| Artist | Adriaen Van Der Werff (1659-1722) |
| Engraver | Nicolas de Launay (1739-1792) |
| Date | 1772 |
| Technique | Copper Engraving |
| Category | Religion |
This engraving is based on a striking passage from the Old Testament book of Genesis, chapter 19, verses 30 to 38. This scene, rich in symbolic and dramatic elements in terms of religious iconography, depicts Lot, who, after God's destruction of Sodom and Gomorrah, took refuge in a cave with his daughters, where he became intoxicated and unknowingly engaged in sexual intercourse with his own daughters. This event is considered a reflection of moral decline in the scriptures and dramatically illustrates the consequences of both individual and societal decay. In the artist's depiction, Lot is seen unconsciously lying between his daughters, one offering him a drink, and the other preparing for sexual intercourse. The body language and gazes of the figures in the scene convey both dramatic intensity and a moral questioning. Symbols such as wine jars, spilled grapes, and nakedness symbolize both material desires and the loss of reason. The motivation of Lot's daughters is justified by the desire to ensure the continuation of the human race, but this suggests a profound moral confusion within the religious texts.