GRAVÜR DÜNYASI
Digital Engraving Library
| Artist | Govert Flinck (1615-1660) |
| Engraver | William French (1815-1898) |
| Date | 1840's |
| Technique | Etching-Mezzotint-Original Hand Colored |
| Category | Religion |
| Source | The Holy Bible containing the Old and New Testaments, The Rev H. Philip & The Rev J. Brown-Printed And Published By A.H.Payne, Leipzig & Dresden -James Hagger, Paternoster Row, London |
This engraving depicts Jacob deceitfully obtaining the sacred blessing of his firstborn, which belonged to Esau, from his father Isaac. This narrative is based on Genesis, chapter 27, verse 22 of the Old Testament. The event took place under the guidance of Jacob's mother, Rebekah. Isaac had grown old and blind. Realizing his imminent death, Isaac summoned his firstborn son, Esau, and requested a special meal of venison before blessing him. Believing that God had chosen Jacob, Rebekah seized the opportunity to dress Jacob like Esau. Because Esau had hairy arms, she covered them with goatskin and sent him to his father. The engraving depicts the dramatic moment when a young and timid Jacob kneels before Isaac, trying to discern his son's identity through Isaac's hands. Isaac hesitates, saying, “The voice is Jacob’s, but the hands are Esau’s hands,” but finally blesses Jacob, thinking he is blessing his elder son Esau. This scene is not merely a family intrigue, but a confluence of divine plan and destiny shaped by human will. Rebekah's presence in the background suggests that she is the guiding figure behind this event. Through this act, Jacob not only vindicates Esau but also assumes the mission of being the ancestor of the Israelites. Details in the engraving, such as Isaac's old age, Jacob's uneasiness, and Rebekah's worried gaze, successfully convey the emotional intensity of the event.
