold Boilly (1796 - 1874) — 1839. Murzuq Castle is a historical castle located in the Murzuq District of the Fezzan region of Libya. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30801 https://www.gravurdunyasi.com/img/seo/GKE30801/le-mont-kesa-sur-le-kouarra-1839.jpg Le Mont Kesa sur le Kouarra Le Mont Kesa sur le Kouarra — Juluen Leopold Boilly (1796 - 1874) — 1839 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE30901 https://www.gravurdunyasi.com/img/seo/GKE30901/missionnaire-de-la-nouvelle-zelande-avec-sa-suite-misionera-de-nueva-1836.jpg Missionnaire de la Nouvelle Zelande avec sa Suite - Misionera de Nueva Zelanda con su Comitiva (Missionary of New Zealand with his Retinue) Missionnaire de la Nouvelle Zelande avec sa Suite - Misionera de Nueva Zelanda con su Comitiva (Missionary of New Zealand with his Retinue) — Louis Auguste de Sainson (1800-1874) — 1836. Depicts a missionary accompanied by indigenous people, illustrating early European contact in New Zealand. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31001 https://www.gravurdunyasi.com/img/seo/GKE31001/scene-de-deuil-a-la-nouvelle-zelande-escena-de-luto-en-nueva-zelanda-1836.jpg Scene de Deuil a la Nouvelle Zelande - Escena de Luto en Nueva Zelanda (Mourning Scene in New Zealand) Scene de Deuil a la Nouvelle Zelande - Escena de Luto en Nueva Zelanda (Mourning Scene in New Zealand) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31101 https://www.gravurdunyasi.com/img/seo/GKE31101/funerailles-d-un-ariki-funerales-de-un-ariki-1836.jpg Funerailles d’un Ariki - Funerales de un Ariki Funerailles d’un Ariki - Funerales de un Ariki — Louis Auguste de Sainson (1800-1874) — 1836. Carried funeral scene of a high-ranking Māori chief (Ariki). This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31201 https://www.gravurdunyasi.com/img/seo/GKE31201/le-schooner-entoure-de-pirogues-zelandaises-el-schooner-rodeado-de-1836.jpg Le Schooner Entoure de Pirogues Zelandaises - El Schooner Rodeado de Piraguas Zelandesas (European Sailing Ship Surrounded by New Zealand (Maori) Boats) Le Schooner Entoure de Pirogues Zelandaises - El Schooner Rodeado de Piraguas Zelandesas (European Sailing Ship Surrounded by New Zealand (Maori) Boats) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31301 https://www.gravurdunyasi.com/img/seo/GKE31301/cases-a-l-anse-de-l-astrolabe-casillas-en-la-ensenada-del-astrolabio-1836.jpg Cases a l’Anse de l’Astrolabe - Casillas en la Ensenada del Astrolabio (Maori Village at Astrolabe Bay) Cases a l’Anse de l’Astrolabe - Casillas en la Ensenada del Astrolabio (Maori Village at Astrolabe Bay) — Louis Auguste de Sainson (1800-1874) — 1836. Maori settlement composed of traditional whare (houses) at Astrolabe Bay. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31401 https://www.gravurdunyasi.com/img/seo/GKE31401/riviere-de-la-nouvelle-zelande-torrentera-en-la-nueva-zelanda-1836.jpg Riviere de la Nouvelle Zelande - Torrentera en la Nueva Zelanda Riviere de la Nouvelle Zelande - Torrentera en la Nueva Zelanda — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31501 https://www.gravurdunyasi.com/img/seo/GKE31501/jeunes-filles-de-la-nouvelle-zelande-1836.jpg Jeunes Filles de la Nouvelle Zelande Jeunes Filles de la Nouvelle Zelande — Louis Auguste de Sainson (1800-1874) — 1836. Portrait of Maori young women with naturalistic facial features and attire. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31601 https://www.gravurdunyasi.com/img/seo/GKE31601/toupe-koupa-a-maori-man-s-face-completely-covered-in-moko-1836.jpg Toupe Koupa (A Maori Man's Face Completely Covered in Moko) Toupe Koupa (A Maori Man's Face Completely Covered in Moko) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31701 https://www.gravurdunyasi.com/img/seo/GKE31701/salut-shongui-des-nouveaux-zelandais-salutacion-shomgui-nuevos-1836.jpg Salut (Shongui) des Nouveaux-Zelandais - Salutacion (Shomgui) Nuevos Zelandeses (Maori Greeting (Hongi - Nose Greeting)) Salut (Shongui) des Nouveaux-Zelandais - Salutacion (Shomgui) Nuevos Zelandeses (Maori Greeting (Hongi - Nose Greeting)) — Louis Auguste de Sainson (1800-1874) — 1836. Depicts the Māori greeting “hongi,” symbolizing unity by touching noses. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31801 https://www.gravurdunyasi.com/img/seo/GKE31801/sacrifice-humain-a-la-nouvelle-zelande-sacrificio-humano-en-nueva-1836.jpg Sacrifice Humain a la Nouvelle Zelande - Sacrificio Humano en Nueva Zelanda (Human Sacrifice in New Zealand) Sacrifice Humain a la Nouvelle Zelande - Sacrificio Humano en Nueva Zelanda (Human Sacrifice in New Zealand) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE31901 https://www.gravurdunyasi.com/img/seo/GKE31901/ceremonie-d-un-bapteme-zelandais-ceremonia-de-un-bautismo-zelandes-1836.jpg Ceremonie d’un Bapteme Zelandais - Ceremonia de un Bautismo Zelandes (Maori Baptism Ceremony) Ceremonie d’un Bapteme Zelandais - Ceremonia de un Bautismo Zelandes (Maori Baptism Ceremony) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32001 https://www.gravurdunyasi.com/img/seo/GKE32001/operation-du-tatouage-a-la-nouvelle-zelande-tattooing-moko-process-in-1836.jpg Operation du Tatouage a la Nouvelle Zelande (Tattooing (Moko) Process in New Zealand) Operation du Tatouage a la Nouvelle Zelande (Tattooing (Moko) Process in New Zealand) — Louis Auguste de Sainson (1800-1874) — 1836. Scene showing Maori moko tattooing, a sacred and painful rite of identity. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32101 https://www.gravurdunyasi.com/img/seo/GKE32101/flotte-de-guerre-de-la-nouvelle-zelande-flota-de-guerra-en-nueva-1836.jpg Flotte de Guerre de la Nouvelle Zelande - Flota de Guerra en Nueva Zelanda (New Zealand Battle Squadron) Flotte de Guerre de la Nouvelle Zelande - Flota de Guerra en Nueva Zelanda (New Zealand Battle Squadron) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32201 https://www.gravurdunyasi.com/img/seo/GKE32201/pirogue-de-guerre-de-la-nouvelle-z-lande-piragua-de-guerre-de-nueva-1836.jpg Pirogue de Guerre de la Nouvelle Zélande - Piragua de Guerre de Nueva Zelanda (War Canoe of New Zealand) Pirogue de Guerre de la Nouvelle Zélande - Piragua de Guerre de Nueva Zelanda (War Canoe of New Zealand) — Louis Auguste de Sainson (1800-1874) — 1836. Detailed image of a Maori war canoe, showing carving and structure. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32301 https://www.gravurdunyasi.com/img/seo/GKE32301/personnages-taboues-personajes-pintados-1836.jpg Personnages Taboues - Personajes Pintados Personnages Taboues - Personajes Pintados — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32401 https://www.gravurdunyasi.com/img/seo/GKE32401/idoles-armes-ustensiles-instruments-de-la-nouvelle-zelande-idolos-1836.jpg Idoles, Armes, Ustensiles, Instruments de la Nouvelle Zelande - Idolos, Armas, Utensilios, Instrumentos de Nueva Zelanda (New Zealand Carvings Idols, Traditional Weapons and Items of Daily Use) Idoles, Armes, Ustensiles, Instruments de la Nouvelle Zelande - Idolos, Armas, Utensilios, Instrumentos de Nueva Zelanda (New Zealand Carvings Idols, Traditional Weapons and Items of Daily Use) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32501 https://www.gravurdunyasi.com/img/seo/GKE32501/enlevement-du-boyd-par-les-nouvelles-zelandaises-robo-del-boyd-por-1836.jpg Enlevement du Boyd par les Nouvelles-Zelandaises - Robo del Boyd por los Nuevos Zelandeses Enlevement du Boyd par les Nouvelles-Zelandaises - Robo del Boyd por los Nuevos Zelandeses — Louis Auguste de Sainson (1800-1874) — 1836. This engraving depicts the famous "Boyd Affair" of 1809. In 1809, the Whangaroa Maori attacked and burned the visiting ship Boyd in revenge for the brutal treatment of one of their chiefs. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32601 https://www.gravurdunyasi.com/img/seo/GKE32601/shonnguy-touai-new-zealand-chiefs-chongui-and-touai-1836.jpg Shonnguy - Touai (New Zealand Chiefs Chongui and Touai) Shonnguy - Touai (New Zealand Chiefs Chongui and Touai) — Louis Auguste de Sainson (1800-1874) — 1836. Gulf Islands chief Tuai stands in right profile, holding a rifle with a bayonet, looking down at Hongi Hika, who holds a taiaha in his left hand with his head bowed. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32701 https://www.gravurdunyasi.com/img/seo/GKE32701/vue-de-la-baie-des-iles-vista-de-la-bahia-de-las-islas-view-of-the-1836.jpg Vue de la Baie des Iles - Vista de la Bahia de las Islas (View of the Bay of Islands and Kororareka Beach) Vue de la Baie des Iles - Vista de la Bahia de las Islas (View of the Bay of Islands and Kororareka Beach) — Louis Auguste de Sainson (1800-1874) — 1836. This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32801 https://www.gravurdunyasi.com/img/seo/GKE32801/cases-sculptees-des-chefs-nouvelle-zelande-casas-con-esculturas-de-1836.jpg Cases Sculptees des Chefs (Nouvelle Zelande) - Casas Con Esculturas de Los Jefes (Nueva Zelanda) Cases Sculptees des Chefs (Nouvelle Zelande) - Casas Con Esculturas de Los Jefes (Nueva Zelanda) — Louis Auguste de Sainson (1800-1874) — 1836. Shows elaborately carved Māori meeting houses (wharenui). This engraving was made by the French artist Louis Auguste de Saison during the explorer Dumont d'Urville's voyage to New Zealand. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE32901 https://www.gravurdunyasi.com/img/seo/GKE32901/le-dieu-amida-1834.jpg Le Dieu Amida Le Dieu Amida — Louis Auguste de Sainson (1800-1874) — 1834. The engraving depicts a dog-headed man on horseback, representing the god Amida, and several people below him, one offering an offering and another kneeling in prayer. The statue is likely made of wood or metal and was placed on an altar in a temple. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33001 https://www.gravurdunyasi.com/img/seo/GKE33001/le-dieu-canon-fils-d-amida-1834.jpg Le Dieu Canon Fils d’Amida Le Dieu Canon Fils d’Amida — Louis Auguste de Sainson (1800-1874) — 1834. The engraving depicts the bodhisattva of compassion known as Kannon (Guanyin) in the Buddhist pantheon. The depiction of this figure as the "son of Amida" stems from the tendency of 17th- and 18th-century European travelers and engravers to interpret Japanese religious concepts through Western theological frameworks. In Buddhist tradition, Kannon… https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33101 https://www.gravurdunyasi.com/img/seo/GKE33101/babirousas-male-et-femelle-sapi-outang-1834.jpg Babirousas Male et Femelle - Sapi Outang Babirousas Male et Femelle - Sapi Outang — Louis Auguste de Sainson (1800-1874) — 1834. Depicts male and female babirusa in their natural tropical habitat. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33201 https://www.gravurdunyasi.com/img/seo/GKE33201/promenade-sur-le-lac-de-tondano-paseo-sobre-el-lago-de-tondano-1834.jpg Promenade sur le Lac de Tondano - Paseo Sobre el Lago de Tondano Promenade sur le Lac de Tondano - Paseo Sobre el Lago de Tondano — Louis Auguste de Sainson (1800-1874) — 1834. Shows local inhabitants navigating canoes on Lake Tondano in a volcanic landscape. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33301 https://www.gravurdunyasi.com/img/seo/GKE33301/hangar-a-pirogues-cobertizo-para-piraguas-1834.jpg Hangar a Pirogues - Cobertizo Para Piraguas Hangar a Pirogues - Cobertizo Para Piraguas — Louis Auguste de Sainson (1800-1874) — 1834. Shows a canoe hangar used for the storage and protection of pirogues in tropical environments. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33401 https://www.gravurdunyasi.com/img/seo/GKE33401/mariner-a-vavas-marinero-en-vavas-1834.jpg Mariner a Vavas - Marinero en Vavas Mariner a Vavas - Marinero en Vavas — Louis Auguste de Sainson (1800-1874) — 1834. Ethnographic portrait showing a local man with traditional spear and attire. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33501 https://www.gravurdunyasi.com/img/seo/GKE33501/cession-du-territoire-de-matavai-aux-missionnaires-par-les-taitiens-1834.jpg Cession du Territoire de Matavai aux Missionnaires par les Taitiens (The Tahitian Abbot's Handover of the Matavai District to British Missionaries (Captain Wilson)) Cession du Territoire de Matavai aux Missionnaires par les Taitiens (The Tahitian Abbot's Handover of the Matavai District to British Missionaries (Captain Wilson)) — Louis Auguste de Sainson (1800-1874) — 1834. Depicts the ceremonial transfer of Matavai territory to European missionaries. https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33601 https://www.gravurdunyasi.com/img/seo/GKE33601/prise-de-la-redoute-stockade-principale-capture-of-the-main-fortress-1834.jpg Prise de la Redoute (Stockade) Principale (Capture of the Main Fortress of Rangoon in Burma in the First Anglo-Burmese War) Prise de la Redoute (Stockade) Principale (Capture of the Main Fortress of Rangoon in Burma in the First Anglo-Burmese War) — Louis Auguste de Sainson (1800-1874) — 1834 https://www.gravurdunyasi.com/hakkimizda.html https://www.gravurdunyasi.com/antiqueprint/GKE33701 https://www.gravurdunyasi.com/img/seo/GKE33701/combat-de-dillon-contre-les-vitiens-captain-peter-dillon-and-his-men-1834.jpg Combat de Dillon Contre les Vitiens (Captain Peter Dillon and His Men Fight the Natives of Viti Levu (Fiji)) Combat de Dillon Contre les Vitiens (Captain Peter Dillon and His Men Fight the Natives of Viti Levu (Fiji)) — Louis Auguste de Sainson (1800-1874) — 1834 https://www.gravurdunyasi.com/hakkimizda.html