GRAVÜR DÜNYASI
Digital Engraving Library
Architektur (Maurische und Arabische Baukunst - Moorish and Arabian Architecture) 1. Moschee el-Mojed in Kairo (El-Mojed Mosque in Cairo) 2. Saal der Abencerragen in der Alhambra bei Granada (Hall of the Abencerrages in the Alhambra at Granada) 3. Löwenhof in der Alhambra (Court of the Lions in the Alhambra) 4.-7. Ornamente aus der Alhambra (Ornaments from the Alhambra) 8. Ornamente aus der Kirche zu Kurte-Ardschisch (Ornament from the Church at Kurte-Ardschisch) -  - 1875
GMS22701
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Architektur (Maurische und Arabische Baukunst - Moorish and Arabian Architecture) 1. Moschee el-Mojed in Kairo (El-Mojed Mosque in Cairo) 2. Saal der Abencerragen in der Alhambra bei Granada (Hall of the Abencerrages in the Alhambra at Granada) 3. Löwenhof in der Alhambra (Court of the Lions in the Alhambra) 4.-7. Ornamente aus der Alhambra (Ornaments from the Alhambra) 8. Ornamente aus der Kirche zu Kurte-Ardschisch (Ornament from the Church at Kurte-Ardschisch)

Date1875
TechniqueSteel Engraving
CategoryArchitecture And Design
SourceBilder-Atlas: Ikonographische Encyklopädie der Wissenschaften und Künste ; ein Ergänzungswerk zu jedem Conversations-Lexikon ; 500 Taf. in Stahlstich, Holzschnitt u. Lithographie ; in 8 Bd.. 5 by bearb. von Karl Gustav Berneck … - Druck und Verlag von F. A. Brockhaus in Leipzig

Description

This engraving depicts the most important examples of the Moorish architectural style that developed in Andalusia. It depicts in detail both the geometric elegance of Islamic decorative art and the formal richness of the arch, column, and vault systems. The three main scenes in the upper section represent the architectural diversity of the Muslim Andalusian civilization in Spain (8th–15th centuries): The image on the left depicts the courtyard of the Great Mosque of Cordoba. With its horseshoe arches, palm-trunk columns, shady courtyard, and interior resembling a forest of columns, this structure is considered the pinnacle of Umayyad architecture in the West. The image in the middle shows one of the courtyards of the Alhambra Palace in Granada, probably the Patio de los Leones (Courtyard of the Lions). Slender columns, stalactite-shaped muqarnas decorations, and walls adorned with Arabic script bands reflect the elegant aesthetics of the Nasrid dynasty (13th-15th centuries). The image on the right is also from an interior of the Alhambra, likely the Hall of the Ambassadors (Salon de Embajadores). The drawings in the lower section depict the arabesque, Kufic, muqarnas, and interlace patterns prominent in Islamic art. The geometric compositions are based on repetitive rhythms symbolizing the idea of ​​infinity. The column capitals seen in the engraving, derived from examples from both Cordoba and the Alhambra, present a perfect blend of vegetal decoration and structural function.