GRAVÜR DÜNYASI
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Attack And Defence - John Callcott Horsley (1817-1903) - 1878
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Attack And Defence

ArtistJohn Callcott Horsley (1817-1903)
EngraverLumb Stocks (1812-1892)
Date1878
TechniqueSteel Engraving
CategoryGenre (Social Life)
SourceThe Art Journal (London, Virtue & Co. Limited)

Description

This engraving, titled "Attack and Defense," was painted by John Callcott Horsley and molded by Lumb Stocks. The besieged building featured in the composition is Haddon Hall Castle, a former baronial residence and a significant example of English historical architecture. Rather than a true military siege, the setting is a masked entertainment and humorous "siege game" typical of 17th-century England. In one room of the castle, several beautiful young women, leaning out of their windows, borrow one of the gardener's ladders and energetically defend themselves against the attacks of cheerful knights who attempt to climb the castle. One lady knocks off the hat of a knight climbing the ladder with her fan, while another lady in the central window showers the attacking knights with bouquets of flowers. In the background, a young girl, looking on indifferently and holding a small King Charles spaniel, bears witness to the events. The lady in the center, judging by her attire, appears to be a servant, carrying a basket of flowers and providing ammunition for the defense. At the bottom of the composition, an old gardener, collaborating with the besieging army, is seen. He has abandoned his work and joined the attack. He has garden shears under his arm, while in the bag in front of him are a hammer, nails, and scraps of cloth used for the wall trees. He grips the climbing ladder tightly, expecting a suitable reward when the siege ends or the castle surrenders. From an opening in the wall below, an old woman gazes in astonishment at the strange encounter. She likely believes this event will provide her with employment, either before or after peace is restored. The din of the fighting has even shaken the dovecotes of Haddon Hall; the pigeons scatter in all directions, adding vibrancy to the painting. One of the engraving's striking aspects is its ironic reversal of the period's gender roles. Female figures, normally considered defenseless, are here depicted as active actors defending the castle. The women's use of fans as weapons and flowers as ammunition suggests that they are engaging in a playful power struggle with the men while maintaining a sense of elegance. The siege is here stripped of the brutality of war and transformed into a scene of social interaction, elegant banter, and the restructuring of social roles.